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ENGLISH ROSE
Piano, Voice
Sheetmusic to print
16 sheet music found
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1
Heidenröslein (Rose Among the Heather) English Version
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.887697 Composed by Franz Sch…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.887697 Composed by Franz Schubert. Arranged by Abigail Dyer. 19th Century,Classical,Romantic Period. Score. 3 pages. Schubertiade #491474. Published by Schubertiade (A0.887697). Schubert's Heidenröslein in clear and singable English translation.
$4.99
4.61 €
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Piano, Voice
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Franz Schubert
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Heidenröslein
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Schubertiade
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SheetMusicPlus
Heidenröslein (Heather Rose)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1376252 By Jan Powell. By Fr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1376252 By Jan Powell. By Franz Schubert. Arranged by Edited by Jan Powell with new text by Ken Stone. Classical. Score. 2 pages. Jan Powell #960775. Published by Jan Powell (A0.1376252). This seminal leider by Franz Schubert has been the inspiration of many pop songwriters through the years and in this version we've added new English text in an attempt to bring it to life for American audiences and American Singers. The song was the inspiration for Franz Wedekind's play Spring Awakening. For more information on Falling In Love Again please visit www.powell-stone.com.
$6.00
5.54 €
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Piano, Voice
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Jan Powell
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Heidenröslein
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Jan Powell
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SheetMusicPlus
Op. 41, No. 2: Prends cette rose from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-08E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 5 pages. E. C. Schirmer Music Company - Digital #8491-08E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-08E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 41, No. 2: Prends cette rose from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 11: Rosette from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-11E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-11E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-11E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-11E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 45, No. 11: Rosette from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Haw-thorn white and roses wild / Cradle-Song
Piano, Voice
Voice and piano - Digital Download SKU: S9.Q47907 Composed by Gustava Bley. This ed…
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Voice and piano - Digital Download SKU: S9.Q47907 Composed by Gustava Bley. This edition: Sheet music. Schott Archive. Downloadable. Op. 16 / op. 17. Fürstner Musikverlag - Digital #Q47907. Published by Fürstner Musikverlag - Digital (S9.Q47907). German • English.
$10.99
10.14 €
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Piano, Voice
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Gustava Bley
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Haw-thorn white and roses wild / Cradle-Song
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Fürstner Musikverlag - Digital
#
SheetMusicPlus
Op. 48, No. 2: Nymphes, mêlez vos plus vermeilles roses from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-42E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 4 pages. E. C. Schirmer Music Company - Digital #8491-42E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-42E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 48, No. 2: Nymphes, mêlez vos plus vermeilles roses from Songs of Gouvy, V1
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 43, No. 1: Versons ces roses en ce vin from Songs of Gouvy, V1 (Downloadable)
Piano, Voice
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SK…
(+)
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - Digital Download SKU: MQ.8491-22E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-22E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-22E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 43, No. 1: Versons ces roses en ce vin from Songs of Gouvy, V1
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E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
There's A Home In Wyomin'
Piano, Voice
Piano, vocal & chords - Digital Download SKU: RX.9783841803443 Popular Standard
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Piano, vocal & chords - Digital Download SKU: RX.9783841803443 Popular Standard. Composed by Billy Hill and Peter De Rose. Key of G-Major. Traditional Pop. Score. With Text Language: English. 7 pages. Published by Shapiro Bernstein Organization (RX.9783841803443). ISBN 978-3-8418-0344-3.Die Originalversion von There's A Home In Wyomin wurde 1933 veroffentlicht. Von verschiedenen Kunstlern wurden in den letzten Jahrzehnten zahlreiche Bearbeitungen des Songs angefertigt. Mittlerweile gehort dieser Song zum Popular Standard. In dieser Ausgabe sind die Klaviernoten in der Tonart G-Dur im Violin- und Bassschlussel notiert. Akkordbezeichnungen, Text und Gesangsmelodie sind in dieser Ausgabe ebenfalls enthalten.
$3.99
3.68 €
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Piano, Voice
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Billy Hill and Peter De Rose
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There's A Home In Wyomin'
#
Shapiro Bernstein Organization
#
SheetMusicPlus
Joy Comes in the Morning (Psalm 30)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565128 By Sharon Wilson. By …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.565128 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Easter,Praise & Worship,Sacred. Score. 11 pages. Sharon Wilson #3454047. Published by Sharon Wilson (A0.565128). This Scripture song based on Psalm 30 verses 4-5 is formatted as a vocal solo (or unison choir) with piano accompaniment (3 staff piano-vocal score). The purchase price includes a 5-page combined score plus a 2-page solo part for VOICE and a 3-page accompaniment score for the PIANO. The lyrics were adapted from the World English Bible (WEB). This verse seems to express the sadness then joy that Jesus’ disciples experienced on the weekend of His crucifixion. Friday was filled with weeping and sorrow as Jesus was nailed to the cross and died, yet Sunday morning, Jesus rose from the dead and though they didn’t believe at first, their hearts were filled with joy as they came to understand that Jesus really was alive! We too can sing praises to the Lord and have joy in the morning because of Jesus’ resurrection. Lyrics:Sing praises to the Lord all you saints of His.Give thanks to His Holy name.His anger is but for a moment;His favor is for a lifetime.Weeping may last for the night,But joy comes in the morning.Weeping may last for the night,But joy comes in the morning.Weeping may last for the night,But joy comes in the morning.Joy Comes in the morning.Sing praises to the Lord;Sing praises to His name.Give thanks to the Lord all you saints.Sing praises to the Lord;Sing praises to His name,For joy comes in the morning.Joy comes in the morning.Yes, joy comes in the morning.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
4.61 €
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Piano, Voice
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Sharon Wilson
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Joy Comes in the Morning
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Sharon Wilson
#
SheetMusicPlus
Personent Hodie (On This Day Earth Shall Ring)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1122144 Composed by W.P. Ste…
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1122144 Composed by W.P. Sterneman III. Arranged by W.P. Sterneman III. Christmas,Renaissance,Sacred. Score. 2 pages. String of Roses Music #723294. Published by String of Roses Music (A0.1122144). An emotional setting of Personent Hodie using both English and Latin for solo voice and piano. Based on the setting by Gustav Holst.
$3.99
3.68 €
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Piano, Voice
#
W
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Personent Hodie
#
String of Roses Music
#
SheetMusicPlus
Mason - Joy to the World in A-Flat Major for Low Voice & Piano - Easy
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1152435 Composed by Lowell M…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1152435 Composed by Lowell Mason, Lyrics by Isaac Watts. Arranged by Piacere Music Sheets. Christmas,Classical,Instructional,Romantic Period,Standards. Score. 6 pages. Piacere Music Sheets #752661. Published by Piacere Music Sheets (A0.1152435). Key/Tone:Â A flat Major Movements/Sections:Â Maestoso Year/Date of Composition:Â 1839 Difficulty:Â Grade 2/12 (Easy) Vocal Range: Ab3 to Ab4 (C4 = middle C). Obs.:Â This piece is a famous Christmas hymn. The source of the words used in this arrangement is from Henry Sloane Coffin and Ambrose White Vernon, eds., Hymns of the Kingdom of God (New York: The A.S. Barnes Company, 1910), no. 37. This score is an arrangement for Low Voice and Piano), and includes the complete lyrics in English (four verses). Included:Â Full score and separated parts for each instrument.
$5.95
5.49 €
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Piano, Voice
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Lowell Mason, Lyrics by Isaac Watts
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Mason - Joy to the World in A-Flat Major for Low Voice & Piano - Easy
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Piacere Music Sheets
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SheetMusicPlus
Mason - Joy to the World in D Major for High Voice & Piano - Easy
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1152422 Composed by Lowell M…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1152422 Composed by Lowell Mason, Lyrics by Isaac Watts. Arranged by Piacere Music Sheets. Christmas,Classical,Instructional,Romantic Period,Standards. Score. 6 pages. Piacere Music Sheets #752647. Published by Piacere Music Sheets (A0.1152422). Key/Tone:Â D Major Movements/Sections:Â Maestoso Year/Date of Composition:Â 1839 Difficulty:Â Grade 2/12 (Easy) Vocal Range: D4 to D5 (C4 = middle C). Obs.:Â This piece is a famous Christmas hymn. The source of the words used in this arrangement is from Henry Sloane Coffin and Ambrose White Vernon, eds., Hymns of the Kingdom of God (New York: The A.S. Barnes Company, 1910), no. 37. This score is an arrangement for High Voice and Piano), and includes the complete lyrics in English (four verses). Included:Â Full score and separated parts for each instrument.
$5.95
5.49 €
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Piano, Voice
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Lowell Mason, Lyrics by Isaac Watts
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Mason - Joy to the World in D Major for High Voice & Piano - Easy
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Piacere Music Sheets
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SheetMusicPlus
The Sweet Primeroses by English Folk Song - Piano/Vocal, Singer Pro
Piano, Voice
English Folk Song - The Sweet Primeroses Digital Sheet Music, scoring: Piano/Vocal;Singer …
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English Folk Song - The Sweet Primeroses Digital Sheet Music, scoring: Piano/Vocal;Singer Pro, instruments: Voice;Piano; 2 pages -- Folk~~British Folk~~Traditional Folk~~World~~British
$5.50
5.08 €
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Piano, Voice
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Piano/Vocal, Singer Pro
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Musicnotes
Memorare: Remember, O Gracious Virgin
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.933476 Composed by Mark Klin…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.933476 Composed by Mark Kline. Christian,Gospel,Praise & Worship,Sacred. Score. 6 pages. Mark Kline #3120941. Published by Mark Kline (A0.933476). This musical setting of the Catholic Memorare prayer incorporates as much as possible the full traditional English language text. The omissions within, and changes of sequence among, the phrases of the original prose are due to poetic, metrical, and musical considerations. In other words, a faithful representation of the prayer’s meaning is substantially present in this setting. Historically, the invocation of Mary has very early origins among Christians, with the Memorare prayer having roots in the sub tuum prayer of the 3rd century Coptic Church. Memorare (Lyrics) [Refrain]Remember, O most gracious VirginNever was it known that anyone was left unaidedWho fled to thee for protection or sought thy intercession [Verse 1]Unto thee do we fly, standing with confidenceO Mother of the Word Incarnate [Verse 2]Sinful and sorrowful, we implore thy help,O Virgin of Virgins my Mother, [Verse 3]Mary, in thy Mercy hear and answer us,Despise not our petitions, [End]Memorare.
$4.95
4.57 €
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Piano, Voice
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Mark Kline
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Memorare: Remember, O Gracious Virgin
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Mark Kline
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SheetMusicPlus
The English Rose
Piano, Voice
By Sir Edward German. Folk. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music
By Sir Edward German. Folk. PV. 5 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano, Voice
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Sir Edward German
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The English Rose
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Die Walkure
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.83 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
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