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Flute, Oboe, Clarinet, Bassoon
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Solage: Le basile for Mixed Woodwind Quartet
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Com…
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Woodwind Ensemble,Woodwind Quartet - Level 2 - Digital Download SKU: A0.1267846 Composed by Solage. Arranged by James M. Guthrie. Contest,Early Music,Festival,Historic,Holiday,Medieval. 8 pages. Jmsgu3 #860034. Published by jmsgu3 (A0.1267846). Solage's ballade Le basile de sa propre nature is a significant work in the history of medieval music. Here are some of its historical significances:1. It is one of the twelve surviving works attributed to Solage, a French composer who lived in the late 14th century. Solage's works are known for their complex rhythms, intricate harmonies, and expressive melodies.2. Le basile de sa propre nature is a four-voice ballade that features a text about the mythical creature known as the basilisk. The lyrics describe the basilisk as a monster that kills everything it sees with its deadly venom. The music is characterized by its intricate rhythms and harmonies, which reflect the text's vivid imagery.3. The ballade is preserved in the Chantilly Codex, a manuscript that contains a collection of French secular music from the late 14th century. The Chantilly Codex is one of the most important sources of medieval music, and it provides valuable insights into the musical practices of the time.4. Le basile de sa propre nature is an example of the Ars subtilior style, which was a highly experimental and complex musical style that emerged in the late 14th century. This style was characterized by its use of intricate rhythms, complex harmonies, and unusual notational practices. The Ars subtilior style was highly influential in the development of later musical styles, and it remains an important part of the medieval musical canon.Overall, Solage's ballade Le basile de sa propre nature is a significant work that reflects the complex and experimental musical practices of the late 14th century. Its vivid imagery, intricate rhythms, and complex harmonies make it a valuable contribution to the medieval musical canon.Lyrics:All those he sees he kills suddenly,For his venom is deadly.He is a basilisk by his own nature,And he has no other way of being. He is a monster of great power,And he is feared by all who know him.He is a creature of the earth,And he is a master of death. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly. He is a creature of the night,And he is a master of the dark.He is a monster of great might,And he is feared by all who hear his name. He is a basilisk by his own nature,And he has no other way of being.All those he sees he kills suddenly,For his venom is deadly.Solage was a French composer and probably also a poet who lived in the late 14th century. He composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior, a manneristic compositional school centered on Avignon at the end of the century. Solage is an obscure composer, and aside from what can be deduced from the pieces attributed to him in the Chantilly Codex, nothing else is known about him. There are several interpretations of his name, and it is not clear whether his first name was Jean or Charles. The ars subtilior was a manneristic compositional school centered on Avignon at the end of the 14th century. It was characterized by complex rhythms and pitch, and it was a transitional period between the late medieval and Renaissance periods. Solage was one of the composers who fit into this school, and he composed the most pieces in the Chantilly Codex, which is the principal source of music of the ars subtilior. Stylistically, Solage's works exhibit two distinctly different characters: a relatively simple one usually associated with his great predecessor and elder contemporary Guillaume de Machaut, and a more recherché one, complex in the areas of both pitch and rhythm, characteristic of the ars subtilior.Â
$32.95
30.44 €
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Flute, Oboe, Clarinet, Bassoon
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Solage
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Solage: Le basile for Mixed Woodwind Quartet
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jmsgu3
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SheetMusicPlus
Breath Of Heaven (Mary's Song)
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.618963 By Amy Grant. By Amy Grant and Chris Eaton. Arranged by Stephen DeCesare. Christian,Christmas,Contemporary,Praise & Worship,Sacred. 16 pages. Exultet Music #2549127. Published by Exultet Music (A0.618963). Already a Christmas classic, the powerful and dramatic song by Amy Grant about what Mary, the Mother of Jesus could possibly have been thinking before she gave birth to the Savior of the World, has now been freshly arranged for Woodwind Quartet (Flute, Oboe, Bb-Clarinet, Bassoon), and Piano. Accessible and appropriate to be performed in any church or concert setting. Powerful and dramatic accompaniment supports the beautiful and melodious harmonies that is played within the Instruments.
$12.99
12 €
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Flute, Oboe, Clarinet, Bassoon
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Amy Grant
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Breath Of Heaven
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Exultet Music
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SheetMusicPlus
I Can Only Imagine
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Downloa…
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - Digital Download SKU: A0.619730 By MercyMe. By Bart Millard. Arranged by Stephen DeCesare. Contemporary,Easter,Praise & Worship,Sacred. 30 pages. Exultet Music #3024959. Published by Exultet Music (A0.619730). The beautiful Contemporary Christian / Praise and Worship song by MercyME about what it will be like in Heaven and to be standing before God has now been freshly arranged for Woodwind Quartet (Flute, Oboe, Bb-Clarinet, Bassoon) with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used for many times throughout the liturgical year.
$12.99
12 €
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Flute, Oboe, Clarinet, Bassoon
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MercyMe
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I Can Only Imagine
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Exultet Music
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SheetMusicPlus
I Love Lucy
Flute, Oboe, Clarinet, Bassoon
Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet,Bassoon,Flute,Oboe - Level 3 - Digital Download SKU: A0.734618 Composed by Eliot Daniel. Arranged by Dennis Ruello. Contemporary. 11 pages. Chicory Music #6674191. Published by Chicory Music (A0.734618). On October 15, 1951, the very first episode of the I Love Lucy show aired on CBS and became the most watched TV show in the U.S. for four of its seven-year run. Fun trivia about the opening theme song is that during the first season the show opened with their sponsor Philip Morris’ animation of stick figure cartoons of Lucy and Desi climbing down a pack of Philip Morris cigarettes. It was scored with Ferde Grofé’s Jr. The Grand Canyon Suite theme (a composition from 1931).From the second season onwards, the I Love Lucy signature tune we all know so well became the main theme, and one of the most recognizable pieces of music on the planet. It was written by composer Eliot Daniel who cranked it out in an afternoon as a favor to his old Coast Guard buddy Jess Oppenheimer, the show’s producer. Since Daniel still had another year under his exclusive contract to Fox, he asked Oppenheimer to keep his name out of it. Consequently his name does not appear on first or the second season TV credits for what became one of the most popular TV themes. Later, Daniel did seek credit and received royalties from syndicated reruns for the rest of his life.The lyrics were written by Harold Adamson for an episode in the third season in which Lucy believes everyone has forgotten her birthday. So of course Ricky saves the day after a near disaster.This arrangement for Woodwind Quartet plus Optional Acoustic Bass and Drum Set parts remains faithful to the original.Performance Time Approx. 1 minute 25 seconds
$12.99
12 €
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Flute, Oboe, Clarinet, Bassoon
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Eliot Daniel
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I Love Lucy
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Chicory Music
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SheetMusicPlus
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