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Viola
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1
Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
Viola
Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. I…
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Viola Solo - Level 3 - Digital Download SKU: A0.784339 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288683. Published by Slide Ride (A0.784339). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.57 €
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Viola
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Viola Quartet
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Slide Ride
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SheetMusicPlus
Carson Cooman: Planctus (2005) for solo viola
Viola
Viola Solo - Level 4 - Digital Download SKU: A0.533668 Composed by Musik Fabrik Mus…
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Viola Solo - Level 4 - Digital Download SKU: A0.533668 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3037089. Published by Musik Fabrik Music Publishing (A0.533668). Planctus (2005) for solo viola is dedicated to Alexandra Green, on her birthday. Planctus (noun, Latin) – Medieval style of song and poetry of a lamenting character. They were sung both in Latin and in the vernacular (common language), treated both religious and secular subjects, and were popular throughout Europe. The work is cast in song form. Like later examples of the “planctusâ€, the work becomes not truly a “lamentâ€, but a more general song. The same rubato and musicality that is used in playing the unaccompanied cello suites of J. S. Bach should be applied to this piece. Always singing, always lyrical, always flexible, always keeping in mind the different voices and harmonies (implied and stated) occurring in the music.
$9.10
8.32 €
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Viola
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Musik Fabrik Music Publishing
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Carson Cooman: Planctus
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Musik Fabrik Music Publishing
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SheetMusicPlus
Viola, the Essential Technique: Three Octave Parallel Scales, Arpeggios and Double Stops (Thirds, Sixths and Octave)
Viola
Composed by Viorel Tudor, Daniela Tudor. General Worship, Technique Training. Solo P…
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Composed by Viorel Tudor, Daniela Tudor. General Worship, Technique Training. Solo Part. 60 pages. Published by Published by Viorel Tudor
Would you like toplay the viola well, with a solid technique and impeccable intonation? We allknow that to do this you have to start from the beginning. That is, withscales. In this volume you can find them all, in three octaves and presented inan innovative, interesting and fun way. For the first time you can study themgrouped into parallel (or “homophone”) keys, which is what scales that begin inthe same tone are called (e.g. C major-C minor, B Major-B minor etc.). In thesame way, you will practice the corresponding arpeggios, also in three octaves,followed by scales on double stops (thirds, sixths and eighths). All of this,with specific fingering for the viola, and with a focus on original technicalsolutions, that make the study considerably easier. The benefits gained fromstudying the scales grouped in this way are enormous, and they ensure that youwill achieve an excellent intonation.Both ways (major and minor), share the same physical space on the Viola’sfingerboard; they also share four of the seven sounds of the scale, which makesvery easy to recognise the different ones. Another innovative technique is the intonationcontrol semibreve, located eitherbelow or above various sounds of the scale. Each semibreve highlights theneed to check the tuning of the sound that accompanies, with the open string thatit indicates, since this is practically the only possible way of verifying thetuning. To sum up, this book proposes an innovative method of studying scales,as a result of the author’s many years of orchestra and teachingexperience.
$19.00
17.37 €
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Viola
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Viorel Tudor, Daniela Tudor
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Viola, the Essential Technique: Three Octave Parallel Scales, Arpeggios and Double Stops
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SheetMusicPlus
An Brenton
Viola
Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1…
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Viola - difficult - Digital Download Solo for Viola. Composed by Hans Werner Henze (1926-). This edition: Sheet music. Viola Library. Downloadable. Duration 2 minutes. Schott Music - Digital #Q7281. Published by Schott Music - Digital
Hans Werner Henze's output is primarily dominated by large-scale, representative musical genres with a richly differentiated instrumental tonal palette: opera and other forms of musical theatre works, ballet, solo concertos and cantatas and also music for large-scale orchestra or chamber ensemble. In contrast, the chamber music works which Henze has composed throughout his entire compositional career right up to the present day have always remained somewhat on the sidelines. Many of these chamber music works had been composed for specific occasions, chiefly to honour figures who had accompanied him on longer or shorter stretches of his journey through life.<br> <br> Henze composed An Brenton in July 1993 for an event commemorating the Australian violinist Brenton Langbein who had just died. The violinist had been a long-standing leader of the Collegium Musicum Zurich, the orchestra established and conducted by Paul Sacher, and was subsequently also the leader of the Basel Chamber Orchestra [Basler Kammerorchester].He additionally held a violin class at the Music Academy in Basel for a substantial period of his career. Interestingly enough, this piece is not composed for the violinist's instrument, but instead for solo viola. The work was given its first performance on 15 July 1993 by Jurg Dahler, one of the two viola players of the Chamber Musicians of Zurich [KammermusikerZurich]. This ensemble had been formed by Langbein in 1962: it frequently included compositions by Henze in its programmes and had given the premiere of Henze's music for Volker Schlondorffs Film Der junge Torless in its transformation as the Fantasia of the same name for string sextet (1967) in 1968. Langbein was the soloist in the first performance of Henze's Violin Concerto No. 2 in 1972 which had been commissioned by Paul Sacher. Henze had already made acquaintance with Langbein during the 1960s.
$9.99
9.13 €
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Viola
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Hans Werner Henze
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An Brenton
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Schott Music - Digital
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SheetMusicPlus
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