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Fugue on
Violin
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7 sheet music found
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1
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin I
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Violin
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Pub...
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Violin Solo - Level 5 - Digital Download SKU: A0.1018937 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072975. Published by Benjamin Sajo (A0.1018937). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Violin II
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Violin
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Pub...
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Violin Solo - Level 5 - Digital Download SKU: A0.1018936 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. 5 pages. Benjamin Sajo #6072977. Published by Benjamin Sajo (A0.1018936). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue in G minor (from 3 Sonatas and 3 Partitas for Solo Violin) (BWV 1001) - - 3 violins
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Violin
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Classical
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Johann Sebastian Bach
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Pietro Prugna
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Fugue in G minor
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Pietro Prugna
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SheetMusicPlus
String Ensemble,String Trio Violin - Digital Download SKU: A0.497961 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Inst...
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String Ensemble,String Trio Violin - Digital Download SKU: A0.497961 Composed by Johann Sebastian Bach. Arranged by Pietro Prugna. Baroque,Classical,Instructional. Score and parts. 18 pages. Published by Pietro Prugna (A0.497961). JS Bach has written numerous amazing Fugues. This piece was originally written for Solo Violin. For beginners, it may be difficult to hear the different parts for the piece and technically difficult to play the piece. In this arrangement, the voices are split into 3 violins. This enables violinists to play this piece together and appreciate the various parts both separately and together in the Fugue. While doing the arrangement, reference was made with JS Bach's own transcription of this piece for Organ (BWV 539). With the expanded musical palette of the Organ transcription, much insight can be gained into Bach's ideas on this Fugue. Portions of the Organ version were incorporated to this arrangement, especially where there is only 1 melody line. In addition, the theme is also repeated over some single melody lines. The pdf contains Full Score of 3 Violins and Set of Parts (Violin I, Violin II and Violin III). The Parts are formatted for easy page turning and reading.
$1.99
Chromatic Fantasy and Fugue for solo violin BWV 903
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Violin
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ADVANCED
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Classical
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Johann Sebastian Bach
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N
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Chromatic Fantasy and Fugue fo
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iStrings
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.875760 Composed by Johann Sebastian Bach. Arranged by N. Szederkenyi. Baroque. 10 pages. IStrings #36762...
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Violin Solo - Level 5 - Digital Download SKU: A0.875760 Composed by Johann Sebastian Bach. Arranged by N. Szederkenyi. Baroque. 10 pages. IStrings #3676209. Published by iStrings (A0.875760). This is a transcription of the Chromatic Fantasy and Fugue BWV 903 by J. S. Bach for solo violin. Written by Hungarian violinvirtuoso Nandor Szederkenyi, former concertmaster in several major orchestras from Japan to Austria, who also had a long career as soloist. Published using the leading notation software Finale, he includes bowings and fingerings, to make studying of this great master work easier.A professional recording of this transcription with his playing is available at iTunes and other major audio distribution platforms, or just listen to his video on YouTube: https://www.youtube.com/watch?v=1bBFjQq-5NU
$23.00
Prelude & Fugue in A Minor (BWV 559) - Solo Violin Transcription
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Violin
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ADVANCED
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Classical
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Johann Sebastian Bach
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Dirk Schneiderheinze
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Prelude & Fugue in A Minor
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Dirk Schneiderheinze
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.1425272 Composed by Johann Sebastian Bach. Arranged by Dirk Schneiderheinze. Baroque,Classical. 2 pages....
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Violin Solo - Level 5 - Digital Download SKU: A0.1425272 Composed by Johann Sebastian Bach. Arranged by Dirk Schneiderheinze. Baroque,Classical. 2 pages. Dirk Schneiderheinze #1006091. Published by Dirk Schneiderheinze (A0.1425272). An arrangement for solo violin of the Prelude & Fugue in A Minor (BWV 559) by Johann Sebastian Bach. Although attributed to J.S. Bach, it is believed to have been written by a pupil (likely Johann Krebs).This is a challenging transcription making use of harmonic thirds and double/triple stops (inspired somewhat by Paganini's variations on God Save The King). Not for the light-hearted!
$4.99
Preludio e Fuga per Violino solo
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Violin
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ADVANCED
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Contemporary
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Giuseppe Bruno
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Preludio e Fuga per Violino so
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GB
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SheetMusicPlus
Violin Solo - Level 5 - Digital Download SKU: A0.1027962 Composed by Giuseppe Bruno. Contemporary. 7 pages. GB #3110121. Published by GB (A0.1027962).
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Violin Solo - Level 5 - Digital Download SKU: A0.1027962 Composed by Giuseppe Bruno. Contemporary. 7 pages. GB #3110121. Published by GB (A0.1027962). Composed in 2014 for violinist Alberto Bologni who performed it several times. It's a composition of about four minutes, modeled after Bach's solo violin Sonatas. The Fugue is exceptionally written on two staves, in order to make the counterpoint clearer.
$3.99
Pachelbel: Canon for Solo Violin
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Violin
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INTERMEDIATE
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Solo Viol
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jmsgu3
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.552084 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Weddi...
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Violin Solo - Level 3 - Digital Download SKU: A0.552084 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 2 pages. Jmsgu3 #6116383. Published by jmsgu3 (A0.552084). The famous wedding classic arranged for Solo Violin.Duration 2:12Score: 2 pages. The famous Pachelbel Canon arranged for Solo Violin. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.
$44.95
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