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Can-Can for Two
Tuba
Sheetmusic to print
11 sheet music found
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1
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.51 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
En sourdine by Debussy for Tuba
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.1178176 Composed by Claude Debussy. …
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Tuba Solo - Level 3 - Digital Download SKU: A0.1178176 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778140. Published by Avery Lynn Jordan (A0.1178176). This score was adapted for tuba, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$1.99
1.83 €
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Tuba
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Claude Debussy
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En sourdine by Debussy for Tuba
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Avery Lynn Jordan
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SheetMusicPlus
En sourdine by Debussy for Tuba and Chords
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.1178175 Composed by Claude Debussy. …
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Tuba Solo - Level 3 - Digital Download SKU: A0.1178175 Composed by Claude Debussy. Arranged by Langanho. 20th Century,Romantic Period,Wedding. Individual part. 2 pages. Avery Lynn Jordan #778139. Published by Avery Lynn Jordan (A0.1178175). This score was adapted for tuba and chords, so that the beginner or professional student can perform the piece with precision, because it was modified to better meet the musical needs of the interpreter, however, without losing the original essence of the work. This is Fêtes Galantes L. 80, a cycle of six melodies composed by Claude Debussy to poems by Paul Verlaine, and is composed of two books of three songs, which were composed over several years, and were premiered in 1904.
$2.99
2.75 €
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Tuba
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Claude Debussy
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En sourdine by Debussy for Tuba and Chords
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Avery Lynn Jordan
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SheetMusicPlus
When I can Read About the Lily
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.1003255 Composed by Alexander Johnso…
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Tuba Solo - Level 4 - Digital Download SKU: A0.1003255 Composed by Alexander Johnson, William S. Hays. Arranged by Gordon Wolfe. Christian. Individual part. 2 pages. Gordon Wolfe #3048025. Published by Gordon Wolfe (A0.1003255). A Sonata Form solo for Tuba intended as the second and primary movement of a Church Sonata in Gospel style. It is based on two hymns: When I can Read my Title Clear and Lily of the Valley.
$2.10
1.93 €
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Tuba
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Alexander Johnson, William S
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When I can Read About the Lily
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Gordon Wolfe
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SheetMusicPlus
Unforgiven - Claudia's Theme (Intermediate Level)
Tuba
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Tuba
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Niehaus & Eastwood
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Tomplay
Unforgiven - Claudia's Theme (Easy Level)
Tuba
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
5.99 €
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Tuba
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Niehaus & Eastwood
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Tomplay
The Most Beautiful Film Music for Tuba, Intermediate, Vol. 2
Tuba
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
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Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
19.99 €
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Tuba
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Louis Armstrong,Alan Menken,Ni
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Tomplay
The Most Beautiful Film Music for Tuba, Easy, Vol. 2
Tuba
Download this music sheet with backing tracks recorded by professional musicians. Free Unl…
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print.
19.99 €
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Tuba
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Louis Armstrong,Niehaus &
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Tomplay
No Justice Today
Tuba
Tuba Solo - Digital Download SKU: A0.969888 Composed by Amy Dunker. 20th Century,Co…
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Tuba Solo - Digital Download SKU: A0.969888 Composed by Amy Dunker. 20th Century,Concert,Contemporary. Individual part. 4 pages. Amy Dunker #6385141. Published by Amy Dunker (A0.969888). Emmett Till (July 25, 1941 – August 28, 1955) was a 14-year-old African American who was lynched in Mississippi in 1955, after being accused of offending a white woman in her family's grocery store. Several nights after the incident in the store, Bryant's husband Roy and his half-brother J.W. Milam were armed when they went to Till's great-uncle's house and abducted the boy. They took him away and beat and mutilated him before shooting him in the head and sinking his body in the Tallahatchie River. In September 1955, an all-white jury found Roy Bryant and J. W. Milam not guilty of Till's kidnapping and murder. Protected against double jeopardy, the two men publicly admitted in a 1956 interview with Look magazine that they had killed Till. The brutality of his murder and the fact that his killers were acquitted drew attention to the long history of violence against African Americans in the United States. Duration: 4:00
$8.00
7.35 €
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Tuba
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Amy Dunker
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4:00
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No Justice Today
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Amy Dunker
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SheetMusicPlus
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Tuba
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.1018891 Composed by Benjamin Harry S…
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Tuba Solo - Level 5 - Digital Download SKU: A0.1018891 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056113. Published by Benjamin Sajo (A0.1018891). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
3.21 €
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Tuba
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Tuba
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Benjamin Sajo
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SheetMusicPlus
Unaccompanied Tuba Suite #2 in B-flat Major
Tuba
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th…
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
14.68 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #2 in B-flat Major
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Joaba LLC
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SheetMusicPlus
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