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Sad
Tuba
Sheetmusic to print
3 sheet music found
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1
Saddle Up!: Tuba
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Tuba
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Instructional
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Clifton Jameson Jones
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Saddle Up!: Tuba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By Clifton Jameson Jones. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By Clifton Jameson Jones. For Concert Band. Instructional. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Elegy for solo tuba
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Tuba
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ADVANCED
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Robert Chamberlin
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Elegy for solo tuba
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Robert Chamberlin
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SheetMusicPlus
Tuba Solo - Level 5 - Digital Download SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberl...
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Tuba Solo - Level 5 - Digital Download SKU: A0.917229 Composed by Robert Chamberlin. 20th Century,Contemporary. Individual part. 5 pages. Robert Chamberlin #4622313. Published by Robert Chamberlin (A0.917229). Dr. Gary Bird assembled and edited a volume in 1994 called Program Notes for the Solo Tuba. In it, he assembled information on what were determined to be the eighty-eight most important works for solo tuba written to that point in time. Robert Chamberlin’s Elegy (for solo tuba) was very deservedly included in the catalogue of works in that very important assemblage. Elegy was composed in 1981 for tubist, Jerry Young, and was written in collaboration with both Young and Daniel Perantoni. It was composed as a response to the assassination of Anwar Sadat, the Egyptian head-of-state who, along with Israeli Premier Menachem Begin and U.S. President Jimmy Carter, forged the peace agreement between those two countries that endures to this day. Chamberlin said: It is an expression of my sadness and anger that people resort to that particular type of violence for political gain. Since its premiere performance by Jerry Young at Webster University in 1981, the work has been performed in many venues by many soloists, and it almost always resonates with and touches very diverse audiences. The work uses a wide variety of expressive techniques, including multiphonics, pitch bends, half-valve technique, glissandi, whispering through the instrument, and the tuba mute. Perhaps the most striking and emotionally touching effect is that the entire work is played with the bell of the instrument pointed into the open lid of a grand piano with the sustain pedal depressed. The harmonic and echo-like acoustic effects created are stunning in every performance and venue. This is an outstanding musical artwork appropriate for any recital, but also very effective in settings where unexpected or tragic loss are being marked. It speaks to listeners of all backgrounds in a very pronounced way that few works seem to achieve. While it is in every sense a virtuoso work, it is one that repeatedly rewards both performer and audience.
$3.99
Unaccompanied Tuba Suite #2 in B-flat Major
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Tuba
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INTERMEDIATE/ADVANCED
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Jason Allie
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Unaccompanied Tuba Suite #2 in
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Joaba LLC
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SheetMusicPlus
Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages...
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Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the B♠Major key and related tonalities. It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it. Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme. Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which. Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed. The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats. A gigue that washes away the previous variation’s mood. Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo. This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken. Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness. Get ugly. 10 MARCH Must use repeats. If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2. Practice it slow and build up speed. Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously. Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye. Be aggressive with the arpeggios for the harmony to resound.
$15.99
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