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Amo Per Lei
Piano, Voice
Sheetmusic to print
9 sheet music found
<
1
Op. 41, No. 3: Amour, amour, que ma maîtresse est belle from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 41, No. 3: Amour, amour, q
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6...
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-09E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 21, No. 6: Amour brisé from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 6: Amour brisé fr
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-24E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-24E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-24E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 41, No. 6: Amour me tue from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 41, No. 6: Amour me tue fr
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6...
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-12E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
Op. 48, No. 4: Eh! quoi ? tu fuis l’Amour from Songs of Gouvy, V1 (Downloadable)
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Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 48, No. 4: Eh! quoi ? tu f
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-44E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 9...
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-44E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 9 pages. E. C. Schirmer Music Company - Digital #8491-44E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-44E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
J'ai Deux Amours
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Madeleine Peyroux
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Ying Jin-Labutin
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J'ai Deux Amours
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Ying Jin-Labutin
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1171387 By Madeleine Peyroux. By Geo Koeger and Vincent Scotto. Arranged by Ying Jin-Labutin. 20th...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1171387 By Madeleine Peyroux. By Geo Koeger and Vincent Scotto. Arranged by Ying Jin-Labutin. 20th Century,Holiday,Jazz,Romantic Period. Score. 4 pages. Ying Jin-Labutin #771726. Published by Ying Jin-Labutin (A0.1171387).
$5.99
Heidenröslein (Rose Among the Heather) English Version
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Piano, Voice
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EASY
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Classical
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Franz Schubert
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Abigail Dyer
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Heidenröslein
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Schubertiade
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.887697 Composed by Franz Schubert. Arranged by Abigail Dyer. 19th Century,Classical,Romantic Perio...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.887697 Composed by Franz Schubert. Arranged by Abigail Dyer. 19th Century,Classical,Romantic Period. Score. 3 pages. Schubertiade #491474. Published by Schubertiade (A0.887697). Schubert's Heidenröslein in clear and singable English translation.
$4.99
Heels for voice and piano (duration 37 seconds)
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Piano, Voice
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EASY
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Adrienne Inglis
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Heels for voice and piano
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Adrienne Inglis
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.953626 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Score. 1 pages. Adrienne Inglis (A...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.953626 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Score. 1 pages. Adrienne Inglis (ASCAP) #6405583. Published by Adrienne Inglis (ASCAP) (A0.953626). Perfect for an encore! Only 37 seconds duration, it's a tango-flavored setting of a haiku.Heels (2020) for solo voice and piano by Adrienne Inglis (ASCAP), quarantine-inspired text by Aleisha Force, composed for Inversion Ensemble's Quarantunes project, performed here by soprano Adrienne Pedrotti Bingamon with the composer at the piano
$1.99
Ave Maria - For Low Voice
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Piano, Voice
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ADVANCED
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Cascia Talbert
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Cascia Talbert
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Ave Maria - For Low Voice
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Cascia Talbert
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1490206 By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Prai...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1490206 By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Praise & Worship,Religious,Spiritual. Score. 7 pages. Cascia Talbert #1067042. Published by Cascia Talbert (A0.1490206). Ellens dritter Gesang (Ellen's Song III, D. 839, Op. 52, No. 6, 1825), known in English as Ellen's Third Song, was composed by Franz Schubert in 1825. It is part of his Op. 52, a collection of seven songs inspired by Walter Scott's 1810 narrative poem The Lady of the Lake, which was loosely translated into German.This piece is among Schubert's most beloved works. Although it was originally composed as a song, it is frequently performed and recorded under the title Ave Maria. This title references the Latin name of the prayer Hail Mary, which is also the opening phrase and refrain of Ellen's song—a prayer to the Virgin Mary. Performances often feature simplified musical arrangements and various lyrics that deviate from the original poem. Franz Liszt arranged the piece in three versions for piano.Schubert's composition is based on verse XXIX from Canto Three of Scott's poem, translated into German by Adam Storck (1780–1822). It is part of Schubert's Liederzyklus vom Fräulein vom See. In Scott's narrative, Ellen Douglas, the Lady of the Lake (Loch Katrine in the Scottish Highlands), seeks refuge with her exiled father in the Goblin's Cave, avoiding their previous host, Roderick Dhu, who has chosen to rebel against King James. As Roderick Dhu and his warriors ascend the mountain, he hears Ellen, accompanied by the harpist Allan-bane, singing a prayer to the Virgin Mary, pleading for help. Roderick Dhu pauses momentarily before heading into battle.The song is said to have been first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria, and was dedicated to her, earning her the nickname the lady of the lake.The repeated use of Ave Maria in Ellen's song likely inspired the adaptation of Schubert's melody to fit the full text of the traditional Roman Catholic prayer Ave Maria. This adaptation has become so widespread that it often leads to the mistaken belief that Schubert originally composed the melody specifically for the Ave Maria prayer.This arrangement is for low voice and piano.
$5.99
Oh! Carol
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Piano, Voice
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INTERMEDIATE
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Pop music
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Neil Sedaka
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Mario Stallbaumer
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Oh! Carol
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Mario Stallbaumer
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.513027 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Mario Stallbaumer. Pop. S...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.513027 By Neil Sedaka. By Howard Greenfield and Neil Sedaka. Arranged by Mario Stallbaumer. Pop. Score. 4 pages. Mario Stallbaumer #123911. Published by Mario Stallbaumer (A0.513027). With this sheet music, you can play Oh! Carol by Neil Sedaka on piano! It's an accurate, carefully created piano arrangement of the full song in its original key of B major. The vocal melody is included in the piano part, so it makes for a perfect piano solo cover. Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a staff for the vocals, as well as the song's full lyrics! Neil Sedaka wrote Oh! Carol in 1958 about his high school girlfriend Carol Klein (who would become famous a few years later as Carole King).The song became Sedaka's first top 10 hit in the US and several other countries. Oh! Carol is a catchy love song, and makes for a wonderful piano cover!
$4.99
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