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1,866
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738
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708
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692
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99
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44
1 Piano, 4 hands
42
Piano Trio: piano, violin, cello
18
2 Pianos, 4 hands
16
Piano Accompaniment
16
Piano Quartet: piano, violin, viola, cello
7
Piano (band part)
7
Accordion
6
Keyboard
5
Organ, Piano (duet)
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Piano Quartet: piano, 2 violins, cello
3
2 Pianos, 8 hands
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Piano Quintet: piano, 2 violins, viola, cello
1
Organ, Trumpet (duet)
1
+ 16 instrumentations
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Retract
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296
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117
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9
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Banjo
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Baritone Ukulele
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1
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+ 15 instrumentations
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Choral SATB
699
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164
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146
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123
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84
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41
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38
Tenor voice
27
Baritone voice, Piano
26
Soprano voice
26
Vocal duet
21
Soprano voice, Piano
18
Choral
9
High voice
9
Voice solo
8
Medium voice, Piano
4
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3
Tenor voice, Piano
3
Choral SSATB
1
Low voice, Piano
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Choral SSATTB
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Low voice
1
Choral SSAB a cappella
1
Mezzo-Soprano voice, Piano
1
+ 21 instrumentations
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Woodwind
Saxophone Quartet: 4 saxophones
169
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157
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129
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112
Flute and Piano
105
2 Saxophones (duet)
104
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94
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89
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82
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80
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78
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77
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66
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62
Oboe (band part)
58
2 Flutes (duet)
57
Alto Saxophone
47
2 Clarinets (duet)
47
Soprano Saxophone and Piano
44
Tenor Saxophone
34
Flute ensemble
33
Baritone Saxophone, Piano
30
3 Saxophones (trio)
29
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26
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26
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22
3 Clarinets (trio)
21
Clarinet (band part)
21
Flute (band part)
19
Saxophone ensemble
18
Clarinet, Violin (duet)
16
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15
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14
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12
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11
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9
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7
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7
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6
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4
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3
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2
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1
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1
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1
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1
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1
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1
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1
Flute, Organ (duet)
1
Flute, Harp and Cello
1
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1
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1
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1
English Horn, Guitar (duet)
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181
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90
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88
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77
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63
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61
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58
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56
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53
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45
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39
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38
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37
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36
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34
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24
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20
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18
French horn (band part)
16
English horn, Piano
15
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13
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9
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6
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5
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3
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4 Tubas
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French Horn and Harp
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Trumpet, Harp
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3 Trombones (trio)
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Trumpet, Tuba (duet)
1
English Horn, Guitar (duet)
1
Trombone and Orchestra
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+ 50 instrumentations
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332
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141
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118
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105
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102
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93
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83
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68
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56
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56
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55
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47
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34
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32
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32
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32
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23
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20
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18
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13
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11
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11
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10
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8
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7
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4
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3
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Viola ensemble
3
Harp, Violin (duet)
3
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2
2 Violas, Piano
2
2 Cellos, Piano
2
String Quartet : 4 violas
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Cello, Organ
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1
Harp, Violin, Violoncello
1
Cello Ensemble
1
String Quintet: 2 violins, 2 violas, cello
1
String trio
1
String Trio: 3 violas
1
+ 49 instrumentations
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596
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195
String Orchestra
128
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126
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96
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67
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56
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14
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Xylophone, Piano
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What the?
French horn
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58 sheet music found
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1
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51
What Was I Made For?
#
French horn
#
INTERMEDIATE
#
Pop music
#
Billie Eilish
#
Glauco Fernandes
#
What Was I Made For?
#
Glauco Fernandes
#
SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.1270675 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fern...
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French Horn Solo - Level 3 - Digital Download SKU: A0.1270675 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #863050. Published by Glauco Fernandes (A0.1270675). Title: French Horn Arrangement with Chords of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Immerse yourself in the enchanting musical world of the 2023 film Barbie with our delightful French horn arrangement with chords of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for French horn players, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for French horn, accommodating musicians with various skill levels.- Sheet music with chords provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy.2. Flexibility: Perfect for intermediate-level French horn players, offering a captivating solo performance opportunity.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys.Embrace the captivating allure of What Was I Made For through our French horn arrangement with chords and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performances with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!
$4.99
What Was I Made For?
#
French horn
#
INTERMEDIATE
#
Pop music
#
Billie Eilish
#
Glauco Fernandes
#
What Was I Made For?
#
Glauco Fernandes
#
SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.1270679 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fern...
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French Horn Solo - Level 3 - Digital Download SKU: A0.1270679 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Glauco Fernandes. Chamber,Film/TV,Pop,Wedding. Individual part. 2 pages. Glauco Fernandes #863053. Published by Glauco Fernandes (A0.1270679). Title: French Horn Solo Arrangement of What Was I Made For - Barbie Soundtrack | Billie EilishDescription:Immerse yourself in the enchanting musical world of the 2023 film Barbie with our captivating French horn solo arrangement of the heartwarming song What Was I Made For performed by the talented Billie Eilish. This intermediate-level arrangement is perfectly suited for French horn players, allowing them to bring the beauty and melody of the beloved soundtrack to life in their performances.Arrangement Highlights:- Intermediate-level arrangement for French horn solo, accommodating horn players with various skill levels.- Sheet music provided for easy reading and interpretation.- Captures the essence and emotion of the original song, enabling you to recreate the magical atmosphere of the Barbie film during your performance.- Carefully crafted details ensure an enriching and authentic musical experience.Why Choose Our Arrangement:1. Professionalism: Our arrangement has been meticulously crafted by experienced musicians, ensuring exceptional quality and accuracy for your solo performance.2. Flexibility: Perfect for intermediate-level French horn players, offering a captivating opportunity to showcase your skill and artistry.3. Popularity: As part of the Barbie film soundtrack, the song What Was I Made For has garnered tremendous popularity and has captivated a large fan base, making it an excellent choice for your repertoire.4. Musical Magic: The arrangement captures the essence of the song, allowing you to emotionally connect with the melody and the poignant message it conveys, creating a captivating performance for your audience.Embrace the captivating allure of What Was I Made For through our French horn solo arrangement and delight your audience with the heartwarming music of Billie Eilish from the cherished Barbie film soundtrack. Unlock the potential to infuse your performance with the enchanting essence of this magical melody. Purchase now and embark on a musical journey inspired by the wonderful world of Barbie!
$4.99
What Was I Made For?
#
French horn
#
INTERMEDIATE
#
Pop music
#
Billie Eilish
#
Benzaiten Editions
#
What Was I Made For?
#
Benzaiten Editions
#
SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.1277494 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten E...
(+)
French Horn Solo - Level 3 - Digital Download SKU: A0.1277494 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #869182. Published by Benzaiten Editions (A0.1277494). Hey there! Are you a french horn player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate French Horn Sheet Music The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate french horn arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your french horn. Capture the heart of What Was I Made For? as you play its tender melodies, adding your own touch. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.
$4.99
What Was I Made For?
#
French horn
#
INTERMEDIATE
#
Pop music
#
Billie Eilish
#
Benzaiten Editions
#
What Was I Made For?
#
Benzaiten Editions
#
SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.1277496 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten E...
(+)
French Horn Solo - Level 3 - Digital Download SKU: A0.1277496 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Benzaiten Editions. 21st Century,Film/TV,Pop. Individual part. 2 pages. Benzaiten Editions #869184. Published by Benzaiten Editions (A0.1277496). Hey there! Are you a french horn player who's eager to learn the enchanting melody of What Was I Made For? by Billie Eilish, featured in the Barbie movie? You're definitely in the right spot! What Was I Made For? by Billie Eilish - Intermediate French Horn Sheet Music with chords The Benzaiten Editions Arrangement Immerse yourself in the emotional world of What Was I Made For? by Billie Eilish, a song with a special place in Barbie movie fans' hearts! This beautiful piece has captured listeners with its poignant lyrics and soul-stirring melodies. Our intermediate french horn arrangement allows you to express the depth of this touching song. Whether you're a Billie Eilish fan or love its introspective atmosphere, our arrangement brings its magic to your french horn. Capture the heart of What Was I Made For? as you play its tender melodies, adding your own touch. About What Was I Made For? What Was I Made For? is a song with a message, thoughtfully chosen for the Barbie movie. Its introspective lyrics and soulful melodies resonate deeply, prompting thoughts about purpose and self-discovery. Billie Eilish's artistry shines through, creating a profound connection through music. Whether you're a Billie Eilish fan or appreciate heartwarming compositions, What Was I Made For? is a must-play. Let's dive into the enchanting world of What Was I Made For? by Billie Eilish and experience its messages and captivating melodies. Get ready to create a mesmerizing performance that touches hearts.
$4.99
What A Wonderful World
#
French horn
#
BEGINNER
#
Louis Armstrong
#
Iury Cardoso
#
What A Wonderful World
#
Iury Cardoso
#
SheetMusicPlus
French Horn Solo - Level 1 - Digital Download SKU: A0.1353866 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,F...
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French Horn Solo - Level 1 - Digital Download SKU: A0.1353866 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,Folk,Multicultural,Pop,World. Individual part. 2 pages. Iury Cardoso #938621. Published by Iury Cardoso (A0.1353866). EASY HORN in F arrangement of the song: What A Wonderful World This is a version of the classic song What A Wonderful World for players of HORN in F. In this arrangement, the simplified melody make it easy to learn.  The CHORDS ARE NOT included on this arrangement (there is also a version WITH THE CHORDS on this website). On this site, there is also a version of this arrangement WITH THE PIANO and several other versions for other instruments. See more arrangements by Iury Cardoso, thank you so much! Copyright © 1967 by Range Road Music Inc., Quartet Music and Abilene Music, Inc. Copyright Renewed All Rights for Quartet Music Administered by BUG Music, Inc., a BMG Chrysalis company International Copyright Secured All Rights Reserved Used by Permission what wonderful world horn in F sheet musiceasy beginner horn in Fhorn in F sheet musichorn in F solo sheet musicEasy horn in F what wonderful worldBeginner hornbeginning horn in Fhorn in F sheet musiceasy horn in F what a wonderful worldhorn in F for beginnersLouis Armstrong horn sheet musiceasy horn sheet musichorn in F.
$4.99
What A Wonderful World
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French horn
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BEGINNER
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Louis Armstrong
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Iury Cardoso
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What A Wonderful World
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Iury Cardoso
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SheetMusicPlus
French Horn Solo - Level 1 - Digital Download SKU: A0.1353862 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,F...
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French Horn Solo - Level 1 - Digital Download SKU: A0.1353862 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Iury Cardoso. Blues,Folk,Multicultural,Pop,World. Individual part. 2 pages. Iury Cardoso #938616. Published by Iury Cardoso (A0.1353862). EASY HORN in F arrangement of the song: What A Wonderful World This is a version of the classic song What A Wonderful World for players of HORN in F. In this arrangement, the simplified melody make it easy to learn.  The CHORDS are included on this arrangement (there is also a version without the chords on this website). On this site, there is also a version of this arrangement WITH THE PIANO and several other versions for other instruments. See more arrangements by Iury Cardoso, thank you so much! Copyright © 1967 by Range Road Music Inc., Quartet Music and Abilene Music, Inc. Copyright Renewed All Rights for Quartet Music Administered by BUG Music, Inc., a BMG Chrysalis company International Copyright Secured All Rights Reserved Used by Permission what wonderful world horn in F sheet musiceasy beginner horn in Fhorn in F sheet musichorn in F solo sheet musicEasy horn in F what wonderful worldBeginner hornbeginning horn in Fhorn in F sheet musiceasy horn in F what a wonderful worldhorn in F for beginnersLouis Armstrong horn sheet musiceasy horn sheet musichorn in F.
$4.99
What Was I Made For?
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French horn
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EASY
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Pop music
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
French Horn Solo - Level 2 - Digital Download SKU: A0.1273292 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Fi...
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French Horn Solo - Level 2 - Digital Download SKU: A0.1273292 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865442. Published by Milanov (A0.1273292). What Was I Made For? From Barbie by Billie Eilish for French horn. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
What Was I Made For?
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French horn
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EASY
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Pop music
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Billie Eilish
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Milanov
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What Was I Made For?
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Milanov
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SheetMusicPlus
French Horn Solo - Level 2 - Digital Download SKU: A0.1273289 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Fi...
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French Horn Solo - Level 2 - Digital Download SKU: A0.1273289 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865439. Published by Milanov (A0.1273289). What Was I Made For? From Barbie by Billie Eilish for French horn. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
What Was I Made For?
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French horn
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BEGINNER
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Pop music
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Billie Eilish
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Jhonatan Lucio Viana
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What Was I Made For?
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JLVPartitura
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SheetMusicPlus
French Horn Solo - Level 1 - Digital Download SKU: A0.1377248 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lu...
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French Horn Solo - Level 1 - Digital Download SKU: A0.1377248 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Individual part. 1 pages. JLVPartitura #961867. Published by JLVPartitura (A0.1377248). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Horn in F + Chords. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
What Was I Made For?
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French horn
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BEGINNER
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Pop music
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Billie Eilish
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Jhonatan Lucio Viana
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What Was I Made For?
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JLVPartitura
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SheetMusicPlus
French Horn Solo - Level 1 - Digital Download SKU: A0.1377247 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lu...
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French Horn Solo - Level 1 - Digital Download SKU: A0.1377247 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Jhonatan Lucio Viana. Film/TV,Holiday,Pop,Rock,Thriller. Individual part. 1 pages. JLVPartitura #961866. Published by JLVPartitura (A0.1377247). Immerse yourself in this arrangement of What Was I Made For? featuring the unique voice of Billie Bish for Honr in F. Purchase now to unlock the transformative power of music in your life and be transported to a world of wonders as the timeless melody captures the essence of the song. Let the emotion and versatility of this music elevate your musical experience.Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity; 6) Rhythm gentle and steady, guiding players with ease; 7) Harmony delicate harmonies add depth without complexity, enhancing the overall beauty of the music; 8) Original Key maintains the original key of the composition for an authentic musical experience.Enhance your performance by downloading the sheet music today and let the beauty of this song resonate in every note of this arrangement.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.
$4.99
What Was I Made For?
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French horn
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EASY
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Pop music
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Billie Eilish
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Guillaume Martin
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What Was I Made For?
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Guillaume Martin
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SheetMusicPlus
French Horn Solo - Level 2 - Digital Download SKU: A0.1377568 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Guillaume M...
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French Horn Solo - Level 2 - Digital Download SKU: A0.1377568 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Guillaume Martin. Broadway,Film/TV,Instructional,Musical/Show,Pop,Singer/Songwriter. Individual part. 2 pages. Guillaume Martin #962164. Published by Guillaume Martin (A0.1377568). Pop Songs Collection - WHAT WAS I MADE FOR FROM BARBIE (BILLIE EILISH)POP SONGS COLLECTION brings together arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments.Copyright © 2023 UNIVERSAL MUSIC CORP., DRUP, OOPS I DID IT AGAIN PUBLISHING and WARNER-GRANDVIEW MUSIC.
$4.99
What Child Is This?-v2 (Arrangements Level 3-5 for HORN + Written Acc)
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French horn
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INTERMEDIATE
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English Carol
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Dr Jerry Nelson
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What Child Is This?-v2
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Jerry Nelson
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SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.875092 Composed by English Carol. Arranged by Dr Jerry Nelson. Christian,Christmas,Jazz,Spiritual. ...
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French Horn Solo - Level 3 - Digital Download SKU: A0.875092 Composed by English Carol. Arranged by Dr Jerry Nelson. Christian,Christmas,Jazz,Spiritual. Individual part. 12 pages. Jerry Nelson #3873601. Published by Jerry Nelson (A0.875092). Opening with a gentle, contemplative mood, this arrangement slips nicely into a gentle JAZZ groove. You're gonna love it! This arrangement moves you gracefully from Challenge Level 3 thru 5 using Jerry Nelson's unique Dual Staff System. Bonus (3 performance options): Written Accompaniment included, plus Chord Chart for live rhythm. Or, purchase the cool Orchestral Accompaniment Track (#SO.441843) - 4:02Share your find with your friends! Jerry Nelson now presents his finest Christmas arrangements in a variety of styles. Hear them all start-to-finish. Search Jerry Nelson Christmas (plus the name of your instrument). Visit www.JerryNelsonMusic.com for a FREE 16-Minute Mega-Medley Arrangement & Track!
$4.99
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 1 in F
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French horn
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ADVANCED
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benja...
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018882 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056093. Published by Benjamin Sajo (A0.1018882). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 3 in F
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French horn
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ADVANCED
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benja...
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018884 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056097. Published by Benjamin Sajo (A0.1018884). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 4 in F
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French horn
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benja...
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018885 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056099. Published by Benjamin Sajo (A0.1018885). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Horn 2 in F
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French horn
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benja...
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018883 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056095. Published by Benjamin Sajo (A0.1018883). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Donut Etudes vol. 3: Don’t Step in the Holes! – Horn Quartet
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French horn
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INTERMEDIATE
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Instructional
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Pu...
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French Horn Solo - Level 3 - Digital Download SKU: A0.784335 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288663. Published by Slide Ride (A0.784335). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
Horn Sonata No. 2 (Complete)
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French horn
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ADVANCED
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Contemporary
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Mike Lyons
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Horn Sonata No. 2
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Lyons Music Services
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #351854...
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French Horn Solo - Level 5 - Digital Download SKU: A0.767345 Composed by Mike Lyons. Contemporary. Individual part. 7 pages. Lyons Music Services #3518541. Published by Lyons Music Services (A0.767345). This is my second Horn Sonata for unaccompanied horn. Like the first, it has 3 movements, each of which can be played on their own. 1st. Movement: Andante piacere The music of the first section is based on the opening idea. The descending glissandos and the repeated note figures should be taken in a leisurely way, a piacere, rather than in totally strict time. In bar 10, the flz should appear out of the tied note, without a fresh tongue. From letter A, the music is based on the repeated note patterns which are gradually developed and metamorphosed into new shapes in a gradual process. At letter B, a second motif is added which is more expressive and dynamically diverse. The development of this idea reaches a climax at the rall before letter C, from where this idea becomes more frenetic and agitated until it 'tires itself out' in the pauses before letter D. Here the original repeated note motif reappears to provide a basic ternary shape as the original ideas, changed by the development process are re-stated in their new forms. The closing pauses should be played as marked, with comma breaks, but not between the two notes in the penultimate bar. 2nd Movement: Adagio This movement is slow and wistful, atmospheric and drifting. Each phrase should be given its own space. Each individual motif has its own rises and falls and these should be tastefully exaggerated to give them as much definition as possible. 3rd. Movement: Allegro vivace This movement is intended to be flashy and full of life. The 7/8 time signature gives it plenty of off-beat vivacity. Players will need to make sure they know what the pulse is as it shifts from 2+2+3 to 2+3+2 and 3+2+2. Much of the material (motifs) are related to the music of the first two movements so this rousing finale will brig a sense of completeness to the performance of the sonata, though it can, of course, be played as a separate piece in its own right. This movement is both enjoyable and challenging, requiring a good technique and counting skills. The subtle shifts to 6/8 and 5/8 - and even 3/4 time need to be treated with care.
$18.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Horn in F 1
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French horn
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ADVANCED
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benja...
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French Horn Solo - Level 5 - Digital Download SKU: A0.1018931 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6072965. Published by Benjamin Sajo (A0.1018931). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Horn 1 in F
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French horn
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018910 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018910 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064769. Published by Benjamin Sajo (A0.1018910). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Aubade: A Pairing with Beethoven's Symphony #1 - Horn 2 in F
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French horn
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INTERMEDIATE/ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018911 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018911 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064775. Published by Benjamin Sajo (A0.1018911). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 1 in F
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French horn
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018950 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078687. Published by Benjamin Sajo (A0.1018950). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Kommos (Lamentation) / "When the World Moved On" - Horn 2 in F
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French horn
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INTERMEDIATE/ADVANCED
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benja...
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French Horn Solo - Level 4 - Digital Download SKU: A0.1018951 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6078691. Published by Benjamin Sajo (A0.1018951). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Unaccompanied Suites for Horn
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French horn
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ADVANCED
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Classical
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Johann Sebastian Bach
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Ralph Sauer
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Unaccompanied Suites for Horn
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Gordon Cherry
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SheetMusicPlus
French Horn Solo - Level 5 - Digital Download SKU: A0.792112 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pag...
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French Horn Solo - Level 5 - Digital Download SKU: A0.792112 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464523. Published by Gordon Cherry (A0.792112). Bach's Unaccompanied Suites beautifully and meticulously edited for Horn by Ralph Sauer, 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...
$20.00
Futility [Horn Transcription]
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French horn
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Benjamin Giesbrecht
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Futility [Horn Transcription]
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Benjamin Giesbrecht
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SheetMusicPlus
French Horn Solo - Digital Download SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrech...
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French Horn Solo - Digital Download SKU: A0.1025113 Composed by Benjamin Giesbrecht. Contemporary,Dance,Pop. Individual part. 3 pages. Benjamin Giesbrecht #4727665. Published by Benjamin Giesbrecht (A0.1025113). Note: Performance will also require the purchase of Futility (Recorded Accompaniment Track). I apologize, but there is no way to combine the two into one package on this site.Full Title: Futility for Horn and Recorded AccompanimentOn escaping commercial musicPerformance Directions:Some degree of acting is required, as the performer is asked to shake their head, leave the stage, and throw pages off their stand. Performers are encouraged to act out the struggle in additional ways to those marked in the score. Use whatever combination of fingerings/grace notes, lip bends, and right hand technique you are comfortable with to achieve the closest effect to a trombone slide for the section at 21.Program Notes from the score:Transcribed from the original for trombone, Futility is a work embodying the struggle of a single musician to overcome the influence of commercialized music. We are inundated with commercial music and exposure to it is inescapable, thus it effects every musician in some form. Futilityfeatures an electronic track as accompaniment that was composed using commercially available audio loops and automatic beat generators-thus every sound the performer struggles against is both musically and literally commercial. The performer begins with some tentative entrances, moving towards an emulation of the electronic background. Extra copyright information: The purchaser may copy pages if they are needed to achieve successful performance(s) and are used by a sole performer. (e.g. an extra first page to throw, or an extra page for offstage.)
$3.00
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