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He\\\\\\\'s Not Here
Piano, Voice
Sheetmusic to print
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He's Always There - SSA
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1262253 Composed by Amy Mora…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1262253 Composed by Amy Morales. Christian,Praise & Worship. Score. 4 pages. Amy J Morales #855286. Published by Amy J Morales (A0.1262253). A song of comfort about God's abiding care. There's never been a friend so dear than He Who conquers all my fears.A friend Who's constant and so near - He's always there, He's always there.When my faith seems small and weak, then His promises I'll seek.And through His Word, I'll hear Him speak.He's always there. He's always there. For every hour of every day, He'll walk beside you all the way. For every minute that passes by, throughout your life, He will abide.There's not a moment that He's not there to guide your steps and show His care.So take it to the Lord in prayer, He's always there. He's always there.Oh, how wonderful to know that my Father loves me so.No matter where on earth I go, He's always there, He's always there.And when my journey here's complete, I'll worship at my Savior's feet. Forever in that land so sweet. He's always there. He's always there.  For every hour of every day, He'll walk beside you all the way. For every minute that passes by, throughout your life, He will abide.There's not a moment that He's not there to guide your steps and show His care.So take it to the Lord in prayer, He's always there. He's always there.
$2.50
2.3 €
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Piano, Voice
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Amy Morales
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He's Always There - SSA
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Amy J Morales
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SheetMusicPlus
He's Been Untrue!
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842209 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.842209 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #5775365. Published by Andrew Mc Donald (Macka Records) (A0.842209). He's Been Untrue is a song about someone who is being unfaithful to his partner or wife. As he is not happy in the relationship he is looking elsewhere to another woman to satisfy his needs. In this scenario the right thing to do is repent and try to salvage the relationship. We cannot hide from God he sees all things so we should try to please him by staying faithful.
$4.99
4.6 €
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Piano, Voice
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Andrew Mc Donald
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He's Been Untrue!
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Andrew Mc Donald
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SheetMusicPlus
He Will Lead Me Home
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
1.83 €
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Piano, Voice
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
4.6 €
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Piano, Voice
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
He's Not Here (from Next to Normal)
Piano, Voice
Interactive Download SKU: HX.431718 This edition: Interactive Download. Broadway,Mu…
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Interactive Download SKU: HX.431718 This edition: Interactive Download. Broadway,Musical/Show. Piano Vocal. 2 pages. Published by Hal Leonard - Digital (HX.431718).
$4.99
4.6 €
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Piano, Voice
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He's Not Here
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Hal Leonard - Digital
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SheetMusicPlus
I Keep My Speeches In My Hat: A Children's Song About Abe Lincoln
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.960862 Composed by Darcy Hil…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.960862 Composed by Darcy Hill. Children. Score. 5 pages. Darcy Hill #1768649. Published by Darcy Hill (A0.960862). Abraham Lincoln gave brilliant speeches, and he always wore a stovepipe hat. So that he would not lose them or forget them, he kept his speeches and other important papers in his tall hat. This fun light-hearted song well captures this unique fact about Abe Lincoln. Here is the sheet music to this fun and happy song. One Arts Infusion Collaborative seeks to create original music that supports and enhances curricular content, celebrates holidays, and stirs the natural creativity and curiosity of students.
$2.00
1.84 €
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Piano, Voice
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Darcy Hill
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I Keep My Speeches In My Hat: A Children's Song About Abe Lincoln
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Darcy Hill
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SheetMusicPlus
Out Of Nowhere
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1083862 By Buddy De Franco. …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1083862 By Buddy De Franco. By Edward Heyman and Johnny Green. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #688062. Published by DAVID LEE GINGRAS (A0.1083862). Out of Nowhere is a popular song composed by Johnny Green with lyrics by Edward Heyman and published by Famous Music. It was popularized by Bing Crosby, and was the first recording under his Brunswick Records contract. He recorded it on March 30, 1931 and it became his first number one hit as a solo artist. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We tossed in what we think are some pretty sweet left-hand fills, also. It's not too hard and sounds great as-written, but feel free to make it your own!
$4.99
4.6 €
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Piano, Voice
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Buddy De Franco
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Out Of Nowhere
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DAVID LEE GINGRAS
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SheetMusicPlus
Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370002 Composed by Kevin G.…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1370002 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Children,Christian,Praise & Worship,Religious,Sacred. Score. 6 pages. Kevin G. Pace #954376. Published by Kevin G. Pace (A0.1370002). A children's song, telling the story of the sons of Mosiah from the Book of Mormon, Another Testament of Christ. Â Music by Kevin G. Pace. Â Text by Kathryn W. Hales.Text:The Lord told King Mosiah to let his sons go away, To the land of Nephi where for many years they'd stay. They wanted to preach the gospel in the Lord's ministry, To the sinful, wicked Lamanites who were their enemies.Now one of the sons was Ammon who had been a rebellious youth, But after Alma's change of heart, he wanted to know the truth. He became Lamoni's servant, watching over the king's sheep, He beat some robbers who came to steal, leaving a pile of arms at his feet.Then he taught King Lamoni the true source of his strength and might, That the king should change his ways, repent and do what's right. Lamoni believed what Ammon taught and all his people too, They became so very righteous because God's promises are true.Aaron was another son of Nephite King Mosiah, He taught of the Creation, of the Fall and God's Son who would die To save all men from death and sin, yea, Jesus, the Holy One, Who would come to earth at some future day to save each and ev'ry one.Omni and his brother Himnor were also Mosiah's sons, But not much is recorded about their missions. But they were faithful servants during all their trial filled days, They taught many people how to walk in God's own chosen way.Chorus:I want to be like Mosiah's sons and share God's holy word. I can be a missionary, a servant of the Lord. I can be so very courageous, I can the gospel teach, That all may know God's holy grace is within their loving reach.
$3.99
3.68 €
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Piano, Voice
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Kevin G
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Sons of Mosiah, children's song from the Book of Mormon, Another Testament of Christ
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Kevin G. Pace
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SheetMusicPlus
This Boy (ringo's Theme)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.584396 By The Beatles. By Jo…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.584396 By The Beatles. By John Lennon and Paul McCartney. Arranged by Jeff Tincher. Rock. Score. 8 pages. Jeff Tincher #5731811. Published by Jeff Tincher (A0.584396). Here is another love song from The Beatles. In the original key from Past Masters cd, this song is about a boy who longs for a girl that he once broke up from and now wants her back. This song never appeared on a U.K. release until they released the Past Masters cd. However this song appeared on the U.S. release Meet The Beatles. The subtitle Ringo's Theme did not appear on the title until after George Martin composed an instrumental version used in their first movie A Hard Day's Night. It was also the B-side of the U.S. single All My Loving. This arrangement includes the live ending The Beatles performed on The Ed Sullivan Show February 16, 1964. Duration = 2:24. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
5.52 €
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Piano, Voice
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The Beatles
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This Boy
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Jeff Tincher
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SheetMusicPlus
Mighty Lions of War (Saul's Army) from "The Kings" - ACT 1:Song 8
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784821 Composed by McCorkle,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784821 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score. 32 pages. DF McCorkle Music and eBook Publications #11731. Published by DF McCorkle Music and eBook Publications (A0.784821). ACT ONE: Song 8 The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 15:1-3 - And Samuel said unto Saul: Yahweh sent me to anoint you to be king over His people, over Israel; now therefore hearken thou unto the voice of the words of Yahweh. 2 Thus says Yahweh of hosts: ‘I remember that which Amalek did to Israel, how he set himself against him in the way, when he came up out of Egypt. 3 Now go and smite Amalek, and utterly destroy all that they have, and spare them not; but slay both man and woman, infant and suckling, ox and sheep, camel and ass.’] The scene transitions to many years later, on the battlefield with SAUL’S TROOPS and the PHILISTINE STORM TROOPERS in battle [The Mighty Lions of War – Saul’s Troops & Philistine Storm Troopers]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
2.76 €
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Piano, Voice
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McCorkle, Dennis F
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Mighty Lions of War
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Music Of The Spheres (C Major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.556055 Composed by Robert J. Sherman. …
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Piano,Vocal,Voice - Digital Download SKU: A0.556055 Composed by Robert J. Sherman. Arranged by Piano & Vocal Arrangement by Robert J. Sherman. Broadway,Instructional,Musical/Show. Score. 4 pages. Sherman Theatrical Entertainment Ltd. #165527. Published by Sherman Theatrical Entertainment Ltd. (A0.556055). Music Of The Spheres is from the musical Bumblescratch and is sung by “Melbourne†toward the end of Act I, following a moment of great peril. To Melbourne’s surprise (and tremendous relief) he is miraculously granted salvation. The experience deeply humbles and transforms the plague rat. For the first time Melbourne’s eyes are opened to the wonders and miracles that have always surrounded him but which had, until this moment gone unnoticed. Melbourne resolves to change his wicked ways and to use his talent for storytelling to persuade other plague rats to change their ways as well. When printing, please scale to fit for standard US Letter and A4 size.
$3.99
3.68 €
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Piano, Voice
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Robert J
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Music Of The Spheres
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Sherman Theatrical Entertainment Ltd.
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SheetMusicPlus
Music Of The Spheres (A Major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.529568 Composed by Robert J. Sherman. …
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Piano,Vocal,Voice - Digital Download SKU: A0.529568 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 4 pages. Sherman Theatrical Entertainment Ltd. #117892. Published by Sherman Theatrical Entertainment Ltd. (A0.529568). Music Of The Spheres is from the musical Bumblescratch and is sung by “Melbourne†toward the end of Act I, following a moment of great peril. To Melbourne’s surprise (and tremendous relief) he is miraculously granted salvation. The experience deeply humbles and transforms the plague rat. For the first time Melbourne’s eyes are opened to the wonders and miracles that have always surrounded him but which had, until this moment gone unnoticed. Melbourne resolves to change his wicked ways and to use his talent for storytelling to persuade other plague rats to change their ways as well. When printing, please scale to fit for standard US Letter and A4 size.
$3.99
3.68 €
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Piano, Voice
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Robert J
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Music Of The Spheres
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Sherman Theatrical Entertainment Ltd.
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SheetMusicPlus
He's Not Here from Next to Normal - Piano/Vocal/Chords, Singer Pro
Piano, Voice
Performed by: J. Robert Spencer: He's Not Here Digital Sheetmusic - instantly downloa…
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Performed by: J. Robert Spencer: He's Not Here Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice;Piano; 2 pages -- Show/Broadway~~Musical
$5.50
5.07 €
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Piano, Voice
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J. Robert Spencer
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Piano/Vocal/Chords, Singer Pro
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Musicnotes
He's Not Here by The Ruppes - Piano/Vocal/Chords
Piano, Voice
Performed by: The Ruppes: He's Not Here Digital Sheetmusic - instantly downloadable s…
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Performed by: The Ruppes: He's Not Here Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Hymn, instruments: Voice;Piano;4-Part Choir; 2 pages -- Gospel~~Southern Gospel
$5.50
5.07 €
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Piano, Voice
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The Ruppes
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Piano/Vocal/Chords
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Musicnotes
He is Risen (Easter Proclamation) [G Major]
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1395623 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1395623 By Stacey Plays Hymns. By Stacey Plays Hymns. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 5 pages. Anastace #979062. Published by Anastace (A0.1395623). The perfect Easter morning song, He is Risen, was inspired by centuries of Christians on Easter morning, proclaiming to each other and to the entire world that HE IS RISEN! And we reply again, HE IS RISEN INDEED! As heard on my YouTube channel, this is the full piano vocal version in the key of G major, to suit either very high or very low voices, with a 9-note range of G-A.This song is beautiful for an Easter church service, either sung by a soloist or as a way to open a church service on Resurrection Sunday! It's perfect for a single singer accompanied by keyboard or piano for a powerful, prophetic statement, or can be joined halfway by a praise band or a pipe organ, whatever matches the style of your church's music. For best results, a smooth, rich pad sound should be used, especially for the beginning. Also available, by searching Stacey Plays Hymns and the song title on this site, are the following versions:Full piano and vocal arrangement in D major [original key]Full piano and vocal arrangement in F major [for higher voices, a true soprano range]Lead Sheet in several useful keysPiano solo for a perfect matching prelude or postlude or communion interlude.For other formats including large print, or extended choral harmony versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
4.61 €
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Piano, Voice
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Stacey Plays Hymns
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He is Risen
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Anastace
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SheetMusicPlus
Thank U, Next
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
4.6 €
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Piano, Voice
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Ariana Grande
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
The Old White Hat. Campaign Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.13157 Composed by W. Milton Clarke. Hats…
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Piano and voice - Digital Download SKU: LV.13157 Composed by W. Milton Clarke. Hats, Horace Greeley, Presidential elections. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13157). The Old White Hat. Campaign Song and Chorus. Words and Music By W. Milton Clarke. Published 1872 by S. Brainard's Sons in Cleveland. Composition of strophic with SATB chorus with piano and voice instrumentation. Subject headings for this piece include Hats, Horace Greeley, Presidential elections. First line reads There's a good old man who lives on a farm, And he's not afraid to labor.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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W
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W
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The Old White Hat. Campaign Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Infinite, Eternal, Invisible, Undetectable God
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrympl…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.818377 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship. Score. 35 pages. Stephen R Dalrymple #6753169. Published by Stephen R Dalrymple (A0.818377). Infinite, Eternal, Invisible, Undetectable God ♫ original song by Stephen R Dalrymple ♫ based on 2 Chronicles 2:6, John 1:18, John 4:24 ♫ CCLI song # 7193328 ♫ Does God, the Creator of the Universe, have a face, eyes, ears, hands, arms, and feet? (Eze 39:29, Ps 34:15, Isa 59:1, Ps 98:1) Does He have wings like a chicken that He uses to comfort us? (Ps 91:4) Does He travel on the back of a cherub? (Psalm 18:10) Are the clouds a hiding place for God? (Job 22:14) Is His residence a place called heaven? Is the earth the footstool of His throne? (Isaiah 66:1) Does God change His mind? (Ex 32:14) ♫ The poetry of the Bible, (like other ancient literature) is full of figures of speech. Figures of speech explain things in words and ideas we can understand. The Bible abounds in figures of speech such as simile (comparison using like or as), metaphor (comparison not using like or as), synecdoche (using a part for the whole), deliberate hyperbole [obvious exaggeration], verbal irony (the tone of voice tells that the speaker means the opposite of the words he or she is using), personification (attributing human features or feelings to animals or inanimate objects), anthropomorphism / anthropopathism (gives human attributes, feelings to God.) [or animals, inanimate objects, cartoon characters.] ♫ God is spirit. (John 1:18, John 4:24) He is infinite, eternal, invisible, undetectable. The humanlike descriptions of God are actually figures of speech that help us understand and identify with Him. Descriptions of God’s eyes, arms, feet, wings, etc. are all figures of speech that tell us God is present everywhere, sees everything, hears everything, and cares about every part of his creation. (God is imminent). ♫ The heavens, even the highest heavens cannot contain Him. (2 Chronicles 2:6, 6:18) God is separate from the universe. (God is transcendent.) Scientific measurements cannot detect Him because He is not in the universe, the universe is in Him. ♫ Just as you can feel your fingers and your toes at the same time, God knows what is happening in every atom of the universe simultaneously. Back to the original question. ♫ After swimming laps in our local pool, I like to float on my back a bit. It reminds me that as the water surrounds me and supports me, so I am constantly encircled and upheld by God’s actual presence ♫ music © 2022 Stephen R Dalrymploe♫ recording ℗ 2022 Stephen R Dalrymple ♫ presentation © 2022 Stephen R Dalrymple ♫ sequenced by the composer ♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the vocal with piano accompaniment and 2) vocal with piano accompaniment for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
4.15 €
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Piano, Voice
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Stephen R Dalrymple
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Infinite, Eternal, Invisible, Undetectable God
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Stephen R Dalrymple
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SheetMusicPlus
Remember
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1500057 Composed by Ian Calv…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1500057 Composed by Ian Calvert. 21st Century,Chamber,Classical. Score. 7 pages. Ian Calvert #1076080. Published by Ian Calvert (A0.1500057). Christina Rosetti wrote the poem in 1849 at the age of 19; it may seem sad to be contemplating one’s own demise so early in life but in Victorian Britain death at that age was not so unusual. The poem expresses two things: there is the firm wish that her loved one should remember her, permanently – but not to an excessive degree; he should not feel guilty if he forgets her - ‘for a while’. The poem is scored here for mezzo-soprano but it is not strictly gender-specific and could be sung, an octave lower, by a baritone. The keyboard can be a piano, an electronic keyboard, preferably using a non-percussive voice or a synth. The music comes with two copies of the full score, with both voice and keyboard parts. The attached sample sound track, in order to include the start of the voice, begins at the end of the keyboard’s introduction. This song is also available set for mezzo-soprano and string quartet.
$7.00
6.45 €
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Piano, Voice
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Ian Calvert
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Remember
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Ian Calvert
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SheetMusicPlus
Bring a Torch, Jeanette, Isabella - SATB, violin and piano with parts page
Piano, Voice
Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801676 Compose…
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Choral Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.801676 Composed by French Carol - unknown. Arranged by Connie Boss. Celtic,Christmas,Irish,Multicultural,Sacred,World. Score. 12 pages. Connie Boss #6403517. Published by Connie Boss (A0.801676). This lovely French carol is about two women that found out that Jesus was born and that he was very special. They went around the town to let everyone know. They made food for Mary and Joseph. They warned others to be very quiet as to not awaken Jesus if he was sleeping. This is in SATB parts with violin and piano accompaniment. It has a unique intro and the last verse has SATB taking turns. cdboss@cvalley.netBring a Torch Jeanette, IsabellaFrench CarolArranged by Connie Boss Bring a torchBring a torchBring a torchBring a torch Jeanette, Isabella. Bring a torch, Jeanette, Isabella!Bring a torch, to the stable callChrist is born, tell the folk of the villageJesus is born and Mary's calling.Ah![a] Ah! Beautiful is the Mother!Ah! Ah! Beautiful is her Child Who is knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Open the door for us!Knock! Knock! Let us celebrate! It is wrong when the Child is sleeping,It is wrong to speak so loud.Silence, now as you gather around HimLest your noise should waken Jesus.Hush! Hush! See how He slumbers;Hush! Hush! See how He's fast asleep! Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at Him there,] His cheeks are rosy!Hush! Hush! See how the Child is sleeping;Hush! Hush! See how He smiles in His dreams
$5.50
5.07 €
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Piano, Voice
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French Carol - unknown
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Bring a Torch, Jeanette, Isabella - SATB, violin and piano with parts page
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Connie Boss
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SheetMusicPlus
A Storm is Gathering PVG
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983990 Composed by Steven H.…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.983990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 7 pages. Boothe Publishing #4360789. Published by Boothe Publishing (A0.983990). 1st Kings 19: Verses 11 & 12When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$3.99
3.68 €
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Piano, Voice
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Steven H
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A Storm is Gathering PVG
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Boothe Publishing
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SheetMusicPlus
Lovliest of Trees, A.E. Housman, poem
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.989230 Composed by Mary Ann …
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.989230 Composed by Mary Ann Joyce. Concert,Contemporary. Score. 4 pages. Mary Ann Joyce-Walter #6207637. Published by Mary Ann Joyce-Walter (A0.989230). Housman’s poem is about the nature of life, here represented by the cherry tree. The poet feels he does not have enough time to appreciate this beautiful world, because, like all living things, he will die. The first stanza is a description of the cherry tree in its spring-time splendor. It is as 'wearing white for Eastertide as if it is celebrating a religious festival. In the second stanza, the mood shifts from the tree to the poet himself, as he thinks about the inevitability of death. He, a twenty-year old, estimates that he has about fifty years left to live. The final stanza expresses the poet's feeling that fifty more years does not give him enough time to enjoy the beauties of nature. He decides that he will look at the cherry tree not only when it is hung with bloom, but also in winter when it is hung with snow. The poet thus celebrates the beauties of nature in all seasons, but also poignantly laments the inevitable passage from youth to old age and death, the seasons of his own life.I composed this setting of Loveliest of Trees to celebrate the 86th birthday of Joyce Hope Suskind, beloved friend, brilliant musician and composer par excellence.
$4.99
4.6 €
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Piano, Voice
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Mary Ann Joyce
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Lovliest of Trees, A.E. Housman, poem
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Mary Ann Joyce-Walter
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SheetMusicPlus
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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