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5 sheet music found
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1
Vision of Judas (organ solo) Op. 6
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Organ
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ADVANCED
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Salim Haddad
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Vision of Judas
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Salim Haddad
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SheetMusicPlus
Organ - Level 5 - Digital Download SKU: A0.1375150 Composed by Salim Haddad. 21st Century,Classical,Contemporary. Score. 18 pages. Salim Haddad #959762. ...
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Organ - Level 5 - Digital Download SKU: A0.1375150 Composed by Salim Haddad. 21st Century,Classical,Contemporary. Score. 18 pages. Salim Haddad #959762. Published by Salim Haddad (A0.1375150). A turbulent organ work depicting a vision Judas Iscariot had after betraying Jesus Christ. According to the Gospel of Judas, the latter's vision was of the disciples stoning and persecuting him. This is apparent in the extended section of violence, with its darting harmonies and virtuoso writing. A long moment of calm leads to more turmoil and Judas' eventual hanging (suicide); the final descending pedal notes depict his fall against the noose. The opening scherzo-like passage signifies Judas' initial craftiness at betraying Jesus. This quickly leads to feelings of regret and then dread - portrayed in the darkening music. Recorded by the composer. Salim Haddad is an avid pianist and composer from Edmonton, Canada. https://www.youtube.com/@Haddad.Composer/about
$3.00
Sagas Nos. 1-6
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Organ
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ADVANCED
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Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 min...
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Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
Kearney: Hymn Meditations, vol. 5: Eternal Father, Strong to Save; Day by Day
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Organ
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ADVANCED
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Michael R
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Kearney: Hymn Meditations, vol
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Homestead Press
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SheetMusicPlus
Instrumental Solo,Organ - Level 5 - Digital Download SKU: A0.1256975 Composed by Michael R. Kearney. Christian,Patriotic,Religious,Sacred. Individual par...
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Instrumental Solo,Organ - Level 5 - Digital Download SKU: A0.1256975 Composed by Michael R. Kearney. Christian,Patriotic,Religious,Sacred. Individual part. 16 pages. Homestead Press #850355. Published by Homestead Press (A0.1256975). Hymn Meditationsfor organEternal Father, Strong to Save (Fantasia on MELITA) quoting Genevan Psalm 107Day by Day and with Each Passing Moment (Improvisation on BLOTT EN DAG)Homestead PressMonaca, PennsylvaniaHP-611.
$8.99
Orgelsinfonie No. 8
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Organ
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ADVANCED
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Enjott Schneider
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Orgelsinfonie No. 8
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced - Digital Download SKU: S9.Q11730 In Memoriam. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 32...
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Organ - advanced - Digital Download SKU: S9.Q11730 In Memoriam. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 32 minutes. Schott Music - Digital #Q11730. Published by Schott Music - Digital (S9.Q11730). In his Organ Symphony No. 8 'In Memoriam', following an idea of the cathedral organist Silvius von Kessel from Erfurt (and dedicatee of the work), Enjott Schneider carries on where Anton Bruckner left off, processes themes from the latter's Symphony No. 8 variatively and contrasts it to 'Haus-Choral des Erfurter Doms', 'Wachet auf, ruft uns die Stimme'. Bruckner's material is used as a starting point and further developed by Schneider in four movements: typically enough, the initial movement is called 'Metamorphosen' before an almost eerie atmosphere is created in a 'Scherzo sinistro'. The twelve-note series (in the third movement), embedded in a transcendental mood, eventually develops into the chorale which, now as main theme of the finale, amalgamates with Bruckner's stylistic moments and leads to a magnificent end - an exciting and rousing piece of music.Enjott Schneider knüpft in seiner Orgelsinfonie Nr. 8 In Memoriam an Anton Bruckner an, verarbeitet variativ Themen aus dessen Sinfonie Nr. 8 und stellt diese aber dem Choral Wachet auf, ruft uns die Stimme gegenüber. Eine spannende und aufwühlende Musik.
$21.99
Scènes d'Enfant
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Organ
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ADVANCED
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Jean Guillou
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Scènes d'Enfant
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - Digital Download SKU: S9.Q6221 D'après The Turn of the Screw d'Henry James. Composed by Jean Guillou. This edit...
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Organ - advanced to difficult - Digital Download SKU: S9.Q6221 D'après The Turn of the Screw d'Henry James. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 28. Duration 16 minutes. Schott Music - Digital #Q6221. Published by Schott Music - Digital (S9.Q6221). Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' The Turn of the Screw which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys.
$22.99
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