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In Times of War
Organ
Sheetmusic to print
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Jan Zach - Fugue in C Minor
Organ
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Men…
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
4.54 €
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Organ
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early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz
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Jan Zach
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
In the very midst of life
Organ
Organ - intermediate - Digital Download SKU: S9.Q45883 From Organ Symphony No. 6…
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Organ - intermediate - Digital Download SKU: S9.Q45883 From Organ Symphony No. 6 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 5 minutes. Schott Music - Digital #Q45883. Published by Schott Music - Digital (S9.Q45883). An essential feature of attitudes prevailing in the days of Luther was the ubiquitous concern with death and dying, assailed by plague, wars and the never-ending dangers of daily life. The associated fears sometimes escalated to the grotesque, as in paintings by Hieronymus Bosch, and the ‘dance of death’ was a popular motif in those years. Luther’s chorale of 1524 In the very midst of life / we see death all around us (the Erfurt Enchiridion) is based on the Gregorian Media vita in morte sumus that emerged in France in about 750, evoking thoughts of mortality in its outline form.
$9.99
9.09 €
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Organ
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Enjott Schneider
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In the very midst of life
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Schott Music - Digital
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SheetMusicPlus
Orgelsinfonie No. 16
Organ
Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed b…
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Organ - advanced - Digital Download SKU: S9.Q45183 Martin Luther. Composed by Enjott Schneider. This edition: Sheet music. Downloadable. Duration 24 minutes. Schott Music - Digital #Q45183. Published by Schott Music - Digital (S9.Q45183). On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of faith ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the Luther rose which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, white is the colour of angels and ghosts, black stands for the pain of crucification: The just shall live by faith, but by faith in the Crucified. But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The Danse macabre was a popular motif in those years. Luther's chorale Mitten wir im Leben sind / mit dem Tod umfangen from 1524 (Enchiridion from Erfurt) is based on the Gregorian chant Media vita in morte sumus created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, I stand here and can say no more. God help me. Amen, are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a perpetuum mobile, i.e. a dogged, ostinato and never-ending musical air. 5th movement: The Mighty Fortress, on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the Marseille anthem of the Reformation, Friedrich Engels the Marseillaise of the Peasants' Wars. This disputability is not thought through to the end but rather interrupted: With a jubilant birdcall version of the melody, the finale shows a rather chamber-music-like side of the ideals of freedom of Christians.'.
$21.99
20 €
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Organ
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Enjott Schneider
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Orgelsinfonie No. 16
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Schott Music - Digital
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SheetMusicPlus
Meditation on Es brent, Op. 223 (Organ Solo) by Vidas Pinkevicius
Organ
Organ - Level 2 - Digital Download SKU: A0.1164168 Composed by Vidas Pinkevicius. C…
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Organ - Level 2 - Digital Download SKU: A0.1164168 Composed by Vidas Pinkevicius. Contemporary,Jewish,Multicultural,World. Score. 4 pages. Vidas Pinkevicius #764516. Published by Vidas Pinkevicius (A0.1164168). This is a gentle meditation on the Yiddish poem–song Es brent or It's burning, also known as ××•× ×“×–×¢×¨ שטעטל ×‘×¨×¢× ×˜ undzer shtetl brent our town is burning, written in 1936 by Mordechai Gebirtig. Although the poem is generally said to have been written in response to the Przytyk Pogrom of 1936, after the Holocaust the song was often used in Holocaust commemoration or in programmes of World War II Ghetto music, both in the original Yiddish and in Hebrew translation. In this piece the tune is presented twice, both times in the right hand but the first time as a solo voice and then the second time in a more chordal texture, creating culmination. The meditation ends quietly as it started. This composition will be very effective on the program of the Holocaust remembrance events.
$4.99
4.54 €
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Organ
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Vidas Pinkevicius
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Meditation on Es brent, Op. 223
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Vidas Pinkevicius
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SheetMusicPlus
2024 Suite for Trombone and Organ, 2. Dido's Lament (Purcell), work by Phil Lehenbauer
Organ
Organ - Level 3 - Digital Download SKU: A0.1475637 Composed by Henry Purcell. Arran…
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Organ - Level 3 - Digital Download SKU: A0.1475637 Composed by Henry Purcell. Arranged by Phil Lehenbauer. Classical,Contemporary,Contest,Festival,Lent,Sacred. Score. 8 pages. Phil Lehenbauer #1053193. Published by Phil Lehenbauer (A0.1475637). This work for trombone and organ is part of the 2024 Suite for Trombone and Organ, which is geared toward the younger, less experienced player, with works that can be performed at church services and other occasions. Dido's Lament, from Purcell's opera Dido and Aeneas is a lyrical, somber piece, giving the younger player the chance to develop phrasing and legato playing. The emotional mood of this makes it perfect during reflective times of a service, especially during the Lenten season. The range is one that a typical high school player (or advanced middle schooler) could play, with rhythms well within the reach of players at that level. The solo part is well-supported by the organ part, with hopes that rehearsals can be minimal in putting this together for performance. There are two other movements to this 2024 Suite, both available on this site as well. Please give that young musician the chance to shine! Also included is a treble clef part that could be played by trumpet, treble clef baritone, or tenor sax.
$3.50
3.18 €
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Organ
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Henry Purcell
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2024 Suite for Trombone and Organ, 2. Dido's Lament
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Phil Lehenbauer
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SheetMusicPlus
Ave Eva
Organ
Organ - Level 3 - Digital Download SKU: A0.943029 Composed by Lewis A. Kocher. Chri…
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Organ - Level 3 - Digital Download SKU: A0.943029 Composed by Lewis A. Kocher. Christian,Christmas,Contemporary,Holiday,Sacred. Score. 8 pages. Lewis A. Kocher #4613703. Published by Lewis A. Kocher (A0.943029). Services: Christmas, Annunciation, Marian; Prelude, Processional, Special MusicTime 2:39The title of this piece, which is a palindrome, has an interesting history. In medieval times much was made of things like numerology and words, and one day it was discovered that Ave (Hail) spelled backwards was Eva (an archaic spelling of Eve). Thus Ave Eva was Hail, Eve! and Mary was seen as a type of Eve. In other words, Ave Eva read the same forwards and backwards, giving us Hail Mary in both directions. This was seen as a miraculous sign and songs and poems were written about it. The piece given here is my original work for pipe organ, and following the lead of the title and history, it gives the descending figure F-E-D to provide the thematic material, developing into a canon-like style, then reverses the figure later to an ascending D-E-F, eventually playfully mixing both versions of the theme before exploding into an exciting end. The work itself is relatively easy to perform, with perhaps the exception of the duple-over-triplets passage near the end which may require a little more attention than the rest of the piece. For clarity of the lines I have suggested a Principal Chorus, with some contrast provided by passages using Flutes and soft Strings. Thank you for performing this work, and God bless!
$5.95
5.41 €
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Organ
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Lewis A
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Ave Eva
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Lewis A. Kocher
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SheetMusicPlus
Tribute for Organ
Organ
Organ - Level 4 - Digital Download SKU: A0.1393791 By Dr. Sheri Masiakowski. By Sr.…
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Organ - Level 4 - Digital Download SKU: A0.1393791 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). 20th Century,Sacred. Score. 6 pages. School Sisters of St. Francis #977263. Published by School Sisters of St. Francis (A0.1393791). Sister Mary Hueller (1921-2017), DMA from the Eastman School of Music, colleague of Sr. Theophane Hytrek OSF, was professor of organ, piano, and liturgical music at Alverno College (Milwaukee, Wisconsin) throughout her professional career. At various times Sister Mary chaired the Fine Arts Division, coordinated the Music Department, and served on many college committees. After Sr. Theophane Hytrek's passing in 1992, Sr. Mary succeeded her as organist at St. Joseph Chapel for several decades.  “Tribute†was written in response to Sr. Theophane Hytrek’s choral compostion  “Canticle of the Creatures†(SSAA) sung by the School Sisters of St. Francis choirs regularly for community celebrations since it was written in 1949. The choral composition will soon be published in both SSAA and SATB arrangements.“Tribute†is of intermediate difficulty but has a challenging pedal part. At the time of composition Sr. Mary had learned to use Finale software and engraved the original score herself. This editor enjoyed spending time with Sr. Mary once a week as tutor while she developed this skill. Unfortunately the original computer file is no longer available and extant copies are not of sufficient quality to publish. Dr. Masiakowski produced the following edition based on Sr. Mary’s score. Fingering and pedal suggestions are those of Sr. Mary Hueller.We invite you to browse other creative works by the School Sisters of St. Francis on our website:  https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$4.99
4.54 €
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Organ
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Dr
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Tribute for Organ
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School Sisters of St. Francis
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SheetMusicPlus
Tribute for Organ
Organ
Pipe Organ - Level 4 - Digital Download SKU: A0.1393797 By Dr. Sheri Masiakowski. B…
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Pipe Organ - Level 4 - Digital Download SKU: A0.1393797 By Dr. Sheri Masiakowski. By Sr. Mary Hueller OSF (Sr. Maurelia Hueller OSF). Arranged by Dr. Sheri Masiakowski. 20th Century,Sacred. Full Performance. Duration 165. School Sisters of St. Francis #977269. Published by School Sisters of St. Francis (A0.1393797). Sister Mary Hueller (1921-2017), DMA from the Eastman School of Music, colleague of Sr. Theophane Hytrek OSF, was professor of organ, piano, and liturgical music at Alverno College (Milwaukee, Wisconsin) throughout her professional career. At various times Sister Mary chaired the Fine Arts Division, coordinated the Music Department, and served on many college committees. After Sr. Theophane Hytrek's passing in 1992, Sr. Mary succeeded her as organist at St. Joseph Chapel for several decades. “Tribute†was written in response to Sr. Theophane Hytrek’s choral compostion “Canticle of the Creatures†(SSAA) sung by the School Sisters of St. Francis choirs regularly for community celebrations since it was written in 1949. The choral composition will soon be published in both SSAA and SATB arrangements. “Tribute†is of intermediate difficulty but has a challenging pedal part. At the time of composition Sr. Mary had learned to use Finale software and engraved the original score herself. This editor enjoyed spending time with Sr. Mary once a week as tutor while she developed this skill. Unfortunately the original computer file is no longer available and extant copies are not of sufficient quality to publish. Dr. Masiakowski produced the following edition based on Sr. Mary’s score. Fingering and pedal suggestions are those of Sr. Mary Hueller. We invite you to browse other creative works by the School Sisters of St. Francis on our website: https://www.sssf.org/SSSF/Our-Global-Impact/United-States/Music-Ministry/Catalog-of-Music.htm  Further information about our offerings is available from Dr. Sheri Masiakowski, curator of the Heritage Music Collection, at smasiakowski@sssf.org.
$1.99
1.81 €
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Organ
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Dr
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Tribute for Organ
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School Sisters of St. Francis
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SheetMusicPlus
HYMNS WITH A TWIST (General Hymns, vol.1) - organ collection
Organ
Organ - Level 4 - Digital Download SKU: A0.774115 Arranged by Anthony Giamanco. Chr…
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Organ - Level 4 - Digital Download SKU: A0.774115 Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Sacred. Score. 32 pages. Whole Tone Press #6719075. Published by Whole Tone Press (A0.774115). This collection of six hymns for General Use is creatively arranged by composer Anthony Giamanco for solo organ. While the harmonic language leans toward modern, the overall effect is fresh, shimmering, at times unexpected, but never jarring. Organists will enjoy playing these settings as service preludes, offertories, and postludes. The collection includesJESUS SHALL REIGN; O SING TO THE LORD; MEDITATION ON 'TAKE MY 'LIFE; THE SOLID ROCK; PRAISE GOD, FROM WHOM ALL BLESSING FLOW; and PARTITA ON 'CONVERSE'. Intermediate/Advanced. 32 pp. Each piece in this collection is also available separately.Hymns with a Twist is a series created for musicians at the intermediate/advanced level. Each collection provides a wealth of familiar hymns creatively arranged, enveloping these timeless melodies in fresh harmonies, modern, yet inviting. These stylish settings are appropriate for both worship and recital. May they bring you and your listeners many years of enjoyment!Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg .
$14.75
13.42 €
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Organ
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O SING TO THE LORD
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HYMNS WITH A TWIST
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Whole Tone Press
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SheetMusicPlus
Sagas Nos. 1-6
Organ
Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Gui…
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Organ - advanced to difficult - Digital Download SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
20.91 €
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Organ
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Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
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SheetMusicPlus
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