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You've selected:
Mark James
Organ
Sheetmusic to print
16 sheet music found
<
1
Variation on "Brother James' Air" (StA OV00195)
Organ
Organ - Level 3 - Digital Download SKU: A0.1263221 Composed by James Leith Macbeth …
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Organ - Level 3 - Digital Download SKU: A0.1263221 Composed by James Leith Macbeth Bain (c. 1840 - 1925). Arranged by Mark Rippe. Christian,Religious,Sacred,Traditional. Score. 4 pages. Mark Rippe #856187. Published by Mark Rippe (A0.1263221). StA OV00195. Â Variation for organ appropriate for prelude or offertory. Â Part of the St. Andrew's Collection.
$2.99
2.76 €
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Organ
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James Leith Macbeth Bain
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Variation on "Brother James' Air"
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Mark Rippe
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SheetMusicPlus
The Queen of Denmark's March
Organ
Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1368284 Composed …
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Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1368284 Composed by John Ross. 21st Century,Classical,March,Wedding. Individual part. 4 pages. John Ross #952602. Published by John Ross (A0.1368284). 14 January 2024 saw the coronation in Copenhagen of King Frederik X and Queen Mary of Denmark. The Australian-born Queen met her future husband in a Sydney bar during the 2000 Olympics. The Queen of Denmark's March celebrates this connection with occasional references to the Australian song Waltzing Matilda.The YouTube performance is by James Flores.
$1.99
1.83 €
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Organ
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John Ross
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The Queen of Denmark's March
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John Ross
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SheetMusicPlus
Clarke: Prince of Denmark's March for Organ Solo
Organ
Composed by Jeremiah Clarke (1674-1707). Arranged by James M. Guthrie. Baroque, Concer…
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Composed by Jeremiah Clarke (1674-1707). Arranged by James M. Guthrie. Baroque, Concert, Instructional, Standards, Wedding. Score. 2 pages. Jmsgu3 #6029237. Published by jmsgu3
$24.95
23 €
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Organ
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Jeremiah Clarke (1674-1707)
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Clarke: Prince of Denmark's March for Organ Solo
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jmsgu3
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SheetMusicPlus
Hooked On A Feeling
Organ
Organ - Level 3 - Digital Download SKU: A0.1179243 By B.J. Thomas. By Mark James. A…
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Organ - Level 3 - Digital Download SKU: A0.1179243 By B.J. Thomas. By Mark James. Arranged by Jonathan Selimovic (a.k.a. Jonny Music). Film/TV,Pop,Rock. Score. 6 pages. Jonny Music #779198. Published by Jonny Music (A0.1179243). Hooked On A Feeling, as covered by Blue Swede, arranged for the King of Instruments (Organ).Duration: 2:52This score is mainly suitable for full-sized 61-key manual and 32-note pedal Pipe, Grand, Drawbar (Hammond) and Theatre Organs, and is optimized for Concert performances (Paper size: 9 in x 12 in).Arranger Contact Info and Social MediaYouTube: https://goo.gl/vu9ifuFacebook: https://goo.gl/dBz3TwTwitter: https://goo.gl/2PxpzVInstagram: https://goo.gl/q1dqJFWebsite: https://goo.gl/zyYa8t.
$7.99
7.37 €
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Organ
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B
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Hooked On A Feeling
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Jonny Music
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SheetMusicPlus
Eventide - Abide with me (Herr bleib bei mir) - A calm and meditative organ improvisation
Organ
Organ - Level 2 - Digital Download SKU: A0.1182022 By Markus Dreja. By William Henr…
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Organ - Level 2 - Digital Download SKU: A0.1182022 By Markus Dreja. By William Henry Monk. Arranged by Markus Dreja. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 4 pages. Markus Dreja #781785. Published by Markus Dreja (A0.1182022). This improvisation has a very calm and meditative character. It is one of the most famous hymns in the world and can be played on almost any occasion.Jame Flores, Australians famous organist recorded this piece beautifully. Please click on the youtube LINK to listen.-------------------------Diese Improvisation hat einen sehr ruhigen und meditativen Charakter. Es ist eines der bekanntesten Kirchenlieder weltweit und kann nahezu zu jedem Anlass gespielt werden. James Flores, einer der bekanntesten australischen Organisten hat diese Improvisation wunderbar aufgenommen. Klickt einfach auf den YouTube LINK.
$5.49
5.06 €
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Organ
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Markus Dreja
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Eventide - Abide with me
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Markus Dreja
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SheetMusicPlus
Morning Star (Brightest And Best)
Organ
Composed by James P. Harding (1850-1911). Arranged by Mark Rippe. Sacred, Traditional. …
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Composed by James P. Harding (1850-1911). Arranged by Mark Rippe. Sacred, Traditional. Score. 4 pages. Mark Rippe #156863. Published by Mark Rippe
$2.99
2.76 €
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Organ
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James P
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Morning Star
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Mark Rippe
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SheetMusicPlus
Tidings (O Zion Haste, Thy Mission High Fulfilling)
Organ
Composed by James Walch (1837- 1901). Arranged by Mark Rippe. Sacred, Traditional. Score.…
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Composed by James Walch (1837- 1901). Arranged by Mark Rippe. Sacred, Traditional. Score. 4 pages. Mark Rippe #156887. Published by Mark Rippe
$2.99
2.76 €
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Organ
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James Walch
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Tidings
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Mark Rippe
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SheetMusicPlus
Golgotha Shadows - 12 Tone Organ Solo
Organ
Organ - Level 3 - Digital Download SKU: A0.1173877 By James Michael Stevens. By Jam…
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Organ - Level 3 - Digital Download SKU: A0.1173877 By James Michael Stevens. By James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Classical,Contemporary,Easter,Instructional. Score. 5 pages. James M Stevens Music ASCAP #774030. Published by James M Stevens Music ASCAP (A0.1173877). Written February 4, 2023, this is an original 12 tone organ composition in an aggressive and bold sound in the first half and a softer and more reflective style in the 2nd part. There is a matrix in the score and markings in the music showing which rows are being used. James Michael Stevens is a prolific composer residing in Nashville, TN and whose organ works are performed around the world. Also included in the book, SHADOWS - 12 Tone Organ Solos..
$4.99
4.6 €
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Organ
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James Michael Stevens
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Golgotha Shadows - 12 Tone Organ Solo
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James M Stevens Music ASCAP
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SheetMusicPlus
Scènes d'Enfant
Organ
Organ - advanced to difficult - Digital Download SKU: S9.Q6221 D'après The Tu…
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Organ - advanced to difficult - Digital Download SKU: S9.Q6221 D'après The Turn of the Screw d'Henry James. Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 28. Duration 16 minutes. Schott Music - Digital #Q6221. Published by Schott Music - Digital (S9.Q6221). Though the work bearing this title is a portrait of childhood, it is a childhood quite different from the purely gameplaying and dreamlike childhood that is customarily represented. The childhood described here is carrying the seed, in all its purity, of all positive and negative qualities to be found the fully-grown men: a childhood both angelic and diabolical, and indeed very close to Henry James' The Turn of the Screw which was the direct inspiration for this monodrama. Its growth follows the innumerable sudden changes, turns and contrasts of the unsophisticated spirit. There is hardly any development at all, as each idea gives birth to the next or rejects the previons one, being object to every impulse, every tempest, every flux, every fear and delight. After a dreamlike introduction, in which two simple melodies stand out, comes a sudden awakening, Allegro, stamped all over with lavish and forever regenerating dynamism. A sudden halt leads a kind of outburst from the most simple folklore is singing, in regular, repeated notes. Again the question mark leads us to another melody, Tranquillo, of a sweet tempo, but brilliantly decorated with counter-point, its cursive traits leading this time to a kind of roguish march (Vigoroso). Yet soon there emerges a melancholic chant, Largo, in the Cromorne's timbre, and then, in the highest register of the Trumpet there reappears like a metamorphosed memory, the theme of the second movement. Passing other episodes, we come to Tempo giusto, insistent and glorious, interrupted by other passionate figures, cut off by unsettling silent moments and taken up again in always accelerating volleys.
$22.99
21.19 €
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Organ
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Jean Guillou
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Scènes d'Enfant
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Schott Music - Digital
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ
Organ
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
36.83 €
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Organ
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Guillaume de Machaut
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Machaut: La Messe de Nostre Dame for Organ
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
Organ
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
46.05 €
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Organ
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Guillaume de Machaut
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Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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jmsgu3
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SheetMusicPlus
Guthrie: The Liturgical Organbook, Volume 3
Organ
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319003 Composed by Tr…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1319003 Composed by Traditional. Arranged by James M. Guthrie. Christian,Historic,Religious,Sacred,Standards. Individual part. 22 pages. Jmsgu3 #907600. Published by jmsgu3 (A0.1319003). The Liturgical Organbook, Volume 3 - ContentsLauda anima 1: Free harmonization a4Lauda anima 2: Free counterpoint with cantus exchange between soprano and altoLauda anima 3: Free counterpoint a3, cantus in altoLauda anima 4: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoLauda anima 5: Free counterpoint a4, cantus in tenorLauda anima 6: FughettaSouthwell 1: Canon a3, at the octave with free middle voiceSouthwell 2: Fugato a3Southwell 3: Free counterpoint a4, followed by an augmented statement of the cantus in the sopranoStuttgart 1: Free counterpoint a3, cantus in sopranoStuttgart 2: Free counterpoint a3, cantus in soprano, triple meterWachet auf 1: Free exchange of cantusWachet auf 2: Free counterpoint a3, cantus in sopranoWer nur den lieben Gott 1: Free harmonization a3, cantus in sopranoWer nur den lieben Gott 2: Free harmonization, a3The Liturgical Organbook Volume 3 Sources: All hymns are found in the Hymnal 1982 according to the use of the Episcopal Church.Lauda anima, John Goss (1800-1880)Southwell, from Daman's Psalter (1579)Stuttgart, from Psalmodia Sacra, oder Andächtige und Schöne Gesänge (1715)Wachet auf, Hans Sachs (1494-1576)Wer nur den lieben Gott, Georg Neumark (1621-1681).
$32.95
30.38 €
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Organ
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Traditional
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Guthrie: The Liturgical Organbook, Volume 3
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jmsgu3
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SheetMusicPlus
Lenten Postludes for Organ
Organ
Composed by David M. Cherwien, Mark C. Jones, Charles E. Callahan Jr. (1951-), Wilbur …
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Composed by David M. Cherwien, Mark C. Jones, Charles E. Callahan Jr. (1951-), Wilbur Held (1914-), Robert A. Hobby (1962-), Michael Burkhardt, James Biery, Richard Peek, David Schelat, and Kristina Langlois. Lent. Instrument part. 32 pages. MorningStar Music Publishers #10-362-E. Published by MorningStar Music Publishers
The selection of postludes during the Lenten season is always a challenging one, particularly when searching for hymn-based works. This compilation of ten arrangements by ten arrangers seeks to alleviate this challenge for the organist. This collection of extant works is eclectic in its selection of hymn tunes, textures, and general styles, while retaining the plaintive and reflective elements of Lent. Dynamic contrasts are also present with some beginning intimately and building to a strong finish, others are grandiose throughout.<br> <br> Aus tiefer Not <br> Deo Gratias (Deo Gracias/Agincourt Hymn) <br> Jerusalem <br> Jesus, meine Zuversicht <br> Kingsfold <br> Leoni (Yigdal) <br> Rathbun <br> Rockingham Old (Rockingham) <br> Wem in Leidenstagen <br> When Jesus Wept
$20.50
18.9 €
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Organ
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David M
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Lenten Postludes for Organ
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MorningStar Music Publishers
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SheetMusicPlus
Guthrie: Organ Prelude on In Nomine
Organ
Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Con…
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Organ - Level 4 - Digital Download SKU: A0.549915 Composed by James M. Guthrie. Contemporary,Instructional. Score. 3 pages. Jmsgu3 #3911787. Published by jmsgu3 (A0.549915). In Nomine: A prelude to the St Luke Organ Book (by Daniel Pinkham) for one single organ manual. Subtitled The Little Time Machine, the composition features one iteration of the In Nomine cantus firmus. As the piece progresses, the cantus is treated in medieval, Renaissance, Baroque, classical, romantic, and modern styles. I performed this piece just before the world premiere of Daniel Pinkham's St. Luke Organ Book in 2006.The history of In Nomine is rooted in its origin as a type of contrapuntal instrumental composition by 16th-century English composers, usually for a consort of viols, lute, or keyboard, based on a version of a piece of plainchant. The name In Nomine was adopted for this type of piece after the English composer John Taverner composed an instrumental piece based on the plainchant Gloria Tibi Trinitas to which he set the words In nomine Domini in his Gloria Tibi Trinitas six-voice Mass. Over the next 150 years, English composers worked this melody into In Nomine pieces of ever more fantastic stylistic range. This set a fashion, and several 20th-century composers, such as Peter Maxwell Davies and Roger Smalley, have quoted In Nomines in their works. The In Nomine played a significant role in developing English polyphony. It is a title given to many pieces of English polyphonic, predominantly instrumental music, first composed during the 16th century. The In Nomine was the chief means by which the grand tradition of vocal polyphony was brought to bear on the evolution of instrumental music in England. The In Nomine is considered the most conspicuous single form in the early development of English consort music and is significant in the genesis of chamber music in England. It marked the first time a specific instrumental style was formed, and it influenced the development of English polyphony by bringing the tradition of vocal polyphony into the realm of instrumental music.Despite various attempts by scholars to elucidate its almost legendary origin, the mystery of the origin of the In Nomine remains unsolved.
$34.95
32.22 €
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Organ
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James M
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Guthrie: Organ Prelude on In Nomine
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jmsgu3
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SheetMusicPlus
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