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Now to Him
Not classified
545
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274
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130
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80
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61
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60
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22
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13
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12
1 Piano, 4 hands
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7
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2
2 Pianos, 4 hands
2
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1
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1
Piano (band part)
1
Piano Quartet: piano, 2 violins, cello
1
+ 12 instrumentations
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36
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31
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21
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217
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40
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18
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13
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8
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8
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3
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1
Choral SSAB, Piano
1
+ 15 instrumentations
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64
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42
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39
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34
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31
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24
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24
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21
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18
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18
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17
Clarinet Ensemble
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16
Baritone Saxophone, Piano
16
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English horn, Piano
12
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11
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Bass Clarinet, Piano
10
Tenor Saxophone
9
3 Clarinets (trio)
9
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9
Oboe, Bassoon (duet)
7
Saxophone, Clarinet (duet)
7
Recorder Quartet
6
2 Oboes (duet)
6
Clarinet, Violin (duet)
5
Clarinet Quintet: 5 clarinets
5
Flute Quintet : 5 flutes
5
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5 Recorders
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3
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3
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3
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2
Flute (band part)
2
Oboe, Clarinet (duet)
2
Flute Trio: 3 flutes
2
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2
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2
Piccolo, Piano
2
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1
Flute, Oboe, Bassoon
1
2 Clarinets, Bassoon
1
Recorder
1
Treble (Alto) Recorder
1
Treble (Alto) Recorder, Basso continuo
1
Flute, Clarinet and Bassoon.
1
Flute, Oboe, Clarinet (trio)
1
Flute, Bassoon, and Piano
1
Oboe, Flute
1
Oboe, Guitar (duet)
1
+ 58 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
42
Trombone and Piano
41
French Horn and Piano
38
Brass quartet : 2 trumpets, trombone, tuba
35
Tuba
34
Trombone
29
Trumpet, Piano
23
Trumpet
22
French horn
21
Euphonium, Piano (duet)
17
Brass Quartet: 2 trumpets, horn, trombone
14
English horn, Piano
12
2 Trombones (duet)
10
Trombone ensemble
8
2 Trumpets (duet)
8
Tuba and Piano
7
Trumpet (band part)
6
Trombone (band part)
5
Trumpet, Saxophone (duet)
5
Brass Quartet: 4 trombones
4
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3
Trumpet ensemble
3
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2
Brass Quartet
2
Tuba (band part)
2
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2
Brass Quartet: 4 horns
2
Tuba ensemble
1
Bass Trombone and Piano
1
Trumpet, Trombone, Piano
1
2 Euphoniums (duet)
1
3 Trombones (trio)
1
+ 28 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
92
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62
Cello, Piano
45
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32
Cello
32
String Trio: violin, viola, cello
27
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23
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22
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21
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19
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17
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13
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12
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9
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9
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8
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6
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5
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1
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1
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1
Viola, Cello (duet)
1
Viola, Guitar (duet)
1
Cello (band part)
1
Viola and Harp
1
+ 36 instrumentations
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Concert band
115
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52
Handbells
44
String Orchestra
31
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23
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10
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9
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1
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1
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Now to Him
Brass ensemble
Sheetmusic to print
23 sheet music found
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1
Eg veit i himmerik ei borg (I know a castle in heaven)
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Brass ensemble
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INTERMEDIATE
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Nick Walkley
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Eg veit i himmerik ei borg
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Nick Walkley
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages....
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Brass Ensemble - Level 3 - Digital Download SKU: A0.940770 Composed by Nick Walkley. Christian,Concert,Contemporary,Spiritual. Score and parts. 31 pages. Nick Walkley #3422709. Published by Nick Walkley (A0.940770). This is a meditative arrangement of a well known Norwegian hymn. The arrangement sets three verses of the melody 'bookended' by a mirrored introduction and coda. It was originally written for trumpet sextet and performed by the cornet section of the Band of the Welsh Guards, before being expanded to military (wind) and brass band formats.In the hymn, one sings of a hopeful final journey to a place without worry or sorrow. The arrangement reflects the mood of these three verses, with increaing tension and movement through ascending lines as the journey progresses towards a final resting place. The hymn is regularly used at funerals and memorial services. The text was originally old German and translated to Norwegian by Bernt Støyland in 1905. Translated to English, the text reads as:I know a castle in heaven above,shining as bright as the sun;you'll find no sin nor sorrow there,and never a tear is shed. I am a weary traveller;may my path lead mefrom here to my Father's land;God, bless me on my way. We thank you for eternityGod the Father, one in three.For you are gentle and mild to us in Jesus Christ! Amen. Note to conductors:The opening and closing sections require precision in the start and release of notes for the chord progression to function. Attention to detail should be paid to each individual crescendi, diminuendi and articulation. This is excellent training for even the best of bands!An optional vocal part is provided in both Norwegian and English, but the arrangement functions with or without it. Cues are written for important lines should players be missing, otherwise many of the parts are doubled across the band. Therefore this arrangement should be playable by bands from approximately 2nd/3rd division upwards even if some players are missing.
$20.00
Oom-pah-pah
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Brass ensemble
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INTERMEDIATE
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Contemporary
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Lionel Bart
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Kevin P Holdgate
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Oom-pah-pah
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.790937 Composed by Lionel Bart. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 13 pages...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.790937 Composed by Lionel Bart. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 13 pages. Kevin P Holdgate #4320249. Published by Kevin P Holdgate (A0.790937). The Versatile Brass Sextet CollectionSuitable for players of all levels (Includes treble clef parts for trombone and Eb bass plus Eb Horn)Suitable as a light concert item, singalong or as part of a Beer Keller SetOom-Pah-Pah is a lively and somewhat risqué show tune with music and lyrics by Lionel Bart and appearing in the musical Oliver!, when it is sung by Nancy and the crowd at the Three Cripples tavern. The word oom-pah-pah is seemingly used euphemistically to refer to both intoxication and fornication; however, as the song points out, the word's meaning is only as dirty as the listener interprets it. Although not an original music hall song, it recalls that genre well and, in terms of both its tempo and suggestiveness, shares characteristics with such late 19th century songs as Ta-ra-ra Boom-de-ay.In the stage musical, the song opens Act II and does not contribute to the storyline. For the 1968 film version, it was moved to near the end and given a dramatic purpose. Sikes has refused to let Nancy take Oliver out of the pub and, unknown to him, to Mr Brownlow and rescue. He orders Bullseye to guard Oliver while he immerses himself in discussion with Fagin. So Nancy starts the song and gradually works the pub crowd into a raucous singalong, hoping their noise will drown out Bullseye's barking long enough for her to get Oliver away.
$12.99
Dance of the Tumblers (Dance of the Clowns)
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Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Nikolai Rimsky-Korsakov
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F
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Dance of the Tumblers
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patrioti...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808695 Composed by Nikolai Rimsky-Korsakov (1844-1908). Arranged by F. Leslie Smith. Holiday,Patriotic,Romantic Period. Score and parts. 44 pages. Sweetwater Brass Press #4819845. Published by Sweetwater Brass Press (A0.808695).   Nikolai Rimsky-Korsakov composed his third opera, The Snow Maiden, during the period 1880-1881. Based on Alexander Ostrovsky’s play of the same name, The Snow Maiden uses fairy-tale characters to portray the opposing forces of nature, winter versus summer. Act 3 contains the Dance of the Skomorokhi. Skomorokhi were traveling performers in old Russia and, in connection with this composition, the term is usually translated as tumblers or clowns. Rimsky-Korsakov also included this selection as one of four movements he compiled into a concert suite based on the opera. Dance of the Tumblers has become one of his most frequently performed and best known pieces.  Light and uplifting, Dance of the Tumblers is vibrant, energetic and addictive. It takes the form of, as one commenter wrote, a classical sonata-structure, complete with development section, invigoratingly intensified reprise, and a veritable whirlwind of a coda. This brass quintet arrangement retains the original key signature of C but adjusts register to make the melodies accessible and playable. As a result, most notes are well within the normal playing range of the five brass instruments. Trumpet 1’s highest note is its A above the staff. At measures 132 and 133, Trumpet 2 has the option of playing some high notes (including one C above its staff) an octave down. Tuba plays mostly in the lowest register, with quite a few low F notes and one low E. Most instruments have some octave jumps, but all have a lot of notes to play in a very short time: many, many sixteenth notes. The score is marked Vivace, and the audio sample moves along at a pretty fast clip. But of course, the speed at which performers actually play the piece is up to them, a matter of interpretation.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$14.95
M'appari tutt' amor (“Mostly Martha”)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Friedrich von Flotow
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F
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period....
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
Alexander’s Ragtime Band
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Irving Berlin
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F
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patrio...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
Hello! Ma Baby
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Joseph E
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F
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Hello! Ma Baby
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Sc...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangement’s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00
The Duality of Cats
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Contemporary
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Groc...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00
Ewald: Quintet No. 2 for Brass Instruments
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Brass ensemble
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Classical
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 2 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. ...
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Brass Ensemble - Digital Download SKU: A0.768515 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 172 pages. KVAMusic Edition #5730965. Published by KVAMusic Edition (A0.768515). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
Ewald: Quintet No. 3 for Brass Instruments
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Brass ensemble
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Classical
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Victor Ewald
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Edited by Roar Kvam
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Ewald: Quintet No. 3 for Brass
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KVAMusic Edition
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. ...
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Brass Ensemble - Digital Download SKU: A0.768517 Composed by Victor Ewald. Arranged by Edited by Roar Kvam. Romantic Period. Score and parts. 166 pages. KVAMusic Edition #5730969. Published by KVAMusic Edition (A0.768517). Victor Ewald 27 November 1860 - 16 April 1935 Ewald was a Russian composer of music, mainly for conical brass instruments. He was born in Saint Petersburg and died in Leningrad. He also collected and published Russian folk songs. Ewald’s professional life, like that of many of his musical contemporaries, was in an entirely different field; that of a civil engineer, in which he excelled, being appointed in 1900 as professor and manager of the Faculty of Construction Materials at the Institute of Civil Engineers. Brass players however are indebted to him for something very different – a series of quintets which have become a staple of the repertoire and which represent almost the only, and certainly the most extended examples of original literature in the Romantic style. Ewald’s formal musical training began in 1872 when he enrolled at the St Petersburg Conservatory at the age of twelve. Founded in 1861 by Anton Rubenstein, this institution was the first of its kind in Russia and it was here that Ewald received lessons in cornet, piano, horn, cello, harmony and composition.As an adult he worked alongside fellow musical nationalists known collectively as the Mighty Handful-Borodin, Mily Balakirev, CeÌsar Cui, Modest Mussorgsky and the most famous of all, Nicolai Rimsky-Korsakov. All of these men had day jobs in non-musical fields. Ewald’s contributions as a composer reflected an abiding love for brass instruments for which he wrote his quintets scored originally for two cornets, alto horn, baritone horn and tuba. I've edited these four quartets using Ewald's original instrumentation, but there are also separate substitute parts for the modern brass quintet (2 trumpets, horn in F, trombone and tuba).
$28.00
House Of The Rising Sun
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Brass ensemble
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Contemporary
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Eric Burdon and Eric Victor Bu
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Phil Lawrence
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House Of The Rising Sun
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Phillip Lawrence
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.883786 Composed by Eric Burdon and Eric Victor Burdon. Arranged by Phil Lawrence. Contemporary. Score and parts...
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Brass Ensemble - Digital Download SKU: A0.883786 Composed by Eric Burdon and Eric Victor Burdon. Arranged by Phil Lawrence. Contemporary. Score and parts. 64 pages. Phillip Lawrence #5287377. Published by Phillip Lawrence (A0.883786). The idea for this arrangement was given to me by an old friend who played in BR Edge Hill band with when we were kids, Christine Humphreys and to do it for bass trombone, the more I looked at it thinking of Eric Burdon’s voice from The Animals with his first verse nearly too low for him to scrape the lower notes and then the later verses near to top of his register suited. The Animals though in A minor, so for BT I dropped it to Ab minor a real shall we say juicy register for bass trombone plus the added attraction of setting it in the lower octave pedal area to show the instrument off. There aren’t may Bass Trom solos in the rep, so now we add one more!An interview with Eric Burdon revealed that he first heard the song at a club in Newcastle, England, where it was performed by Northumberland folk singer Johnny Handle.The Animals were on tour with Chuck Berry and chose him because they wanted to sing something different. The Animals version moves the narrative from the initial point of view of a woman drawn into a life of decline to that of a man whose father is a gambler and a drunk, rather than the adorable person of the previous versions.
$29.99
Hope Prevails
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Brass ensemble
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His Own Hand - 4:26 in length:
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galacti...
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Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
Canzon per Sonar Septimi Toni a 8 for 8-part Brass Ensemble
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Brass ensemble
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ADVANCED
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Giovanni Gabrieli
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Damiano Drei
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Canzon per Sonar Septimi Toni
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792751 Composed by Giovanni Gabrieli. Arranged by Damiano Drei. Baroque,Classical,Renaissance. Score ...
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792751 Composed by Giovanni Gabrieli. Arranged by Damiano Drei. Baroque,Classical,Renaissance. Score and parts. 35 pages. Gordon Cherry #6222417. Published by Gordon Cherry (A0.792751). Giovanni Gabrieli's Canzon per sonar septimi toni à 8 (Ch. 171) is an instrumental work in 8 parts (2 choirs antiphonal) composed in 1597 as part of a collection of 45 motets titled Sacrae Symphoniae. These works were performed in St. Marks Basilica after Gabrieli returned to Venice to become the principal organist there and propelled him to become recognized as one of Europe's leading composers.The instrumental works of the Sacrae Symphoniae have been cherished by brass performers for many years now. This new arrangement by Damiano Drei has been carefully edited for modern instruments with minimal changes and includes substitute parts to allow the performance of this glorious work by 8 or more advanced performers.Instrumentation is for: 4 Trumpets in B-flat, Horn in F, 2 Trombones and Tuba. Alternate parts are written for Horns in F and Trombone).
$27.50
Danse Macabre (Brass Band Version)
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Brass ensemble
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Classical
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Halloween
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Camille Saint-Saens
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Kevin P Holdgate
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Danse Macabre
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.790955 Composed by Camille Saint-Saens. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 74 pages. ...
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Brass Ensemble - Digital Download SKU: A0.790955 Composed by Camille Saint-Saens. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 74 pages. Kevin P Holdgate #4338385. Published by Kevin P Holdgate (A0.790955). The Versatile Brass Classical CollectionThis is the Full Brass Band ArrangementI did this arrangement originally for Versatile Brass, which we played on a number of concerts. This is not an arrangement for the 'faint of heart'. It is difficult, because the piece is difficult... but what a magnificent piece of music it is. According to legend, Death appears at midnight every year on Halloween. Death calls forth the dead from their graves to dance for him while he plays his fiddle (here represented by the trumpets). His skeletons dance for him until the rooster crows at dawn, when they must return to their graves until the next year.The original piece opens with a playing a single note, D, played twelve times on the Harp, in my arrangement this is played by Tuba and Tubular Bell (the twelve strokes of midnight). The trumpet enters playing the tritone, which was known as the diabolus in musica (the Devil in music). Out of interest in the original, the solo violin plays this, during the Medieval and Baroque eras, consisting of an A and an Eâ™-in an example of scordatura tuning, the violinist's E string was actually been tuned down to an Eâ™ to create the dissonant tritone., no need for such alterations here.
$39.99
Haydn: Divertimento No. 26, Trio for 2 French Horns & Bass Trombone
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Brass ensemble
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INTERMEDIATE
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Classical
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Franz Joseph Haydn
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James M
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Bass Trombone
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Haydn: Divertimento No. 26, Tr
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jmsgu3
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.552140 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standard...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.552140 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 26 pages. Jmsgu3 #6204961. Published by jmsgu3 (A0.552140). Divertimento 26 in three movements in G major. Scored for French Horn Duo & Bass Trombone.Originally scored for Baryton, Viola & Cello.1. Presto assai2. Andante3. Menuetto: AllegrettoDuration: 9:15Score: 14 pagesFranz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.
$32.95
Haydn: Divertimento No. 30 for French Horn Duo & Bass Trombone
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Brass ensemble
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INTERMEDIATE
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Classical
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Franz Joseph Haydn
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James M
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Cello
I
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Haydn: Divertimento No. 30 for
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jmsgu3
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.552157 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standard...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.552157 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 20 pages. Jmsgu3 #6237803. Published by jmsgu3 (A0.552157). Divertimento No. 30 Hob. XI No. 30 in three movements for 2 French Horns in F and Bass Trombone. Originally scored for Baryton, Viola & CelloI. Adagio cantabileII. Minuett - AllegrettoIII. Fine - Allegro assaiScore: 11 pages. Duration: 7:40Franz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.
$32.95
Haydn: Divertimento No. 31 for French Horn Duo & Bass Trombone
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Brass ensemble
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INTERMEDIATE
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Classical
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Franz Joseph Haydn
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James M
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Haydn: Divertimento No. 31 for
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jmsgu3
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.552163 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standard...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.552163 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 22 pages. Jmsgu3 #6252049. Published by jmsgu3 (A0.552163). Divertimento No. 31 Hob. XI:31 originally scored for Baryton, Viola & Cello in Three Movements:I. Adagio cantabileII. Allegro di moltoII. MenuettoScore: 12 pages, Duration: 12:00Franz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.
$32.95
Haydn: Divertimento No. 74 for Brass Trio
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Brass ensemble
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INTERMEDIATE
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Classical
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Franz Joseph Haydn
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James M
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Haydn: Divertimento No. 74 for
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jmsgu3
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.552177 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standard...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.552177 Composed by Franz Joseph Haydn. Arranged by James M. Guthrie. Classical,Instructional,Standards,Wedding. Score and parts. 27 pages. Jmsgu3 #6255671. Published by jmsgu3 (A0.552177). Divertimento No. 74 originally scored for Baryton Trio.In three movements:1. Adagio2. Allegro3. Minuet: AllegrettoDuration: ca. 14:10, Score: 15 pages.Franz Josef Haydn was an Austrian composer who is best known for his work in the field of chamber music. He composed in a variety of musical forms, including divertimenti, trios and string quartets. He was a prolific composer who wrote over 100 pieces of chamber music and is believed to have been a major influence on the music of his students and contemporaries, including Mozart and Beethoven. Haydn's music is known for its balance and clarity in structure. His chamber works were known for their accessibility and elegance, with melodies that were often lighthearted and charming. His symphonies were well-crafted and often featured balanced melodic elements. Haydn composed many well-known divertimenti and trios, but his string quartets are what he is most celebrated for. He wrote some sixty to eighty string quartets, and these works were historically significant for expanding the limits of the genre and for their influence on the composers and musicians who followed him.
$32.95
Kingdom Coming (The Year of Jubilo)
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Henry Clay Work
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F
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Pa...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
Scherzo from Symphony No. 4 for 15-part Brass ensemble & Timpani
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Brass ensemble
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ADVANCED
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Classical
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Anton Bruckner
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Brennan Johns
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Scherzo from Symphony No. 4 fo
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - Digital Download SKU: A0.792534 Composed by Anton Bruckner. Arranged by Brennan Johns. 20th Century,Classical,Romantic Period....
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Brass Ensemble - Level 5 - Digital Download SKU: A0.792534 Composed by Anton Bruckner. Arranged by Brennan Johns. 20th Century,Classical,Romantic Period. Score and parts. 69 pages. Gordon Cherry #5008375. Published by Gordon Cherry (A0.792534). Symphony No. 4, also known by the composer himself as the Romantic was written in 1874, but revised several times and premiered in 1881 in Vienna. The subtitle actually does not refer to romantic love, but a medieval romance such as some of Wagner's operas.The movement titled Scherzo is full of adventure and vitality with a relaxed middle section. Bruckner himself hinted that the Scherzo movement was a Jadthema or hunting theme and Volkfest or people's festival. The hunting horns are calling, the brass are blowing their fanfares and it is a good day to be hunting. The main feeling from this movement is a strong feeling of the great outdoors.Mr. Johns has arranged this work for 14-part brass ensemble including optional Timpani.The instrumentation is: 4 Trumpets (including piccolo, C, B-flat and Flugelhorn) 4 Horns 4 Trombones, Euphonium and Tuba Timpani (optional)This work is suitable for advanced performers and is about 5 minutes in length.
$47.50
Holberg Suite
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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Edvard Grieg
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Jonathan Spencer
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Holberg Suite
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Jonathan Spencer
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1365329 Composed by Edvard Grieg. Arranged by Jonathan Spencer. 20th Century,Folk,Romantic Period. 11...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1365329 Composed by Edvard Grieg. Arranged by Jonathan Spencer. 20th Century,Folk,Romantic Period. 117 pages. Jonathan Spencer #949650. Published by Jonathan Spencer (A0.1365329). The Holberg Suite, Op. 40, more properly From Holberg's Time (Norwegian: Fra Holbergs tid), subtitled Suite in olden style (Norwegian: Suite i gammel stil), is a suite of five movements based on eighteenth-century dance forms, written by Edvard Grieg in 1884 to celebrate the 200th anniversary of the birth of Dano-Norwegian humanist playwright Ludvig Holberg (1684–1754).It exemplifies nineteenth-century music which makes use of musical styles and forms from the preceding century. Although not as famous as Grieg's incidental music from Peer Gynt, which is itself usually performed as arranged in a pair of suites, many critics regard the works as of equal merit.The Holberg Suite was originally composed for the piano, but a year later was adapted by Grieg himself for string orchestra. The suite consists of an introduction and a set of dances. It is an early essay in neoclassicism, an attempt to echo as much as was known in Grieg's time of the music of Holberg's era.This arrangement for brass is designed to make the suite playable but enjoyable to perform - it will challenge your brass players.
$34.99
Ricercare a6 - BMV 1079
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Brass ensemble
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INTERMEDIATE/ADVANCED
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Classical
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the time of Bach, distinctions
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Johann Sebastian Bach
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Rudy Volkmann
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Ricercare a6 - BMV 1079
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Rudy Volkmann
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SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1005603 Composed by Johann Sebastian Bach. Arranged by Rudy Volkmann. Baroque. Score and parts. 27 pa...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1005603 Composed by Johann Sebastian Bach. Arranged by Rudy Volkmann. Baroque. Score and parts. 27 pages. Rudy Volkmann #6015881. Published by Rudy Volkmann (A0.1005603). This is the only known six-voice fugue in music literature; and despite the title, Bach himself thought of it as such, often referring to it as his Prussian Fugue. By the time of Bach, distinctions had nearly disappeared between ricercari and fugues. Most organists, however, stick to the painfully slow tempi of ricercari in performance, and speeding it up a bit in this arrangement makes it much more accessible to players and listeners alike. The FINALE audio extract is a bit misleading, as there is no sound bank for flugelhorns; but you certainly get the drift. It's a bit of a haul; a C trumpet part has been included as a substitute for the Eb trumpet called for in the score. This piece would work well as a brass ensemble chart.
$45.00
The Huron Carol
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Brass ensemble
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INTERMEDIATE
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Canadian Traditional
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Andrew Wainwright
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The Huron Carol
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Andrew Wainwright
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.890758 Composed by Canadian Traditional. Arranged by Andrew Wainwright. Christian,Christmas. Score an...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.890758 Composed by Canadian Traditional. Arranged by Andrew Wainwright. Christian,Christmas. Score and parts. 26 pages. Andrew Wainwright #6639471. Published by Andrew Wainwright (A0.890758). A magical arrangement of the beautiful Canadian Christmas hymn (Canada's oldest Christmas song), which is also known as 'Twas in the Moon of Wintertime. 'In The Huron Carol, Andrew responds to the ethereal quality and wintery mood of Canada's oldest Christmas song, setting this beautifully simple tune in an ambiguous, Downie-Himes inspired landscape. The layering of texture is magical.' Paul Hindmarsh - Music critic*Please note video and audio are of the brass band version.
$39.99
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