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PIANO & KEYBOARDS

Piano solo 89 Piano, Voice 58 Piano, Vocal and Guitar 9 C Instruments 7 Easy Piano 7 2 Pianos, 4 hands 4 1 Piano, 4 hands 4 Organ 3

Piano Trio: piano, violin, cello 3 2 Pianos, 8 hands 1 Organ, Piano (duet) 1 Piano Quintet: piano, 2 violins, viola, cello 1 Piano Quartet: piano, violin, viola, cello 1

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GUITARS

Guitar 12 Guitar notes and tablatures 7 Melody line, (Lyrics) and Chords 1 Mandolin 1 Bass guitar 1

2 Guitars (duet) 1

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VOICE

Choral SATB 27 Choral TTBB 6 Choral 3-part 3 Baritone voice, Piano 2 Choral SSATTB 1

WOODWIND

Saxophone ensemble 36 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 29 Saxophone Quintet: 5 Saxophones 25 Clarinet Ensemble 10 Saxophone Quartet: 4 saxophones 10

Clarinet Quartet: 4 clarinets 8 Oboe, Piano (duet) 5 Flute Quintet : 5 flutes 5 Flute, Oboe, Clarinet, Bassoon 4 Alto Saxophone and Piano 4 Flute ensemble 4 Flute and Piano 3 Flute Trio: 3 flutes 3 3 Clarinets (trio) 2 Flute and Guitar 2 Clarinet, Bassoon (duet) 2 English horn, Piano 1 Flute Quartet: 4 flutes 1 Flute, Bassoon, and Piano 1 2 Saxophones (duet) 1 Alto Saxophone 1 Soprano Saxophone and Piano 1 Clarinet 1 2 Clarinets (duet) 1 Clarinet Quintet: Clarinet, String Quartet 1 Oboe, Guitar (duet) 1 Clarinet and Piano 1 Flute 1 Oboe (band part) 1

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WOODBRASS

Brass quartet : 2 trumpets, trombone, tuba 19 Brass Quintet: 2 trumpets, horn, trombone, tuba 18 Brass Quartet 10 Trumpet ensemble 9 Trombone ensemble 9

French horn 3 Tuba and Piano 3 Horn Ensemble 3 Trombone and Piano 3 Brass Quartet: 2 trumpets, horn, trombone 2 Tuba 2 English horn, Piano 1 French Horn and Piano 1 2 Euphoniums and 2 Tubas 1 Brass Quartet: 4 horns 1 Trombone 1

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STRINGS

String Quartet: 2 violins, viola, cello 43 String Trio: violin, viola, cello 9 Violin 8 Violin and Piano 5 Viola ensemble 5

Violin ensemble 4 Cello, Piano 4 Cello 4 String Quintet: 2 violins, viola, cello, bass 3 String Quintet: 2 violins, 2 violas, cello 3 Double Bass 2 Viola, Cello (duet) 2 Violin, Viola (duet) 2 Viola, Piano 2 Violin, Cello (duet) 2 String Trio: 2 violins, cello 1 4 Cellos 1 Viola 1 Harp 1 2 Violas (duet) 1 Harp and Piano 1 Harp, Flute (duet) 1 Harp, Voice 1 4 Double Basses 1 Viola (band part) 1 2 Violins (duet) 1 Cello Ensemble 1

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PERCUSSION & ORCHESTRA

Orchestra 27 String Orchestra 16 Concert band 16 Brass ensemble 7 Chamber Orchestra 7

Jazz Ensemble 5 Jazz combo 3 Percussion Ensemble 2 Drums 1 Conga 1 Marimba 1 Brass Quintet: other combinaisons 1 Piano and Orchestra 1

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I Like To Move It

Organ

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3 sheet music found

Orgelsinfonie No. 16 Organ

Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…(+)

Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying â€“ from the plague and war to the never-ending dangers of daily life â€“ was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.

$21.99 20.27 € #Organ #Enjott Schneider #Orgelsinfonie No. 16 #Schott Music - Digital #SheetMusicPlus

Jesu, du mein liebstes Leben Organ

Organ - Level 3 - Digital Download SKU: A0.1250208 Composed by Felicity Mazur-Park.…(+)

Organ - Level 3 - Digital Download SKU: A0.1250208 Composed by Felicity Mazur-Park. 21st Century,Chamber,Christian,Classical,Sacred. Score. 11 pages. Felicity Mazur-Park #844541. Published by Felicity Mazur-Park (A0.1250208). The chorale prelude begins with the chorale (Jesu, du mein liebstes Leben) harmonized in four-parts. I changed the harmonization, so it differs from J.S. Bachâ€™s chorale setting. My harmonization resists modulating to major keys (B flat major and F major) and instead uses chromatic chords for dramatic effect. This harmonic landscape results in an overall darker mood.Â Â The middle section and heart of the composition features a gigue-like motive which begins in G minor but gradually transitions into chromaticism. At the height of the chromaticism, there are pedal solos interrupted by loud, accented chords in the manuals. As the chromaticism and dissonance build the music moves away from the G tonal center. The return of â€œGâ€ is delayed until the final statement of the chorale.Â At the end, the chorale returns combined with the gigue-like motive. The return is dramatic and flamboyant. The chorale prelude finishes with a dramatic pedal solo followed by a subdued penultimate phrase. The loudest registration of the work is reserved for the final phrase.

$5.99 5.52 € #Organ #Felicity Mazur-Park #Jesu, du mein liebstes Leben #Felicity Mazur-Park #SheetMusicPlus

Partita on Sweet Hour ('Sweet Hour of Prayer') Organ

Organ - Level 4 - Digital Download SKU: A0.1370464 Composed by John Burkett. Arrang…(+)

Organ - Level 4 - Digital Download SKU: A0.1370464 Composed by John Burkett. Arranged by John Burkett. Classical,Contemporary,Praise & Worship,Sacred. Score. 23 pages. John Burkett #954835. Published by John Burkett (A0.1370464). My Partita on Sweet Hour (Sweet Hour of Prayer) presents the theme with an original 4-part harmonization followed by five variations.Â The first variation is a duo in which the tune is set against a continuous stream of sixteenth notes as accompaniment.Â The second variation is a waltz in the key of F-sharp major in which an ornamented and expanded version of the melody is accompanied by a modified um-pah-pah accompaniment played by the feet and left hand.Â By contrast, variation three, in the key of B minor, moves at a much slower pace and conveys a rather sombre mood.Â The next variation set in 5/8 meter is somewhat like a scherzo.Â Each phrase of the melody is in a different key and has modal inflections that lends it a mildly exotic characterÂ The fifth and final variation is a toccata in the French style that requires panache and bravura.Â The tune is intoned in slow moving rhythm by the feet while the hands provide a rapidly moving sextuplet accompaniment.Â I have provided a full-length recording to aid the prospective buyer in the decision-making process.Â I encourage you to search the Sheet Music Plus or the Sheet Music Direct website for other hymn arrangements of mine, some for organ and others for piano.

$22.00 20.28 € #Organ #contrast, variation three, in the key of B minor, moves at a much slower pace and conveys a rather sombre mood #John Burkett #Partita on Sweet Hour #John Burkett #SheetMusicPlus