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176
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175
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159
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155
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150
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149
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149
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144
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139
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119
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116
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38
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35
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11
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Viola ensemble
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Harp, Voice
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3 double basses
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4 Cellos
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String Quintet: 2 violins, viola, 2 cellos
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4 Double Basses
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Concert band
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Marching band
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21
Drums
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String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
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3
2 Xylophones
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Xylophone
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Marimba
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School Ensemble
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2 Marimbas
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There’ll Be Some Changes Made
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Ov…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808689 Composed by W. Benton Overstreet (1888-1935). Arranged by F. Leslie Smith. Graduation,Holiday,Jazz,Traditional. Score and parts. 30 pages. Sweetwater Brass Press #4331333. Published by Sweetwater Brass Press (A0.808689). William Benton Overstreet did it all-played piano, wrote songs, led bands. Probably the accomplishment for which he’s most remembered today is his composing of There’ll Be Some Changes Made, published in 1921. Billy Higgins, popular stage comedian, wrote the lyrics, and Ethel Waters, then just 24, recorded the song on the Black Swan label. The disc quickly achieved hit status, and the song has remained popular across multiple musical platform styles ever since. This arrangement is a happy, fun piece and includes some of the great (and familiar) Vaudeville-style ornaments and phrases. It’s a real toe-tapper. For the most part this arrangement is up-tempo, about 140 bpm. It does slow to 92 at the first iteration of the verse and again for the final ¬6 measures of the piece. Time signature is 4/4 except for measure 89, which is 6/4. The key is B-flat throughout, and the melody weaves among all instruments. Trumpet 1 plays B5 (B-flat trumpet’s high C) briefly at measures 4 and 35 and for two measures at the very end of the piece. Tuba plays G3 briefly several times in measures 90-93. Other than that, there are no exceptionally out-of-normal-range notes. Trumpets 1 and 2 may wish to double-tongue at measure 64. This arrangement was completed in 2019, and performance time runs about 3 minutes, 30 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$13.95
12.64 €
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Brass ensemble
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W
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There’ll Be Some Changes Made
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Sweetwater Brass Press
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SheetMusicPlus
St. Peter (In Christ There Is No East or West)
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808694 Composed by Alexander R. Reinagle (1799-1877). Arranged by F. Leslie Smith. Christian,Easter,Holiday,Sacred. Score and parts. 22 pages. Sweetwater Brass Press #4798569. Published by Sweetwater Brass Press (A0.808694). British composer Alexander Robert Reinagle wrote this melody about 1836 and named it after the church where he was organist, Oxford's St. Peter-in-the-East. First published as a musical setting for Psalm 118, it was adapted to John Newton’s How Sweet the Name of Jesus Sounds in 1861 and then to the hymn by John Oxenham (William A. Dunkerley), In Christ There Is No East or West, in the early 20th Century. While some sources specify that the St. Peter melody should be played without any festive fanfares, this brass quintet version does contain a few ceremonial flourishes. Most players will have little or no difficulty with this piece. The andante moderato tempo should be interpreted as somewhere in the vicinity of quarter note = 92. Most of the rhythm patterns involve quarter and eighth notes, with a few 16th-note passages scattered throughout. Trumpet 1’s highest note is its high A; tuba’s lowest is G below the staff. Otherwise, the music remains well within the normal playing range of all instruments. This arrangement was completed in 2019, and performance time runs about 4 minutes, 13 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.95
11.74 €
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Brass ensemble
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Alexander R
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St. Peter
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Sweetwater Brass Press
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SheetMusicPlus
(There's No Place Like) Home For The Holidays
Brass ensemble
Brass Ensemble - Level 2 - Digital Download SKU: A0.837129 By Perry Como. By Robert…
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Brass Ensemble - Level 2 - Digital Download SKU: A0.837129 By Perry Como. By Robert Allen. Arranged by R. R. Cardo. Jazz. Score and parts. 10 pages. SBQUSA. Publications #1919737. Published by SBQUSA. Publications (A0.837129). Another Old-Fashioned Christmas Song, changing up your program. Warm and Sentimental, also great to use with a singer. Check out all our CHRISTMAS arrangements (17 more CHRISTMAS titles, mostly pop/contemporary being sold at SMP) in full length audio) at this link:https://www.youtube.com/watch?v=8mT6cPE9DUs&list=PLEByq_Bp6yNpRyzXcRhrLMQdslH37u-S2
$12.99
11.77 €
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Brass ensemble
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Perry Como
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(There's No Place Like) Home For The Holidays
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SBQUSA. Publications
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SheetMusicPlus
(there'll Be Bluebirds Over) The White Cliffs Of Dover
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.791042 Composed by Walter Kent.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.791042 Composed by Walter Kent. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 5 pages. Kevin P Holdgate #4967009. Published by Kevin P Holdgate (A0.791042). Versatile Brass Old Time CollectionThe song was written about a year after the Royal Air Force and German aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union having yet joined the war, Britain was the only major power fighting the Axis powers in Europe (see The Darkest Hour). The American lyricist, Nat Burton, wrote his lyric unaware that the bluebird is not indigenous to Britain and asked Kent to set it to music. Notable phrases include Thumbs Up! which was an RAF and RCAF term for permission to go, and flying in those angry skies where the air war was taking place.The lyrics also looked towards a time when the war would be over and peace would rule over the iconic white cliffs, Britain's symbolic border with the European mainland.The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941.Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 February 1942 episode of the Fibber McGee and Molly Show. Ray Eberle and Tex Beneke also included it in their repertoire.This is a simple arrangement of the song playable by all levels of ensemble.
$19.99
18.12 €
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Brass ensemble
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Walter Kent
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(there'll Be Bluebirds Over) The White Cliffs Of Dover
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Kevin P Holdgate
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SheetMusicPlus
There'll Always Be An England
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.751019 Composed by Hughie Charl…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.751019 Composed by Hughie Charles and Russ Parker. Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 35 pages. BJE Music #6249495. Published by BJE Music (A0.751019). There'll Always Be an England is an English patriotic song, written and distributed in the summer of 1939, which became highly popular following the outbreak of the Second World War. It was composed and written by Ross Parker and Hughie Charles. A popular version was sung by Vera Lynn. It has been arranged here for the Brass Band or Ensemble with an optional Bass Guitar part. Percussion parts include Timpani and Drum Set. There are parts for both Horns in Eb and F, Trombones 1-2 TC and BC, Euphonium TC or BC, Basses in Eb, Bb, and C. The Audio has been recorded using NotePerformer 3. Grade = 3 Duration = 3:30 mins
$45.00
40.78 €
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Brass ensemble
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Hughie Charles and Russ Parker
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There'll Always Be An England
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BJE Music
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SheetMusicPlus
Bad Guy
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.873890 By Billie Eilish. By Bil…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.873890 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Petey C. Pop. Score and parts. 8 pages. Petey C. #6246937. Published by Petey C. (A0.873890). First of all, if you're considering purchasing this quartet, check out the store on my website https://peteyc.com/store to see what I have there. My arrangements there are cheaper and most of the revenue will go to the arranger (me) instead of sheet music plus.This is great for high school, university students and professionals. It's not too hard, but beginners beware, it's a bit beyond basic entry level horn playing. There are not a lot of horn arrangements out there like this one. This arrangement helps fill a niche for small ensemble in that horn quartet music typically lacks repertoire in most contemporary and jazz genres.If you're reading this in the future, this was one of the most popular songs of the year 2020! This arrangement is my take on it for quartet, semi-faithful to the original song with a bit of a jazzy twist. Score, parts and cover arts included. I hope someone out there tries this arrangement and has fun!
$12.99
11.77 €
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Brass ensemble
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Billie Eilish
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Bad Guy
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Petey C.
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SheetMusicPlus
Kingdom Coming (The Year of Jubilo)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay W…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicago’s Root & Cady published it in April of that year, Christy’s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestra’s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Trombone’s range is G at the bottom of the scale to D above the scale; Tuba’s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$9.97
9.03 €
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Brass ensemble
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Henry Clay Work
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Kingdom Coming
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Sweetwater Brass Press
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SheetMusicPlus
Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Sm…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712).   Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.  This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composer’s own The Eerie Night and Chopin’s Marche Funèbre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1’s highest is five A notes above its staff; Tuba’s lowest, G below the staff. There are no tricky rhythmic figures. It’s just a fun piece for Halloween . . . or any time of the year.  Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.2 €
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Brass ensemble
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F
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Gremlins, Trolls and Hobgoblins: A Scary Halloween Mashup
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Sweetwater Brass Press
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SheetMusicPlus
In the Evening by the Moonlight
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland.…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.817619 Composed by James Bland. Arranged by F. Leslie Smith. Folk,Spiritual,Traditional. Score and parts. 28 pages. Sweetwater Brass Press #424503. Published by Sweetwater Brass Press (A0.817619). James Alan Bland, composer of “In the Evening by the Moonlight,” was a prolific song writer. He is said to have created the words and music for more than 600 compositions. Born in 1854 to a free African American family in Flushing, New York, he made a name for himself as musician, composer and minstrel performer. Among his compositions were “Oh, Dem Golden Slippers,” “In the Morning in the Bright Light” and “De Golden Wedding.” His most famous song by far was “Carry Me Back to Old Virginny,” which the State of Virginia used as its official anthem for over 50 years. Bland, in keeping with his persona as a minstrel, wrote the lyrics to “In the Evening by the Moonlight” in dialect. Years passed and sensitivities changed, but the song’s poignant melody and basic sentiment survived. Latter day recordings, such as those by Bing Crosby and the Ray Charles Singers, dropped the dialect and objectionable terms. One of the most notable versions was by singer, pianist and civil rights activist Nina Simone, released in 1960 on the album Nina at Newport. This brass quintet version begins with the group instrumentally humming along under an eight-measure Horn in F introduction. The first statement of the melody initially takes the form of a partial call-and-response between a Trombone/Horn duo and Trumpet 1, then switches to an exchange between Trumpet 1 and Tuba. Next, the melody is repeated but in a rhythmic pattern reminiscent of the 1880 tune “Here Dem Bells”; Tuba plays counterpoint. Third time around, the melody is presented almost exactly as Bland wrote it and as Hitchcock’s Music Store published it in 1880. Finally, the tempo slows and the melody is presented as so many have sung it around campfires at YMCA, 4-H and other youth camps all over the country: softly and tenderly. The arrangement ends with a brief recapitulation of the introduction. There are no really difficult or tricky rhythms in this arrangement. Trumpet 1’s highest note, which occurs in Section D, is A above its staff; Tuba’s lowest, G below the staff. Otherwise, there are no exceptionally high or low notes. The piece opens in the key of F major then, about halfway through, changes to G major. Tempo opens with a suggested MM of 104, speeds up to 120, slows to 66, increases again to 122 and finally slows to 66. Completed in 2022, performance time runs about 4 minutes, 22 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.2 €
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Brass ensemble
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James Bland
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In the Evening by the Moonlight
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Sweetwater Brass Press
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SheetMusicPlus
House Of Fun
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.791165 By Madness. By Michael B…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.791165 By Madness. By Michael Barson. Arranged by Kevin P Holdgate. Oldies. Score and parts. 32 pages. Kevin P Holdgate #5333987. Published by Kevin P Holdgate (A0.791165). Versatile Brass 'Disco' CollectionDuring the 1980s Madness was one of the most successful groups out there. With their mix of humour and feel-good songs. Probably their biggest hit was House of Fun with the sax playing Lee Thompson and the trumpet of Chas Smash (Cathal 'Carl' Smyth).This arrangement is part of my 2020 summer programme and is a sure-fire way to get the audience clapping and singing along. Suitable for all levels of ensemble...
$24.99
22.65 €
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Brass ensemble
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Madness
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House Of Fun
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Kevin P Holdgate
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SheetMusicPlus
There's Something About That Name
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.868622 Composed by Bill Gaither…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.868622 Composed by Bill Gaither. Arranged by Dean Mounts. Contemporary. Score and parts. 35 pages. Mounts Mounts #5288735. Published by Mounts Mounts (A0.868622). This popular Bill Gaither praise song is scored for brass septet. Basic instrumentation is 2 Trumpets, 2 Horns in F, 2 Trombones and Tuba. Also provided are optional other brass parts which will allow playing with almost any combination of brass instruments. A good addition to your religious material. Playing time – 3:22.
$22.00
19.94 €
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Brass ensemble
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Bill Gaither
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There's Something About That Name
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Mounts Mounts
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SheetMusicPlus
The Shelling
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1019813 Composed by Luis Bernal…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1019813 Composed by Luis Bernal. Arranged by Luis Bernal. Contemporary,Film/TV,Patriotic,Video Game. Score and parts. 14 pages. Luis Bernal #5725875. Published by Luis Bernal (A0.1019813). Inspired in the script: 1. Act 1: The slaughter Oradour-sur-Glane, France, June 1944. Having been informed that a Waffen-SS commander has been captured by local members of the Resistance, an SS Panzer battalion is sent to the small village of Oradour in an alleged search for the kidnapped officer and Partisans’ weapons. At two o'clock on Saturday 10th, the midday calm is shattered by the appearance of German troops led by Major Diekmann at the southeastern entrance to the village. Soon after, all seven hundred villagers are assembled on the fairground. Women and children are herded and locked into the church, whereas men are marched in groups to nearby barns and crammed inside. While the village is being plundered, all men are machine-gunned by soldiers, and then the barns are set alight. A smoke bomb sets the church on fire too, and women and children trying to escape through the windows are mowed down as they make it outside. Marguerite is wounded on her way out, but she manages to hide in the bushes and stays there overnight until she is finally rescued the next afternoon. Then, she will face the aftermath: few of her fellow villagers have survived the slaughter… (Alfons Conde)
$7.99
7.24 €
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Brass ensemble
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Luis Bernal
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The Shelling
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Luis Bernal
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SheetMusicPlus
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
Brass ensemble
Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip …
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Brass Ensemble - Level 5 - Digital Download SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867). Genre: MarchLength: 2:48Instrumentation: Alto Saxophone and EuphoniumKing Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.The Composer:John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99
7.24 €
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Brass ensemble
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John Philip Sousa
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King Cotton by John Philip Sousa
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Alexander Burden
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SheetMusicPlus
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95
7.2 €
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Brass ensemble
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
M'appari tutt' amor (“Mostly Martha”)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich v…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
7.2 €
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Brass ensemble
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Friedrich von Flotow
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M'appari tutt' amor
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Sweetwater Brass Press
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SheetMusicPlus
Come, Ye Thankful People, Come (St. George’s, Windsor)
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arra…
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Brass Ensemble - Digital Download SKU: A0.808697 Composed by George Job Elvey. Arranged by F. Leslie Smith. Christmas,Holiday. Score and parts. 28 pages. Sweetwater Brass Press #4999815. Published by Sweetwater Brass Press (A0.808697).   Henry Alford (1810–1871), Church of England cleric and man of many talents, wrote the words for Come, Ye Thankful People, Come in 1844. Fourteen years later, Alford’s hymn was set to a melody composed by George J. Elvey (1816–1893). Elvey had named the tune St. George’s, Windsor after the chapel in Windsor, England, where he was organist. The first verse of the hymn rejoices in the harvest and calls for celebrants to Come to God's own temple, come; raise the song of harvest home! As such, the hymn gained popularity in the United States as a celebration of Thanksgiving.  In keeping with the song’s celebratory and triumphal nature, this arrangement uses a fanfare as the recurring motif. The fanfare opens the piece, followed by a rejoicing, exultant first statement of the melody. In the second statement, the fanfare figure returns and forms the structure for the section. The third statement is styled as a kind of rondo; the fourth and last, grandioso. The fourth statement also changes key twice--F to B-flat, then to E-flat--includes a walking bass part and ends with, again, the fanfare. The piece should be played Allegro moderato, about 120 bpm, and there are no really tricky rhythmic figures. Most notes are well within the normal range of the five instruments-Trombone’s highest are a couple of high F notes; Trumpet 1, high A notes. So most players will have little or no trouble.   This arrangement was completed in 2019, and performance time runs about 3 minutes, 44 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$6.95
6.3 €
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Brass ensemble
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George Job Elvey
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Come, Ye Thankful People, Come
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Sweetwater Brass Press
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SheetMusicPlus
Step In Time
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.862340 Composed by Richard M. S…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.862340 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Kevin P Holdgate. 20th Century,Broadway,Contest,Festival,Film/TV,Musical/Show. Score and parts. 45 pages. Kevin P Holdgate #468840. Published by Kevin P Holdgate (A0.862340). This is an arrangement with a tale to tell... A few years ago my wife and I were invited to attend a surprise 90th birthday party for the legendary brass band conductor James Scott. The party was held at Uppermill golf course in the heart of Saddleworth. Anyone familiar with the annual brass band festival that is the Whit Friday March contests will be familiar with the area and perhaps also with its somewhat damp climate. My wife and I decided that we would make a mini-break out of it and took our touring caravan to stay on a small farm site near Freisland (another Whit Friday venue). the weather was as predicted and it rained... and it rained... and then it rained some more to the extent that we had a family of ducks swimming around outside our caravan door. TV, and Internet connection in Saddleworth, in a caravan in the rain is virtually non-existent so we were well and truly stuck. We ventured out into nearby town of Oldham and eventually found a bookshop. Browsing through the music section I stumbled across a piano reduction of the show score to Mary Poppins. Contained in the score was a 32 bar, simple piano reduction of Step in Time... The rest, as they say, is history... This arrangement is not such a simple reduction. There are frequent changes of key, and time signatures throughout, but it has proven to be great fun to play and rehearse. Particularly with bands that are not the best 'sight readers'...
$29.99
27.18 €
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Brass ensemble
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Richard M
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Step In Time
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Kevin P Holdgate
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SheetMusicPlus
That's A Plenty (Trio: two Bb trumpets + tuba)
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.964581 Composed by Lew Pollack.…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.964581 Composed by Lew Pollack. Arranged by Betsy Bright. Concert,Graduation,Jazz,Ragtime. Score and parts. 10 pages. Bright Music Company #6247275. Published by Bright Music Company (A0.964581). This arrangement of the audience favorite, That’s A Plenty is scored for 2 Bb trumpets and tuba. It’s a reduced version of our brass quintet arrangement of this piece. Our edition of this piece has been reduced to under 2 minutes, making it perfect for education shows when you want some Dixieland, but you don’t have all day. There’s enough written-in-improv lines (inspired by the Louis Armstrong recordings) to make it feel right, but without requiring actual improvisation. And, as always, there’s ample rest for the trumpets! This piece is so painless to play that it could be put at the end of any recital, no matter how tiring, and everyone can get through this last piece while taking the audience out with some Dixieland fun.Check out our full brass quintet edition of this arrangement too!Duration: just under 2 minutes
$12.00
10.87 €
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Brass ensemble
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Lew Pollack
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That's A Plenty
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Bright Music Company
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SheetMusicPlus
SONG from Joseph Andrews of Henry Fielding
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.975886 Composed by Derrick Thom…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.975886 Composed by Derrick Thom. Lewis. 20th Century,Classical. Score and parts. 42 pages. Derrick Thom. Lewis #5985225. Published by Derrick Thom. Lewis (A0.975886). This is a tonal, classical style song in 6/8 rhythm at Andante, mostly, accompanied by Oboe, 3 Horns and Tuba. The lyric, by Henry Fielding (1723), is about the wooing of a young lovely, with attendant difficulties. Duration = 7 minutes 14 seconds. Besides the score and parts, there is also included a piano + vocal score. This can be used for performance (without the small ensemble), or for preparation for performance of the singer with the small wind-band. Note: the instrumental coda is a little shorter in the piano version, therefore the piano should not be used together with the wind-band.
$27.00
24.47 €
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Brass ensemble
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Derrick Thom
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SONG from Joseph Andrews of Henry Fielding
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Derrick Thom. Lewis
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SheetMusicPlus
The Duality of Cats
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Groc…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00
4.53 €
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Brass ensemble
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Hope Prevails
Brass ensemble
Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christi…
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Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
4.53 €
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Brass ensemble
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His Own Hand - 4:26 in length:
This movement reflects the desperation of the soul
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Once In Love With Amy
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.808698 Composed by Frank Loesse…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808698 Composed by Frank Loesser. Arranged by F. Leslie Smith. Contemporary. Score and parts. 26 pages. Sweetwater Brass Press #5290545. Published by Sweetwater Brass Press (A0.808698). Brandon Thomas’ three-act farce, Charley’s Aunt, opened in London in 1892 and was a huge success. It has since been performed and adapted many times. One such adaptation was Where’s Charley? a 1948 Broadway version with music and lyrics by Frank Loesser. Ray Bolger played the starring role as Charley, and its most memorable number was the second act’s Once In Love With Amy. Every night Bolger would perform the number, then turn to the audience and invite them to sing along with him. They loved it, and Bolger would continue to perform it as his signature act for years even after the play closed. The rhythmic and melodic nature of Once In Love With Amy seems to lend itself to performance by a brass group. And that’s what inspired this arrangement. All play the eight-measure introduction, while the verse-I caught you, sir, having a look at her as she went strolling by-features Trumpets, Horn and Trombone playing melody while tuba provides tempo and pulse. Then comes the familiar chorus, Once in love with Amy, always in love with Amy. The first time through, Tuba plays melody with the other instruments providing accompaniment. On the second time through, for the first half, Trombone and Tuba play an intricate counterpoint while Trumpets and Horn do a rather smooth swing version of the melody; for the second half, Trombone and Tuba take the melody and Trumpets provide the counterpoint. Then comes the surprise ending in which all three participate. Most players will have little trouble. The arrangement consists of 77 measures in 4/4 time. There are several tempo changes; the fastest is quarter note equals 108. Key signature is G, changing to F at measure 44. All notes for should be within normal playing range. Sweetwater Brass Press also offers a similar version of Once In Love With Amy arranged for tuba trio. This arrangement was completed in 2020, and performance time runs about 2 minutes, 58 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
$12.99
11.77 €
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Brass ensemble
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Frank Loesser
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Once In Love With Amy
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Sweetwater Brass Press
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SheetMusicPlus
Intermezzo (from Six Pieces for Piano, Op. 118)
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.808687 Composed by Johannes Bra…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.808687 Composed by Johannes Brahms (1833-1897). Arranged by F. Leslie Smith. Holiday,Romantic Period,Wedding. Score and parts. 28 pages. Sweetwater Brass Press #3872461. Published by Sweetwater Brass Press (A0.808687).   Brahms completed Six Pieces for Piano in 1893, just four years before his death. It was the second from last work he would write for solo piano, an introspective composition that he dedicated to Clara Schumann. To four of the six pieces he attached the label Intermezzo. Although the term originally defined a composition that was inserted between two other pieces-say, the movements of a suite or the acts of an opera-Brahms wrote them as independent works. And of these, the most popular is this, the Intermezzo in A major, andante teneramente. As described on the website Favorite Classic Composers, It's a sweetly melancholy piece, with a strong tinge of melancholy.  Except for a few items, this arrangement is not technically difficult. For the most part, Trumpet 1 plays the melody. Some of the notes are relatively high, the highest being C6 (high D for B-flat trumpet); there are several of those. Trumpet 2 has one brief A5 (high B). Trombone carries the heavy load; it has lots of oodle-oodles in the form of up-and-down eighth notes and triplet figures plus one F2. In the tuba part the range of notes is E1 to F3 and it contains a number of octave jumps. This is a beautiful piece, but it does require that each musician listen to the other four while playing.  This arrangement was completed in 2018, and performance time runs about 4 minutes, 55 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$4.95
4.49 €
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Brass ensemble
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Johannes Brahms
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there are several of those
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Intermezzo
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Sweetwater Brass Press
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SheetMusicPlus
Creep
Brass ensemble
Brass Ensemble - Level 4 - Digital Download SKU: A0.942727 By Radiohead. By Albert …
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Brass Ensemble - Level 4 - Digital Download SKU: A0.942727 By Radiohead. By Albert Hammond, Colin Greenwood, Edward O'Brien, Jonathan Greenwood, Mike Hazlewood, Philip Selway, and Thomas Yorke. Arranged by Frank Pugh. Rock. Score and parts. 32 pages. Frank Pugh #6013241. Published by Frank Pugh (A0.942727). This arrangement follows the style of Post Modern Jukebox and the incomparable Haley Reinhart performing their unique version of the Radiohead hit. It's written as a stand alone brass quintet, but there is an optional drum set part as well. Substitute baritone b.c. and t.c. parts are included to cover for French horn and trombone when necessary. There are also optional sections for flugelhorn and muted trumpet to add a little more flavor to the piece.Written in a sultry 12/8 feel and at 4:25 in length, it will make a great showpiece for your next performance! I hope you'll check out my other small ensemble arrangements here on Sheet Music Plus, and be sure to look up my YouTube channel as well. Thanks for listening!
$13.99
12.68 €
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Brass ensemble
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Radiohead
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Creep
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Frank Pugh
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SheetMusicPlus
Boudicca, Queen of the Iceni
Brass ensemble
Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Els…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 – Boudicca Unites the Tribes The piece opens with the initial statement of Boudicca’s theme. Figure 3 depicts Boudicca’s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudicca’s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudicca’s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 – Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London – then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudicca’s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Glory… The war cry ensues at Figure 21, but at Figure 22 it is the Romans’ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Roman’s theme, signifying Seutonius’ total victory. William Elsom, December 2004
$60.00
54.37 €
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Brass ensemble
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William Elsom
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Boudicca, Queen of the Iceni
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Will Elsom
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SheetMusicPlus
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