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Sheetmusic to print
4 sheet music found
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1
The Skaters Waltz (for beginners)
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.1345974 Composed by Emile Waldteufel…
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Tuba Solo - Level 1 - Digital Download SKU: A0.1345974 Composed by Emile Waldteufel. Arranged by Rodrigo Faleiros. 19th Century,Classical,Romantic Period,Video Game. Individual part. 1 pages. Rodrigo Faleiros #930862. Published by Rodrigo Faleiros (A0.1345974). Step into the graceful world of Émile Waldteufel's The Skaters Waltz, famously known as the music from the classic game Antarctic Adventure, with our accessible and delightful easy tuba arrangement. This rendition, tailored for beginners, invites players of all ages to experience the joy of a timeless waltz. This easy tuba sheet music provides essential guidance for novice players. Dive into the enchanting melodies, waltzing along with the magic of this classic piece, creating a delightful atmosphere for both players and listeners alike.Key Features: Beginner-Friendly Arrangement: Perfect for those starting their tuba journey, offering an accessible introduction to a classic waltz. Instant Digital Download: Begin your musical journey right away with our easy-to-access PDF download. Check out every other arrangement I've made for this and numerous other songs clicking here.
$2.99
2.75 €
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Tuba
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Emile Waldteufel
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The Skaters Waltz
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Rodrigo Faleiros
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SheetMusicPlus
The Skaters Waltz (for beginners)
Tuba
Tuba Solo - Level 1 - Digital Download SKU: A0.1346004 Composed by Emile Waldteufel…
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Tuba Solo - Level 1 - Digital Download SKU: A0.1346004 Composed by Emile Waldteufel. Arranged by Rodrigo Faleiros. 19th Century,Classical,Romantic Period,Video Game. Individual part. 1 pages. Rodrigo Faleiros #930825. Published by Rodrigo Faleiros (A0.1346004). Step into the graceful world of Émile Waldteufel's The Skaters Waltz, famously known as the music from the classic game Antarctic Adventure, with our accessible and delightful easy tuba arrangement. This rendition, tailored for beginners, invites players of all ages to experience the joy of a timeless waltz. This easy tuba sheet music features chord symbols, providing essential guidance for novice players. Dive into the enchanting melodies, waltzing along with the magic of this classic piece, creating a delightful atmosphere for both players and listeners alike.Key Features: Beginner-Friendly Arrangement: Perfect for those starting their tuba journey, offering an accessible introduction to a classic waltz. Chord Symbols: Explore harmonies and add your personal touch to the waltz with included chord symbols. Instant Digital Download: Begin your musical journey right away with our easy-to-access PDF download. Check out every other arrangement I've made for this and numerous other songs clicking here.
$2.99
2.75 €
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Tuba
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Emile Waldteufel
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The Skaters Waltz
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Rodrigo Faleiros
#
SheetMusicPlus
Unaccompanied Tuba Suite #1 in B-flat Major
Tuba
Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baro…
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Tuba Solo - Level 3 - Digital Download SKU: A0.991803 Composed by Jason Allie. Baroque,Classical,Contemporary,World. Individual part. 9 pages. Joaba LLC #3109629. Published by Joaba LLC (A0.991803). DescriptionA delightful, intermediate level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This lively work engages the audience with a breadth of moods from enlightening to reflective to celebratory. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com.Total Duration: ~8 minutesPerformance Notes Prelude The real art of performing this piece is to master its dynamics. With the long pianissimo to forte crescendo at the introduction, the contrasting forte/mezzo piano sections and brisk, shorter crescendos for the cadences, the tubist must be aware of dynamics at all time and use them wisely.The second aspect to performing this piece is to contrast the 2 eighth note plus quarter note slurs motif against the arpeggiations. The introduction starts with the slurs and evolves into the arpeggiations by the first forte and the remaining piece explores the contrast between the two. Performers should feel free to try different dynamics, try different tempos (like zipping through the arpeggiations and slowing for the motif), etc. The goal is to bring the listener through the pleasantries of introductions to feel fresh and eager for further discourse ahead. March The rewarding challenge in this piece is to bring out the difference between cheery and con brio. The former being achieved by emphasizing the swaggering, strutting feel of the one-measure-per-beat feel and the latter by emphasizing the intervallic bounciness with the one-two march feel.Note that the motif (with the quarter note morphing into an eighth note) along with simpler arpeggiations are brought to play in a new manner reinforcing the positive mood from the prelude.The goal is to befriend the listener with an engaging, buoyant time. Air The tubist will exercise great breath control and phrasing to achieve a sublime solemnness counterbalancing the prior two movements.The motif now takes center stage headlining the main melodic phrases; however, here it is disjointed and conveys the sighing for the solemnness.After the pleasantness of the march, affableness having garnered friendship, we now open ourselves to share some somber matters and offer consolation. The intended goal here is to add depth to the relationship by addressing darker aspects in the discourse. Slip-jig Rondo Harking back to the compound meter of the prelude, this dance adventurously wakens the listener from the solemnness of the air asserting a new grandness and gladness. This is a slip-jig put into the rondo form so celebrate the main dance theme when it comes around and put fire and character into the transitions to make it worthwhile.The motif now jumps into the compound meter’s beat and morphs into three slurred, conjoint eighth notes. Now this motif enables several affects: exciting dance steps, transitions/modulations and concluding the phrases and the piece itself.The performer should aim to lead and amaze the listener with the waltz-like slip-jig rhythm and astound with the virtuosic transitions as a final send-off.
$9.99
9.17 €
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Tuba
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Jason Allie
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Unaccompanied Tuba Suite #1 in B-flat Major
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Joaba LLC
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.56 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
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