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Anon English
Organ
Sheetmusic to print
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Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
Organ
Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards.…
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Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
$5.99
5.39 €
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Organ
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verbum supernum prodiens"
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Matthew Alan Edwards
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SheetMusicPlus
Complete Organ Works
Organ
Organ - intermediate - Digital Download 8 Magnificat Cycles - Anonymus: Chorale Fanta…
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Organ - intermediate - Digital Download 8 Magnificat Cycles - Anonymus: Chorale Fantasy (Magnificat VIII. toni). Composed by Heinrich Scheidemann (1595-1663). This edition: Sheet music. Meister, Nordeutsche Orgelschule, Organ. Masters of the North German School for Organ. Downloadable. Op. 2. Schott Music - Digital #Q47864. Published by Schott Music - Digital
German - English.<br> <br> Band 9 der Reihe Meister der Nordeutschen Orgelschule enthalt 9 Magnificat-Zyklen von Heinrich Scheidemann (um 1595-1663). Scheidemann studierte 1611-1614 bei Sweelinck in Amsterdam und wirkte ab 1629 rund dreieineinhalb Jahrzehnte als Organist an der Kirche St. Katharinen in Hamburg.
$33.99
30.58 €
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Organ
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Heinrich Scheidemann
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Complete Organ Works
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Schott Music - Digital
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SheetMusicPlus
Eight Shorter Preludes on American Hymns (for manuals only)
Organ
Organ - Level 3 - Digital Download SKU: A0.836718 Composed by Brian Joyce. Christia…
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Organ - Level 3 - Digital Download SKU: A0.836718 Composed by Brian Joyce. Christian,Contemporary,Sacred. Score. 15 pages. Brian Joyce #5749579. Published by Brian Joyce (A0.836718). These eight Chorale Preludes were all written between March and May of 2020, during the worldwide Coronavirus Pandemic. Unlike the earlier companion volumes of shorter English and German preludes, which feature a variety of moods and themes, these American examples all seem to center around the closely related ideas of hope and quiet confidence. While this was not my intention back when I was choosing hymns to work with, I am pleased with the unity of the set. Taken as a whole, they are filled with tidings of comfort and joy. Stylistically, the preludes range from the baroque bounce of Praise Him, Jesus Our Blessed Redeemer, through the sturdy On Christ the Solid Rock I Stand (with its chords sounding as if they had been carved from granite blocks) and a surprisingly delicate I Stand Amazed. There is a fair amount of canonic leading and following in He Leadeth Me; Great is Thy Faithfulness is the expressive heart of the set; and we end by returning to 18th century ritornello models with Blessed Assurance. Through it all I think I have managed to avoid any sense of academic stuffiness - in fact there are several moments which may sound almost playful if not handled rightly.As with the Shorter English and German Preludes, most of these are between one and two minutes in length, and each fits on one or two pages, arranged so as to avoid page turns. As always, durations and sources are provided for your planning.
$7.95
7.15 €
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Organ
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Brian Joyce
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Eight Shorter Preludes on American Hymns
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Brian Joyce
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SheetMusicPlus
Variations
Organ
Organ - intermediate - Digital Download SKU: S9.Q555044 On Freu dich sehr, o mei…
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Organ - intermediate - Digital Download SKU: S9.Q555044 On Freu dich sehr, o meine Seele. Composed by Naji Hakim. Downloadable. Duration 11 minutes. Schott Music - Digital #Q555044. Published by Schott Music - Digital (S9.Q555044). English • German.These variations are based on the choral “Freu dich sehr, o meine Seeleâ€. Variation I, Maestoso, presents a solemn, canonic statement of the theme enveloped by dense, closely-knit harmonies. Variation II, Allegro, is clothed in polyphonic lines reminiscent of Bach’s “Orgelbüchlein†chorales. Variation III, Vivace, is a playful bicinium with the cantus firmus featured in the soprano line, as the bass bounces along in a staccato duet. Variation IV, Adagio, displays rich chromatic harmonies which form a lush backdrop for the pedal solo. Variation V, Vivace, features the chorale in detached left hand notes while the right hand and pedal provide a playful accompaniment. In Variation VI, Andante, the melody vacillates between minor and major keys as syncopated left hand chords and pizzicato bass accompany the cantilena. In the concluding Variation VII, Presto, the left hand proclaims the theme in block chords as the right hand provides an exuberant garland of sixteenth notes while the pedal provides rhythmic drive with tympanic accents.
$12.99
11.69 €
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Organ
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Naji Hakim
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Variations
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Schott Music - Digital
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SheetMusicPlus
Partita on “Herzliebster Jesu”
Organ
Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1390106 Composed by Ca…
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Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1390106 Composed by Carson Cooman. 21st Century,Classical,Lent,Religious. Individual part. 7 pages. Carson Cooman #973618. Published by Carson Cooman (A0.1390106). Partita on “Herzliebster Jesu†(2023) is dedicated to Ralph Looij. It is a set of five variations on Johann Crüger’s classic Lenten/Passiontide hymn, appearing in English usually with the text “Ah, Holy Jesus, how hast thou offended.†In the typical manner, the variations present contrasting approaches to the chorale melody: the first, in three voices with a moving bass; the second, in three part retrograde canon; the third, in loose canon in two modes and speeds simultaneously; the fourth, under an ostinato rhythm; and the fifth, in chorale rhythm with a new harmonization.
$7.99
7.19 €
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Organ
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Carson Cooman
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Partita on “Herzliebster Jesu”
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Carson Cooman
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SheetMusicPlus
Guthrie: The Liturgical Organbook, Volume 1
Organ
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318427 Composed by Tr…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1318427 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Lent,Religious,Traditional. Individual part. 26 pages. Jmsgu3 #907089. Published by jmsgu3 (A0.1318427). Volume 1 Contents:Deo gracias 1: Free harmonic treatment a3, cantus in sopranoDeo gracias 2: Free counterpoint a3, cantus in the middle voiceDickenson College 1: Bicinium, cantus in bass, coda a4Dickenson College 2: Free harmonization a4, cantus in sopranoDickenson College 3: Bicinium, cantus in bassDown Ampney 1: Free harmonization a4Down Ampney 2: Free counterpoint a3, cantus in sopranoDown Ampney 3: Cantus in canon at the octave, free middle voiceDown Ampney 4: Cantus in canon by inversion at the fourth, free middle voiceDown Ampney 5: Cantus in retrograde (soprano) and augmentation (tenor), free bass and altoDown Ampney 6: Free counterpoint a3, cantus in altoDown Ampney 7: Free counterpoint a3, augmented cantus in pedalDown Ampney 8: Quodlibet: Down Ampney in bass, Lauda anima in soprano, free middle voiceDown Ampney 9: Fugue a4 with 5th voice added at last subject entranceThe Liturgical Organbook Volume 1 Sources:Â All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Deo gracias, English ballad melody, Trinity College MS. (15th century)Dickenson College, Lee Hastings Bristol, Jr. (1923-1979)Down Ampney, Ralph Vaughn Williams (1872-1958).
$32.95
29.64 €
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Organ
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Traditional
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Guthrie: The Liturgical Organbook, Volume 1
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jmsgu3
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SheetMusicPlus
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