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You've selected:
Be Still And Know - Oboe
Organ
Sheetmusic to print
9 sheet music found
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1
Prelude, Canon and Fugue on Mueller ('Away in a Manger')
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Organ
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INTERMEDIATE
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Christmas
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John Burkett
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John Burkett
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Prelude, Canon and Fugue on Mu
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John Burkett
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1335092 Composed by John Burkett. Arranged by John Burkett. Christmas,Classical,Religious,Sacred. Score. 10 pa...
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Organ - Level 3 - Digital Download SKU: A0.1335092 Composed by John Burkett. Arranged by John Burkett. Christmas,Classical,Religious,Sacred. Score. 10 pages. John Burkett #920937. Published by John Burkett (A0.1335092). The three movements of this composition are based on the Christmas carol tune Mueller, also known as Away in a Manger. While each movement can be performed separately, my intention is that all the movements be played as a unit. This composition was conceived with a 3-manual organ in mind. While the Prelude and Canon are relatively easy, the Fugue is more challenging, as it requires numerous changes of stop combinations via preset pistons. I have provided a full-length recording to aid the prospective buyer in the decision-making process. This piece is one among several arrangements in my Christmas Carol Series, which includes a number of settings for piano. I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for still other hymn arrangements of mine, some for organ and some for piano.
$12.00
Be Still, My Soul (Finlandia), organ work by Phil Lehenbauer
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Organ
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INTERMEDIATE
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Jean Sibelius
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Phil Lehenbauer
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Be Still, My Soul
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Phil Lehenbauer
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1421951 Composed by Jean Sibelius. Arranged by Phil Lehenbauer. Classical,Contemporary,Religious,Sacred,Tradit...
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Organ - Level 3 - Digital Download SKU: A0.1421951 Composed by Jean Sibelius. Arranged by Phil Lehenbauer. Classical,Contemporary,Religious,Sacred,Traditional. Score. 6 pages. Phil Lehenbauer #1003287. Published by Phil Lehenbauer (A0.1421951). Jean Sibelius' 1900 tone poem Finlandia gives us the hymn tune by the same name, known mostly by the text Be Still, My Soul. Often this hymn is used at memorials and funerals due to its text, so I've tried to create a somber work with a bit of heavenly glory near the end, but ending in peace. It was written and composed on a two manual instrument.
$3.50
Guthrie: Elegy for Lili
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Organ
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INTERMEDIATE
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James M
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Guthrie: Elegy for Lili
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jmsgu3
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pa...
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Organ - Level 3 - Digital Download SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable. Â Three placements had failed because the young female was too afraid of the people. Â Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia. Â Austin had reluctantly agreed to look at the small spoodle. Â He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss. Â Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart. Â It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years. Â She was gracious and never intrusive with the visitors. Â Small children were able to approach Lili without fear. Â She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's: Â The Blessing of the Animals. Â Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church. Â The animals in the church yard scoff at her. Â She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi. Â Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated. Â Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer. Â A week before she died, she made a personal appearance at a local elementary school. Â As always, she was gracious and gentle, even though later it was apparent that she was deathly ill. Â A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her. Â This elegy was commissioned for performance at the annual Blessing service.
$32.95
Johann Speth - Toccata Prima - Transcription by Guido Menestrina
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Organ
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Classical
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Johann Speth
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Guido Menestrina
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Johann Speth - Toccata Prima -
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Guido Menestrina
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SheetMusicPlus
Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Publis...
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Organ - Digital Download SKU: A0.828694 Composed by Johann Speth. Arranged by Guido Menestrina. Baroque. Score. 6 pages. Guido Menestrina #115545. Published by Guido Menestrina (A0.828694). Johann Speth (1664-1719) - Toccata Prima oder erstes musikalishes Blumen-Feld Transcribed by Guido Menestrina - youtube https://www.youtube.com/watch?v=8huOtZ9bQak From Wikipedia: Johann (Johannes) Speth (9 November 1664 – after 1719) was a German organist and composer. He was born in Speinshart, some 150 km from Nuremberg, but spent most of his life in Augsburg, where he worked as cathedral organist for two years. His only surviving music is a 1693 collection, Ars Magna Consoni et Dissoni, which includes toccatas, Magnificat versets and variations in south German style. Speth was born in Speinshart, Bavaria, to teacher Heinrich Speth and his wife Margareta (née Vichtl). Past scholars established that Speth must have received music lessons from the abbot of the Premonstratensian monastery at Speinshart, one Dominikus Lieblein, however, this has recently been disproven. Nothing is known about his life before 1692, when he applied for the position of organist of Augsburg Cathedral. The application, which contained Speth's compositions, was accepted, and he was appointed organist on 4 November 1692. The music he supplied with the application was published the next year in Augsburg as Ars magna Consoni et Dissoni. In the files of the cathedral administration there is a note from 1705 showing that Speth had also to work in the office of the cathedral chapter. The exact date of Speth's death is unknown, but there is a document that shows that in 1719, he still lived with his wife and a maidservant in Augsburg. The composer's only surviving work is the collection published in 1693 in Augsburg, Ars magna Consoni et Dissoni. The title may be a reference to Athanasius Kircher's famous book, Musurgia universalis, sive ars magna consoni et dissoni (1650). An early description of the work was included by Johann Gottfried Walther in his Musikalisches Lexicon; Walther claimed Speth only compiled the pieces but did not compose. This hypothesis is now generally considered false. Ars Magna contains music intended for organ or clavichord: 10 toccatas (subtitled Musicalische Blumen-Felder), 8 Magnificat settings, and three variation sets. The music has clearly traceable Italian influences, with direct borrowings: one of the variation sets is built on a theme by Bernardo Pasquini, there is also a passage from Bernardo Storace in the Spangioletta variation set, and a verset by Alessandro Poglietti (quinti toni no. 3). The influence of contemporary southern organists is also apparent, particularly that of Georg Muffat and Johann Caspar Ferdinand Fischer. The toccatas are unusually short for the genre; most consist of three (toccata-fugue-toccata) sections. There are some interesting features such as dynamic indications in Toccata quarta. The Magnificat settings are, like similar pieces by Johann Kaspar Kerll and others, short versets for alternatim practice.
$3.99
The Stylophone Songbook
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Organ
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BEGINNER
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Traditional
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Andy Pike
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The Stylophone Songbook
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Andy Pike Music
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SheetMusicPlus
Organ - Level 1 - Digital Download SKU: A0.1333729 Composed by Traditional. Arranged by Andy Pike. Baroque,Children,Classical,Traditional. Score. 6 pages...
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Organ - Level 1 - Digital Download SKU: A0.1333729 Composed by Traditional. Arranged by Andy Pike. Baroque,Children,Classical,Traditional. Score. 6 pages. Andy Pike Music #920026. Published by Andy Pike Music (A0.1333729). The Stylophone is a classic electronic musical instrument which originally came to llight in 1968!  It's still as popular as ever today and so we've created a series of books to help the beginner first and foremost.This book contains 6 pages with a helpful instruction guide and then 6 copyright free tunes with musical notation and numbers to match the metal keyboard on the Stylophone. Such tunes that are included are Twinkle Twinkle Little Star, Happy Birthday and 4 more.Please note that this is a digital book and as such will be emailed within 24 hours of you completing the sale.  If you have any questions please ask :-)  This is great as with the postal strikes currently you'll know you won't have to wait for the post!We hope you enjoy the Stylophone and the books as much as we do!
$5.04
Machaut: La Messe de Nostre Dame for Organ
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Organ
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INTERMEDIATE/ADVANCED
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Musi...
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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Organ
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INTERMEDIATE/ADVANCED
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Guillaume de Machaut
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James M
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Machaut: La Messe de Nostre Da
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jmsgu3
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SheetMusicPlus
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Musi...
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
I Come to the Garden (In the Garden) - Organ solo
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Organ
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INTERMEDIATE
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Charles Austin Miles
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KATHLEEN HOLYOAK
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I Come to the Garden
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Kathleen Holyoak
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SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.1458588 Composed by Charles Austin Miles. Arranged by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Reli...
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Organ - Level 3 - Digital Download SKU: A0.1458588 Composed by Charles Austin Miles. Arranged by KATHLEEN HOLYOAK. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 4 pages. Kathleen Holyoak #1037515. Published by Kathleen Holyoak (A0.1458588). This famous and beloved old song, written by Charles Austin Miles in 1912, is often sung at funerals and was inspired by John, Chapter 20 in the Bible where Mary goes to the Garden Easter morning and finds the tomb of Jesus empty. Mary is distraught but then she hears a voice and realizes it is the voice of Jesus and not the gardener. Upon many requests, the arranger, Kathleen Holyoak, has written this as an organ solo, having previously published it for vocal solo and instrumental versions. This is one title every organist needs to include in their library or organ music. The words are inspiring and can be printed in a program as follows:I come to the garden alonewhile the dew is still on the roses,and the voice I hear falling on my earthe Son of God discloses.And he walks with me, and he talks with me,and He tells me I am his own;and the joy we share as we tarry there,none other has ever known.
$5.99
Meditation on "Southwell", Op. 97 (Organ Solo) by Vidas Pinkevicius (2022)
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Organ
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Vidas Pinkevicius
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Meditation on "Southwell", Op.
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Vidas Pinkevicius
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SheetMusicPlus
Organ - Level 2 - Digital Download SKU: A0.909347 Composed by Vidas Pinkevicius. Contemporary,Easter,Sacred. Score. 3 pages. Vidas Pinkevicius #6863087. ...
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Organ - Level 2 - Digital Download SKU: A0.909347 Composed by Vidas Pinkevicius. Contemporary,Easter,Sacred. Score. 3 pages. Vidas Pinkevicius #6863087. Published by Vidas Pinkevicius (A0.909347). This gentle composition is set to the tune Southwell, known with the text O Christ, You Walked the Road. The tune is presented 3 times - first in the soprano (E minor key), then in the tenor (G minor key) and finally in the pedals (E Minor key). The rhythmic movement intensifies throughout the piece but still keeps a calm mood. It will be suitable to perform for Lent and any occasion where meditative music is required - Communion, Vespers, Compline etc.
$4.99
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