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You've selected:
Rob Eads
Handbells
Sheetmusic to print
4 sheet music found
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1
All the Way My Savior Leads Me - for 3-octave handbell choir
Handbells
Handbell - Digital Download SKU: A0.561461 Composed by Fanny J. Crosby, Robert Lowr…
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Handbell - Digital Download SKU: A0.561461 Composed by Fanny J. Crosby, Robert Lowry. Arranged by Samuel Stokes. Sacred,Traditional. Score. 2 pages. SamuelStokesMusic.com #3537411. Published by SamuelStokesMusic.com (A0.561461). This is an arrangement of the hymn All the Way My Savior Leads Me for 3-octave handbell choir. Learn more about Samuel Stokes at http://www.SamuelStokesMusic.com
$3.99
3.66 €
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Handbells
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Fanny J
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All the Way My Savior Leads Me - for 3-octave handbell choir
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SamuelStokesMusic.com
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SheetMusicPlus
All the Way My Savior Leads Me - for 2-octave handbell choir
Handbells
Handbell - Digital Download SKU: A0.561460 Composed by Fanny J. Crosby, Robert Lowr…
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Handbell - Digital Download SKU: A0.561460 Composed by Fanny J. Crosby, Robert Lowry. Arranged by Samuel Stokes. Sacred,Traditional. Score. 2 pages. SamuelStokesMusic.com #3537397. Published by SamuelStokesMusic.com (A0.561460). This is an arrangement of the hymn All the Way My Savior Leads Me for 2-octave handbell choir. Learn more about Samuel Stokes at http://www.SamuelStokesMusic.com
$3.99
3.66 €
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Handbells
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Fanny J
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All the Way My Savior Leads Me - for 2-octave handbell choir
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SamuelStokesMusic.com
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SheetMusicPlus
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
Handbells
Handbell - Level 2 - Digital Download SKU: A0.953733 Composed by Frank M. Davis, He…
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Handbell - Level 2 - Digital Download SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Arranged by G. R. Adkison. Christian,Sacred. Score. 10 pages. Gary Ray Adkison #14705. Published by Gary Ray Adkison (A0.953733). God: Our Leader Medley is a 120 measure arrangement for 4-5 octave handbell choir and 3 octaves of OPTIONAL associated handchimes, although the handchime parts can also be played by handbells. The overall theme is the leadership of God in the life of the Christian. This is a medley of 7 Christian hymns. The first 4 are requests---requests to God to lead us. The last 3 are descriptions of God leading us (responses by God). The 1st request is presented by the handchimes playing Savior Lead Me. This is a simple, easy to play section in the key of D. Still in D, the 2nd request is Lead on, O King Eternal. After a false modulation, the 3rd request is Savior, Like a Shepherd Lead Us. This features a few bass runs. After a modulation to the key of G, the 4th request starts with Guide Me, O Thou Great Jehova. Also featuring some bass runs, it also makes use of descant lines. The 1st response, also in G, is All the Way My Savior Leads Me. This section is not in the original 3/4 time, but in 4/4 time, although near the end it reverts to the normal 3/4. It makes heavy use of fills and a brief descant line. The 2nd response is a 6/4 version of God Leads Us Along in the key of C. Again, there is a brief descant line. The last response is He Leadeth Me, also in C, that features two descant passages, and bass runs in the last two lines. After the first section of the overall arrangement, the chords used are often significantly more interesting than the chords normally used with these 7 hymns. This arrangement uses various dynamic and tempo markings, in order to achieve musical contrast, and still be true to the character of the original hymns. (The MP3 audio demonstration file provided is in a piano patch (voice), although the actual arrangement is for (and, of course, will sound better with a) handbell choir.) This arrangement is probably a level 2+ (2 plus) degree of difficulty.
$4.00
3.67 €
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Handbells
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Frank M
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God: Our Leader Medley
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Gary Ray Adkison
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SheetMusicPlus
Caravan
Handbells
Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ell…
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Carillon,Instrumental Solo - Level 5 - Digital Download SKU: A0.1301689 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by Michael Gancz. 20th Century,Broadway,Film/TV,Jazz,Latin,Musical/Show. Individual part. 8 pages. Michael Gancz #891301. Published by Michael Gancz (A0.1301689). Caravan is one of Duke Ellington's (1899-1974) most famous compositions—although he didn't actually write it. That credit goes to Puerto Rican trombonist Juan Tizol (1900-1984), a member of the Ellington's big band from 1929 to 1944. Tizol composed the theme in 1936 and promptly sold the rights to lyricist Irving Mills for only $25. The song became an instant hit—jazz critic Ted Gioia expllains that it fit perfectly with the musical exoticism that patrons were demanding at [Ellington's] regular gig at the Cotton Club in Harlem. Indeed, much jazz from this era, especially Ellington's, was steeped in Orientalist aesthetics. Although we hear it now as a self-contained musical phenomenon, we must acknowledge this music's problematics even as we continue to celebrate its progressive and revolutionary qualities. Part of my interest in this piece is in its capacity as a vessel in which I can explore my own multiform identity as an expatriate of the Middle East, a carillonist, and a lover of jazz. This arrangement reflects what might happen when these three perspectives collide. Ellington recorded Caravan more than 100 times, and the names of its additional interpreters reads as a history of jazz itself: Thelonious Monk, Art Blakey, Nat King Cole, Dizzy Gillespie, Wynton Marsalis and dozens more all brought their own spin to the tune. What makes it particularly special, though, is its appeal to listeners outside the jazz fandom. The 2014 film Whiplash introduced mass audiences to the song's unique atmosphere and to the genius of the Duke and his sidemen, thanks to an outstanding big band arrangement by John Wasson. My setting of the tune for the carillon recalls both Duke and Tizol's original version and this more recently popular edition.In this arrangement, I hope to highlight the carillon's capacity as a percussion instrument, and to use this as a bridge into the world of jazz. A successful interpretation will focus on groove, stratification of voices, and balance. Try to keep the pedals light!Michael Gancz2023Sources:Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. pp. 58–59.
$5.00
4.59 €
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Handbells
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Duke Ellington and his Orchestra
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Caravan
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Michael Gancz
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SheetMusicPlus
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