Download Digital Sheet Music of The L for Piano, Voice

The L

CHRISTMAS JOY MEDLEY (Sing-A-Long with Piano and Voice Part) Piano, Voice

Composed by George F. Handel, John F. Wade, and James R. Murray. Arranged by Gary Lanier. …(+)

Composed by George F. Handel, John F. Wade, and James R. Murray. Arranged by Gary Lanier. 21st Century, Christian, Contemporary Christian, Gospel, Christmas. Individual Part, Score, Set of Parts, Sheet Music Single, Solo Part. 11 pages. Published by The L - Individual Part,Score,Set of Parts,Sheet Music Single,Solo Part - 21st Century,Christian,Contemporary Christian,Gospel,Christmas - The Lanier Company
$6.95 6.38 € #Piano, Voice #George F #CHRISTMAS JOY MEDLEY #The L - Individual Part,Score,Set of Parts,Sheet Music Single,Solo Part - 21st Century,Christian,Contemporary Christian,Gospel,Christmas - The Lanier Company #SheetMusicPlus

#The L - Individual Part,Score,Set of Parts,Sheet Music Single,Solo Part - 21st Century,Christian,Contemporary Christian,Gospel,Christmas - The Lanier Company

The Burning Ship, or, The Lost at Sea

#The Burning Ship, or, The Lost at Sea

My Country, 'Tis of Thee (with Prayer for Guidance) - Vocal Solo with Piano Accompaniment Piano, Voice

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Fr…(+)

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.751817 Composed by Samuel Francis Smith (text) and Set to the tune God Save the Queen. Arranged by K.L. Phillips. Christian,Holiday,Patriotic,Sacred. Score. 6 pages. K L Phillips #6475697. Published by K L Phillips (A0.751817). This reflective arrangement of My Country, 'Tis of Thee for vocal solo with piano accompaniment would be a beautiful addition for a Memorial Day, Veteran's Day or Independence Day service. This arrangement begins with the traditional lyrics of the first verse, then the prayer for guidance and ends with the last verse. Performance time: 3:00; Vocal Range: B3-E5LYRICS: My country, 'tis of thee, Sweet land of liberty of thee I sing, of this land where my fathers died,Land of the pilgrim's prideFrom ev'ry mountain side let freedom ring!Our Father help us to live selflessly,and do Your will with our liberty help us to share,help us to care for people in this land, the souls who've lost their joy inside may we stand with them and walk beside our neighbor with Jesus as our guide God our Father and our King!Our father's God, to thee, Author of liberty to thee we sing! O Long may our land be bright with freedom's holy light.Protect us by thy might, Great God Our King! Our King! From ev'ry mountain side let freedom ring,Let freedom ring!A piano accompaniment track is available separately at Sheet Music Plus - Item ID# S0.1086275
$3.99 3.66 € #Piano, Voice #Samuel Francis Smith #My Country, 'Tis of Thee #K L Phillips #SheetMusicPlus

Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).

Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubertâ€™s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546â€“1606), and 18 poems of Moritz Hartmann (1821â€“1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvyâ€™s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La PlÃ©iade (a group of Renaissance French poets, led by PiÃ¨rre de Ronsard (1524â€“1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La PlÃ©iade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La PlÃ©iade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La PlÃ©iade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvyâ€™s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821â€“1872), a good friend of Gouvyâ€™s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met ThÃ©odore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour tÃ©nor ou soprano et piano, Op. 45 Six poÃ©sies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poÃ©sies allemandes de Moritz Hartmann pour tÃ©nor et piano, Op. 26 (PoÃ©sies franÃ§aises dâ€™Adolphe Larmande).