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You've selected:
It's All In There
Tuba
Sheetmusic to print
10 sheet music found
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1
Minuet in G (tuba duet)
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.810212 Composed by Johann Sebastian …
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Tuba Solo - Level 1 - Digital Download SKU: A0.810212 Composed by Johann Sebastian Bach, Christian Petzold. Arranged by Daniel C. M. Baroque,Concert,Standards. Individual part. 4 pages. Daniel C. M. #5777183. Published by Daniel C. M. (A0.810212). This work is attributed to Johann Sebastian Bach. It is used the name of the now attributed composer Christian Petzold for there is new information about him. This arrangement is written for tuba duet. The difficulty level is basically easy as the original for both parts. The articulations are meticulously written to help to get a better approach to the style but, of course, it's only a guide that can be changed. .
$2.99
2.73 €
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Tuba
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Johann Sebastian Bach, Christian Petzold
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Minuet in G
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Daniel C. M.
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SheetMusicPlus
Tuba solo - "And Can It Be?" Theme and Variations
Tuba
Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …
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Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,’ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Bray’s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Bray’s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesley’s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.
$6.00
5.49 €
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Tuba
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Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825
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Tuba solo - "And Can It Be?" Theme and Variations
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Dan Cutchen Music
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SheetMusicPlus
Can't Help Falling In Love
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1421231 By Elvis Presley. By George …
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Tuba Solo - Level 2 - Digital Download SKU: A0.1421231 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 2 pages. Benzaiten Editions #1002623. Published by Benzaiten Editions (A0.1421231). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's create some musical magic together!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • tuba sheet music About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$4.99
4.56 €
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Tuba
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Elvis Presley
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Can't Help Falling In Love
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Benzaiten Editions
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SheetMusicPlus
Can't Help Falling In Love
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1421233 By Elvis Presley. By George …
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Tuba Solo - Level 2 - Digital Download SKU: A0.1421233 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Benzaiten Editions. 20th Century,Pop,Rock,Singer/Songwriter,Wedding. Individual part. 2 pages. Benzaiten Editions #1002625. Published by Benzaiten Editions (A0.1421233). Hey there! Ready to dive into the enchanting melody of Can't Help Falling in Love? Let's create some musical magic together!Perfect for weddings, this song adds a touch of romance and nostalgia to any celebration. Dive into the depths of emotion and let the music carry you away on a journey of love and longing with this unforgettable classic.Elvis Presley • Can't Help Falling in Love • tuba sheet music [chords] About the song | Elvis Presley • Can't Help Falling in Love Can't Help Falling in Love is a timeless ballad made famous by the one and only Elvis Presley. With its tender lyrics and soul-stirring melody, this song has captured the hearts of generations since its release.Whether you're playing it solo or as part of a group, its emotive power and romantic allure are sure to captivate your audience and leave them swooning.
$4.99
4.56 €
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Tuba
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Elvis Presley
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Can't Help Falling In Love
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Benzaiten Editions
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.5 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
50 Favorite Hymns for Solo and Duet Instruments--Tuba
Tuba
Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gosp…
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Tuba Solo - Digital Download SKU: A0.865253 Arranged by Chris Cooke. Christian,Gospel,Praise & Worship,Sacred. Individual part. 65 pages. Chris Cooke #3603527. Published by Chris Cooke (A0.865253). 50 Favorite Hymns for Solo and Duet Instruments is a sequel to the first book, Hymns for Solo and Duet Instruments. This second collection contains my all-time favorites and is written for early-mid-intermediate players. The hymns are written so that instruments can be mixed and matched for duet or ensemble purposes. Suitable for worship services, they can be played as offertories or special music selections, or as accompaniment to congregational singing. Many of the hymns are in the traditional hymnal keys, however, there are some that may be slightly lower to accommodate instrumental ranges. This tuba book contains only the melody of these hymns. One verse and chorus is written for each and can be repeated as needed. Hymns with a particular theme or key can be combined for a medley, e.g. I Love to Tell the Story, Oh How I Love Jesus, and He Keeps Me Singing-all are in A-flat. Melody and duet parts are available for flute/oboe, clarinet/trumpet, alto sax, French horn, and trombone/baritone/bassoon. When necessary, parts occasionally cross for ease of playing for the bass instruments. A piano accompaniment book is also available. These accompaniments are eclectic in style and span the gamut from classical to gospel. The hymns with their concert keys are: All Things Bright and Beautiful, alternate tune, C And Can It Be, F Are You Washed in the Blood, G At Calvary, C Be Thou My Vision, E-flat Blessed Be the Name, A-flat Breathe on Me, Breath of God, F Come Christians, Join to Sing, E-flat Faith is the Victory, E-flat Glory to His Name, G Heavenly Sunlight, F He Keeps Me Singing, A-flat I Love to Tell the Story, A-flat Immortal, Invisible, God Only Wise, A-flat It Is Mine, B-flat Jesus Saves, F Joy Unspeakable and Full of Glory, A-flat Just As I Am, E-flat Leaning on the Everlasting Arms, A-flat Like a River Glorious, F Love Lifted Me, B-flat My Faith Looks Up to Thee, D Nothing But The Blood, A-flat Oh How I Love Jesus, A-flat On Jordan’s Stormy Banks, E-flat Praise Him! Praise Him! F Redeemed, How I Love to Proclaim It! A-flat Rejoice, The Lord Is King! C Revive Us Again, F Rock of Ages, B-flat Send the Light, F Since I Have Been Redeemed, F Since Jesus Came into My Heart, F Softly and Tenderly, F Stand Up, Stand Up for Jesus, G Standing on the Promises, B-flat Sunshine in my Soul, F The Old Rugged Cross, B-flat There is Power in the Blood, B-flat There Shall Be Showers of Blessing, B-flat The Solid Rock, F This is My Father’s World, E-flat To God Be the Glory, G Trust and Obey, F We Gather Together, B-flat When the Roll is Called Up Yonder, G When We All Get to Heaven, C Wonderful Grace of Jesus, B-flat Wonderful Words of Life, F
$7.97
7.29 €
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Tuba
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50 Favorite Hymns for Solo and Duet Instruments--Tuba
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Chris Cooke
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SheetMusicPlus
Unaccompanied Suites for Tuba
Tuba
Tuba Solo - Level 5 - Digital Download SKU: A0.810845 Composed by Johann Sebastian …
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Tuba Solo - Level 5 - Digital Download SKU: A0.810845 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque. Individual part. 49 pages. Gordon Cherry #3464557. Published by Gordon Cherry (A0.810845). Bach's Unaccompanied Suites beautifully and meticulously edited for Tuba or Bass Trombone by Ralph Sauer, 48 page textbook. Mr. Sauer's thoughtful version of the Six Suites gives the performer room to breathe musically. To quote Mr. Sauer and Pablo Casals,I refrained from using fanciful descriptive terms such as con brio, or quasi una fantasia because they may suggest a particular style...This transcription is not intended to be a blueprint to be followed exactly, but rather, it is the raw material from which a personal interpretation can be built.To quote Pablo Casals, Where interpreting Bach's music is concerned, there are no hard and fast rules...The best thing to do is to discard all preconceived ideas and try to approach in our performances whatever the music conveys to us...
$27.50
25.15 €
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Tuba
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Johann Sebastian Bach
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Unaccompanied Suites for Tuba
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Gordon Cherry
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SheetMusicPlus
What Was I Made For?
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1273303 By Billie Eilish. By Billie …
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Tuba Solo - Level 2 - Digital Download SKU: A0.1273303 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865454. Published by Milanov (A0.1273303). What Was I Made For? From Barbie by Billie Eilish for tuba. Easy intermediate. Chords.What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.48 €
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Tuba
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Billie Eilish
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What Was I Made For?
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Milanov
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SheetMusicPlus
What Was I Made For?
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.1273304 By Billie Eilish. By Billie …
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Tuba Solo - Level 2 - Digital Download SKU: A0.1273304 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Milanov. Film/TV,Singer/Songwriter. Individual part. 3 pages. Milanov #865455. Published by Milanov (A0.1273304). What Was I Made For? From Barbie by Billie Eilish for tuba. Easy intermediate. What Was I Made For from Barbie by Billie Eilish is a melancholic ballad about feeling lost and uncertain about one's identity. The lyrics explore themes of existentialism, anxiety, and depression. The song's production is sparse and atmospheric, with Eilish's vocals taking center stage. The overall effect is a haunting and introspective track that will resonate with anyone who has ever felt lost or alone. The song ends with a sense of resignation, as Eilish sings, I guess I'll just keep on floating. However, the song's message is ultimately one of hope, as it suggests that even in the midst of uncertainty, there is still beauty to be found.
$5.99
5.48 €
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Tuba
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Billie Eilish
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What Was I Made For?
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Milanov
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SheetMusicPlus
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