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A Song in the Air
Not classified
791
Piano & keyboards
Piano, Voice
372
Piano solo
345
Easy Piano
151
Piano, Vocal and Guitar
142
C Instruments
83
Piano Accompaniment
60
Organ
36
Big Note Piano
30
1 Piano, 4 hands
12
2 Pianos, 4 hands
5
Piano Trio: piano, violin, cello
5
Accordion
5
Piano Quartet: piano, violin, viola, cello
5
Keyboard
3
Organ, Piano (duet)
1
Piano Quintet: piano, 2 violins, viola, cello
1
+ 11 instrumentations
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Retract
Guitars
Guitar
35
Guitar notes and tablatures
33
Melody line, (Lyrics) and Chords
21
Ukulele
20
Mandolin
7
Bass guitar
6
Lyrics and Chords
5
Banjo
4
Dulcimer
3
2 Mandolins (duet)
2
2 Guitars (duet)
2
Piano, Guitar (duet)
2
3 Guitars (trio)
1
Guitar, Violin, Cello (trio)
1
4 Guitars (Quartet)
1
Baritone Ukulele
1
+ 11 instrumentations
-
Retract
Voice
Choral SATB
293
Choral 3-part
128
Choral 2-part
71
Soprano voice, Piano
48
Tenor voice, Piano
46
Choral SSAA
42
Choral TTBB
40
Choral Unison
39
Alto voice, Piano
32
Baritone voice, Piano
29
Choral Instrumental Pak
7
High voice
7
Tenor voice
6
Vocal duet, Piano
6
Vocal duet
5
Voice solo
4
Medium voice, Piano
2
Choral
2
Baritone voice
1
Voice, Guitar
1
Low voice
1
Soprano voice
1
+ 17 instrumentations
-
Retract
Woodwind
Flute and Piano
60
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
59
Saxophone Quartet: 4 saxophones
59
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49
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48
Flute, Oboe, Clarinet, Bassoon
44
Flute
39
2 Clarinets (duet)
36
Clarinet Quartet: 4 clarinets
36
Alto Saxophone and Piano
32
Saxophone Quintet: 5 Saxophones
31
Clarinet
27
Tenor Saxophone and Piano
26
2 Saxophones (duet)
22
2 Flutes (duet)
20
3 Clarinets (trio)
20
Alto Saxophone
20
Saxophone (band part)
19
Tenor Saxophone
16
Baritone Saxophone, Piano
16
Soprano Saxophone and Piano
14
Clarinet Quintet: 5 clarinets
13
Oboe (band part)
12
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10
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10
Flute Quartet: 4 flutes
10
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10
Ocarina
9
Harmonica
9
3 Saxophones (trio)
8
Oboe
8
English horn, Piano
7
Descant (Soprano) Recorder
7
Treble (Alto) Recorder
7
Flute, Violin
7
Saxophone ensemble
7
Clarinet, Bassoon (duet)
6
Oboe, Bassoon (duet)
6
Clarinet, Violin (duet)
6
Saxophone, Clarinet (duet)
6
Oboe, Clarinet (duet)
6
Flute Trio: 3 flutes
5
Clarinet, Guitar (duet)
5
2 Oboes (duet)
4
Recorder Quartet
4
Flute, Trumpet (duet)
4
Flute, Violoncello
3
Clarinet and Viola
3
2 Flutes, Piano
3
2 Recorders (duet)
3
Clarinet (band part)
3
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3
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3
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3
Recorder
3
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3
Baritone Saxophone
2
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2
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2
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2
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2
5 Recorders
2
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2
Flute, Oboe (duet)
2
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2
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2
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2
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2
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2
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2
Flute, Clarinet and Bassoon.
2
Flute ensemble
2
Oboe and viola (duet)
2
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1
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1
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1
Oboe, Clarinet, Bassoon (trio)
1
2 Clarinets, Piano
1
Oboe, Trombone (duet)
1
Oboe ensemble
1
English Horn
1
Flute, Trombone (duet)
1
Oboe, Trumpet (duet)
1
2 Saxophones, Piano
1
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1
Clarinet, Double bass (duet)
1
Flute, Oboe, Piano (trio)
1
Clarinet, Trumpet (duet)
1
Flute, Clarinet, Violin (trio)
1
Clarinet, Trombone (duet)
1
Flute, Clarinet, Piano (trio)
1
Treble (Alto) Recorder, Piano
1
Piccolo, Piano
1
Flute, Tuba (duet)
1
Oboe, Flute
1
+ 90 instrumentations
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Retract
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Brass Quintet: 2 trumpets, horn, trombone, tuba
70
Trumpet
47
Trumpet, Piano
38
Brass quartet : 2 trumpets, trombone, tuba
37
Trombone and Piano
36
French Horn and Piano
21
Tuba and Piano
18
French horn
15
Trombone
15
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14
Tuba
14
Trumpet (band part)
10
Brass Quartet: 2 trumpets, horn, trombone
10
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7
2 Trombones (duet)
7
Euphonium, Piano (duet)
6
2 French horns (duet)
5
2 Trumpets (duet)
5
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4
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4
Trombone (band part)
4
Brass Quartet
4
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3
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3
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3
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2
4 Tubas
2
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2
French horn (band part)
2
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1
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1
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1
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1
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1
3 Trombones (trio)
1
English Horn
1
Horn, Cello (duet)
1
Tuba ensemble
1
Brass Quartet: 2 trumpets, 2 trombones
1
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1
Tuba (band part)
1
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1
Brass Trio
1
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1
Trumpet, Tuba (duet)
1
2 Tubas (duet)
1
Trumpet, Cello, Piano
1
Trumpet, violin (duet)
1
French Horn and Harp
1
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Retract
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String Quartet: 2 violins, viola, cello
131
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82
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57
Harp
53
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51
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41
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30
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28
2 Violins (duet)
28
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17
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15
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14
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11
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11
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9
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9
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8
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8
Violin (band part)
7
2 Violas (duet)
6
String Quintet: 2 violins, viola, cello, bass
5
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4
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3
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3
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2
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2
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2
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2
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1
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1
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1
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1
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1
4 Double Basses
1
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1
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1
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1
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1
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1
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1
4 Cellos
1
Viola and Bassoon
1
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244
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50
Brass ensemble
37
String Orchestra
30
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18
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14
Chamber Orchestra
14
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4
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4
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2
Drums
2
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1
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1
Marimba
1
Xylophone, Piano
1
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A Song in the Air
Violin ensemble
Sheetmusic to print
2 sheet music found
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Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
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Violin ensemble
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INTERMEDIATE
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Classical
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Sacred music
#
Antonin Dvorak
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Regis Bookshar
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Largo
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Regis Bookshar
#
SheetMusicPlus
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Fo...
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
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