Version française
Browse Free-scores.com
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home page
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
36
Digital
Sheet Music
1,069
Sheet Music
Books
243
Music
Equipment
2,507
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
3890
PIANO & KEYBOARDS
Piano solo
2250
Piano, Voice
1069
Easy Piano
728
C Instruments
341
Piano, Vocal and Guitar
291
Piano Accompaniment
155
Organ
123
Piano Trio: piano, violin, cello
51
1 Piano, 4 hands
45
Accordion
31
2 Pianos, 4 hands
23
Piano Quartet: piano, violin, viola, cello
15
Piano Quartet: piano, 2 violins, cello
10
Piano (band part)
7
Piano Quintet: piano, 2 violins, viola, cello
5
Organ, Piano (duet)
3
Big Note Piano
2
Harpsichord
2
Organ, Trumpet (duet)
1
Instrumentations suivantes
Retracter
GUITARS
Guitar
177
Guitar notes and tablatures
161
Bass guitar
40
2 Guitars (duet)
31
Ukulele
31
Melody line, (Lyrics) and Chords
19
4 Guitars (Quartet)
17
Guitar (band part)
16
Mandolin
16
Dulcimer
13
Piano, Guitar (duet)
10
Banjo
9
Lyrics and Chords
8
3 Guitars (trio)
4
Guitar Ensemble
3
Guitar, Violin, Cello (trio)
2
Mandolin, Guitar (duet)
2
Mandolin, Piano (duet)
2
2 Mandolins (duet)
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1036
Choral 2-part
716
Choral 3-part
373
Vocal duet, Piano
359
Choral Unison
244
Choral TTBB
109
Vocal duet
92
Choral SSAA
76
Tenor voice, Piano
56
Voice solo
52
Soprano voice, Piano
50
Alto voice, Piano
37
Baritone voice, Piano
35
High voice
12
Tenor voice
7
Medium voice, Piano
5
Choral
3
Choral SSAATTBB
2
Low voice, Piano
2
Soprano voice
2
Soli, Mixted choir and accompaniment
1
Choral SATTBB A Cappella
1
Choral SATBB
1
Choral SSAB a cappella
1
Mezzo-Soprano voice, Piano
1
Instrumentations suivantes
Retracter
WOODWIND
Saxophone Quartet: 4 saxophones
326
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
322
Flute, Oboe, Clarinet, Bassoon
275
2 Saxophones (duet)
273
Flute and Piano
261
Saxophone Quintet: 5 Saxophones
247
Clarinet and Piano
219
Oboe, Piano (duet)
200
Clarinet
195
Alto Saxophone and Piano
166
Flute
165
2 Flutes (duet)
160
Saxophone
151
Tenor Saxophone and Piano
139
Soprano Saxophone and Piano
118
2 Clarinets (duet)
117
Alto Saxophone
111
Clarinet Quartet: 4 clarinets
104
Saxophone (band part)
96
Flute, Clarinet (duet)
80
Oboe (band part)
79
3 Saxophones (trio)
74
Tenor Saxophone
74
Baritone Saxophone, Piano
72
2 Oboes (duet)
64
Clarinet, Violin (duet)
54
Flute Quartet: 4 flutes
54
Oboe
51
Saxophone, Clarinet (duet)
51
Clarinet Ensemble
50
Oboe, Bassoon (duet)
50
Oboe, Clarinet (duet)
47
3 Clarinets (trio)
46
2 Recorders (duet)
44
Clarinet Quintet: 5 clarinets
39
English horn, Piano
39
Oboe, Cello
36
Flute, Clarinet and Bassoon.
36
Saxophone ensemble
34
Clarinet, Bassoon (duet)
33
Flute ensemble
33
Clarinet, Trumpet (duet)
32
Bass Clarinet, Piano
31
Flute Trio: 3 flutes
30
Flute, Violin
29
Descant (Soprano) Recorder
29
Flute, Viola (duet)
26
Clarinet, Cello (duet)
25
Flute Quintet : 5 flutes
25
Oboe, Flute
24
Clarinet and Viola
24
Flute, Violoncello
24
Flute and Guitar
20
Treble (Alto) Recorder
20
Flute, Oboe (duet)
20
Flute, Oboe, Bassoon
19
Flute, Saxophone (duet)
19
Flute, Oboe, Piano (trio)
16
Soprano Saxophone
15
Recorder
15
Flute, Cello, Piano (trio)
15
Flute, Oboe, Clarinet (trio)
15
English Horn
14
Flute, Trumpet (duet)
14
Flute, Violin, Piano
14
Baritone Saxophone
13
Flute, Clarinet, Horn and Bassoon (Quartet)
13
Recorder Quartet
13
Oboe, Clarinet, Bassoon (trio)
13
2 Flutes, Piano
13
Clarinet, Cello, Piano (trio)
12
Flute, Clarinet, Piano (trio)
12
Clarinet, Guitar (duet)
11
Flute (band part)
11
Clarinet (band part)
11
Harmonica
10
2 Clarinets, Piano
10
Flute, Viola and Piano
8
3 Recorders (trio)
8
Oboe, Violin (duet)
8
Ocarina
8
Oboe and viola (duet)
7
Flute, Bassoon, and Piano
7
Treble (Alto) Recorder, Piano
7
5 Recorders
7
Tenor Recorder
6
Clarinet, Bassoon, Piano (trio)
5
Oboe, Clarinet and Piano (Trio)
5
Flute, Violin and Violoncello
5
Bass Clarinet
5
Flute, trombone and piano
5
Oboe, Cello and Piano
4
Clarinet, Trombone (duet)
4
Flute, Violin, Violoncello and Piano
3
Flute, Trombone (duet)
3
Clarinet, Harp (duet)
3
Pennywhistle
3
Descent (Soprano) Recorder, Piano
3
Clarinet, Tuba
3
Clarinette, Viola and Piano (trio)
3
Oboe, Violin, Piano
3
Oboe, Trombone (duet)
2
Flute, Tuba (duet)
2
4 Oboes
2
Wind ensemble
2
Oboe, Guitar (duet)
2
2 English horns and Pianoforte
2
Oboe ensemble
2
3 Oboes
2
Oboe, Bassoon and Piano
2
Piccolo, Piano
2
Flute, Cello, Guitar
1
Flute and Strings Trio
1
Oboe, Harp
1
Recorder, Piano
1
Clarinet, trumpet and piano
1
Saxophone and Organ
1
Clarinet, Double bass (duet)
1
English Horn, Guitar (duet)
1
Flute, Oboe, Violin
1
Flute, Violin, Guitar
1
Flute, harp and violin
1
2 Oboes, Piano
1
Flute, Clarinet, Violin (trio)
1
Clarinet Quintet: Clarinet, String Quartet
1
Piccolo
1
Bagpipe
1
Instrumentations suivantes
Retracter
WOODBRASS
Brass Quintet: 2 trumpets, horn, trombone, tuba
394
Trumpet
213
Trombone and Piano
202
Trumpet, Piano
170
Brass quartet : 2 trumpets, trombone, tuba
154
Trombone
151
French Horn and Piano
136
Brass Quartet
96
French horn
94
Tuba and Piano
81
Brass Quartet: 2 trumpets, horn, trombone
81
2 Trumpets (duet)
76
Tuba
75
2 Trombones (duet)
70
Trumpet, Trombone (duet)
54
Trumpet ensemble
51
Euphonium, Piano (duet)
49
Trombone (band part)
47
2 French horns (duet)
43
Trumpet, Saxophone (duet)
41
English horn, Piano
39
Trumpet (band part)
36
2 Tubas (duet)
24
Trumpet, Horn (duert)
24
Trombone ensemble
22
Brass Quartet: 4 trombones
19
Brass Quartet: 4 trumpets
18
Brass Quartet: 4 horns
17
Brass Trio
16
English Horn
14
Horn, Cello (duet)
13
3 Trumpets (trio)
12
French horn (band part)
11
Tuba (band part)
11
Trumpet, Cello (duet)
10
3 Trombones (trio)
10
Horn Ensemble
9
Euphonium
8
4 Tubas
7
Trumpet, Cello, Piano
6
Trombone, Horn (duet)
6
Bass Trombone and Piano
5
Trumpet, Bassoon (duet)
5
Trumpet, Tuba (duet)
5
Brass Quartet: 2 trumpets, 2 trombones
5
French horn and Basson (duet)
5
2 Euphoniums and 2 Tubas
4
Tuba and Organ
4
Trumpet, Trombone, Piano
4
Trombone, Tuba (duet)
3
3 French horns (trio)
3
Horn, Tuba (duet)
2
Bass Trombone
2
2 English horns and Pianoforte
2
3 Tubas (trio)
2
2 Trumpets, Keyboard (piano or organ)
1
2 French horns, Piano
1
2 Euphoniums (duet)
1
English Horn, Guitar (duet)
1
Trumpet, violin (duet)
1
Trombone, Violin (duet)
1
French Horn and Harp
1
Trumpet, Harp
1
Tuba ensemble
1
Instrumentations suivantes
Retracter
STRINGS
String Quartet: 2 violins, viola, cello
659
Violin and Piano
317
Viola, Piano
217
Cello, Piano
207
Violin
191
Violin, Cello (duet)
173
Cello
172
String Quintet: 2 violins, viola, cello, bass
164
Viola
117
String Trio: violin, viola, cello
114
2 Violins (duet)
114
2 Cellos (duet)
97
Violin, Viola (duet)
83
Harp
79
String Trio: 2 violins, cello
72
2 Violas (duet)
71
Double bass, Piano (duet)
66
Double Bass
64
Viola, Cello (duet)
36
Violin (band part)
30
Viola (band part)
28
4 Cellos
23
Piano Trio: Violin, Viola, Piano
22
String Trio: 3 violins
21
Doublebass (band part)
19
String Trio: 3 cellos
19
Violin, Bassoon (duet)
19
String Quartet : 4 violas
17
2 Double basses (duet)
16
String quartet: 4 violins
13
String Trio: 3 violas
11
Viola and Bassoon
11
String Quintet: 2 violins, viola, 2 cellos
11
String Trio: 2 violins, viola
10
Violin ensemble
9
Viola ensemble
9
Violin, Clarinet, Piano (trio)
9
Violin, Guitar (duet)
8
2 Harps (duet)
6
Cello (band part)
6
Cello, String Bass (duet)
5
Harp, Flute (duet)
4
Viola, Guitar (duet)
3
Harp, Voice
3
2 Violas, Piano
2
4 Harps
2
Harp, Trombone (duet)
2
Flute, Doublebass (duet)
2
Harp, Violin (duet)
2
Violin, Tuba (duet)
2
Viola and Harp
2
Harp and mandolin
1
Violin, Cello, Clarinet
1
3 Harps
1
Harp, Cello (duet)
1
2 Violins, Piano
1
Cello, Orchestra
1
2 Cellos, Piano
1
Cello Ensemble
1
4 Double Basses
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
615
String Orchestra
242
Orchestra
219
Jazz Ensemble
147
Brass ensemble
140
Marching band
81
Handbells
80
Chamber Orchestra
78
Jazz combo
47
Drums
37
Percussion Ensemble
28
Marimba
22
Xylophone
18
Percussion (band part)
13
Xylophone, Piano
11
Drum (band part)
8
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
6
Vibraphone
4
School Ensemble
2
2 Xylophones
2
Brass Quintet: other combinaisons
2
Percussion
1
Piano and Orchestra
1
Orchestra, Violin
1
2 Marimbas
1
Instrumentations suivantes
Retracter
OTHERS
You've selected:
End Of Time
Piano, Voice
Sheetmusic to print
1,069 sheet music found
<
1
26
51
....
1051
'Til The End Of Time
Piano, Voice
By Steve Green. For piano/vocal (High Voice). Christian; Sacred; Wedding. 6 pages. Publish…
(+)
By Steve Green. For piano/vocal (High Voice). Christian; Sacred; Wedding. 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.57 €
#
Piano, Voice
#
Steve Green
#
Sacred
#
'Til The End Of Time
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
When It's Peach Picking Time in Delaware
Piano, Voice
(I'll be there, I'll be there). Composed by James Kendis. For piano/vocal. Music…
(+)
(I'll be there, I'll be there). Composed by James Kendis. For piano/vocal. Music from or about Deleware. From the Sam DeVincent Collection of Illustrated American Sheet Music, Series 8.10: Geography - Delaware, Box 8, Folder A, Archives Center, National M
$5.99
5.49 €
#
Piano, Voice
#
James Kendis
#
When It's Peach Picking Time in Delaware
#
SheetMusicPlus
'Til The End Of Time
Piano, Voice
By Stephen DeCesare. For Piano, Voice. Broadway, Secular, Christmas. Easy/Beginner. Sheet …
(+)
By Stephen DeCesare. For Piano, Voice. Broadway, Secular, Christmas. Easy/Beginner. Sheet Music Single. Published by Exultet Music
$4.99
4.57 €
#
Piano, Voice
#
Stephen DeCesare
#
'Til The End Of Time
#
Exultet Music
#
SheetMusicPlus
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.868660 Composed by Antonio S…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.868660 Composed by Antonio SARTORIO (1630 – 1680). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score. 5 pages. Really Good Music, LLC. #4366444. Published by Really Good Music, LLC. (A0.868660). Dolce Amor, bendato Dio is an aria from the opera Il Massenzio (1673), composed by Antonio SARTORIO (1630 – 1680). Despite the fact that Sartorio’s authorship has been reliably established, various publications of the arrangements of the aria for a long time named Francesco CAVALLI as a composer. The realization of the aria for voice and piano, made by Sergei Pichugin, is based on the first publications of the libretto of the opera (Venice, 1673; Rome, 1674) and on comparison of four manuscripts, mostly from the end of seventeenth century. It is available in the key of G minor (D4 – F5) for high voice. .
$5.95
5.45 €
#
Piano, Voice
#
Antonio SARTORIO
#
SARTORIO Antonio: Dolce Amor, bendato Dio, aria from the opera "Il Massenzio", - Voice an
#
Really Good Music, LLC.
#
SheetMusicPlus
Time Of Season/what's Your Name
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1354801 Composed by Julio R. Gonzales,…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.1354801 Composed by Julio R. Gonzales, O.g. Enius, Rodney Terence Argent, and Tony Gonzalez. Arranged by Biegler. Rock. Score. 5 pages. Biegler #939503. Published by Biegler (A0.1354801). Scored for piano with the vocal line played in the right hand/treble clef.The arrangement is based only on The Zombies recording of Time of the Season. The middle keyboard solo is notated. The outtro solo is open ended with just the chord changes provided. An optional ending is provided in lieu of the fade out.
$4.99
4.57 €
#
Piano, Voice
#
Julio R
#
Time Of Season/what's Your Name
#
Biegler
#
SheetMusicPlus
Presentiment: A Song for Soprano voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.841214 Composed by Chris Gor…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.841214 Composed by Chris Gordon. 20th Century,Romantic Period. Score. 3 pages. Cool Wind Music Digital #2917235. Published by Cool Wind Music Digital (A0.841214). Presentiment is the fifth song in a cycle called Nature Lyrics setting poems about nature.I have 5 high-quality printed copies of Presentiment for soprano and piano which I will send to the next 5 customers of the digital version. Please email your details including your name and postal address plus the date on which you purchased Presentiment at SMP Press. Send the information to the email address on the title page of the score.Baffled by music bindings? Read this:https://coolwindmusic.blogspot.co.uk/2009/08/making-printed-copies-from-pdfs.html
$4.00
3.66 €
#
Piano, Voice
#
Chris Gordon
#
Presentiment: A Song for Soprano voice and Piano
#
Cool Wind Music Digital
#
SheetMusicPlus
Before the Ending of the Day (JAM LUCIS)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922834 Composed by 6th centu…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.922834 Composed by 6th century Latin hymn and Plainsong Melody. Arranged by Jayne Nitz. Christian,Contemporary,Praise & Worship,Sacred. Score. 5 pages. Jayne Nitz #6340011. Published by Jayne Nitz (A0.922834). Before the Ending of the Day, a 6th century Latin chant, is often sung during Compline, a prayer service for evening. This arrangement is inspired by the hymn tune JAM LUCIS, and I’ve rewritten the text in modern-day English as well as added another verse of my own. It makes a beautiful bedtime prayer. Includes reproducible lead sheet.
$2.50
2.29 €
#
Piano, Voice
#
6th century Latin hymn and Plainsong Melody
#
Before the Ending of the Day
#
Jayne Nitz
#
SheetMusicPlus
Music Of The Spheres (C Major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.556055 Composed by Robert J. Sherman. …
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.556055 Composed by Robert J. Sherman. Arranged by Piano & Vocal Arrangement by Robert J. Sherman. Broadway,Instructional,Musical/Show. Score. 4 pages. Sherman Theatrical Entertainment Ltd. #165527. Published by Sherman Theatrical Entertainment Ltd. (A0.556055). Music Of The Spheres is from the musical Bumblescratch and is sung by “Melbourne†toward the end of Act I, following a moment of great peril. To Melbourne’s surprise (and tremendous relief) he is miraculously granted salvation. The experience deeply humbles and transforms the plague rat. For the first time Melbourne’s eyes are opened to the wonders and miracles that have always surrounded him but which had, until this moment gone unnoticed. Melbourne resolves to change his wicked ways and to use his talent for storytelling to persuade other plague rats to change their ways as well. When printing, please scale to fit for standard US Letter and A4 size.
$3.99
3.66 €
#
Piano, Voice
#
Robert J
#
Music Of The Spheres
#
Sherman Theatrical Entertainment Ltd.
#
SheetMusicPlus
Music Of The Spheres (A Major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.529568 Composed by Robert J. Sherman. …
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.529568 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 4 pages. Sherman Theatrical Entertainment Ltd. #117892. Published by Sherman Theatrical Entertainment Ltd. (A0.529568). Music Of The Spheres is from the musical Bumblescratch and is sung by “Melbourne†toward the end of Act I, following a moment of great peril. To Melbourne’s surprise (and tremendous relief) he is miraculously granted salvation. The experience deeply humbles and transforms the plague rat. For the first time Melbourne’s eyes are opened to the wonders and miracles that have always surrounded him but which had, until this moment gone unnoticed. Melbourne resolves to change his wicked ways and to use his talent for storytelling to persuade other plague rats to change their ways as well. When printing, please scale to fit for standard US Letter and A4 size.
$3.99
3.66 €
#
Piano, Voice
#
Robert J
#
Music Of The Spheres
#
Sherman Theatrical Entertainment Ltd.
#
SheetMusicPlus
Rock of My Salvation & Soul
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.993323 Composed by Matthew Y…
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.993323 Composed by Matthew Yarnell. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Flome the Gnome #3684867. Published by Flome the Gnome (A0.993323). I was originally inspired to write Rock of My Salvation & Soul near the end of 2012 and remastered it in 2018. The additions to the song were the intro and the final few versus which restate the Christian’s desire to give their heart completely to Jesus. Moreover, it also reaffirms that the believer is choosing to build their life and future upon the Chief Cornerstone, whom is Jesus. It was first played publicly at the Country Church near my home on October 7, 2018. I pray that it nourishes your soul, your family, and/or your congregation. Please let others know about my songs; say a pray for me, my family, and ministry; and consider supporting my ministry financially so that I might have time to write additional songs and/or serve the Lord.This song would be good for all churches but is probably best suited for those that enjoy more traditional hymns.I can be found online at my website: www.flomethegnome.com and on facebook. You can email me at flomethegnome@gmail.com You can snail mail me at Matthew Yarnell, 2098 Marble Valley Basin Road, Addy, WA. 99101. Or, you can call me at 509-675-3420.
$3.99
3.66 €
#
Piano, Voice
#
Matthew Yarnell
#
Rock of My Salvation & Soul
#
Flome the Gnome
#
SheetMusicPlus
Oh the moment was sad. In The Surrender of Calais
Piano, Voice
Piano and voice - Digital Download SKU: LV.15936 Courtship & love, War, Campaigns &…
(+)
Piano and voice - Digital Download SKU: LV.15936 Courtship & love, War, Campaigns & battles, Death. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15936). Oh the moment was sad. In The Surrender of Calais. n. Published [1798] by J. Hewitt's Musical Repository, No.131 William Str. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship & love, War, Campaigns & battles, Death. First line reads Oh the moment was sad when my Love and I parted.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.49 €
#
Piano, Voice
#
Oh the moment was sad. In The Surrender of Calais
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
All the Ends of the Earth (Ps. 98) [Soloist/Small Group]
Piano, Voice
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.869934 By Cher & Gene…
(+)
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.869934 By Cher & Gene Klosner. By Cherolyn Klosner-Lane. Arranged by Cherolyn Klosner-Lane, Gene Klosner. Christmas,Sacred. Score. 9 pages. Cher & Gene Klosner #6205879. Published by Cher & Gene Klosner (A0.869934). Featured on Cher & Gene Klosner's NPM (National Association of Pastoral Ministers) Lunchtime Concert:https://youtu.be/QjX1ljNIKDI?si=AO545zAKfUK9Sn-9Responsorial Psalm. USCCB-approved for Catholic and liturgical use. Verbatim Text on refrain and verses.Contemporary setting of Psalm 98 with Psalm Tone verses.Use for:Christmas Mass During the Day ABC (xmdayABC)Common Psalm for Christmas season (xmcom)Saturday of the 4th Week of Easter (east4Sa)Jan 2Jan 3Jan 4: incl'g Memorial of St. Elizabeth Ann Seton, religious (mem0104)Various Needs: For the Evangelization of PeoplesOfficial Liturgical text: All the ends of the earth have seen the saving power of God.Available in Octavo complete package and in Soloist/Small Group format and MP3.Includes different sets of verses for each different day/occasion.www.facebook.com/ltfmusicwww.LTFMusic.comwww.youtube.com/LighttheFireMusicKlosnerIntroductory video: https://youtu.be/ohQUCOh28xE
$4.99
4.57 €
#
Piano, Voice
#
Cher & Gene Klosner
#
All the Ends of the Earth
#
Cher & Gene Klosner
#
SheetMusicPlus
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.2 €
#
Piano, Voice
#
Pasquale Cafaro
#
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition
#
Nicole Elyse DiPaolo
#
SheetMusicPlus
Times Like These
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.836419 By Foo Fighters. By C…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.836419 By Foo Fighters. By Christopher Shiflett, David Grohl, Foo Fighters, Nate Mendel, Oliver Taylor Hawkins, and Taylor Hawkins. Arranged by Karen O'Brien. Rock. Score. 13 pages. Karen O'Brien #5739483. Published by Karen O'Brien (A0.836419). Arrangement of 'Times Like These' by the Foo Fighters for voice and piano with chords by Karen O'BrienOriginal KeyFor custom arrangements and transcriptions, visit www.musictranscribed.comEmail info@musictranscribed.com
$4.99
4.57 €
#
Piano, Voice
#
Foo Fighters
#
Times Like These
#
Karen O'Brien
#
SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.75 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
<
1
26
51
....
1051
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version