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Carol E
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You've selected:
Carol E
Piano, Voice
Sheetmusic to print
73 sheet music found
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1
26
51
Zither Carol voce e piano
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Piano, Voice
#
EASY
#
Anonimo
#
E
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Zither Carol voce e piano
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ester
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.758441 Composed by Anonimo. Arranged by E.Alessandrini. Children,Christmas,Concert,Spiritual. Scor...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.758441 Composed by Anonimo. Arranged by E.Alessandrini. Children,Christmas,Concert,Spiritual. Score. 3 pages. Ester #4631301. Published by ester (A0.758441). Czechoslovak Carola. Arrangement for voice and school orchestra in the first 3 years of study. Words in English and Italian.
$10.00
Zither Carol. Voce e piano
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Piano, Voice
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Anonimo
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Ester Alessandrini
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Zither Carol. Voce e piano
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ester
#
SheetMusicPlus
Piano,Voice - Digital Download SKU: A0.1063871 Composed by Anonimo. Arranged by Ester Alessandrini. Children,Christmas,Concert,Folk. Full Performance. Du...
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Piano,Voice - Digital Download SKU: A0.1063871 Composed by Anonimo. Arranged by Ester Alessandrini. Children,Christmas,Concert,Folk. Full Performance. Duration 67. Ester #4631875. Published by ester (A0.1063871). Czechoslovakian Carola for voice and piano.
$3.00
A New York Carol. Through the Streets of New York City. A Northern Refrain
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Piano, Voice
#
F
#
A New York Carol. Through the
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Voice and piano - Digital Download SKU: LV.15968 Composed by F.E. Hor. Courtship and love, Death, Cityscapes. Lester S. Levy Collection. 6 pages. Publish...
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Voice and piano - Digital Download SKU: LV.15968 Composed by F.E. Hor. Courtship and love, Death, Cityscapes. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15968). A New York Carol. Through the Streets of New York City. A Northern Refrain. Written by Geo. P. Morris, Esq. Music by F.E. Hor. Published 1853 by Oliver Ditson, 115 Washington St. in Boston. Composition of strophic with refrain with voice and piano instrumentation. Subject headings for this piece include Courtship and love, Death, Cityscapes. First line reads Through the streets of New York city, Blithely ev'ry morn.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
God Rest You Merry, Gentlemen in E minor - Easy
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Piano, Voice
#
BEGINNER
#
Christmas
#
Traditional English Christmas
#
Piacere Music Sheets
#
God Rest You Merry, Gentlemen
#
Piacere Music Sheets
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1108550 Composed by Traditional English Christmas Carol. Arranged by Piacere Music Sheets. Christm...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1108550 Composed by Traditional English Christmas Carol. Arranged by Piacere Music Sheets. Christmas,Instructional,Romantic Period,Standards,Traditional. Score. 7 pages. Piacere Music Sheets #711193. Published by Piacere Music Sheets (A0.1108550). Key/Tone: E minor Movements/Sections: Lively Year/Date of Composition: 18th Century Difficulty: Grade 1/12 (Easy) Obs.: God Rest You Merry, Gentlemen is a famous English Christmas carol from the 18th century. This score is an arrangement for High Voice (1/6) with piano accompaniment. Vocal range: D4-E5 Included: Full score and separated parts for each instrument.
$5.95
Barcarolle. Voce e piano
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Piano, Voice
#
BEGINNER
#
J
#
Ester Alessandrini
#
Barcarolle. Voce e piano
#
ester
#
SheetMusicPlus
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.758342 Composed by J.Offenbach. Arranged by Ester Alessandrini. 20th Century,Holiday,Love,Opera,We...
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.758342 Composed by J.Offenbach. Arranged by Ester Alessandrini. 20th Century,Holiday,Love,Opera,Wedding. Score. 4 pages. Ester #3860363. Published by ester (A0.758342). Arrangiamento di Barcarola tratto da I racconti di Hoffmann di Offenbach per voce e pianoforte. Adatto per le prestazioni scolastiche. Parole in italiano.
$12.00
Lo, How A Rose E'er Blooming, G major
#
Piano, Voice
#
EASY
#
Christmas
#
F
#
Maria Thompson Corley
#
Lo, How A Rose E'er Blooming,
#
Maria Thompson Corley
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1474852 Composed by F. Layritz, tr. H. R. Spaeth and Michael Praetorious/15 C. German, tr. T.Baker...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1474852 Composed by F. Layritz, tr. H. R. Spaeth and Michael Praetorious/15 C. German, tr. T.Baker. Arranged by Maria Thompson Corley. Advent,Christian,Christmas,Classical,Religious. Score. 5 pages. Maria Thompson Corley #1052474. Published by Maria Thompson Corley (A0.1474852). A simple arrangement of this timelessly beautiful Christmas carol, ideal for use in church services or seasonal concerts. This arrangement was premiered by my then 87 year-old mother and her septuagenarian friend. You can hear one of their rehearsals in the video below. Vocal range: D4 to E5.
$6.99
Il est nè le Divine Enfant 2 Voce e piano
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Piano, Voice
#
EASY
#
Anonimo
#
Ester Alessandrini
#
Il est nè le Divine Enfant 2
#
ester
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.758443 Composed by Anonimo. Arranged by Ester Alessandrini. Children,Christian,Christmas,Concert,F...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.758443 Composed by Anonimo. Arranged by Ester Alessandrini. Children,Christian,Christmas,Concert,Folk. Score. 5 pages. Ester #4635103. Published by ester (A0.758443). Christmas carol with text in French and Italian. For voice and piano in the first 3 years of study.
$8.00
Lo, How A Rose E'er Blooming (Vocal Trio - (SAB)
#
Piano, Voice
#
EASY
#
Stephen DeCesare
#
Lo, How A Rose E'er Blooming
#
Exultet Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1110257 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Holiday,Sacred,Standards. Sc...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1110257 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Holiday,Sacred,Standards. Score. 7 pages. Exultet Music #712593. Published by Exultet Music (A0.1110257). The tender words from the familiar Christmas carol has been set with a fresh new melody that brings an air of mystique to it and is scored for a Vocal Trio (SAB) with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$12.99
Lo, How A Rose E'er Blooming (Vocal Quartet - (SATB)
#
Piano, Voice
#
EASY
#
Stephen DeCesare
#
Lo, How A Rose E'er Blooming
#
Exultet Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1110256 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Holiday,Sacred,Standards. Sc...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1110256 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Holiday,Sacred,Standards. Score. 8 pages. Exultet Music #712592. Published by Exultet Music (A0.1110256). The tender words from the familiar Christmas carol has been set with a fresh new melody that brings an air of mystique to it and is scored for a Vocal Quartet (SATB) with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$12.99
Lo, How A Rose E'er Blooming (Vocal solo)
#
Piano, Voice
#
EASY
#
Stephen DeCesare
#
Lo, How A Rose E'er Blooming
#
Exultet Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1110271 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Holiday,Sacred,Standards. Sc...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1110271 By Stephen DeCesare. By Stephen DeCesare. Christian,Christmas,Holiday,Sacred,Standards. Score. 5 pages. Exultet Music #712607. Published by Exultet Music (A0.1110271). The tender words from the familiar Christmas carol has been set with a fresh new melody that brings an air of mystique to it and is scored for a Vocal solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available.
$4.99
Lo, How a Rose E'er Blooming
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Piano, Voice
#
INTERMEDIATE
#
Ashley Wagner Arts
#
arr
#
Lo, How a Rose E'er Blooming
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Esperer Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1285116 By Ashley Wagner Arts. By Traditional German. Arranged by arr. Ashley Wagner. Advent,Chris...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1285116 By Ashley Wagner Arts. By Traditional German. Arranged by arr. Ashley Wagner. Advent,Christmas,Holiday,Religious,Traditional. Score. 11 pages. Esperer Music #876221. Published by Esperer Music (A0.1285116). Female Trio or SSA Ensemble Easy piano accompaniment with chord symbols Incorporates Silent Night, It Came Upon the Midnight Clear, and O Holy Night F Major Vocal range: A4-D5 This arrangement of Lo, How a Rose E'er Blooming is ideal for a female trio or SSA choral ensemble, with luscious vocal harmonies throughout. It includes an easy piano accompaniment and chord symbols for embellishment or added instrumentation, such as guitar.Woven into the traditional German melody are additional Christmas carols: Silent Night, It Came Upon the Midnight Clear, and O Holy Night.This sheet music is in F Major, with a vocal range of A4 (below middle C) - D5. (Demo is in E Maj.)If you would like an alternative key or accompaniment track, please contact me at ashley@ashleywagnerarts.com
$2.50
Richard Strauss-Barcarole,in E Major,Op.17 No.6
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Richard Strauss
#
OSM Press
#
Richard Strauss-Barcarole,in E
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1172510 Composed by Richard Strauss. Arranged by OSM Press. Classical. Score. 7 pages. Open Cloud ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1172510 Composed by Richard Strauss. Arranged by OSM Press. Classical. Score. 7 pages. Open Cloud #772738. Published by Open Cloud (A0.1172510).
$5.99
Richard Strauss-Barcarole,in E flat Major,Op.17 No.6
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Richard Strauss
#
OSM Press
#
Richard Strauss-Barcarole,in E
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1172511 Composed by Richard Strauss. Arranged by OSM Press. Classical. Score. 7 pages. Open Cloud ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1172511 Composed by Richard Strauss. Arranged by OSM Press. Classical. Score. 7 pages. Open Cloud #772739. Published by Open Cloud (A0.1172511).
$5.99
Nameless-Christmas Carol,Nazereth,in E flat Major,for voice and piano
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Piano, Voice
#
INTERMEDIATE
#
Classical
#
Nameless
#
MSM
#
Nameless-Christmas Carol,Nazer
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.668391 Composed by Nameless. Arranged by MSM. Classical,Romantic Period. Score. 7 pages. Open Clou...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.668391 Composed by Nameless. Arranged by MSM. Classical,Romantic Period. Score. 7 pages. Open Cloud #4414667. Published by Open Cloud (A0.668391). This product(include full and parts score) is a digital sheet music in PDF format. The music was composed by Nameless (Nameless), 17-19century, for Voice and Piano.
$1.99
Walter Donaldson-Carolina In The Morning,in E Major,for Voice and Piano
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Piano, Voice
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INTERMEDIATE
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Classical
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Walter Donaldson
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MSM
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Walter Donaldson-Carolina In T
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669774 Composed by Walter Donaldson. Arranged by MSM. Classical,Romantic Period. Score. 11 pages. ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669774 Composed by Walter Donaldson. Arranged by MSM. Classical,Romantic Period. Score. 11 pages. Open Cloud #4573881. Published by Open Cloud (A0.669774). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Walter Donaldson, for Voice and Piano, first published in 1922. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
Walter Donaldson-Carolina In The Morning,in E flat Major,for Voice and Piano
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Piano, Voice
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INTERMEDIATE
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Classical
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Walter Donaldson
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MSM
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Walter Donaldson-Carolina In T
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669771 Composed by Walter Donaldson. Arranged by MSM. Classical,Romantic Period. Score. 11 pages. ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669771 Composed by Walter Donaldson. Arranged by MSM. Classical,Romantic Period. Score. 11 pages. Open Cloud #4573875. Published by Open Cloud (A0.669771). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Walter Donaldson, for Voice and Piano, first published in 1922. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
Caro Roma-Can't Yo' Heah Me Callin' Caroline,in E flat Major,for Voice&Piano
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Piano, Voice
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INTERMEDIATE
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Classical
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Caro Roma
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MSM
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Caro Roma-Can't Yo' Heah Me Ca
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669995 Composed by Caro Roma. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Clo...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669995 Composed by Caro Roma. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Cloud #4574717. Published by Open Cloud (A0.669995). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Caro Roma, for Voice and Piano, first published in 1914. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$3.99
Caro Roma-Can't Yo' Heah Me Callin' Caroline,in E Major,for Voice&Piano
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Piano, Voice
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INTERMEDIATE
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Classical
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Caro Roma
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MSM
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Caro Roma-Can't Yo' Heah Me Ca
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Open Cloud
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669994 Composed by Caro Roma. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Clo...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669994 Composed by Caro Roma. Arranged by MSM. Classical,Romantic Period. Score. 9 pages. Open Cloud #4574715. Published by Open Cloud (A0.669994). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Caro Roma, for Voice and Piano, first published in 1914. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$3.99
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 12: Cherchez, mes
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 1: Ô songe heureu
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
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Op. 45, No. 5: Si vous m’aim
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
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Op. 45, No. 4: Prière au somm
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 3: Vous ne voulez
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
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Op. 1, No. 2: Barque légère,
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
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