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You've selected:
We Are the Reason
Violin
Sheetmusic to print
2 sheet music found
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1
You Are The Reason
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Violin
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INTERMEDIATE
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Calum Scott
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Sherry Lewis
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You Are The Reason
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Sherry Lewis Publishing
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SheetMusicPlus
Violin Solo - Level 3 - Digital Download SKU: A0.1142769 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Sherry Lewis. Contem...
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Violin Solo - Level 3 - Digital Download SKU: A0.1142769 By Calum Scott. By Calum Scott, Corey Sanders, and Jon Maguire. Arranged by Sherry Lewis. Contemporary,Wedding. 5 pages. Sherry Lewis Publishing #743139. Published by Sherry Lewis Publishing (A0.1142769). You Are The Reason VIOLIN SOLO Intermediate Level Score: 0 Parts: 2 pages Time: 3:00 ABOUT THE DEMO: I TOOK OFF A FEW MEASURES ON THE DEMO INTRO TO GET TO THE MAIN CHORUS AS WE’RE ALLOWED 30 SECONDS OF RECORDING MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through https://baysbest.com/contact/and I’ll give you the link back to Sheet Music Plus’s listing. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
2, 4, 6, 8: Positions We Don't Appreciate for Violin
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Violin
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INTERMEDIATE/ADVANCED
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Steven Kruse & Penny Thompson
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2, 4, 6, 8: Positions We Don't
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String Play for All
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SheetMusicPlus
Violin Solo - Level 4 - Digital Download SKU: A0.1512713 Composed by Steven Kruse & Penny Thompson Kruse. 19th Century,20th Century,Classical,Instruction...
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Violin Solo - Level 4 - Digital Download SKU: A0.1512713 Composed by Steven Kruse & Penny Thompson Kruse. 19th Century,20th Century,Classical,Instructional,Traditional. 47 pages. String Play for All #1087663. Published by String Play for All (A0.1512713). It has long been accepted practice that, after first position, the next positions a violin or viola student learns are third and fifth positions. There is a good reason for studying the odd-numbered positions first. The body of the instrument and the crook of the neck provide solid reference points for finding these positions. Hamonically, first, third, and fifth position outline the triad, the foundation of Western tonal music. The fingering of fifth position matches first position, making it easy to learn. It is unfortunate that this focus on third and fifth position has often been at the cost of any discussion of the even positions: 2, 4, 6, and 8. This is evident in the traditional etudes and study material available for violin and viola. With the new tonal demands of twentieth and twenty-first century music, knowledge and familiarity with the entire fingerboard has become essential.LIke the relationship in fingering between first and third position, the same relationship can be found between second and sixth and fourth and eighth positions. We have chosen to introduce these positions together, with melodies that can be played in both positions. Shifting exercises between the even positions are also provided. We hope teachers and students will find this material useful.
$14.95
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