Download Digital Sheet Music of That's Another Song for Brass ensemble

That's Another Song
Brass ensemble

Canoe Song (for Low Brass Quartet) Brass ensemble

Brass Ensemble - Level 2 - Digital Download SKU: A0.964576 Arranged by Betsy Bright…(+)

Brass Ensemble - Level 2 - Digital Download SKU: A0.964576 Arranged by Betsy Bright. Children,Concert,Folk,Sacred. Score and parts. 7 pages. Bright Music Company #6247253. Published by Bright Music Company (A0.964576). This arrangement is perfect for most low brass players with 2-6 years of experience, but it would be fun to play as a filler for more advanced ensembles as well!This version of our Canoe Song arrangement is scored for 2 trombones, euphonium, and tuba. The trombone parts can both be covered by euphonium players, and the euphonium part can be covered by another trombone player if needed.This is a very fun and musically satisfying piece to play! With this piece, each voice gets to have a chance playing the melody as well as the fragments that serve as an accompaniment. The 2nd half of this piece includes a round of this tune in 4 layers, and itâ€™s a lot of fun to play.For younger players, it can be fun to sing the piece with the original words as itâ€™s learned:My paddleâ€™s keen and brightFlashing with silverFollow the wild goose flightDip, dip, and swingThe accompanying lines can be sung as Paddle, paddle and dip, dip, and swing.Duration: 2 minutes
$12.00 11.04 € #Brass ensemble #Canoe Song #Bright Music Company #SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888â€“1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlinâ€™s composition Alexanderâ€™s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York.â€ƒItâ€™s no wonder the popularity of Alexanderâ€™s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans. â€ƒThis arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tubaâ€™s lowest note is F below the staff.â€ƒThis arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Brass Ensemble - Level 4 - Digital Download SKU: A0.948762 By Howard Goodall. By Howard Goodall. Arranged by Warren J. Wernick. Contemporary. Score and parts. 7 pages. Warren J Wernick #5713803. Published by Warren J Wernick (A0.948762). Blackadder is a series of four BBC One pseudohistorical British sitcoms, plus several one-off installments, which originally aired from 1983â€“1989. All television episodes starred Rowan Atkinson as the antihero Edmund Blackadder and Tony Robinson as Blackadder's dogsbody, Baldrick. Each series was set in a different historical period, with the two protagonists accompanied by different characters, though several reappear in one series or another, e.g., Melchett (Stephen Fry) and Lord Flashheart (Rik Mayall). The theme song is composed by Howard Goodall, an English composer of musicals, choral music and music for television. He also presents music-based programs for television and radio, for which he has won many awards. In May 2008, he was named as a presenter and Composer-in-Residence with the UK radio channel Classic FM. In May 2009, he was named Composer of the Year at the Classic BRIT Awards. Goodall said of the Theme, They asked me if I would have a go at the tune. With all of these things, although I do come up with my own ideas, you don't really come up with a good one unless you talk it through with them and the vision they've got. It was quite obvious, the historical approach they were going for. What's interesting is that the first series, the medieval one with 'Richard the Fourth', was much more filmic and much more historical. That's why we ended up with that tune. Whereas had the first series been the Elizabethan one, the theme would have been slightly gentler, less heroic. .

Brass Ensemble - Level 3 - Digital Download SKU: A0.791041 Composed by Hughie Charles and Ross Parker. Arranged by Kevin P Holdgate. Opera. Score and parts. 20 pages. Kevin P Holdgate #4966981. Published by Kevin P Holdgate (A0.791041). Versatile Brass Old Time CollectionThis is another arrangement from the concert I was asked to put together a few years ago to commemorate WW1 . I was asked to arrange a selection of music that was heard during the conflict, and to supplement that with songs from between the wars and from WW2... I arranged quite a few...Suitable for those summer small group jobs that are becoming ever more popular in the UK, particularly for lower section and non-competing bandsWe'll Meet Again is a 1939 British song made famous by singer Vera Lynn with music and lyrics composed and written by English songwriters Ross Parker and Hughie Charles. The song is one of the most famous of the Second World War era, and resonated with soldiers going off to fight as well as their families and sweethearts.The song gave its name to the 1943 musical film We'll Meet Again in which Dame Vera Lynn played the lead role. Lynn's recording is featured in the final scene of Stanley Kubrick's 1964 film Dr. Strangelove, and was also used in the closing scenes of the 1986 BBC television serial The Singing Detective. British director John Schlesinger used the song in his 1979 World War II film, Yanks, which is about British citizens and American soldiers during the military buildup in the UK as the Allies prepared for the D-Day Invasion.The obligato euphonium part can be omitted if required. The vocal line is also on the 1st Cornet line so this could be played as a standalone item.

Brass Ensemble - Level 4 - Digital Download SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770). Â Â Â Â The dictionary defines revel as â€œa time or instance of carefree fun.â€ The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Partonâ€™s â€œTwo Doors Down,â€ are â€œlaughing and drinking and having a party.â€ Â Â Â Â This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, â€œ99 Bottles of Beer on the Wall.â€ And between those two bookends come â€œRye Whiskey,â€ â€œLittle Brown Jug,â€ â€œLandlord, Fill the Flowing Bowl,â€ â€œJimmy Crack Corn,â€ â€œBeer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),â€ â€œHot Time in the Old Town Tonight,â€ â€œWein, Weib und Gesang [Wine, Woman, and Song],â€ â€œDrink to Me Only with Thine Eyes,â€ â€œThere Is a Tavern in the Town,â€ â€œGood Night, Ladies,â€ â€œHow Dry I Am,â€ and brief quotes from about a half dozen other melodies associated with quaffing. Â Â Â Â For the most part, this arrangementâ€™s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked â€œtempo di valse,â€ and the opening and ending few measures should be played rather slowly. Â Â Â Â The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times. Â Â Â Â There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they werenâ€™t.) Â Â Â Â Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â

Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Round And Round Brass ensemble

Brass Ensemble - Level 3 - Digital Download SKU: A0.791090 Composed by Gary Kemp. A…(+)

Brass Ensemble - Level 3 - Digital Download SKU: A0.791090 Composed by Gary Kemp. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 34 pages. Kevin P Holdgate #5301257. Published by Kevin P Holdgate (A0.791090). Versatile Brass 'Pop' CollectionSpandau Ballet was one of the top bands of the 1980s with hits that everyone can remember like 'Gold' and 'True'. This is another of the band's plethora of hits.This song appeared on the Platinum achieving album 'Parade' and dates from 1984. It was written, as were all the band's hits by Gary Kemp and sung by the legendary Tony Hadley.Another full band item that will appear in my 2020 summer program based on hits of the 1980s.Playable by all levels of ensemble.
$24.99 23 € #Brass ensemble #Gary Kemp #Round And Round #Kevin P Holdgate #SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.808712 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. Children. Score and parts. 37 pages. Sweetwater Brass Press #6656487. Published by Sweetwater Brass Press (A0.808712). Â Â Gremlins, trolls and hobgoblins. All are imaginary or supernatural, products of folklore. The first is a mischievous elf. The second, a product of Scandinavian imaginations, is a rather unattractive dwarf (or maybe a giant) that dwells in caves or on mountains. The third is a small, hirsute and naughty household spirit. In other words, these are just the types of beings that show up on your doorstep on October 31 evenings threatening to play tricks unless you provide treats.Â Â This composition exemplifies not only these creatures, but also the witches, skeletons, ghosts, vampires, black cats and other scary beings that populate Halloween. Written in the key of C minor with a 6/8 time signature, it rolls along at a suggested tempo of 96 BPM. Based primarily on the traditional melody, The Hearse Song (the worms crawl in, the worms crawl out), it also quotes the composerâ€™s own The Eerie Night and Chopinâ€™s Marche FunÃ¨bre. And like the worms of the song, the melodies work their way sinuously in and out among the five instruments. Most notes are well within normal playing range: Trumpet 1â€™s highest is five A notes above its staff; Tubaâ€™s lowest, G below the staff. There are no tricky rhythmic figures. Itâ€™s just a fun piece for Halloween . . . or any time of the year.Â Â Completed in 2021, performance time for Gremlins, Trolls and Hobgoblins runs about 3 minutes, 33 seconds. The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Monteverdi - The Sixth Book of Madrigals (Complete) Brass ensemble

Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Mont…(+)

Brass Ensemble - Level 3 - Digital Download SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00 105.83 € #Brass ensemble #Claudio Monteverdi #Monteverdi - The Sixth Book of Madrigals #Lyons Music Services #SheetMusicPlus

Brass Ensemble - Level 4 - Digital Download SKU: A0.808659 Composed by Joseph E. Howard and Ida Emerson. Arranged by F. Leslie Smith. Pop,Traditional. Score and parts. 23 pages. Sweetwater Brass Press #2070943. Published by Sweetwater Brass Press (A0.808659). Prerecorded wax cylinders were first marketed in 1889. Ten years later, when this Howard and Emerson tune was published, those cylinders were referred to as records, and Arthur Collins made the first recording of Hello! Ma Baby. The lyrics tell the tale of a guy who has a girlfriend he knows only through the telephone. This was one of the first songs to deal with the telephone (that medium, too, being still pretty new). The chorus was kicked back into the spotlight in 1955 when a certain movie frog sang and danced his way across a Warner Brothers cartoon background. The current version used the 1899 sheet music as its source, but is a completely original arrangement that enhances the ragtime feel of the music. This is an infectious piece that is fun to play and a toe-tapper for the audience. Completed in 2016, this arrangementâ€™s performance time runs about 3 minutes, 20 seconds. Contact the arranger, Les Smith, at lessmith@ufl.edu. If you like this novelty number, be sure to check out Sweetwater's Funeral March of a Marionette, Goodbye! So Long! I'm Headin' Home! Put Your Arms Around Me, Honey, Somebody Stole My Gal and Teddy Bears' Picnic. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box.Â (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Brass Ensemble - Level 3 - Digital Download SKU: A0.1027894 Composed by William Elsom. Contemporary. Score and parts. 46 pages. Will Elsom #3053855. Published by Will Elsom (A0.1027894). Programme Notes Boudicca became the Queen of the Iceni upon the death of her husband, Prasutagus. The Iceni had lived in relative peace with the Romans, with Prasutagus living as a client king, paying tribute to Rome. The Romans refused to accept a woman as the ruler, and sought to assume total control. To demonstrate its superiority, a Roman Legion attacked the Iceni, captured Boudicca and made her watch as her daughters were raped. She sought revenge, allying the Iceni with the Trinovantes under her command, and wreaked havoc, destroying many Roman settlements. Boudicca was only stopped when Rome sent one of the best generals of the time, Seutonius Paulinus. Seutonius has been depicted offering Boudicca surrender with honour and her life, but when she rejected this, his tactical acumen proved superior, and all the Iceni and Trinovantes were wiped out. 1 â€“ Boudicca Unites the Tribes The piece opens with the initial statement of Boudiccaâ€™s theme. Figure 3 depicts Boudiccaâ€™s reign as the leader of the Iceni, interspersed with a sadder theme depicting her lonely widowhood. Figure 4 sees the tribes called together with a drinking song and Figure 5 is the war cry, as Boudicca gives a rousing speech, first to her own warriors then to the Trinovantes. The second time bar before Figure 7 sees the tribes fall into a restless sleep. Amid early morning mists, Figure 7 sees restless horses, with distant fanfares heard, signalling the coming of the Romans. The Romans main theme is at Figure 8, with a constant fanfare over the top, signalling the confidence of the leaders. Figure 10 sees the Iceni and Trinovantes coming slowly out of hiding, and Boudiccaâ€™s theme growing in volume until the death chords signify the tribes have prevailed. 2. The Bards Sing The tribes sing a hymn to an unnamed Pagan God. At Figure 13, the Euphonium develops Boudiccaâ€™s theme depicting Taranis, the Bard of the Iceni, singing wistfully of happier times. He then makes an impassioned speech for peace, before cutting off in mid sentence. He then sits quietly (Figure 16) fearing the future. Figure 17 gives a euphoric and hopeful rendition of the hymn, as if Taranis has not been heard. 3 â€“ Epping NB: It is my piece, and I say Epping is as credible as anywhere as the site of the final battle, and will not enter into any correspondence on the matter! A fanfare awakens the two tribes. Figure 18 sees the tribes prepare for a final battle, and the repeated section depicts two victories at Verulanium (St Albans) and Londinium (London â€“ then a small barracks). At Figure 20 Taranis has a vision, and tries to change Boudiccaâ€™s mind about another attack. Boudicca listens to him, but tells him the die is cast, and there is no going back. Death or Gloryâ€¦ The war cry ensues at Figure 21, but at Figure 22 it is the Romansâ€™ theme heard, and the death chords (Figure 24) signify that it is the two tribes that are being slaughtered this time. Brave souls (Repiano and Flugel at 24) fight on in vain to allow Boudicca to escape. At Figure 25 Boudicca prays, but realising all is lost, at Figure 26 drinks poison. As she dies, the last thing this brave British heroine hears is the sound of the Romanâ€™s theme, signifying Seutoniusâ€™ total victory. William Elsom, December 2004

Brass Ensemble - Level 4 - Digital Download SKU: A0.808688 Composed by Henry Clay Work (1832-1884). Arranged by F. Leslie Smith. Children,Folk,Holiday,Patriotic. Score and parts. 31 pages. Sweetwater Brass Press #4111581. Published by Sweetwater Brass Press (A0.808688). Henry Clay Work, Civil War era song writer and abolitionist, composed Kingdom Coming in 1862. Chicagoâ€™s Root & Cady published it in April of that year, Christyâ€™s Minstrels premiered it and it became enormously popular. The lyrics to Kingdom Coming, also known as The Year of Jubilo, were written as though slaves in the Confederacy were celebrating their upcoming freedom. However, the song was actually released eight months before President Lincoln issued the Emancipation Proclamation. Interestingly, Kingdom Coming also gained popularity in the South. A Southern edition was published in August in 1864, and the song remained a favorite in the former Confederacy for some years. Kingdom Coming has been used as theme or background music in a number of film, television and radio settings. Almost certainly its most popular iteration in modern times was the Sauter-Finegan Orchestraâ€™s 1952 recording under the title Doodletown Fifers. This arrangement is a show-off piece for each member of the quintet. It moves along at a brisk pace of about 108, begins in the key of C and changes to A-flat, then B-flat. The first time through the melody, all instruments perform ensemble. Each succeeding repetition features an instrumentalist, starting with tuba and working up to Trumpet 1. The piece ends with another ensemble version. There are no exceptionally out-of-normal-playing-range notes: Trumpets 1 and 2 both play their B-flat below the scale several times, and Trumpet 2 plays G below the scale; Horn in F also plays its G below the scale; Tromboneâ€™s range is G at the bottom of the scale to D above the scale; Tubaâ€™s lowest note is A-flat below the scale. Trumpet 1 will probably triple tongue its repetition of the melody, and some triple tonguing may be called for near the end of the piece for Trumpets 1 and 2 and Trombone. This arrangement was completed in 2018, and performance time runs just under 4 minutes. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.

Brass Ensemble - Level 3 - Digital Download SKU: A0.808706 Composed by Fred Fisher. Arranged by F. Leslie Smith. Folk,Holiday,Jazz,Patriotic,Traditional. Score and parts. 40 pages. Sweetwater Brass Press #6215233. Published by Sweetwater Brass Press (A0.808706). Â Â Â Â Orville and Wilbur Wright made their famous flight in late 1903; this song was published seven years later: Fred Fisherâ€™s music with Alfred Bryanâ€™s lyrics. The words form a narrative of a young man attempting to get his girlfriend to go up with him in his flying machine. And, that would take much more daring on her part than one might realize today. The year 1910 was still early days for aviation; most airplanes were still made of wood, wire and fabric and looked liked giant gliders. Supposedly, the Josephine of the song was Josephine Sarah Magner, reputed to be Americaâ€™s first female parachutist. Magner married Leslie Burt Haddock, whose aviation career started in balloons, and made her first jump in 1905. During the next dozen years, she made more than 500 jumps. Pretty daring!Â Â Â Â This arrangement is quirky and an absolute delight to play (and to listen to)! The first half is set in the songâ€™s native Â¾ time. The takeoff is the introduction, followed by the chorus, then the verse and again the chorus as the melody loops, rolls and spins through the five instruments. A middle section briefly quotes two other aerialist tunes-He flies through the air with the greatest of ease and Up in the air Junior Birdmen-and serves as a transition to cut time. A swing version of the chorus brings us in for a landing and final fade.Â Â Â Â The arrangement begins in the key of C major and changes to G major during the transitional section. Suggested tempo is 76 bpm throughout. The arrangement comprises 202 measures: Horn in F plays the most notes, followed by Trombone and Tuba, while Trumpets get off relatively lightly. All notes are well within the normal playing range of the instruments; Trumpet 1 does, however, play A above its staff several times.Â Â Â Â Completed in 2021, performance time for Come, Josephine in My Flying Machine runs about 3 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)

Gliding Dance of the Maidens from Polovtsian Dances ("Stranger In Paradise") Brass ensemble

Brass Ensemble - Level 3 - Digital Download SKU: A0.808675 Composed by Alexander Bo…(+)

Brass Ensemble - Level 3 - Digital Download SKU: A0.808675 Composed by Alexander Borodin (1833â€“1887). Arranged by F. Leslie Smith. Broadway,Holiday,Musical/Show,Romantic Period,Wedding. Score and parts. 19 pages. Sweetwater Brass Press #3130463. Published by Sweetwater Brass Press (A0.808675). Â Â Â Â The defeat of Igor Svyatoslavich, a Rusâ€™ prince, in his 1185 campaign against invading Cuman (Polovtsy) tribes was immortalized in the Russian epic, The Lay of Igorâ€™s Campaign. Seven centuries later, Alexander Borodin started work on an opera based on that old tale. Borodin died before finishing, but Nikolai Rimsky-Korsakov and Alexander Glazunov completed Prince Igor, and it was performed for the first time in 1890. Sixty-three years later the Broadway production Kismet opened featuring songs adapted by Robert Wright and George Forrest from the music of Borodin. Arguably, the most popular of the showâ€™s songs was Stranger in Paradise, which was based on the Gliding Dance of the Maidens from the Polovtsian Dances of Prince Igor. Â Â Â Â This beautiful brass quintet arrangement of Gliding Dance of the Maidens was adapted from the orchestra score. The key is A major, time signature is 4/4 and tempo marking is Andantino at the opening, slowing to a suggested quarter note = 63 at measure 15. Trumpets, Horn in F and Trombone all play a few grace notes. Highest notes for Trumpets are their G-sharp just above the staff; for Trombone, E above the staff. While not particularly challenging technically, the key to playing this piece is interpretation and feeling.Â Â Â Â This arrangement was completed in 2017, and performance time runs about 2 minutes, 38 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge; contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.00 6.44 € #Brass ensemble #Alexander Borodin #Gliding Dance of the Maidens from Polovtsian Dances #Sweetwater Brass Press #SheetMusicPlus

Round And Round Brass ensemble

Brass Ensemble - Level 3 - Digital Download SKU: A0.791091 Composed by Gary Kemp. A…(+)

Brass Ensemble - Level 3 - Digital Download SKU: A0.791091 Composed by Gary Kemp. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 18 pages. Kevin P Holdgate #5302789. Published by Kevin P Holdgate (A0.791091). Versatile Brass 'Pop'CollectionSpandau Ballet was one of the top bands of the 1980s with hits that everyone can remember like 'Gold' and 'True'. This is another of the band's plethora of hits.This song appeared on the Platinum achieving album 'Parade' and dates from 1984. It was written, as were all the band's hits by Gary Kemp and sung by the legendary Tony Hadley.A full brass band version of this arrangement is also available.Playable by all levels of ensemble.
$19.99 18.4 € #Brass ensemble #Gary Kemp #Round And Round #Kevin P Holdgate #SheetMusicPlus