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Three New age - Ambient
Not classified
799
Piano & keyboards
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465
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52
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52
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26
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26
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12
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11
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6
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5
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4
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3
Piano Quartet: piano, violin, viola, cello
3
Organ, Trumpet (duet)
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2
Piano Quintet: piano, 2 violins, viola, cello
1
+ 10 instrumentations
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30
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24
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2 Guitars (duet)
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Choral SSATB
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Baritone voice, Piano
1
Choral
1
+ 11 instrumentations
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2 Saxophones (duet)
112
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62
2 Clarinets (duet)
53
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48
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
39
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29
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29
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28
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21
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21
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20
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20
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20
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20
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18
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18
Clarinet and Viola
17
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17
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16
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14
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11
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9
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8
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8
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8
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8
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7
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7
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6
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6
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5
3 Saxophones (trio)
5
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5
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5
Flute and Guitar
5
Alto Saxophone
4
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4
English horn, Piano
3
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3
Flute, Violin and Violoncello
2
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2
Flute, Violin, Piano
2
2 English horns and Pianoforte
2
Flute, Viola and Piano
2
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2
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2
Recorder Quartet
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1
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1
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1
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1
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1
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1
Flute (band part)
1
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1
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1
Clarinet, Cello, Piano (trio)
1
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1
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1
Tenor Recorder
1
+ 68 instrumentations
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Brass Quintet: 2 trumpets, horn, trombone, tuba
51
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42
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34
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26
2 Trumpets (duet)
25
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24
Trombone and Piano
21
Trumpet
14
French Horn and Piano
12
Trumpet, Piano
12
Trumpet ensemble
11
Tuba and Piano
11
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9
French horn
8
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8
Tuba
7
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6
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6
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5
Brass Quartet: 4 trombones
5
French horn (band part)
4
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4
Brass Quartet: 2 trumpets, horn, trombone
4
Brass Quartet
3
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3
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3
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2
2 English horns and Pianoforte
2
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2
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2
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2
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2
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1
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1
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1
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1
3 Euphoniums
1
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Harp
83
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62
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43
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31
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31
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29
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26
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25
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25
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24
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15
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8
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7
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6
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4
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1
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1
String trio
1
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1
Violin, Clarinet, Piano (trio)
1
4 Harps
1
Cello, String Bass (duet)
1
2 Double basses (duet)
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229
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81
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Three New age - Ambient
French horn
Sheetmusic to print
8 sheet music found
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1
Three Invention Etudes (Solo Horn)
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French horn
#
Classical
#
Johann Sebastian Bach
#
Paul Kajzar
#
Three Invention Etudes
#
Paul Kajzar, Gyllcott Music
#
SheetMusicPlus
French Horn Solo - Digital Download SKU: A0.513034 Composed by Johann Sebastian Bach. Arranged by Paul Kajzar. Baroque. Individual part. 4 pages. Paul Ka...
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French Horn Solo - Digital Download SKU: A0.513034 Composed by Johann Sebastian Bach. Arranged by Paul Kajzar. Baroque. Individual part. 4 pages. Paul Kajzar, Gyllcott Music #123919. Published by Paul Kajzar, Gyllcott Music (A0.513034). A set of arrangements for horn in F based on three of the keyboard two-part inventions by J. S. Bach. These etudes concentrate on the horn’s middle register, with occasional passages in bass clef (new notation). The pieces invite rhythmic freedom and, although there are suggestions for tempo, phrasing and articulation, the player may wish to devise their own. Difficulty level : Intermediate/Advanced.
$3.99
Three Concert Etudes for Solo Horn
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French horn
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ADVANCED
#
Richard Decker
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Three Concert Etudes for Solo
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Charles Decker Music Press
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Indivi...
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French Horn Solo - Level 5 - Digital Download SKU: A0.817157 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Instructional. Individual part. 18 pages. Charles Decker Music Press #5770859. Published by Charles Decker Music Press (A0.817157). These three challenging concert etudes showcase multiple skills and styles for ambitious advanced hornists seeking to expand their musical horizons. Focusing thematically on the wider intervals of fourths, fifths, sixths, sevenths and ninths, the studies incorporate a variety of well-known and contemporary horn techniques. These concert etudes, performed either singly or as a set of three, offer an excellent non-accompanied variation to any recital. Performers are encouraged to approach these etudes as more than just technical exercises, and use the various markings as guidelines with flexibility to have the freedom to embrace the pauses, the accelerandi, the crescendi and the thematic repetitions to create engaging musical performances.  The audio file is an actual solo horn performance and not a computer playback of score.See also Richard Decker arrangement for horn ensemble with Charles Decker Music Press at Sheet Music Plus and this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$7.95
Music for a Darkened Theatre
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French horn
#
INTERMEDIATE/ADVANCED
#
New Age
#
Contemporary
#
Ben Ledochowski
#
Music for a Darkened Theatre
#
Ben Ledochowski
#
SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1023646 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Individual part. 11 pages. ...
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French Horn Solo - Level 4 - Digital Download SKU: A0.1023646 Composed by Ben Ledochowski. 20th Century,Contemporary,New Age. Individual part. 11 pages. Ben Ledochowski #6217589. Published by Ben Ledochowski (A0.1023646). Music for a Darkened Theatre is a piece for solo F horn accompanied by 2 metronomes and body percussion which I wrote for the 2020 International Horn Society Composition Contest in response to the COVID-19 pandemic. Exploring the widespread sense of the world falling apart which struck as the pandemic first hit the planet and detailing the emotional journey of attempting to triumph and persevere in spite of the challenges brought on by the virus, the piece is structured as three separate musical scenes which each depict various emotions relating to the COVID issue. This one is a unique piece for me, and I hope you enjoy it!
$4.99
Horn Sonata No. 1 (Complete)
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French horn
#
ADVANCED
#
Mike Lyons
#
Horn Sonata No. 1
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Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767341 Composed by Mike Lyons. Concert,Contemporary. Individual part. 8 pages. Lyons Music Services #3514991. Published by Lyons Music Services (A0.767341). This is a brand new piece composed for French Horn without accompaniment. It has three movements all connected by the opening material of the first movement. I am publishing this piece as separate movements as well as a complete edition. 1st. Movement: The opening movement is marked andante. It opens with a repeated tonic followed by an arpeggiated 1/16th figure with a closing descending scale. These three ideas form the basic musical material for the whole sonata. Throughout the first movement these three ideas are transformed and manipulated, expanded and contracted while maintaining a clear musical structure (basically Ternary form). As with sonata form, the final reprise of the original ideas is transformed by their 'journey'. The style of the music is rather like a Bach partita for solo instrument. The movement takes the player through most of the horn's range, but does not require any extended techniques, so should be handleable by moderately skilled players. 2nd. Movement: This slow movement requires excellent breath control. It uses the repeated not idea from the 1st movement to open, expanding the rhythm to create a rather melancholy pattern. Later, the scalic 1/16th are utilised to link to the Più mosso section where the arpeggio idea (this time descending) helps to create a feeling of wide open space and emptiness. The player is in an empty universe, drifting slowly away as the dynamics become ever quieter until the ending at ppp. 3rd. Movement: This movement opens with a similar idea to the previous two, but at a fairly quick Allegro (quarter = 132) and using arpeggios in triplets to drive the music through. The dotted half noes with crescs at the end of the phrase should really be pushed into brassiness at the end of the cresc. I ask the player to do rip glisses, some of them difficult to achieve, and also gestopft and 'half stopped'. Although these are 'hand horn' techniques that survive from before the invention of valves, they are still useful to create a different effect than from standard mutes. Where these techniques are asked for, a silvery, ethereal tone is required as a contrast to the brash 'hunting horn' style of the outer sections of the movement. The middle part of this movement is quasi a cadenza. The stopping instructions are intended to have an effect on the tuning as well as the timbre of the notes. The first pair of each group of three should be slurred smoothly. The final section reprises the beginning of the movement, but at breakneck speed. quarter = 144 is advisory only. The faster the better. This movement again makes use of the extremes of the horn's range and makes high demands on stamina and tonguing.
$18.00
Horn Sonata No. 3 (Complete)
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French horn
#
ADVANCED
#
Mike Lyons
#
Horn Sonata No. 3
#
Lyons Music Services
#
SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767350 Composed by Mike Lyons. Concert,Contemporary. Individual part. 7 pages. Lyons Music Services #3520235. Published by Lyons Music Services (A0.767350). This is my third new sonata for unaccompanied French horn. it has three movements as follows: Movement 1: Dance It begins with a crotchet theme which forms the basis of the rest of the movement. The opening should be stately and measured, but not slow. The echoes should be as quiet as possible for each statement of the opening motif. I have made a lot of use of rhythmic features in this movement. After the Maestoso, the 12/8 section is in the nature of a jig, with lots of repeated pitches and very rhythmical There's much use of syncopation. After I have played around with these ideas (intervals based on the opening) there is a more legato tune, also based on the opening music, but in a grander style and marked nobilmente. This is almost a processional, and leads to a reprise of the jig motifs in a new mode and with modifications to the rhythm. The second movement of this sonata is a set of 3 variations on an original tune. The melody is quite hymn-like and needs to be played as such. Very legato, with very slight tongue. Variation 1 is an 8th note variation, with a slight increase in tempo to help it to flow. The player will need to pay close attention to the written phrasing so as not to lose the theme. This variation is p throughout. Variation 2 is a triplet/sextuplet variation, again with a slight increase in tempo. This variation has turns, which I have written out in ossias above to be clear how I would like it to be played. Variation 3 is a semiquaver and glissando variation, requiring good tongue technique and clear phrasing. Breathing should be easy as I have made provision for breaths to mark the ends of phrases. Please don't change these! Finally, there is a restatement of the original theme with slight adaptations to bring the movement to a quiet finish. The third and final movement of the sonata is a rondo. The opening music keeps returning throughout the length of the movement. It comprises a stuttering rhythmic phrase with alternating upwards and downwards scales which gradually build up throughout the opening of the movement. Each time the ritornello idea returns it has been altered in some way. Between the ritornelli are slightly less frenetic sections of cantabile melodic ideas which hark back to both the first and second movements as well as referencing the scalic ideas from the third movement. Although the music is fast, it should be playable without resorting to triple tonguing.
$18.00
French Horn Method
#
French horn
#
Instructional
#
Faan Malan
#
French Horn Method
#
EBOK Publishers
#
SheetMusicPlus
French Horn Solo - Digital Download SKU: A0.940404 Composed by Faan Malan. Instructional. Individual part. 77 pages. EBOK Publishers #6457311. Published ...
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French Horn Solo - Digital Download SKU: A0.940404 Composed by Faan Malan. Instructional. Individual part. 77 pages. EBOK Publishers #6457311. Published by EBOK Publishers (A0.940404). French horn Method is a tutor for the beginning French horn player designed to develop comprehensive musicianship by methodically introducing the three most important aspects of playing an instrument namely: 1. Theoretical elements 2. Technical development 3. Musical skills The course is divided into 16 Units. Each unit includes a wide range of original or public domain material, to be used while gradually mastering new musical concepts. Piano accompaniments for most of the 50 solos in this book are included as a separate insert.
$10.00
Brahms' Lullaby - French Horn Solo - W/Chords
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French horn
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BEGINNER
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Classical
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Johannes Brahms
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César Madeira
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Brahms' Lullaby - French Horn
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Sheet Music To Play Editions
#
SheetMusicPlus
French Horn Solo - Level 1 - Digital Download SKU: A0.1298821 Composed by Johannes Brahms. Arranged by César Madeira. 19th Century,Children,Film/TV,Le...
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French Horn Solo - Level 1 - Digital Download SKU: A0.1298821 Composed by Johannes Brahms. Arranged by César Madeira. 19th Century,Children,Film/TV,Lent,Romantic Period. Individual part. 1 pages. Sheet Music To Play Editions #888669. Published by Sheet Music To Play Editions (A0.1298821). Lullaby from Wiegenlied, Op.49 by Johannes Brahms. With Individual French Horn Part with Chords. Enjoy it!Johannes Brahms (1833 - 1897) was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, he spent much of his professional life in Vienna. He is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the Three Bs of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$4.99
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