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Organ
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Orgelsinfonie No. 16
Organ
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
20.27 €
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Organ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
"The Cares of Winter" from "The Seasons", suite for organ
Organ
Organ - Level 3 - Digital Download SKU: A0.935501 Composed by Kazys Daugela. Christ…
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Organ - Level 3 - Digital Download SKU: A0.935501 Composed by Kazys Daugela. Christmas,Contemporary. Score. 5 pages. Kazys Daugela #6292379. Published by Kazys Daugela (A0.935501). Four-part suite The Seasons for narrator and orchestra Lithuanian composer Kazys Daugėla created on the basis of K. Donelaitis poem The Seasons plots and the most famous artist Vytautas Kazimieras Jonynas (1907-1997) woodcut illustrations. These Donelaitis poem The Seasons illustrations have become classics of Lithuanian art. Composer created his paintings of the suite using native Lithuania Minor folk song melodies. Some of them are written almost 200 years ago. Most songs used are from Christian Bartsch prepared and published by Lithuanian folk songs Song of the votes. If you do not doubt that the song’s soul is in the melody, it should also be true, that the song is understood correctly only when we sing or listen to it – so believed Ch. Bartsch. He could not possibly foresee that the songs that sounded at his time will be wiped out in parallel with the East Prussian population. But after all, maybe he did predict? Therefore, he was rescuing them. The ancient epics and worldview associate The Seasons with cyclical idea of time, which is expressed by the view of The Sun’s path in the sky. The main hero of this musical work is The Sun and the diversity of nature, life and work associated with it. In the Eternal Circle we born, age, die - everything repeats, nothing new happens. In the second part of the The Cares of Winter, the Lithuanian traditional Advent song Sodai, sodai, leliumoj was used and developed.
$3.99
3.68 €
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Organ
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Kazys Daugela
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"The Cares of Winter" from "The Seasons", suite for organ
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Kazys Daugela
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SheetMusicPlus
In the very midst of life
Organ
Organ - intermediate - Digital Download SKU: S9.Q45883 From Organ Symphony No. 6…
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Organ - intermediate - Digital Download SKU: S9.Q45883 From Organ Symphony No. 6 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q45883. Published by Schott Music - Digital (S9.Q45883). An essential feature of attitudes prevailing in the days of Luther was the ubiquitous concern with death and dying, assailed by plague, wars and the never-ending dangers of daily life. The associated fears sometimes escalated to the grotesque, as in paintings by Hieronymus Bosch, and the ‘dance of death’ was a popular motif in those years. Luther’s chorale of 1524 In the very midst of life / we see death all around us (the Erfurt Enchiridion) is based on the Gregorian Media vita in morte sumus that emerged in France in about 750, evoking thoughts of mortality in its outline form.
$9.99
9.21 €
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Organ
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Enjott Schneider
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In the very midst of life
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Schott Music - Digital
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SheetMusicPlus
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