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Sam M
Not classified
634
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340
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150
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133
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95
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26
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21
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12
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10
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5
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4
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3
Piano Quartet: piano, violin, viola, cello
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Piano Quintet: piano, 2 violins, viola, cello
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+ 10 instrumentations
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581
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23
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15
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1
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36
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19
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16
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14
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13
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11
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11
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11
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10
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9
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9
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7
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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36
Trombone
27
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26
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17
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16
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14
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14
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10
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9
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7
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6
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6
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4
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4
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4
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4
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3
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3
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2
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1
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232
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160
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148
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131
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1
String Trio: 2 violins, viola
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126
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41
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You've selected:
Sam M
Brass ensemble
Sheetmusic to print
9 sheet music found
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1
I'm Not The Only One
#
Brass ensemble
#
INTERMEDIATE
#
Pop music
#
Soul/R&B
#
Sam Smith
#
Max Stannard
#
I'm Not The Only One
#
Max Stannard Music
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.773468 By Sam Smith. By James Napier and Sam Smith. Arranged by Max Stannard. Pop,R & B. Score and pa...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.773468 By Sam Smith. By James Napier and Sam Smith. Arranged by Max Stannard. Pop,R & B. Score and parts. 38 pages. Max Stannard Music #3489927. Published by Max Stannard Music (A0.773468). I'm Not the Only One is a song recorded by English singer Sam Smith from his debut studio album, In the Lonely Hour (2014). It has been arranged for traditional British Brass Band and can help this traditional ensemble bring its repertoire up to date. The Flugel Horn is featured as a solo instrument. Duration: 3.50 www.maxstannardmusic.com @MStannardMusic.
$24.99
I'm Not The Only One
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Brass ensemble
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INTERMEDIATE
#
Pop music
#
Soul/R&B
#
Sam Smith
#
Doniell Cushman
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I'm Not The Only One
#
Doniell C Cushman
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.947970 By Sam Smith. By James Napier and Sam Smith. Arranged by Doniell Cushman. Pop,R & B. Score and...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.947970 By Sam Smith. By James Napier and Sam Smith. Arranged by Doniell Cushman. Pop,R & B. Score and parts. 16 pages. Doniell C Cushman #3913081. Published by Doniell C Cushman (A0.947970). Arranged in full for brass quartet. Includes score and parts in concert Eb Major.
$15.99
M'appari tutt' amor (“Mostly Martha”)
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Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Friedrich von Flotow
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F
#
M'appari tutt' amor
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Sweetwater Brass Press
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period....
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95
First 5 - Euphonium - Solo, Duet or 2-part Ensemble
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Brass ensemble
#
BEGINNER
#
Kathy Hirche
#
 
#
First 5 - Euphonium - Solo, Du
#
Kathy Hirche
#
SheetMusicPlus
Brass Ensemble - Level 1 - Digital Download SKU: A0.819927 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 14 pages. Kathy Hirche #428...
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Brass Ensemble - Level 1 - Digital Download SKU: A0.819927 Composed by Kathy Hirche. Contemporary,Standards. Score and parts. 14 pages. Kathy Hirche #428999. Published by Kathy Hirche (A0.819927). The First 5 series is suitable for elementary level performers of all ages. It provides seven pieces which are musically satisfying and fun to play without demanding more than basic technical ability and theoretical knowledge and the first five notes learned on the instrument. Pitches used: Bb C D Eb F. Rhythmic values used: semibreve (whole-note), dotted minim (dotted half-note), minim (half-note), crotchet (quarter note), quavers (eighth-notes). Quavers (eighth-notes) appear only in groups of 2 or 4. Articulations/signs used: staccato, accent, slur, tie, repeat, 1st and 2nd time endings. Each piece may be performed as a Solo (use Part 1), Duet or 2-part Ensemble. All pieces in the First 5 series are in the same concert key, enabling performances with various combinations of these instruments: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Trombone, Euphonium. Accompaniments for each piece are available as FREE MP3 FILES. These can be downloaded from kathysprintmusic.com. The audio sample provided here consists of excerpts of all seven pieces: A Sad Song, Tick Tock Rock, Waltzing in the Rain, Swinging, Lullaby, The Old Clock, Tim's Dance. ISMN 9790-9009-679-3-0. Serie Los Primeros 5. Solo, Ensamble de 2 partes, duo - la serie de los Primeros 5 es adecuada para intérpretes Nivel Elemental de todas las edades. Contiene 7 piezas que son musicalmente satisfactorios, divertidas de tocar sin demandar de una habilidad técnica mas allá de un conocimiento teórico básico dado al tocar las primeras 5 notas del instrumento. Los tonos usados son: Bb, C, D, Eb, F. Los valores rÃtmicos usados son: semibreve (nota entera), minim apuntillarÃa (media nota con punto), minim (media nota), cuarto de nota o negrita, corchea (octavos de nota). Los octavos de nota aparecen solo en grupos de 2 o de 4. Los sÃmbolos/articulaciones usadas son: staccato, acento, legato, repetición, fin de primer y segundo tiempo. Cada pieza puede ser tocada como solista (usando la Parte 1), como un cueto o como ensamble de 2 partes. Todas las piezas en la seria de los Primeros 5 están en la misma clave de concierto, permitiendo a los músicos ejecutarlas con diversas combinaciones de estos instrumentos: falta, clarinete, alto saxofón, saxofón tenor, trompeta, trombon, eufónico. Los acompañamientos para cada pieza se encuentran como ARCHIVOS GRATIS de MP3 que se pueden descargar desde el sitio kathysprintmusic.com La muestra de audio que se proporciona aquà contiene fragmentos de las siete piezas: una canción triste , tick tick rock, bailando vals en la lluvia, swinging, canción de cuna, el reloj viejo, el baile de Tim.
$9.99
Theme and Variations for Brass
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Brass ensemble
#
INTERMEDIATE
#
Sacred music
#
Joseph Hart
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David M
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Theme and Variations for Brass
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David M. Sampson
#
SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.941211 Composed by Joseph Hart. Arranged by David M. Sampson. Christian,Sacred. Score and parts. 49 p...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.941211 Composed by Joseph Hart. Arranged by David M. Sampson. Christian,Sacred. Score and parts. 49 pages. David M. Sampson #6421243. Published by David M. Sampson (A0.941211). Eight variations on an American folk melody, often know as the hymn I Will Arise and Go to Jesus, arranged for brass ensemble.
$1.99
Fanfare for Brass and Percussion
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Brass ensemble
#
INTERMEDIATE/ADVANCED
#
Classical
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Stanley M Hoffman
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Stanley M Hoffman
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Fanfare for Brass and Percussi
#
stanleymhoffman.com
#
SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1117999 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. Classical. Score and parts. 70 ...
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Brass Ensemble - Level 4 - Digital Download SKU: A0.1117999 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. Classical. Score and parts. 70 pages. Stanleymhoffman.com #719506. Published by stanleymhoffman.com (A0.1117999). This piece utilizes the same ensemble as the one for Fanfare for the Common Man by Aaron Copland.
$17.50
Fables, Fiction, and Folklore
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Brass ensemble
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Contemporary
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Simon M
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Fables, Fiction, and Folklore
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Sperl Publishing
#
SheetMusicPlus
Brass Ensemble - Digital Download SKU: A0.1024971 Composed by Simon M. Sperl. Contemporary. Score and parts. 28 pages. Sperl Publishing #3912935. Publish...
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Brass Ensemble - Digital Download SKU: A0.1024971 Composed by Simon M. Sperl. Contemporary. Score and parts. 28 pages. Sperl Publishing #3912935. Published by Sperl Publishing (A0.1024971). This piece, Fables, Fiction and Folklore, is built on a mode and musical figure that can be transposed by a tritone while maintaining every note in the scale. In other words, whether it’s played in G or C#, the exact same notes are used. This mirroring of the musical figure is meant to symbolize how we see ourselves. We look in the mirror and see something that may look like us but is, in fact, as far away from reality as possible. We look past all the good and beautiful things in ourselves and our worlds while only seeing our faults and blemishes. On the other hand, when we look at others, we see idealized versions. We think about them as if they are fictionalized characters in a story. Let’s focus on the positive when we look at ourselves and our lives and forgive the imperfections. We’re the heroes of our personal folktale.
$29.99
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