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PIANO & KEYBOARDS

Piano solo 131 Piano, Voice 91 Piano, Vocal and Guitar 38 Easy Piano 24 C Instruments 18

Organ 8 Piano Accompaniment 6 1 Piano, 4 hands 4

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GUITARS

Guitar notes and tablatures 38 Ukulele 9 Guitar 8 Bass guitar 4 Melody line, (Lyrics) and Chords 2

Piano, Guitar (duet) 1 Mandolin 1 Guitar (band part) 1

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VOICE

Choral SATB 109 Choral 2-part 24 Choral 3-part 18 Choral Unison 14 Choral TTBB 12

Medium voice, Piano 9 High voice 6 Low voice, Piano 6 Vocal duet 6 Voice solo 3 Choral SSAA 3 Vocal duet, Piano 2 Soprano voice, Piano 2 Choral SSATB 1 Alto voice, Piano 1

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WOODWIND

Saxophone Quartet: 4 saxophones 23 Clarinet 16 2 Flutes (duet) 15 Flute 14 Alto Saxophone 13

Oboe (band part) 12 Tenor Saxophone 9 2 Saxophones (duet) 8 Flute and Piano 7 Flute, Oboe, Clarinet, Bassoon 7 Oboe, Piano (duet) 7 Soprano Saxophone 6 Clarinet and Piano 6 3 Saxophones (trio) 5 Alto Saxophone and Piano 5 Saxophone (band part) 4 Clarinet Quartet: 4 clarinets 4 Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4 Flute ensemble 3 Flute Quartet: 4 flutes 3 Saxophone, Clarinet (duet) 3 Soprano Saxophone and Piano 3 2 Clarinets (duet) 3 Clarinet, Violin (duet) 2 Flute (band part) 2 Clarinet Quintet: 5 clarinets 2 Oboe 2 Clarinet, Trumpet (duet) 2 Flute, Trumpet (duet) 1 2 Oboes (duet) 1 Baritone Saxophone, Piano 1 3 Clarinets (trio) 1 Flute, Violin, Piano 1 Recorder Quartet 1 Flute, Clarinet (duet) 1 Flute, Saxophone (duet) 1 Flute Trio: 3 flutes 1 English Horn 1 Clarinet and Viola 1 Clarinet Ensemble 1 Recorder 1 Oboe, Flute 1 Oboe, Bassoon (duet) 1 Flute, Oboe, Clarinet (trio) 1 Flute, Viola and harp 1 Flute, Violin 1 Tenor Saxophone and Piano 1 Oboe, Clarinet (duet) 1 Bass Clarinet 1 Piccolo 1

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WOODBRASS

Brass Quintet: 2 trumpets, horn, trombone, tuba 18 Trumpet 14 French Horn and Piano 7 French horn 7 Trombone and Piano 6 Trumpet, Piano 5 Brass quartet : 2 trumpets, trombone, tuba 5 Trombone 5 Tuba 3

Euphonium, Piano (duet) 2 Trumpet, Saxophone (duet) 2 2 Trumpets (duet) 2 Trumpet (band part) 2 Tuba (band part) 1 Bass Trombone 1 Trombone (band part) 1 4 Tubas 1 2 Trombones (duet) 1 English Horn 1 French horn (band part) 1 Tuba and Piano 1 Brass Quartet: 4 trumpets 1 Trumpet, Trombone (duet) 1

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STRINGS

String Quartet: 2 violins, viola, cello 37 Violin 16 Harp 13 Cello 11 Violin and Piano 9

Viola, Piano 9 Cello, Piano 6 Violin (band part) 6 Violin, Cello (duet) 3 Doublebass (band part) 3 Viola (band part) 3 String Trio: 2 violins, cello 3 Viola 3 Cello (band part) 2 4 Cellos 2 String Trio: violin, viola, cello 1 Viola and Harp 1 Double Bass 1 String Quintet: 2 violins, viola, cello, bass 1 2 Violas (duet) 1 Double bass, Piano (duet) 1 Violin, Viola (duet) 1 Violin, Clarinet, Piano (trio) 1 4 Harps 1 2 Violins (duet) 1

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PERCUSSION & ORCHESTRA

Concert band 373 Orchestra 45 String Orchestra 36 Marching band 21 Chamber Orchestra 6

Handbells 3 Jazz Ensemble 3 Jazz combo 2 Brass ensemble 2 Vibraphone and Marimba 1 Percussion Ensemble 1

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Story Of The Year

Tuba

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Tuba solo - "And Can It Be?" Theme and Variations Tuba

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles …(+)

Piano,Tuba - Level 3 - Digital Download SKU: A0.844352 Composed by Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825. Arranged by Dan Cutchen. Christian,Easter,Sacred,Spiritual. Score and part. 15 pages. Dan Cutchen Music #4285469. Published by Dan Cutchen Music (A0.844352). This arrangement of And Can It Be That I Should Gain? is for tuba solo and piano.A theme and variation treatment is used. For a piano background Mp3 track, search for: Tuba - And Can It Be? Piano Accompaniment, Dan CutchenTime: approximately 6:00To contact Dan Cutchen, go to:Facebook: https://www.facebook.com/merry1722/dancutchen.com: http://www.dancutchen.com/contactAnd Can It Be That I Should Gain? is a Christian hymn written by Charles Wesley. And Can It Be was written in 1738 to celebrate Wesley's conversion, which he regarded as having taken place on May 21 of that year.This beautiful hymn has been popular and enduring.And Can It Be That I Should Gain is perhaps one of the most joyfully poignant hymns penned by Charles Wesley (1707-1788). On Whitsunday (Pentecost), May 21, 1738, three days before his brother John experienced his heart strangely warmed,â€™ Charles was convalescing in the home of John Bray, a poor mechanic, when he heard a voice saying, In the name of Jesus of Nazareth, arise, and believe, and thou shalt be healed of all thy infirmities. The voice was most likely Mr. Brayâ€™s sister who felt commanded to say these words in a dream.Anglican hymn writer Timothy Dudley-Smith, notes that the following then happened:Charles got out of bed and opening his Bible read from the Psalms: He have put a new song in my mouth, even praise unto our God, followed by the first verse of Isaiah 40, Comfort ye, comfort ye my people, saith your God. He wrote in his journal, I have found myself at peace with God, and rejoiced in the hope of love Christ (Dudley-Smith, 1987, 1).The statement from Mr. Brayâ€™s sister sparked within Charles a conviction like he had never felt before. Moved and convicted in spirit, Charles wrestled with these words until he came to rest in his faith, knowing that it is by faith we are saved (Ephesians 2:8).Soon after this conversion experience, he wrote two hymns in celebration of the amazing love he had come to know: And Can It Be that I Should Gain and Where Shall My Wondering Soul Begin? (United Methodist Hymnal, 342)There has been some debate as to which hymn was written first, but most current scholarship accepts the latter as the first hymn written by Charles after his conversion experience. No matter its place in the chronology of Wesley's output, And Can It Be has been and remains one of his most remarkable hymns, expressing like no other the rapturous joy of receiving salvation.And Can It Be That I Should Gain. Hymnary.org, https://hymnary.org/text/and_can_it_be_that_i_should_gainDudley-Smith, Timothy. A Flame of Love: A Personal Choice of Charles Wesleyâ€™s Verse. London: Triangle SPCK, 1987.Timothy Dudley-Smith. And can it be that I should gain. The Canterbury Dictionary of Hymnology. Canterbury Press, accessed May 29, 2018, http://www.hymnology.co.uk/a/and-can-it-be-that-i-should-gain.Young, Carlton R. And Can It Be That I Should Gain. Companion to the United Methodist Hymnal. Abingdon Press, 1993.(Taken from: History of Hymns: And Can It Be That I Should Gain by DeAndre Johnson found at https://www.umcdiscipleship.org/resources)https://youtu.be/7-Qdg7QK.

$6.00 5.53 € #Tuba #Lyrics: Charles Wesley, Music: Thomas Campbell, published 1738, and published 1825 #Tuba solo - "And Can It Be?" Theme and Variations #Dan Cutchen Music #SheetMusicPlus

Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Tuba Tuba

Tuba Solo - Level 5 - Digital Download SKU: A0.1018891 Composed by Benjamin Harry S…(+)

Tuba Solo - Level 5 - Digital Download SKU: A0.1018891 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6056113. Published by Benjamin Sajo (A0.1018891). Programme Notes:â€ƒIcarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, donâ€™t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of oneâ€™s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarusâ€™s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.â€ƒThis piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethovenâ€™s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. Iâ€™ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 3.23 € #Tuba #Benjamin Harry Sajo #Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Tuba #Benjamin Sajo #SheetMusicPlus

No Justice Today Tuba

Tuba Solo - Digital Download SKU: A0.969888 Composed by Amy Dunker. 20th Century,Co…(+)

Tuba Solo - Digital Download SKU: A0.969888 Composed by Amy Dunker. 20th Century,Concert,Contemporary. Individual part. 4 pages. Amy Dunker #6385141. Published by Amy Dunker (A0.969888). Emmett Till (July 25, 1941 â€“ August 28, 1955) was a 14-year-old African American who was lynched in Mississippi in 1955, after being accused of offending a white woman in her family's grocery store. Several nights after the incident in the store, Bryant's husband Roy and his half-brother J.W. Milam were armed when they went to Till's great-uncle's house and abducted the boy. They took him away and beat and mutilated him before shooting him in the head and sinking his body in the Tallahatchie River. In September 1955, an all-white jury found Roy Bryant and J. W. Milam not guilty of Till's kidnapping and murder. Protected against double jeopardy, the two men publicly admitted in a 1956 interview with Look magazine that they had killed Till. The brutality of his murder and the fact that his killers were acquitted drew attention to the long history of violence against African Americans in the United States. Duration: 4:00

$8.00 7.38 € #Tuba #Amy Dunker #4:00