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Organ
Sheetmusic to print
11 sheet music found
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1
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Organ and chords
Organ
Organ - Level 1 - Digital Download SKU: A0.964505 Composed by Johann Sebastian Bach…
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Organ - Level 1 - Digital Download SKU: A0.964505 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6331227. Published by Leyandder Trustworthy (A0.964505). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Organ and chords. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity.
$4.99
4.56 €
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Organ
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Johann Sebastian Bach
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JESU, JOY OF MAN'S DESIRING by Bach - easy version for Organ and chords
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Leyandder Trustworthy
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SheetMusicPlus
Encore! Encore!
Organ
Organ SKU: HL.310635 Organ. By Fred Bock. Organ. Fred Bock Publications. Chr…
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Organ SKU: HL.310635 Organ. By Fred Bock. Organ. Fred Bock Publications. Christmas, General Worship, Sacred. 64 pages. Fred Bock Music Company #BG0961. Published by Fred Bock Music Company (HL.310635). ISBN 9781934596265. UPC: 073999106350. 9.0x12.0x0.172 inches.This organ collection commemorates musical great Fred Bock. It is appropriately named not only for Fred's accomplishments and contributions to the sacred organ world, but also because Fred's own organ collection was named Encore. Featuring many of Fred's closest friends, this unprecedented memorial includes original organ compositions in tribute to Fred by Fred Swann, Diane Bish, Mark Thallender and many others, plus stories and personal remembrances.
Song List
: Great Is Thy Faithfulness (Wm. Runyan) At the River (Rbt. Lowry) Fantasy On Hyfrydol (Rowland Pichard) I Would Be True (Joseph Peek) Lift High the Cross (Sydney Nicholson) Nicaea (Holy, Holy, Holy) (John Dykes) Peace, Perfect Peace (Geo. Caldbeck) Spirit of God, Decend Upon My Heart (F Atkinson) Where All Is Peace (Arr: Kimo Smith) CROSS OF CHRIST, THE (ARR: JOYCE JONES)
$18.95
17.32 €
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Organ
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Fred Bock
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Encore! Encore!
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Fred Bock Music Company
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SheetMusicPlus
Jan Zach - Fugue in C Minor
Organ
Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Men…
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Organ - Digital Download SKU: A0.828708 Composed by Jan Zach. Arranged by Guido Menestrina. Baroque. Score. 5 pages. Guido Menestrina #405395. Published by Guido Menestrina (A0.828708). Transcription by Guido Menestrina, follow the score on youtube: https://youtu.be/A0riyf_X3P4 Jan Zach, called in German Johann Zach (baptized 13 November 1699 – 24 May 1773) was a Czech composer, violinist and organist. Although he was a gifted and versatile composer capable of writing both in Baroque and Classical idioms, his eccentric personality led to numerous conflicts and lack of steady employment from about 1756 onwards. Zach was born in ÄŒelákovice, Bohemia into a wheelwright's family. In 1724 he moved to Prague and started working as violinist at St Gallus and at St MartÃn. According to Dlabacž, he studied organ under Bohuslav MatÄ›j ÄŒernohorský, who lived in Prague from 1720 to 1727. Zach's career as organist started at St MartÃn, and by 1737 he was also playing the organ at the monastic church of the Merciful Brethren and the Minorite chapel of St Ann. In 1737 he competed for the position of organist at St. Vitus Cathedral, but was not successful. Details of what happened next are unknown: he was reported to have left Bohemia, but apparently remained in Prague at least until 1740. By early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz. He visited Italy in 1746 and, briefly, Bohemia in 1747.[1] Zach evidently had a complex and eccentric personality, which led to numerous conflicts that plagued his life at Mainz. He was suspended from his position in 1750 and finally dismissed in 1756. From that point on it appears that Zach never again had steady employment. He traveled through Europe and supported himself financially by performing and selling copies of his works, teaching, dedicating his compositions, and so on. He visited numerous courts and monasteries in Germany and Austria, stayed in Italy in 1767 and between 1771and 1772, and may have worked as choirmaster at the Pairis Abbey in Alsace. He stayed several times at the Stams Abbey at Stams, Tyrol, where he may have had connections, and served as music teacher at the Jesuit school in Munich, for several brief periods of time. The last mentions of Zach in contemporary sources indicate that in January 1773 he was at the Wallerstein court, and according to the Frankfurt Kayserliche Reichs-Ober-Post-Amts-Zeitung of 5 June 1773 he died on a journey, at Ellwangen. Zach was buried in the local church of St Wolfgang. Zach's surviving oeuvre comprises a wealth of both instrumental and sacred music: some 30 masses, 28 string sinfonias, a dozen keyboard works and other pieces. Due to the nature of Zach's life it is difficult to establish a precise chronology. His work reflects the transition from the old Baroque style to the emerging Classical music era ideals. Zach was equally adept at strict counterpoint and the style galant, and was also influenced by Czech folk music. Zach was fond of chromatic modulations. Scholar Johann Branberger, writing in the early 20th century, noted Zach's preference for chromatic, and often exotic, themes. Only a few of Zach's pieces were published during his lifetime: a harpsichord sonata (in Oeuvres mêlées, v/6 (Nuremberg, 1759)), a harpsichord concerto (Nuremberg, 1766; GS C13), and the collection Sei sonate for harpsichord and violin or flute (Paris, 1767).
$4.99
4.56 €
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Organ
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early 1745 he was living in Augsburg and then on 24 April 1745 he was appointed Kapellmeister of the Electoral orchestra at the court of Johann Friedrich Karl von Ostein, Prince-Elector of Mainz
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Jan Zach
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Jan Zach - Fugue in C Minor
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Guido Menestrina
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ
Organ
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1471905 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Religious. Individual part. 23 pages. Jmsgu3 #1049538. Published by jmsgu3 (A0.1471905). 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$39.95
36.52 €
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Organ
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Guillaume de Machaut
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Machaut: La Messe de Nostre Dame for Organ
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jmsgu3
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SheetMusicPlus
Machaut: La Messe de Nostre Dame for Organ - Performance Edition
Organ
Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Gu…
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Instrumental Solo,Organ - Level 4 - Digital Download SKU: A0.1472149 Composed by Guillaume de Machaut. Arranged by James M. Guthrie. Christian,Early Music,Historic,Medieval,Sacred. Individual part. 24 pages. Jmsgu3 #1049849. Published by jmsgu3 (A0.1472149). While the study score edition preserves the cross-voicing of the original four-voice score, the performance edition streamlines the cross-voicing to produce a far more accessible version for the organ. 1. Kyrie 2. Gloria 3. Credo 4. Sanctus 5. Agnus dei 6. Ite missa est Guillaume de Machaut composed the Messe de Nostre Dame, also known as the Mass of Our Lady, in the early 1360s. He wrote the mass for the Cathedral at Reims, where he served as a canon and a permanent clergy member. According to a rubric at the Cathedral, it would have likely been performed for the Saturday Lady Mass. Machaut's Messe de Nostre Dame is significant in the history of music for several reasons: It is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is a unified mass, meaning the composer selected relevant chants for each section as the borrowed tenor. It was composed in four voices, which was unusual at the time. The texts of both Gloria and Credo are pretty lengthy. Therefore, Machaut set these movements in a style reminiscent of the earlier discant style, having short phrases, similar rhythmic motion in all parts, and a low ratio of notes per syllable of text, ending with long, rhapsodic sections for the final word, Amen. Machaut's Messe de Nostre Dame is a landmark in musical history, but it is far from being avant-garde merely for its uniqueness. It is considered to be a culmination of the musical style of the Ars Nova period, which was characterized by complex polyphonic textures and rhythmic innovations. The mass is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, Machaut's Messe de Nostre Dame is a significant work that represents a culmination of the musical style of the Ars Nova period and reflects the changing attitudes towards religion and music during the 14th century. The mass consists of five movements: Kyrie, Gloria, Credo, Sanctus, and Agnus Dei, followed by the dismissal Ite, missa est. The tenor of the Kyrie is based on Vatican Kyrie IV, the Sanctus, and Agnus correspond to Vatican Mass XVII, and the Ite is on Sanctus VIII. Although the Gloria and Credo have no apparent chant basis, they are stylistically related. The mass is unified, meaning the composer selected relevant chants as the borrowed tenor for each section. The Messe de Nostre Dame is significant in the history of music because it is the first complete setting of the Ordinary of the Mass by a single composer that has survived. It is also significant because it was composed during a time of great political and social upheaval in Europe, and it reflects the changing attitudes towards religion and music during this period. Overall, the Messe de Nostre Dame was a vital part of the liturgical practices of the time, and it is still regarded as a masterpiece of medieval and religious music.
$49.95
45.67 €
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Organ
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Guillaume de Machaut
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Machaut: La Messe de Nostre Dame for Organ - Performance Edition
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jmsgu3
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SheetMusicPlus
Concerto in Eb (Dumbarton Oaks)
Organ
Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Th…
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Organ - difficult - Digital Download SKU: S9.Q52740 Version for organ by Leif Thybo (1952). Composed by Igor Stravinsky. Arranged by Leif Thybo. This edition: single sheet. Downloadable, Separate edition. Duration 15 minutes. Schott Music - Digital #Q52740. Published by Schott Music - Digital (S9.Q52740). Key: E flat major.The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the première of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home ’Dumbarton Oaks’ in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinsky’s most successful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer’s very public commitment to American cultural life helped pave the way for Stravinsky’s emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.Inspired by Bach’s Brandenburg Concertos, Igor Stravinsky’s three-movement concerto ‘Dumbarton Oaks’ is a musical monument to two major American patrons: Mildred and Robert Woods Bliss commissioned this work to mark the 30th anniversary of their wedding. It was performed for the first time at a private celebration at their country house Dumbarton Oaks in Washington, D.C. under the direction of Nadia Boulanger in 1938. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.
$25.99
23.76 €
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Organ
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Igor Stravinsky
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Concerto in Eb
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Schott Music - Digital
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SheetMusicPlus
Sonata In G For Organ-Scherzo
Organ
Organ - Level 3 - Digital Download SKU: A0.912462 Composed by Thomas R. Schadl. Con…
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Organ - Level 3 - Digital Download SKU: A0.912462 Composed by Thomas R. Schadl. Contemporary,Instructional,Standards. Score. 8 pages. Thomas R. Schadl #514849. Published by Thomas R. Schadl (A0.912462). The Scherzo explores a variety of sections that have their own character. The first section is written in a North German toccata style where the opening measures are treated in a canonic manner and played in a series of thirds and sixths against the main theme stated in the pedal division; this compositional approach is somewhat reminiscent of the organ compositions of Dietrich Buxtehude (Prelude and Fugue in G Minor BUXWV 149). The second section is contrapuntal in nature and depicts a humorous moment; that moment may depict a comedy show or a circus event at a fair. Following that section is the recurrence of the main theme of the first movement. The fourth section is quiet in sound intensity and is the most chromatically oriented than other parts. Following that is a fugue, derived from the main theme of the first movement, and a transitional passage leading back to the recurring main theme. The work concludes triumphantly in the key of G Major. The Scherzo requires attention to articulation, phrasing and timing. This work is suitable for educational and recital uses: it introduces organ students to major works of Buxtehude and Johann S. Bach and many more composers; organists of various expertise may play the work to lighten up the audience's mood after listening to more difficult organ works. Let this work bring pleasure into your hearts and the listeners'. Enjoy it.
$7.99
7.3 €
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Organ
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Thomas R
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Sonata In G For Organ-Scherzo
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Thomas R. Schadl
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SheetMusicPlus
Toccata & Fugue for Organ
Organ
Organ - Digital Download SKU: A0.942949 Composed by Aris Antoniades. Contemporary,S…
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Organ - Digital Download SKU: A0.942949 Composed by Aris Antoniades. Contemporary,Sacred. Score. 20 pages. Aris Antoniades #4346549. Published by Aris Antoniades (A0.942949). Toccata & Fugue for Organ (2018)Composed by Aris AntoniadesRunning time: approx. 7' 50'' Writing for Organ always seemed like a very distant dream for me. Born and raised in Cyprus, an isolated Mediterranean island-state in Europe where the religious musical tradition (Greek Orthodox Christianity) relies solely on voices (no instruments used during services), I never had access to an Organ. In fact, to the best of my knowledge, there’s not a single Organ in my entire country. The first time I ever saw one was during my college years in New York – and it was love at first sight! I was fascinated by its sound capabilities, its mechanism, and the sheer skill required to play it. You can, therefore, understand how thrilled I am to have had the opportunity to write for this great instrument. I would like to sincerely thank Shannon Murphy and Austin Philemon for believing in my work, and for commissioning this piece. Both the Toccata and the Fugue are based on the same (but altered) motivic materials. The Toccata is a piece that was inspired by the idea that life is a continuous marathon, represented by the ‘mechanical’ sixteenth-note ostinato figure which never stops – despite the contrapuntal obstacles that are thrown within its path. The motive, however, does transform and adapt along the way, in order to make the best of the situation. The Fugue, on the other hand, represents the cerebral aspect of life: the concept of choices. The ostinato motive of the Toccata has now morphed into the subject of the Fugue, which will be attacked by some violent chromatic enemies. Estimated running time: ca. 8 minutesAbout the PDFs:Score size: 14 PagesContact the composer: https://www.arisantoniades.com or aris.antoniades@gmail.com
$13.00
11.89 €
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Organ
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Aris Antoniades
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Toccata & Fugue for Organ
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Aris Antoniades
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SheetMusicPlus
Aleluia (HALLELUJAH), of the Messiah - for Organ and chords
Organ
Organ - Level 1 - Digital Download SKU: A0.964454 Composed by George Frideric Hande…
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Organ - Level 1 - Digital Download SKU: A0.964454 Composed by George Frideric Handel. Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score. 3 pages. Leyandder Trustworthy #6327281. Published by Leyandder Trustworthy (A0.964454). The Messiah (HWV 56, 1741) is an oratorio about the life of Jesus Christ, the Messiah. It has 51 movements divided into three parts: the Prophecies about Jesus' birth, the Passion, and the Resurrection. The Hallelujah is the 42nd movement, at the end of the second part, where all the joy over the Messiah's victory over death and sin is demonstrated.
$2.99
2.73 €
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Organ
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George Frideric Handel
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Aleluia
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Leyandder Trustworthy
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SheetMusicPlus
"A Mighty Fortress Is Our God", organ solo, 4-voice fugue
Organ
Organ - Level 5 - Digital Download SKU: A0.932688 Composed by Martin Luther. Arrang…
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Organ - Level 5 - Digital Download SKU: A0.932688 Composed by Martin Luther. Arranged by Terry M. Forsyth. Baroque,Christian,Instructional,Sacred,Standards. Score. 8 pages. Forsyth Publishing #6113019. Published by Forsyth Publishing (A0.932688). A four-voice fugue using traditional baroque counterpoint including undeveloped countersubject with related free material at end of recapitulation. The congregation preferring music on hymns they know will love this write. This writing brings a well-known hymn tune through all the rigors of a baroque fugue with a development where many untrained listeners can still identify the subject. Challenge is when the countersubject is presented in the pedals making it a great learning piece and addition to one's repetoire. Tune name: Ein' Feste Burg. Time: 6:22.
$4.99
4.56 €
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Organ
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Martin Luther
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"A Mighty Fortress Is Our God", organ solo, 4-voice fugue
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Forsyth Publishing
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SheetMusicPlus
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