Download Digital Sheet Music of folk music for Brass ensemble

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Brass ensemble

Aftenstemmning på Hardangervidden ( Evening Atmosphere On The Hardanger Plateau) Brass ensemble

Brass Ensemble - Level 2 - Digital Download SKU: A0.1012902 Composed by Christian T…(+)

Brass Ensemble - Level 2 - Digital Download SKU: A0.1012902 Composed by Christian Teilman. Arranged by Fredrik Lundquist. 20th Century,Romantic Period,World. Score and parts. 27 pages. Fredrik Lundquist #5741863. Published by Fredrik Lundquist (A0.1012902). Norweigian Folk MusicBy Christian Teilman (1843-1909), Musical Teacher and church musician in Bergen (Town in western Norway)Hardangervidden is a massive mountain complex in Norway, very well known tourist atraction.
$15.00 13.86 € #Brass ensemble #Christian Teilman #Christian Teilman #Aftenstemmning på Hardangervidden #Fredrik Lundquist #SheetMusicPlus

Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.1171832 Composed by William Grant Still. Arranged by Richard Decker. 20th Century,Blues,Contest,Festival,Jazz,Multicultural,World. 56 pages. Charles Decker Music Press #772105. Published by Charles Decker Music Press (A0.1171832). From the Music of Black Composers Series is this arrangement of the third movement Humor from William Grant Still's Afro-American Symphony for a brass choir of 4 B-flat trumpets, 4 horns in F, 3 trombones, euphonium and tuba. Still's Afro-American Symphony was one of the most significant classical orchestra compositions of the early 1930s to incorporate African-American folk influences. Premiered by the Rochester Philharmonic Orchestra at conductor Howard Hanson's notable American Music Festival, it brought the flavor of the Blues and folk music to the symphony. For Still the Blues was a distinct African-American musical contribution he incorporated into a symphonic work. As part of the early 20th Century Harlem Renaissance in New York City, the work was enthusiastically received across the USA and overseas. This brass choir arrangement of the third movement will enliven concerts with its colorful rhythms reminiscent of Gershwin and blues harmonies. Beyond brass ensemble programs feature your band or orchestra brass section on this exciting arrangement which can be paired with the additional first movement (Longing) of Still's Afro-American SymphonyÂ arranged for similar brass choir with Charles Decker Music Press.â€œThe Music of Black Composers Series is a welcome and timely addition to the brass repertoire. Interesting music, expertly arranged, fun to perform, and well received by audiences. Highly recommended!â€ Â Wesley Nance, Rochester Philharmonic Orchestra, Eastman School of Musicâ€œI was so pleased to see the great works arranged for brass ensemble by Charles Decker Music Press especially the Music of Black Composersâ€™ Series. It was especially rewarding to perform several of these with Summit Brass and with the students attending the Rafael Mendez Brass institute. Please keep these wonderful settings coming. You have provided the brass world with some real gems.â€ Â Joseph Parisi, Director Summit Brass, Fountain City Brass Band, University of Missouri Kansas City Conservatory Wind EnsembleThe Interlochen Arts Academy and the University of Denver have purchased the Music of Black Composer Series with Charles Decker Music Press and the summer Rafael Mendez Brass Institute and Eastman School of Music uses the series arrangements in their chamber and brass ensembles music programs.Â See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter â€œBlack Composers Seriesâ€ in the search box at Charles Decker Music Press forÂ 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.

A Spin Down The Valley Brass ensemble

Brass Ensemble - Level 5 - Digital Download SKU: A0.1009184 Composed by Gustav Ã˜…(+)

Brass Ensemble - Level 5 - Digital Download SKU: A0.1009184 Composed by Gustav Ã˜istensen Aaberg. 20th Century,Contemporary. Score and parts. 79 pages. Tutta Forza Music #6440661. Published by Tutta Forza Music (A0.1009184). This work is a musical picture of the life of the Norwegian composer Rikard Nordraak. He and Edvard Grieg wanted to create a Norwegian musical expression and a Norwegian music based on Norwegian folk music traditions. In addition, he was known as a positive, cheerful and excited person. However, as is well known, Nordraakâ€™s life ended abruptly, he became infected with tuberculosis, and died a painful death on a beautiful May day in Berlin in 1866. This work is dedicated to Rikard Nordraak's memory.
$39.99 36.95 € #Brass ensemble #Gustav Ã˜istensen Aaberg #A Spin Down The Valley #Tutta Forza Music #SheetMusicPlus

Brass Ensemble - Level 1 - Digital Download SKU: A0.931331 Composed by Harry Gregson-Williams. Arranged by Alessandro MacrÃ¬. Contemporary. Score and parts. 10 pages. Music Macri Editions #6710853. Published by Music Macri Editions (A0.931331). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001â€“03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Brass Ensemble - Level 2 - Digital Download SKU: A0.931290 Composed by Harry Gregson-Williams. Arranged by Alessandro MacrÃ¬. Contemporary. Score and parts. 14 pages. Music Macri Editions #6675153. Published by Music Macri Editions (A0.931290). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001â€“03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Brass Ensemble - Level 2 - Digital Download SKU: A0.931327 Composed by Harry Gregson-Williams. Arranged by Alessandro MacrÃ¬. Contemporary. Score and parts. 10 pages. Music Macri Editions #6709945. Published by Music Macri Editions (A0.931327). The Chronicles of Narnia: The Lion, the Witch and the Wardrobe is the soundtrack of the film of the same name. Harry Gregson-Williams composed the soundtrack, which was released on December 13, 2005 by Walt Disney Records.During the recording process, Gregson-Williams employed the 75-piece Hollywood Studio Symphony Orchestra, along with a 140-member choir (from Abbey Road Studios, London, England; mostly members of the Bach Choir) and numerous other solo musicians such as electric violinist Hugh Marsh and vocalist Lisbeth Scott (at his Wavecrest Studio). He composed the original score and then spent late September through early November 2005 conducting the Hollywood Orchestra and overseeing the recording of the English choir.[2] For color, he employed instruments used in ancient folk music, and to underscore critical dramatic moments, he added choral textures and, occasionally, a solo voice. The score includes instances of electronic music.Though frequent comparisons were made between it and Howard Shore's score for The Lord of the Rings film trilogy (2001â€“03), Gregson-Williams said he was not influenced by Shore during the scoring of The Chronicles of Narnia. He also said he composed over 100 minutes of music for the original score, although less than sixty minutes made the final cut.The score features many uses of themes or leitmotifs, the most prominent of which are a motif for the Pevensie children, a motif for Narnia itself, and the Heroic motif. The heroic motif, however, is not heard until track nine (To Aslan's Camp).

Ukrainian Cossack march Brass ensemble

Brass Ensemble - Level 3 - Digital Download SKU: A0.966774 Composed by Traditional …(+)

Brass Ensemble - Level 3 - Digital Download SKU: A0.966774 Composed by Traditional Ukrainian Folk Music. Arranged by David J Fretwell. Folk,World. Score and parts. 49 pages. Collegiate Publishing #6871751. Published by Collegiate Publishing (A0.966774). A full UK-style Brass Band arrangement of a piece of Ukrainian Folk music arranged as a Heroic March.Would make an ideal concert item, 2nd half opener, Around The World Themed concerts etc.
$25.00 23.1 € #Brass ensemble #Traditional Ukrainian Folk Music #Ukrainian Cossack march #Collegiate Publishing #SheetMusicPlus

#Traditional Ukrainian Folk Music

Day-o (the Banana Boat Song) Brass ensemble

Brass Ensemble - Level 3 - Digital Download SKU: A0.802610 By Harry Belafonte. By I…(+)

Brass Ensemble - Level 3 - Digital Download SKU: A0.802610 By Harry Belafonte. By Irving Burgie and William Attaway. Arranged by Peet du Toit. Pop. Score and parts. 35 pages. Peet du Toit #5990599. Published by Peet du Toit (A0.802610). Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles. It is a work song, from the point of view of dock workers working the night shift loading bananas onto ships. The lyrics describe how daylight has come, their shift is over, and they want their work to be counted up so that they can go home.The best-known version was released by American singer Harry Belafonte in 1956 and later became one of his signature songs.I am happy to present this arrangement to you in the original key. Other percussive instruments may be used, including steal drums, using the basic rhythms contained herein.
$18.00 16.63 € #Brass ensemble #Harry Belafonte #Day-o #Peet du Toit #SheetMusicPlus