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Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 1: Tu demandes pourquoi from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
When A Man Loves A Woman
Piano, Voice
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0008992 Composed by Andrew Wrig…
(+)
Piano/Vocal/Chords - Digital Download SKU: AX.00-PS-0008992 Composed by Andrew Wright and Calvin Lewis. Pop/Rock; R&B/Soul. 4 pages. Alfred Music - Digital Sheet Music #00-PS-0008992. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0008992).
$3.99
3.72 €
#
Piano, Voice
#
Andrew Wright and Calvin Lewis
#
R&B/Soul
#
When A Man Loves A Woman
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 7: À Diane from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-07E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-07E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-07E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-07E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 7: À Diane from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-19E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-19E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-19E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 1: À L’Absente from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-15E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 3 pages. E. C. Schirmer Music Company - Digital #8492-15E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-15E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 15: À qui m’avez vous donné? from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Every Man, Woman, and Child - Piano Vocal Solo - Original - Bb Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.940190 Composed by Merrill C…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.940190 Composed by Merrill Collins. Children,Contemporary,Spiritual,World. Score. 8 pages. Merrill Collins Chausseblanche #4632423. Published by Merrill Collins Chausseblanche (A0.940190). Piano Vocal Solo Selection with all parts from the original composition, Every Man, Woman, and Child. Composed by Merrill Collins (1950-). Piano vocal solo selection in key of B flat. Contemporary Classical; 21st Century; Children’s Music; Spiritual; World Music; Music Education. Published by Spiraling Music, Inc. This features the piano and vocal solo selection of the original award winning composition of Every Man, Woman, and Child, which was originally composed in 1986 as a dedication to the United Nations Center for Human Rights by the brilliant female composer, Merrill Collins (1950-). This song has been performed at major civic events including the Human Rights Day (Dec 10th) at the United Nations in NYC in 1987, as well as in San Francisco over the past twenty years. The original song and chant version (which won the Global Peace Song Award in 2016), all related curriculum, and the new 2019 EDM, Hip Hop, Yoga & Meditation, West African Highlife versions have been created as a teaching tool for both children and adults to bring awareness to the Universal Declaration of Human Rights (UDHR), as well as to welcome participation from educators, musicians, and all people looking for projects fo the International Peace Day (September 21st). Music is ideal for ages 5-8, high school or college, and/or community choirs. A chorus sings the chant with hand motions, and during the musical break, each singer comes up and recites an article of the UDHR. Can be done with instrumental CD, piano accompaniment or a small orchestra. Visit www.spiralingmusic.com/peacedayt/index.htm
$4.99
4.66 €
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Piano, Voice
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Merrill Collins
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Contemporary Classical
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Every Man, Woman, and Child - Piano Vocal Solo - Original - Bb Major
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Merrill Collins Chausseblanche
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SheetMusicPlus
Aserrando a una mujer [soprano and piano]
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1318234 By Coco Joura and Ju…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1318234 By Coco Joura and Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,21st Century,Classical,Contemporary,Latin. Score. 10 pages. Juan Maria Solare #906905. Published by Juan Maria Solare (A0.1318234). Aserrando a una mujer (Sawing a Woman in Half)This might well be the first coloratura tango in history. And while it is innovative, it is deeply rooted in the tango tradition, both musically and thematically: one of the recurring themes of primitive tango was precisely the circus. The act of sawing a woman is the circus magic trick par excellence. This song was written and composed in mid-August 2023 and is dedicated to Coco Joura, who suggested the subjet. Lyrics and music by Juan MarÃa Solare. Premiere: Coco Joura (soprano) and Juan MarÃa Solare (piano), 19th Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Germany), November 11, 2023.Aserrando a una mujer - videoAserrando a una mujerEste acaso sea el primer tango de coloratura de la historia. Y si bien es innovador, está muy arraigado en la tradición tanguera, por la música y por la temática del texto: uno de los temas recurrentes del tango primitivo era precisamente el circo. El número de aserrar a una mujer es el truco circense de magia por antonomasia.Esta canción fue escrita y compuesta a mediados de agosto de 2023 y está dedicada a Coco Joura, quien sugirió la temática. Letra y música: Juan MarÃa Solare. Estreno: Coco Joura (soprano) y Juan MarÃa Solare (piano), 19ª Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Alemania), 11 de noviembre de 2023.Aserrando a una mujer - videoAserrando a una mujer (Zersägte Frau)Dies könnte möglicherweise der erste Koloratur-Tango der Geschichte sein. Und obwohl er innovativ ist, ist er fest in der Tangotradition verwurzelt, sowohl musikalisch als auch thematisch: Eine der wiederkehrenden Themen im primitiven Tango war genau der Zirkus. Die Nummer, eine Frau zu sägen, ist der Zirkustrick par excellence.Dieses Lied entstand Mitte August 2023, es ist Coco Joura gewidmet, die das Thema vorschlug. Text und Musik: Juan MarÃa Solare. IPremiere: Coco Joura (Sopran) und Juan MarÃa Solare (Klavier) bei der 19. Milonga Hemelingen, Bürgerhaus Hemelingen (Bremen, Deutschland), 11. November 2023.Aserrando a una mujer - videolyricsAserrando a una mujertango de coloraturaJuan MarÃa Solare(letra y música)Para el truco de magia más famosonecesito una sierra y una mina;una caja más grande que un cadávery dos tipos que quieran serruchar.La pebeta está atada, y está viva.Obediente, se mete en el cajón.Un serrucho la parte en dos mitades.Al abrir, nuestra vÃctima está ilesa.La cortaron en dos (coloratura)...Les arruino el secreto de este truco.Con alerta de espóiler, ¡ya avisé!:La percanta recoge las gambitas,se acurruca, chiquita, en el arcón.El chabón que inventó esta maravillase llamó P. T. Selbit y era inglés.Lo garcó un colega en Yankilandia:mejoró la ilusión, la patentó.La cortaron en dos (coloratura)...De este acto nació un arquetipo,un modelo con facha de cliché:la mujer en peligro, rescatada;la asistente atractiva, vulnerable.Conocemos el truco y sin embargonos fascina el engaño, la ficción.Preferir la mentira es indoloro;en la magia, en el circo y fuera de él.La cortaron en dos (coloratura)...
$3.00
2.8 €
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Piano, Voice
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Coco Joura and Juan MarÃa Solare
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Aserrando a una mujer [soprano and piano]
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Juan Maria Solare
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SheetMusicPlus
HOW TO BE A WIFE
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1017883 Composed by Hilary Brooks, Lyr…
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Piano,Vocal,Voice - Digital Download SKU: A0.1017883 Composed by Hilary Brooks, Lyrics by Clive King. Broadway,Film/TV,Musical/Show. Score. 9 pages. Hilary Brooks #6344945. Published by Hilary Brooks (A0.1017883). Musical theatre. A solo for older woman as she instructs a younger woman from WEE FREE! The Musical Piano/Voice. 9p. Kletzmer/jazz waltz. 1984. Morna escapes the city to teach music on the remote Isle of Munst. When she accidentally marries a pillar of the community, she finds herself at odds with the quirks of The Kirk and the strange ways of the locals. Can a New Romantic survive on an island ruled by The Old Testament? Cleverly written... great songs... outstanding cast... crisp direction. **** The Herald Delightful performances... fine sings of love and disappointment... has the audience rolling in the aisles. **** The Scotsman A rare and scintillating treat... funny and cannily observant. **** Mumble Musicals A chamber musical for four actors - 2F, 2M. Original production length: 57 minutes. Suitable for MT students, colleges, MT societies. contact: @BrooksandKing Brooks & King are represented by Micheline Steinberg Associates: micheline@steinplays.com. 020 3214 8282 Script perusal and hires can be arranged through MSA
$4.37
4.08 €
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Piano, Voice
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Hilary Brooks, Lyrics by Clive King
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HOW TO BE A WIFE
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Hilary Brooks
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SheetMusicPlus
THE NEW LANGUAGE - from "Roxane of Bergerac" - a full length musical
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995984 Composed by Dave Flip…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.995984 Composed by Dave Flippo-music, Marie Yuen-lyrics. Broadway,Musical/Show. Score. 6 pages. David William Flippo #4766523. Published by David William Flippo (A0.995984). Sung by: Christian His I Want song. Because handsome only goes so far with a woman of letters -- and conversation. Piano / Vocal Score. From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95
3.69 €
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Piano, Voice
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Dave Flippo-music, Marie Yuen-lyrics
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THE NEW LANGUAGE - from "Roxane of Bergerac" - a full length musical
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David William Flippo
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SheetMusicPlus
Eclipse for Mezzo-Soprano and Piano
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.489186 Composed by Matthew N…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.489186 Composed by Matthew Nunes. Broadway,Classical,Contemporary,Musical/Show. Score. 10 pages. Matthew Nunes Music #105699. Published by Matthew Nunes Music (A0.489186). Listen to this piece hereEclipse is a work for mezzo-soprano and piano meant to be part of a song cycle. This work is meant to be sung by a woman who has removed herself from involvement in any more romantic relationships. This piece reveals why, as she bore witness to the acts of an unfaithful lover. Haunted by these memories she taps into a well of unresolved bitterness that consumes her and she is unable to suppress her pain. It was my pleasure to work with Amber Farish (Mezzo-Soprano) and Brandon Clinton (Piano) for the premiere of this piece on November 14th, 2011 in Orlando, Florida.
$4.99
4.66 €
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Piano, Voice
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Matthew Nunes
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Eclipse for Mezzo-Soprano and Piano
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Matthew Nunes Music
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SheetMusicPlus
Who Would Doubt That I'm A Man? Base Ball Song
Piano, Voice
Piano and voice - Digital Download SKU: LV.15156 Composed by A.F. Groebl. Athletes-…
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Piano and voice - Digital Download SKU: LV.15156 Composed by A.F. Groebl. Athletes--women, Baseball, Uniforms. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15156). Who Would Doubt That I'm A Man? Base Ball Song. [A Hit, A Very Palpable Hit, Hamlet]. Words by M.S.; Music by A.F. Groebl. Published 1895 by Weidig and Company in Cincinnati. Composition of strophic with chorus and coda with piano and voice instrumentation. Subject headings for this piece include Athletes--women, Baseball, Uniforms. First line reads If any meddling person should perchance suspect my womanhood First line of coda Admired, ay envied and renowned.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.59 €
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Piano, Voice
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A
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Music by A
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Who Would Doubt That I'm A Man? Base Ball Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The "I LOVE YOU" Song - (Romantic for Solo Voice with Piano - Lead Sheet with words and chords incl
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.617487 Composed by Gary Lani…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.617487 Composed by Gary Lanier. Arranged by Gary Lanier. Christian,Concert,Holiday,Love,Wedding. Score. 9 pages. The Lanier Company #5319949. Published by The Lanier Company (A0.617487). The I LOVE YOU Song is for Voice with Piano Accompaniment. This is actually a true story that can be sung by a male or female soloist. It is perfect for weddings, anniversary celebrations, concerts, church settings or any place where God's kind of love for man and woman is the desire (8 pages).
$6.99
6.53 €
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Piano, Voice
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Gary Lanier
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The "I LOVE YOU" Song -
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The Lanier Company
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SheetMusicPlus
A WOMAN'S BLUES
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.876428 Composed by Joe Proco…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.876428 Composed by Joe Procopio. Blues,Pop. Score. 3 pages. JoeCopio Music LLC #1947. Published by JoeCopio Music LLC (A0.876428). A WOMEN’S BLUES By Joe Procopio From the CD ALL IN MY LIFE A WOMENS BLUES is a pop song describing the feelings of some women of today. The Blues is melancholic music and the lyrics of this song express a kind of pensive sadness with no apparent cause. The backing track of music however is uplifting. The result is a song with a curious combination of feelings that are both heartbroken and happy at the same time. There two recorded versions of this song. One was recorded in a studio in California the other is the original recording. The original is a homemade recording done in the Gymnasium of an Elementary School in New Woodstock, NY with Mark Freeman on Drums, brother Greg on both the Guitar and Flute solo, and Barbie Briars doing the vocals. You can also hear Barbie on The Touch, The Taste Of Time, Why Are You So Lonely, For You My God and Maybe It’s The Way. These recordings can be found at Sheet Music Plus, iTunes, Amazon, etc., on a CD entitled All In My Life by the author. The printed sheet music here shows the song as a Lead Sheet. That is, the melody, the lyrics and the chords. JOE PROCOPIO IS THE AUTHOR OF THE VERY BEST AND LOWEST PRICED MUSIC EBOOKS AVAILABLE WORLDWIDE INCLUDING THE AWARD WINNING BASIC MUSIC THEORY.
$3.99
3.72 €
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Piano, Voice
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Joe Procopio From the CD ALL IN MY LIFE A WOMENS BLUES is a pop song describing the feelings of some women of today
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Joe Procopio
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A WOMAN'S BLUES
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JoeCopio Music LLC
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SheetMusicPlus
TRUE AND GENTLE (Piano/ Vocal)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1299409 By ROBERT VAN HORNE.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1299409 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Broadway,Contemporary,Early Music,Film/TV,Musical/Show,Singer/Songwriter. Score. 9 pages. White Piano International Publishing #889267. Published by White Piano International Publishing (A0.1299409). TRUE AND GENTLE (Piano/Vocal) by ROBERT VAN HORNE9 pagesTRUE AND GENTLE was originally composed as an intermediate piano solo in 2014. Currently, TRUE AND GENTLE (Piano Solo) is published with SHEET MUSIC PLUS and SHEET MUSIC DIRECT. In 2016, Robert wrote lyrics to this song. The words tell of a woman he has dreamed about and imagined: a “True and Gentle Lady.â€Â This song, crafted with tender care, beautifully captures the essence of true love and gentle emotions. The words add a meaningful connection to this memorable and enchanting melody. Robert considers it one of the most beautiful and romantic songs he has ever written. The Piano/Vocal Sheet Music of TRUE AND GENTLE  features a clearly published piano accompaniment, suggested piano fingerings with a vocal part and chord identifications. The score provides singers and pianists with a comprehensive guidance for an expressive and delightful performance.TRUE AND GENTLE is a song that will entertain audiences at concerts and recitals and could even be used as a theme for a television show or movie production.The original key is B Flat and E Flat. The mp3 example is performed and sung by Robert in the key of G and C. A 2015 YouTube performance of Robert playing TRUE AND GENTLE (Piano Solo) is available at: http://youtu.be/4gShVmgEzWsRobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$5.99
5.59 €
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Piano, Voice
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ROBERT VAN HORNE
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TRUE AND GENTLE
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White Piano International Publishing
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SheetMusicPlus
A WOMAN'S LOVE AND LIFE---21st CENTURY
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1237971 Composed by Helene A…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1237971 Composed by Helene Alter-Dyche. 21st Century,Classical,Contemporary,Pop,Romantic Period. Score. 16 pages. Silver Rose Publications #833434. Published by Silver Rose Publications (A0.1237971). Seven Songs for Medium Voice inspired by the song cycle of Robert Schumann, Frauenliebe und Leben.
$15.00
14 €
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Piano, Voice
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Helene Alter-Dyche
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A WOMAN'S LOVE AND LIFE---21st CENTURY
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Silver Rose Publications
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SheetMusicPlus
A Man and a Woman by Inga Swenson - Piano/Vocal/Chords
Piano, Voice
Performed by: Inga Swenson: A Man and a Woman - from "110 In the Shade" Digital …
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Performed by: Inga Swenson: A Man and a Woman - from "110 In the Shade" Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Piano; 4 pages -- Show/Broadway~~Musical
$5.50
5.13 €
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Piano, Voice
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Inga Swenson
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Piano/Vocal/Chords
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Musicnotes
Man To Woman
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.748045 By Chicago. By Adam M…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.748045 By Chicago. By Adam Mitchell and Jason Scheff. Arranged by Patrick Sheehan. Pop,Rock. Score. 11 pages. Patrick Sheehan #5212769. Published by Patrick Sheehan (A0.748045). INSTRUMENTATION: Vocals, Piano, Guitar chords ABOUT THIS ARRANGEMENT: This song is an arrangement of the full-length song from the studio album recording, including background vocal parts, horn breaks and featured solos. Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 1,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$5.00
4.67 €
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Piano, Voice
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Chicago
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Man To Woman
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Patrick Sheehan
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SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
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Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.8 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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