Home page
Browse Free-scores.com
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
From:
Not classified
34,680
Piano & keyboards
Piano solo
57,331
Piano, Voice
20,927
Piano, Vocal and Guitar
14,417
Easy Piano
12,551
Big Note Piano
2,796
C Instruments
2,396
Organ
1,912
1 Piano, 4 hands
1,784
Piano Accompaniment
751
Accordion
441
Piano Trio: piano, violin, cello
375
Piano (band part)
288
2 Pianos, 4 hands
271
Melody line, Piano
158
Piano Quartet: piano, violin, viola, cello
109
Organ, Trumpet (duet)
107
Piano Quintet: piano, 2 violins, viola, cello
85
Accordion, Voice
61
Piano Quartet: piano, 2 violins, cello
48
Harpsichord
45
Organ, Piano (duet)
43
Solo instrument and Organ
31
Keyboard
28
1 Piano, 6 hands
18
2 Pianos, 8 hands
11
2 Accordions
9
Fake Book
4
Accordion ensemble
3
All Instruments
1
Accordion, String(s)
1
Organ, Voice
1
Piano Quintet: piano, violin, viola, cello, double bass
1
+ 27 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
7,325
Melody line, (Lyrics) and Chords
4,733
Ukulele
2,877
Guitar
2,823
Bass guitar
1,003
Lyrics and Chords
628
2 Guitars (duet)
417
Mandolin
351
Piano, Guitar (duet)
245
Guitar (band part)
238
Banjo
105
4 Guitars (Quartet)
101
Dulcimer
96
Lap Steel Guitar
88
Guitar Ensemble
60
Electric Bass (band part)
54
3 Guitars (trio)
48
Band Scores
47
Ukulele Ensemble
47
Baritone Ukulele
46
Mandolin, Piano (duet)
12
Mandolin, Guitar (duet)
6
2 Dulcimers (duet)
6
Guitar, Violin, Cello (trio)
5
2 Mandolins (duet)
4
Bouzouki
2
2 Ukuleles
2
Dobro
2
Zither
2
Lute
1
Plectrum Orchestra
1
Guitar, Orchestra
1
+ 27 instrumentations
-
Retract
Voice
Choral SATB
10,255
Choral 3-part
4,295
Choral Instrumental Pak
2,431
Choral 2-part
2,094
Choral TTBB
2,008
Choral Unison
1,646
Choral SSAA
1,196
Choral
657
Vocal duet, Piano
526
Voice solo
510
High voice
434
Soprano voice, Piano
431
Tenor voice, Piano
270
Vocal duet
241
Baritone voice, Piano
192
Alto voice, Piano
138
Low voice, Piano
110
Mezzo-Soprano voice, Piano
110
Medium voice, Piano
96
Choral SSAATTBB
34
Tenor voice
34
Choral SSATB
26
Choral SSAB a cappella
18
Baritone voice
16
Soprano voice
16
High voice, Piano
16
Choral SSATTB
15
Soli, Mixted choir and accompaniment
13
Low voice
12
Choral, Organ
8
Voice, Guitar
8
Soprano voice, Orchestra
6
Choral SATBB
6
Choral SSATBB
5
Choral SSAB, Piano
3
Choral SSAATB
3
Medium Voice
2
Choral SAATB A Cappella
2
Vocal duet, Organ
1
Voice, Basso continuo
1
Voix Masculines
1
+ 36 instrumentations
-
Retract
Woodwind
Saxophone (band part)
3,318
Saxophone Quartet: 4 saxophones
2,934
Flute and Piano
2,853
Flute
2,838
Clarinet
2,761
Alto Saxophone
2,268
Clarinet and Piano
2,248
Clarinet (band part)
2,227
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
2,032
Flute, Oboe, Clarinet, Bassoon
2,031
Tenor Saxophone
1,803
2 Saxophones (duet)
1,649
Alto Saxophone and Piano
1,543
Oboe, Piano (duet)
1,415
Clarinet Quartet: 4 clarinets
1,389
2 Flutes (duet)
1,297
2 Clarinets (duet)
1,124
Flute (band part)
1,043
Oboe (band part)
1,002
Tenor Saxophone and Piano
993
Saxophone Quintet: 5 Saxophones
755
Flute Quartet: 4 flutes
733
Soprano Saxophone and Piano
543
3 Saxophones (trio)
531
Recorder
509
Flute and Guitar
506
Ocarina
480
Clarinet Ensemble
469
3 Clarinets (trio)
436
Flute ensemble
420
Saxophone ensemble
406
Eb Instruments
368
Oboe
342
Saxophone
312
Flute, Clarinet (duet)
308
Clarinet Quintet: 5 clarinets
307
Descant (Soprano) Recorder
305
Baritone Saxophone, Piano
298
Flute Trio: 3 flutes
294
Recorder Quartet
263
2 Oboes (duet)
234
Harmonica
223
Treble (Alto) Recorder
201
Saxophone, Clarinet (duet)
189
English horn, Piano
179
Clarinet, Violin (duet)
172
Flute Quintet : 5 flutes
172
Flute, Violin, Piano
170
Oboe, Bassoon (duet)
168
Bass Clarinet, Piano
157
Flute, Oboe, Clarinet (trio)
145
2 Recorders (duet)
140
Flute, Clarinet and Bassoon.
131
Soprano Saxophone
128
Oboe, Clarinet (duet)
118
Flute, Violin
115
Oboe, Flute
107
Clarinet, Guitar (duet)
104
3 Recorders (trio)
103
Clarinet, Trumpet (duet)
100
Oboe, Clarinet, Bassoon (trio)
99
Flute, Violin and Violoncello
99
Flute, Oboe, Bassoon
90
Flute, Viola (duet)
87
Bass Clarinet
78
Clarinet, Bassoon (duet)
76
Clarinet and Viola
75
Clarinet, Harp (duet)
74
Recorder Ensemble
71
Baritone Saxophone
68
English Horn
66
5 Recorders
66
2 Flutes, Piano
65
Flute, Violoncello
64
Flute, Trumpet (duet)
63
Flute, Saxophone (duet)
61
Piccolo
54
Clarinet, Cello (duet)
46
Descent (Soprano) Recorder, Piano
43
Flute, Cello, Piano (trio)
39
3 Oboes
37
Flute, Oboe (duet)
36
Bagpipe
35
Tenor Recorder
32
Flute, Clarinet, Piano (trio)
31
Treble (Alto) Recorder, Piano
29
2 Clarinets, Bassoon
29
Saxophone and Guitar
29
Oboe, Cello
29
Recorder, Piano
28
2 Saxophones, Piano
26
Oboe, Guitar (duet)
26
Flute, Bassoon, and Piano
26
Oboe, Violin (duet)
24
Flute, Oboe, Piano (trio)
24
Flute, Clarinet, Horn and Bassoon (Quartet)
23
Flute, Viola and Piano
23
Flute, harp and violin
22
2 Clarinets, Piano
21
Piccolo, Piano
21
Clarinet, Cello, Piano (trio)
18
Saxophone and Organ
17
English Horn, Guitar (duet)
15
Flute, Trombone (duet)
14
Wind ensemble
13
4 Oboes
13
Oboe and viola (duet)
13
Clarinet Quartet: Clarinet, Violin, Viola, Cello
12
Clarinet, Trombone (duet)
11
Treble (Alto) Recorder, Basso continuo
9
Recorder, Guitar (duet)
9
Flute, Basso continuo
8
Flute and Strings Trio
8
Oboe, Harp
7
Flute, Harp and Cello
7
Oboe, Bassoon and Piano
7
Saxophone and Piano
7
Flute, trombone and piano
7
Clarinet, Bassoon, Piano (trio)
6
Flute, Tuba (duet)
6
Saxophone, Violin (duet)
6
Flute, Violin, Violoncello and Piano
6
Oboe ensemble
6
Clarinet Quintet: Clarinet, String Quartet
5
2 English horns and Pianoforte
5
Oboe, Trumpet (duet)
5
Flute, Cello, Guitar
5
Pennywhistle
5
Flute, Oboe, Violin
5
Saxophone and Harp
5
Flute, Organ (duet)
5
Flute and String Quartet
5
Clarinet, trumpet and piano
4
2 Recorders, Piano
4
Flute, Clarinet, Violin (trio)
4
2 Harmonicas
4
Clarinet, Tuba
4
2 Oboes and Basson
3
Flute, Orchestra
3
Clarinet, String quartet and Piano
3
Oboe, Violin, Piano
3
Clarinet, Organ
3
Clarinet, Double bass (duet)
2
Saxophone and cello
2
Flute, Viola and harp
2
English horn, Harp (duet)
2
Oboe, Trombone (duet)
2
2 Oboes and English horn
2
Saxophone, Bassoon (duet)
2
Oboe, Clarinet and Piano (Trio)
2
2 Flutes, Basso continuo
2
Oboe, Violin, Viola and Violoncello (Quartet)
2
Descant (Soprano) Recorder, Basso continuo
1
2 clarinets, 2 bassoons
1
Flute, Violin, Guitar
1
2 Oboes, 2 Horns and 2 Bassoons
1
Oboe, Clarinet, Bassoon and Piano
1
Oboe, Organ
1
Flute, Viola and Cello
1
Clarinette, Viola and Piano (trio)
1
Oboe, Cello and Piano
1
Oboe and String quartet
1
2 Flutes and Harp
1
Harmonica, Piano
1
Clarinet, Orchestra
1
+ 160 instrumentations
-
Retract
Woodbrass
Trumpet (band part)
2,771
Trumpet
2,434
Trombone (band part)
2,330
Brass Quintet: 2 trumpets, horn, trombone, tuba
2,152
Trombone
1,759
French horn
1,639
Brass quartet : 2 trumpets, trombone, tuba
1,555
Trumpet, Piano
1,555
Trombone and Piano
1,209
French horn (band part)
1,075
French Horn and Piano
939
2 Trumpets (duet)
713
Tuba (band part)
674
2 Trombones (duet)
631
Brass Quartet
596
Tuba
450
Tuba and Piano
428
Brass Quartet: 2 trumpets, horn, trombone
419
Bass Clef Instruments
384
Bb Instruments
367
Brass Quartet: 4 trombones
294
F Instruments
285
Euphonium, Piano (duet)
232
Trumpet, Trombone (duet)
223
Brass Quartet: 4 horns
214
Trombone ensemble
212
2 French horns (duet)
197
English horn, Piano
179
Trumpet ensemble
161
Trumpet, Saxophone (duet)
143
2 Euphoniums and 2 Tubas
111
Brass Trio
87
Euphonium
85
Horn Ensemble
84
Tuba or Euphonium or Saxhorn
71
English Horn
66
2 Tubas (duet)
63
4 Tubas
61
3 Trumpets (trio)
55
Trumpet, Horn (duert)
54
3 Trombones (trio)
47
Brass Quartet: 4 trumpets
46
2 Euphoniums (duet)
24
Euphonium, Tuba (duet)
22
Trombone, Organ
21
Tuba and Organ
21
3 French horns (trio)
19
Cornet
19
Trombone, Tuba (duet)
17
Bass Trombone and Piano
17
Trumpet, Tuba (duet)
16
2 Trumpets, Keyboard (piano or organ)
16
Bass Trombone
15
English Horn, Guitar (duet)
15
Trumpet, violin (duet)
14
Trombone, Horn (duet)
12
Brass Quartet: 2 trumpets, 2 trombones
10
Trumpet, Cello (duet)
9
3 Tubas (trio)
9
Horn, Tuba (duet)
9
Trombone, cello (duet)
8
Tuba ensemble
8
Trumpet, Trombone, Piano
8
Euphonium (band part)
8
Trombone, Violin (duet)
7
Horn, Cello (duet)
6
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
6
French horn and Basson (duet)
6
Brass Quintet: 2 trumpets, horn, 2 trombones
6
Horn and Organ
5
2 English horns and Pianoforte
5
Horn and Orchestra
5
French Horn and Harp
5
Trumpet, Bassoon (duet)
4
Trumpet, Cello, Piano
4
Trumpet, Harp
4
Cornet and Piano
3
2 French horns, Piano
3
Clarinet, Horn (duet)
2
English horn, Harp (duet)
2
4 Euphoniums
2
2 Trombones, Piano
2
Trumpet and Guitar
2
Cornet and Orchestra
2
Trumpet, Euphonium (duet)
2
Euphonium or Saxhorn and Piano
1
3 Euphoniums
1
+ 82 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
6,870
Violin
3,906
Violin and Piano
3,489
Harp
3,123
Cello, Piano
2,512
Cello
2,452
Viola
2,143
Violin (band part)
1,804
Viola, Piano
1,672
2 Violins (duet)
1,426
2 Cellos (duet)
999
Violin, Cello (duet)
972
String Trio: violin, viola, cello
903
Doublebass (band part)
802
Viola (band part)
590
Cello (band part)
525
Violin, Viola (duet)
483
2 Violas (duet)
444
String Quintet: 2 violins, viola, cello, bass
417
Double Bass
412
Double bass, Piano (duet)
346
String Trio: 2 violins, cello
333
Harp, Flute (duet)
288
4 Cellos
223
Viola, Cello (duet)
196
String Trio: 3 violins
152
String trio
136
Violin, Guitar (duet)
136
2 Harps (duet)
117
Piano Trio: Violin, Viola, Piano
105
Cello, Guitar (duet)
101
String Trio: 3 cellos
100
String Trio: 3 violas
84
String quartet: 4 violins
75
Viola, Guitar (duet)
62
Cello, String Bass (duet)
57
2 Violins, Piano
49
String Quartet : 4 violas
47
String Trio: 2 violins, viola
46
2 Double basses (duet)
45
String Quintet: 2 violins, 2 violas, cello
39
Harp, Violin (duet)
38
Violin, Bassoon (duet)
25
Violin ensemble
24
Cello Ensemble
23
Viola ensemble
22
Violin, Organ
19
Harp and mandolin
19
4 Double Basses
18
Cello, Orchestra
17
Harp, Voice
17
Harp, Cello (duet)
16
2 Cellos, Piano
16
Flute, Doublebass (duet)
15
Cello, Organ
13
Violin, Basso continuo
13
String Quintet: 2 violins, viola, 2 cellos
10
Harp, Violin, Violoncello
9
Viola and Bassoon
9
Viola and Harp
7
Violin, Clarinet, Piano (trio)
6
3 double basses
6
Violin, Tuba (duet)
6
Violoncello, Basso continuo
5
2 Violas, Piano
5
Harp (band part)
4
Harp, String quartet
4
Harp and Piano
4
3 Harps
4
Harp and Organ
3
Autoharp
3
4 Harps
3
Viola, Organ
2
Harp, Orchestra
2
Violin, Cello, Clarinet
2
Harp, Trombone (duet)
2
Violin, Trumpet and Piano
1
2 Violins and Basso
1
+ 73 instrumentations
-
Retract
Orchestra & Percussion
Concert band
13,743
Orchestra
3,972
String Orchestra
2,955
Marching band
2,149
Jazz Ensemble
1,826
Percussion (band part)
1,609
Brass ensemble
1,199
Handbells
1,146
Chamber Orchestra
869
Drums
807
Percussion
445
Timpani (band part)
363
Jazz combo
352
Drum (band part)
240
Percussion Ensemble
166
Timpani
133
Marimba
121
Xylophone
105
Vibraphone
70
Snare drums
54
Xylophone, Piano
47
Piano and Orchestra
39
Woodwind Quintet
33
Orchestra, Violin
26
Woodwind Quartet: any 4 woodwinds
24
2 Xylophones
21
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
12
Flexible Instrumentation
9
Vibraphone (band part)
7
Brass Quintet: other combinaisons
6
School Ensemble
4
Vibraphone and Marimba
3
Big band
3
Xylophone (band part)
2
Woodwind Trio: any 3 woodwinds
2
Marimba, Piano (duet)
2
Voice and Orchestra
1
2 Marimbas
1
3 Percussions
1
3 Marimbas
1
+ 35 instrumentations
-
Retract
Others
Musical course - Solfege
9
Music Theory
1
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Top Downloads
Instrumentations
Composers
New additions
Christmas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
398
Digital Sheet Music
20,927
Sheet Music Books
2,548
Music Equipment
19,634
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
You've selected:
From:
Piano, Voice
Sheetmusic to print
20,927 sheet music found
<
1
26
51
....
9976
Halévy-Si la rigueur,from La Juive
#
Piano, Voice
#
INTERMEDIATE
#
Classical
#
Fromental Halevy
#
OSM Press
#
Halévy-Si la rigueur,from La
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.744370 Composed by Fromental Halevy. Arranged by OSM Press. Classical. Score. 9 pages. Open Cloud ...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.744370 Composed by Fromental Halevy. Arranged by OSM Press. Classical. Score. 9 pages. Open Cloud #352495. Published by Open Cloud (A0.744370).
$7.99
Peace Comes From Heaven, sacred vocal solo
#
Piano, Voice
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Kevin G
#
Peace Comes From Heaven, sacre
#
Kevin G. Pace
#
SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1049130 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual...
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1049130 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Score. 8 pages. Kevin G. Pace #653524. Published by Kevin G. Pace (A0.1049130). Beautiful, sacred vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace comes from heaven through Jesus Christ; He is the true Prince of Peace. Like giving manna to all around, He offers his kingly feast. Peace comes from heaven as we near his lavish table all spread. He feeds our souls through tranquility, nourishing with living bread. Peace comes from heaven through Jesus Christ to all of God’s cov’nant saints. As He empowers each one to serve, He lends to others his traits. Peacemakers choose to spread his love, bearing true peace in his stead. “My peace I give to you alone,†are holy words He has said. Peace comes from heaven through Jesus Christ, sensing a stillness to be. Peacemakers calm stormy souls of men, softening strife rev’rently, Clearing contentious clouds that clash, mending sore hearts of disdain. Peacemakers bring unity and calm, causing all tempers to tame. Peace comes from heaven through Jesus Christ; He filled the Father’s true plan. Peacemakers blessed from God’s perfect hands imitate his love of man. Hearing these sacred, holy words: “Peace, peace be unto thy soul,†Brings hope and stillness through God’s pure Name, letting his children be whole.
$3.99
From Lovely Erin Sad I Come, or, The Emigrant From the Emeral Isle
#
Piano, Voice
#
Charles H
#
From Lovely Erin Sad I Come, o
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - Digital Download SKU: LV.17471 Composed by Charles H. Gerkin. Harps, Fountains, Waterfronts, Trees, Immigrants, Liberty. Lester S. Levy...
(+)
Piano and voice - Digital Download SKU: LV.17471 Composed by Charles H. Gerkin. Harps, Fountains, Waterfronts, Trees, Immigrants, Liberty. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17471). From Lovely Erin Sad I Come, or, The Emigrant From the Emeral Isle. Composed by Charles H. Gerkin. Published [n.d.] by F.D. Benteen in Baltimore. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Harps, Fountains, Waterfronts, Trees, Immigrants, Liberty. First line reads From lovely Erin sad I come, Across the rolling sea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Are You From Dixie? ('Cause I'm From Dixie, Too!)
#
Piano, Voice
#
George L
#
Are You From Dixie?
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - Digital Download SKU: LV.24121 Composed by George L. Cobb. Shaking hands, Cotton plantations, African Americans, Mansions, Ploughs, Hom...
(+)
Piano and voice - Digital Download SKU: LV.24121 Composed by George L. Cobb. Shaking hands, Cotton plantations, African Americans, Mansions, Ploughs, Homesickness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24121). Are You From Dixie? ('Cause I'm From Dixie, Too!. Words by Jack Yellen. Music by George L. Cobb. Published 1915 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Shaking hands, Cotton plantations, African Americans, Mansions, Ploughs, Homesickness. First line reads Hello, there, stranger! how do you do?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
From This Day On
#
Piano, Voice
#
INTERMEDIATE
#
Alan Jay Lerner and Frederick
#
Dave Gingras and John E
#
From This Day On
#
DAVID LEE GINGRAS
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474233 Composed by Alan Jay Lerner and Frederick Loewe. Arranged by Dave Gingras and John E. Dosh...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1474233 Composed by Alan Jay Lerner and Frederick Loewe. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1051901. Published by DAVID LEE GINGRAS (A0.1474233). Brigadoon is a musical with a book and lyrics by Alan Jay Lerner, and music by Frederick Loewe. This song From This Day On, from the musical, has become a standard. It features two American tourists who stumble upon Brigadoon, a mysterious Scottish village that appears for only one day every 100 years. Tommy, one of the tourists, falls in love with Fiona, a young woman from Brigadoon. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added some pretty cool left-hand fills for your listening (playing?) pleasure - we hope you like what we've done to make this arrangement unique!
$4.99
Parted From Thee
#
Piano, Voice
#
George Matzka
#
Parted From Thee
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Piano and voice - Digital Download SKU: LV.3759 Composed by George Matzka. Portraits, Courtship, Love, Nostalgia, Sadness, Time. Lester S. Levy Collectio...
(+)
Piano and voice - Digital Download SKU: LV.3759 Composed by George Matzka. Portraits, Courtship, Love, Nostalgia, Sadness, Time. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3759). The Only Authorized Edition of The Songs of Mademoiselle Parepa. Parted From Thee. Geo. Matzka. Published 1865 by Wm. A. Pond & Co., 547 Broadway in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love, Nostalgia, Sadness, Time. First line reads Absent from home, parted from thee, deep in my soul the grief lingers yet.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Forty-five Minutes from Broadway
#
Piano, Voice
#
ADVANCED
#
George M
#
Dennis Frayne
#
Forty-five Minutes from Broadw
#
Presto! It's Music Magic Publishing
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.879305 Composed by George M. Cohan. Arranged by Dennis Frayne. Broadway,Folk,Musical/Show,Standard...
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.879305 Composed by George M. Cohan. Arranged by Dennis Frayne. Broadway,Folk,Musical/Show,Standards,Traditional. Score. 8 pages. Presto! It's Music Magic Publishing #6132745. Published by Presto! It's Music Magic Publishing (A0.879305). Tickle the ivories with Forty-five Minutes from Broadway, the title song from the three-act 1906 Broadway musical by George M. Cohan (1878-1942). The song was written about New Rochelle, New York, and refers to the 45-minute train ride from New Rochelle to Broadway. This arrangement for early advanced to advanced piano captures the joyful spirit of the times and evokes both a Broadway musical and old-time Americana flair. Includes the lyrics in paragraph form on the last page, plus helpful fingering suggestions.
$5.99
Songs from the Chinese for voice and piano
#
Piano, Voice
#
INTERMEDIATE
#
Contemporary
#
Leslie Kleen
#
Songs from the Chinese for voi
#
Music From Riverside
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1004793 Composed by Leslie Kleen. Contemporary. Score. 57 pages. Music From Riverside #4368524. Pu...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1004793 Composed by Leslie Kleen. Contemporary. Score. 57 pages. Music From Riverside #4368524. Published by Music From Riverside (A0.1004793). 18 Songs from Chinese Poets of the Yang Dynasty. These poems have been set to English verse by Kenneth L. Patton.These were originally composed for guitar accompaniment, and the piano part has been written to maintain the simplicity of the guitar part.The poems are all fairly short and maintain of the original Chinese style. They cover topics about Nature, Friendship, and Reflections on Life.No attempt has been made to imitate Oriental music - just the simplicity of the poems themselves.
$4.00
"The Queen of Spades" : Herman's Solo from "Storm Scene". DICTION SCORE with IPA & translation
#
Piano, Voice
#
ADVANCED
#
Peter Ilyich Tchaikovsky
#
Russian for Singers
#
"The Queen of Spades" : Herman
#
Natalia Melnik
#
SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116808 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers....
(+)
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1116808 By Peter Ilyich Tchaikovsky. By Peter Ilyich Tchaikovsky. Arranged by Russian for Singers. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 9 pages. Natalia Melnik #718464. Published by Natalia Melnik (A0.1116808). P.I.Tchaikovsky Herman's Solo from Storm Scene (“Poluchish smertel’nyj udar ty…â€) from The Queen of Spades (Pique Dame) act 1. Diction score - sheet music with IPA phonetics, word-by-word translation and grammatically correct translation. FREE DOWNLOAD! A quick and comprehensive tutorial on Russian phonetics: https://www.russian4singers.com/russian-diction-for-singers-1 . FULL SONG PACK: Diction score (sheet music with IPA phonetics and translations), Diction audio guide, Music coaching audio guide (Voice line + piano line), Rehearsal backing track (Piano line only) is available here https://www.russian4singers.com/product-page-2/tchaikovsky-herman-s-solo-from-storm-scene-full-packWe are offering a range of Russian diction coaching services:- individual coaching- group webinars- lectures on Russian Music Literature for singers​Please visit our website for more information https://www.russian4singers.com/bookingPlease SUBSCRIBE to Russian for Singers YouTube Channel https://www.youtube.com/@RussianForSingers
$11.50
Songs from Shakespeares As You Like It for High Solo Voice
#
Piano, Voice
#
INTERMEDIATE
#
James Nathaniel Holland
#
Songs from Shakespeares As You
#
James Nathaniel Holland
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730331 Composed by James Nathaniel Holland. Broadway,Jazz,Musical/Show,Pop,Rock. Score. 15 pages. ...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730331 Composed by James Nathaniel Holland. Broadway,Jazz,Musical/Show,Pop,Rock. Score. 15 pages. James Nathaniel Holland #2907637. Published by James Nathaniel Holland (A0.730331). Rosalind encounters a group of hippies living in the forest in these 4 songs from William Shakespeare's play As You Like It. Set from the original text in the style of the psychedelic 60s; songs range from pop to jazz to girl group and finally love and peace. Great for high school, college show choirs or high school/university presentations of the immortal classic. Great memorization aid, great for bands or groups looking for original material. Arranged for solo high voice (Range: B to F), piano (or keyboards), guitar Songs include:
$8.95
From Glory to Glory
#
Piano, Voice
#
EASY
#
Karen Beaumont
#
From Glory to Glory
#
Karen Beaumont
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1222015 Composed by Karen Beaumont. Christian,Contemporary. Score. 3 pages. Karen Beaumont #818299...
(+)
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1222015 Composed by Karen Beaumont. Christian,Contemporary. Score. 3 pages. Karen Beaumont #818299. Published by Karen Beaumont (A0.1222015). Soprano solo with piano accompaniment. Text from the Liturgy of St. James.Text: From glory to glory advancing, we praise thee, O Lord;thy name O Father, Son, and Spirit be ever adored.From strength unto strength we go forward on Sion's highway,to appear before God in the city of infinite day. 2 Thanksgiving and glory and worship and blessing and love,one heart and one song have the saints upon earth and above.Evermore, O Lord, to thy servants thy presence be nigh;ever fit us by service on earth for thy service on high.
$3.00
Songs from Shakespeares As You Like It for Low Solo Voice
#
Piano, Voice
#
INTERMEDIATE
#
James Nathaniel Holland
#
Songs from Shakespeares As You
#
James Nathaniel Holland
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730332 Composed by James Nathaniel Holland. Broadway,Musical/Show,Pop,Rock. Score. 17 pages. James...
(+)
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.730332 Composed by James Nathaniel Holland. Broadway,Musical/Show,Pop,Rock. Score. 17 pages. James Nathaniel Holland #2907639. Published by James Nathaniel Holland (A0.730332). Rosalind encounters a group of hippies living in the forest in these 4 songs from William Shakespeare's play As You Like It. Set from the original text in the style of the psychedelic 60s; songs range from pop to jazz to girl group and finally love and peace. Great for high school, college show choirs or high school/university presentations of the immortal classic. Great memorization aid, great for bands or groups looking for original material. Arranged for solo low voice (Range: G to C), piano (or keyboards), guitar. Sample here is for high voice, so keys for this version will be lower. Songs include:
$8.95
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 12: Cherchez, mes
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 1: Ô songe heureu
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 5: Si vous m’aim
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 3: Le Matin au bor
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 4: Prière au somm
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 3: Vous ne voulez pas from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 3: Vous ne voulez
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-03E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-03E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-03E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 2: Barque légère, mon coeur from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 2: Barque légère,
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-26E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-26E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-26E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 7: Dans un songe enchanté from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 7: Dans un songe en
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-31E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-31E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-31E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 14: Lettres, le seul repos from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 14: Lettres, le se
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-14E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-14E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-14E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 10: Le calme de mes jours from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 10: Le calme de me
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 1, No. 5: La chanson du pr
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 21, No. 5: Feuilles qui chuchotez from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 21, No. 5: Feuilles qui ch
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 9 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8492-23E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-23E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 16: Je sens fleurir les plaisirs… from Songs of Gouvy, V2 (Downloadable)
#
Piano, Voice
#
INTERMEDIATE
#
MeeAe Cecilia Nam and Theodore
#
Op. 45, No. 16: Je sens fleuri
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-16E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-16E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-16E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
<
1
26
51
....
9976
© 2000 - 2024
Home
-
New releases
-
Composers
Legal notice
-
Full version
