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You've selected:
King Of Pain
Piano, Voice
Sheetmusic to print
25 sheet music found
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1
King Of Pain
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.583683 By The Police. By Sti…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.583683 By The Police. By Sting. Arranged by Jeff Tincher. Pop,Rock. Score. 15 pages. Jeff Tincher #4717801. Published by Jeff Tincher (A0.583683). There's a little black spot on the sun today. One of my favorite Police songs. In the original key from the Synchronicity project, this is a great rock piece and includes the live ending that they used on tour. Duration = 5:14. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.52 €
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Piano, Voice
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The Police
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King Of Pain
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Jeff Tincher
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SheetMusicPlus
I'm Thinking of the Past, Maggie. Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.19446 Composed by Frank Benton. Dwelling…
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Piano and voice - Digital Download SKU: LV.19446 Composed by Frank Benton. Dwellings, Buses, Carriages & coaches, Horses, Courtship & love, Weddings, Death, Emotion--pain. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.19446). I'm Thinking of the Past, Maggie. Song and Chorus. Words by Charles Hughes. Music by Frank Benton. Published 1880 by E.W. Bowman in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Dwellings, Buses, Carriages & coaches, Horses, Courtship & love, Weddings, Death, Emotion--pain. First line reads I'm thinking of the past, Maggie, Of happy bygone years.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Frank Benton
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I'm Thinking of the Past, Maggie. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Bounteous River of Mercy
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294494 By Cheryl Prazak. By…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294494 By Cheryl Prazak. By Lyrics: Cheryl Prazak and Traditional Gaelic. Arranged by Jon Burr. Christian,Country,Praise & Worship. Score. 9 pages. Cheryl Prazak #884869. Published by Cheryl Prazak (A0.1294494). “Cast your bread upon the waters†- Ecclesiastes 11:1Lyricist Cheryl Prazak blends eclectic and nostalgic lyric themes with lively renditions of traditional tunes in her new release “Hearts Aflame.â€Working with arranger/producer Jon Burr of arrangerforhire.com, and the wonderful vocalist Sammie Jane, these tracks were created for your enjoyment in the celebration of Christ.The album title and song Hearts Aflame were inspired by the 2023 Asbury Revival at Asbury University in Wilmore, Kentucky.Bounteous River of MercyBounteous river, river of mercy,Flowed from your life’s blood, flowed fast away.Streams never ceasing since in the Garden,Streams of the Lamb’s blood, unto this day.Rivers of crimson, washing as pure snow,Ribbons of crimson, spilled by God’s Lamb.Abraham offered up the chosen son,But as a ransom, God sent a ram.I offered my sin, You sent a Savior;I offered my pain, You sent your Son.I offered my guilt, You spilled your life’s blood;You gave me hope when I deserved none.First Fruit of Heaven, returned to the Father;First Fruit of Heaven, rending the veil.Life lies before me, death is behind me;Living in your Light, death can’t assail.Darkness is gone now, You are my sunshine;Raised in your likeness, I walk in Light.You are my High Priest, e’er pleading for me;You are my Counsel, setting things right.In Jesus’ blood now, is life everlasting;In life’s death shadow, there is no fear.Walking in your Light, calmness surrounds me;Lord of creation, my heart’s desire.
$4.99
4.6 €
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Piano, Voice
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Cheryl Prazak
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Bounteous River of Mercy
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Cheryl Prazak
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SheetMusicPlus
The Pretty Girl Milking Her Cow. Irish Ballad. ("The Valley Lay Smiling Before Me")
Piano, Voice
Piano and voice - Digital Download SKU: LV.18454 Courtship & love, Country life, Ca…
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Piano and voice - Digital Download SKU: LV.18454 Courtship & love, Country life, Campaigns & battles, Deceit, War, Emotion--pain. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18454). The Pretty Girl Milking Her Cow. Irish Ballad. (The Valley Lay Smiling Before Me). [Also includes The Song of O'Ruark, Prince of Breffni, to the same air]. n. Published 1860 by John J. Daly, 419 Grand St. in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Country life, Campaigns & battles, Deceit, War, Emotion--pain. First line reads 'Twas on a bright mornin' in summer I first heard his voice spakin' low.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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The Pretty Girl Milking Her Cow. Irish Ballad.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voice
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
55.31 €
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Piano, Voice
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
Alfonso XII / Alfonso Doce (Solo, Accompanied)
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.730920 Composed by Latin Ame…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.730920 Composed by Latin American Folk Song. Arranged by Sarah Martinez. Children,Folk,Multicultural,Traditional,World. Score. 3 pages. Sarah Martinez #339177. Published by Sarah Martinez (A0.730920). This arrangement of Alfonso XII has been adapted for a solo singer with piano accompaniment. This song tells a story about Alfonso XII, King of Spain from December 1874 until his death in November 1885. It is a song tale known in many Latin American countries. As is typical of folk songs, there are many popular variations and additional verses. English translation: Where are you going, Alfonso XII? Where are you going so sadly? I am looking for Mercedes because I lost her yesterday. Mercedes is already dead, and it's true because I saw her. Four dukes carried her through the streets of Madrid. The lanterns of the castle no longer want to light, Because Mercedes has died, and they are in mourning. Poor little Mercedes, she died like a flower. Similar arrangements for SATB, SAB, TB, and 2-part choirs are also available. You may also find this song under the alternate title ¿Dónde vas, Alfonso Doce?.
$1.99
1.83 €
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Piano, Voice
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Latin American Folk Song
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Alfonso XII / Alfonso Doce
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Sarah Martinez
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SheetMusicPlus
On, On, On, The Boys Came Marching, or, The Prisoner Free. Song & Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.22293 Composed by George Frederick Root.…
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Piano and voice - Digital Download SKU: LV.22293 Composed by George Frederick Root. Dining rooms, Eating & drinking, Families, Campaigns & battles, Guards, Soldiers, Love, Civil War--Union, Patriotism. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22293). On, On, On, The Boys Came Marching, or, The Prisoner Free. Song & Chorus. Sequel to Tramp, Tramp, Tramp. Words and Music by Geo. F. Root. Published 1865 by Root & Cady, 67 Washington St. in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Dining rooms, Eating & drinking, Families, Campaings & battles, Guards, Soliders, Love, Civil War--Union, Patriotism. First line reads O! the day it came at last, when the glorious tramp was heard.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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George Frederick Root
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On, On, On, The Boys Came Marching, or, The Prisoner Free. Song & Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Thank U, Next
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.510526 By Ariana Grande. By Ariana Grande, Charles Anderson, Kimberly Krysiuk, Michael Foster, Tayla Parx, Taylor Parks, Tommy Brown, and Victoria McCants. Arranged by Mario Stallbaumer. Pop. Score. 5 pages. Mario Stallbaumer #4301505. Published by Mario Stallbaumer (A0.510526). Here’s how to play “thank u, next†by Ariana Grande on piano!With this piano sheet music, you can play “thank u, next†on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.This “thank u, next†piano version is transposed one half step from the original key of Bb minor to A minor, so it’s much easier to play. These piano sheets come with all parts of the song, full lyrics included. It’s not too hard to play and sounds fantastic!However, there’s a more challenging arrangement of the song in the original key available, you can get it here: https://www.sheetmusicplus.com/title/21155619Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released thank u, next, a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!“thank u, next†serves as the lead single from Ariana Grande’s fifth studio album. Here are the song’s full lyrics:“Thought I'd end up with SeanBut he wasn't a matchWrote some songs about RickyNow I listen and laughEven almost got marriedAnd for Pete, I'm so thankfulWish I could say, Thank you to Malcolm'Cause he was an angelOne taught me loveOne taught me patienceAnd one taught me painNow, I'm so amazingI've loved and I've lostBut that's not what I seeSo, look what I gotLook what you taught meAnd for that, I sayThank you, next (next)Thank you, next (next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (next)Thank you, next (next)Thank you, next (next)I'm so fuckin'Spend more time with my friendsI ain't worried 'bout nothin'Plus, I met someone elseWe havin' better discussionsI know they say I move on too fastBut this one gon' last'Cause her name is AriAnd I'm so good with that (so good with that)She taught me love (love)She taught me patience (patience)How she handles pain (pain)That shit's amazing (yeah, she's amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searching, and for that, I sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, next (thank you)I'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm so fuckin' grateful for my exThank you, nextThank you, nextThank you, nextI'm so fuckingOne day I'll walk down the aisleHolding hands with my mamaI'll be thanking my dad'Cause she grew from the dramaOnly wanna do it once, real badGon' make that shit lastGod forbid something happensLeast this song is a smash (song is a smash)I've got so much love (love)Got so much patience (patience)I've learned from the pain (pain)I turned out amazing (turned out amazing)I've loved and I've lost (yeah, yeah)But that's not what I see (yeah, yeah)'Cause look what I've found (yeah, yeah)Ain't no need for searchingAnd for that, I'll sayThank you, next (thank you, next)Thank you, next (thank you, next)Thank you, nextI'm so fuckin' grateful for my exThank you, next (thank you, next)Thank you, next (said thank you, next)Thank you, next (next)I'm.
$4.99
4.6 €
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Piano, Voice
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Ariana Grande
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Madly Echo (fr. 'cyrano') (vocals Only)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1301450 Composed by Aaron Br…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1301450 Composed by Aaron Brooking Dessner, Bryce David Dessner, Carin Besser, and Matthew D. Berninger. Arranged by David Richard Corkill. Broadway,Film/TV,Musical/Show. Score. 4 pages. David Richard Corkill #891078. Published by David Richard Corkill (A0.1301450). Madly from Cyrano (2021)Â Arranged for Piano and Vocal SoloArranged by: David Richard CorkillIn Association With: Teradil PublishingFor this and other exciting creations, or to contact the arranger, visit: www.Teradil.comThis slow and soulful piano and vocal arrangement of Madly from the 2021 film Cyrano is a perfect way to express the pain and longing of unrequited love. It is sung with a unique emotion of: Hopeful Hopelessness.This arrangement is perfect for singers and pianists who are looking for a challenging and rewarding piece to learn and perform. It is also a great choice for anyone who wants to experience the emotional power of Madly in a new and exciting way.Features:Haunting and beautiful arrangementTechnically challenging and rewarding to playShowcases the singer's vocal range and expression in a unique wayDissonant at times, reflecting the turmoil of the singer's emotionsPerfect for singers and pianists who are looking for a challengeBenefits:Add a powerful and moving ballad to your repertoireChallenge yourself as a singer or pianistImpress your audience with a unique and unforgettable performanceExperience the emotional power of Madly in a new and exciting wayPurchase this arrangement today and start practicing! You'll be glad you did.
$4.99
4.6 €
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Piano, Voice
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Aaron Brooking Dessner, Bryce David Dessner, Carin Besser, and Matthew D
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Madly Echo
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David Richard Corkill
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SheetMusicPlus
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.25 €
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Piano, Voice
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Pasquale Cafaro
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Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Ae Fond Kiss
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820267 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.820267 Composed by Traditional Scottish. Arranged by Alan A Craig. Celtic,Concert,Folk,Holiday,Love. Score. 8 pages. Earnside Music #6671141. Published by Earnside Music (A0.820267). Robert Burns’ immortal portrait of an ill-fated relationship is often described as the greatest love song ever written. In this arrangement the world-famous Scottish folk melody is set for medium voice with a concert piano accompaniment that accentuates the understated pain conveyed by the heart-breaking text. Ideal for performance by classical musicians or students for concerts, recitals or Scottish-themed events.
$2.25
2.07 €
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Piano, Voice
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Traditional Scottish
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Ae Fond Kiss
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Earnside Music
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SheetMusicPlus
AÌfangastaður
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250078 By Helga Ragnars and…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1250078 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemporary,Folk. Score. 8 pages. Knut Olav Rygnestad #844475. Published by Knut Olav Rygnestad (A0.1250078). AÌfangastaður (Destination) is a poem about wanderlust, describing the sensation of travelling around and seeing and experiencing new things. It also described the pain of being unable to travel, and how the need to do so is the destination of every man.Guðfinna Jónsdóttir (1899–1946) from Hömrum was an organist and poet who lived a quiet and isolated life in Northern Iceland. She wrote beautiful poems about her life, filled with with tragedies, death and unrequited love. In her own time her work wasn't well known outside of her hometown, and today she is more or less forgotten.In collaboration with the singer Helga Ragnarsdóttir, the composer Knut Rygnestad has set several of her poems to music for voice and piano, with the aim of making them better known in Iceland and throughout the world. The project received funding from the Norwegian Arts Council and Hljóðritasjóður RannÃs, and an album of nine recorded songs, Ótal stjarna hröp was released in 2023.
$4.00
3.69 €
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Piano, Voice
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Helga Ragnars and Knut Rygnestad
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AÌfangastaður
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Knut Olav Rygnestad
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SheetMusicPlus
The Nation's Defenders
Piano, Voice
Piano and voice - Digital Download SKU: LV.21422 Composed by Frank McFarland. Beach…
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Piano and voice - Digital Download SKU: LV.21422 Composed by Frank McFarland. Beaches, Warships, Military camps, Soldiers, Shaking hand, Patriotism, Spanish-American War, Homecomings, Peace. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21422). The Nation's Defenders. Words and Music by Frank McFarland. Published 1899 by F. McFarland Music Co. in Crawford, Neb. Composition of strophic with refrain with piano and voice instrumentation. Subject headings for this piece include Beaches, Warships, Military camps, Soldiers, Shaking hand, Patriotism, Spanish-American War, Homecomings, Peace. First line reads Call to arms our men of war for a wrong done us by Spain First line of refrain Now the war is o'er, may it come no more to this great land of men so grand.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Frank McFarland
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The Nation's Defenders
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Take Me
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841842 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841842 Composed by Andrew Mc Donald. Christian,Gospel,Rock. Score. 7 pages. Andrew Mc Donald (Macka Records) #3478287. Published by Andrew Mc Donald (Macka Records) (A0.841842). Take Me is a song about a plea from us to the Lord to take us to be with Him in heaven in the end times. The earth will be in a terrible state and we will be eager to escape the pain and suffering. So Lord get us out of here is the statement we shall be making. Why won't you take me!
$4.99
4.6 €
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Piano, Voice
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Andrew Mc Donald
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Take Me
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Andrew Mc Donald
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SheetMusicPlus
A Song For You
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1266450 By The Carpenters. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1266450 By The Carpenters. By Leon Russell. Arranged by Dave Gingras and John E. Dosher. Film/TV,Jazz,Pop. Score. 4 pages. DAVID LEE GINGRAS #859188. Published by DAVID LEE GINGRAS (A0.1266450). A Song for You is a song written and originally recorded by rock singer and pianist Leon Russell for his first solo album Leon Russell, which was released in 1970 on Shelter Records. A slow, pained plea for forgiveness and understanding from an estranged lover, the tune is one of Russell's best-known compositions. Russell sang, played piano, and played tenor horn on the recording. This version features a root-based chord blocking that John and I have used in a number of our arrangements and we added what we think are some pretty cool left-hand fills! We hope you like what we've done with this awesome tune, it's one of John and my favorites!
$4.99
4.6 €
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Piano, Voice
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The Carpenters
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A Song For You
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DAVID LEE GINGRAS
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SheetMusicPlus
Keep on Dreaming
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.509564 Composed by Music by …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.509564 Composed by Music by Richard Link Lyrics by Barry Thorson. Arranged by 6 pages. Broadway,Musical/Show. Score. 6 pages. ArtLink Publishers #120563. Published by artLink Publishers (A0.509564). From the award winning children's musical The Painter's Dream, Keep on Dreaming is a pep talk to the self. Corby, the hero of the story and titular painter, sets off on a journey of discovery after dreaming of a treasure in a far-off land. The song serves as a way of pushing himself through the many obstacles and challenges that befall him along the way. If he can keep on dreaming, keep on looking inside himself for direction, he will know which way to go. Something many of us can relate to, I’m sure. Baritone Range: E4 highest note with an optional F at the end.
$3.99
3.68 €
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Piano, Voice
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Music by Richard Link Lyrics by Barry Thorson
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Keep on Dreaming
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artLink Publishers
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SheetMusicPlus
Sette Versi (2022)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1077471 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1077471 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary. Score. 53 pages. Thomas Oboe Lee #681663. Published by Thomas Oboe Lee (A0.1077471). I set my first Christina Rossetti poem back in 1998 for my song cycle, Love Songs. The poem A Birthday begins with the most delightful set of words, My heart is a like a singing bird ... Looking for something to set for my next song cycle I rediscovered Christina via his brother, the poet and painter, Dante Gabriel Rossetti. IMHO, he is much more brilliant as a painter, and his sister is the true genius poet!!! Christina's father emigrated to England from Italy in 1824. Consequently, all four children (Maria, Dante, William and Christina) spoke Italian at home when they were young. To my delight many of Christina's early poems are in Italian. And since I am an insufferable Italophile, this song cycle will consist only of her poems in Italian. I. Versi II. Amore e Dovere III. Amore e Dispetto IV. L'Uommibatto V. Cuccurucù! VI. Ninna-nanna VII. Chiesa e Signore.
$9.99
9.21 €
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Piano, Voice
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Thomas Oboe Lee
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Sette Versi
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Thomas Oboe Lee
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SheetMusicPlus
Seven Spanish Songs
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996625 Composed by Martin Je…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.996625 Composed by Martin Jeremy Richardson. Contemporary,World. Score. 44 pages. M J Richardson #5307647. Published by M J Richardson (A0.996625). This collection of seven songs is inspired by Spanish folk and flamenco music. Each song is representative of a different style or genre, including dances, romances, work, and religious and songs. Spain has a long history of folk music dating back to the Middle Ages; a tradition that is still very much alive today. The music has been influenced by many different cultures over the centuries and has been the inspiration for musicians across the world.Songs1.Sevillanas are a type of folk song and associated dance for couples, originating in the nineteenth century. Today they are still very popular, particularly at fiestas and other social events.2.Cabaliño is a Galician work song about a young horse, arranged in the style of a flamenco tango.3. La Petenera is a combination of two songs in very different styles - a flamenco Petenera from AndalucÃa and a Mexican son huasteco, a genre that is noteworthy for its flamboyant and virtuoso violin parts.4. Saetas are religious songs that are performed at Easter (Semana Santa).5.There are many hundreds of versions of the old folk tale Gerineldo, telling the story of love between a Queen and her page boy. This Spanish/Jewish version is over 500 years old, from the time when the Moors ruled over much of the Iberian Peninsula.6.Villancico Asturiano is a traditional Christmas carol from Asturias, combined with a setting of a Christmas poem written in the seventeenth century by Robert Herrick for King Charles II of England.7.The lyrics from La Tarara are drawn from the poem of the same name by the Spanish poet Federico Lorca, who based his poem on a traditional children´s playground song. La Tarara is a mystical woman who dances around the countryside. The music in this version is in the style of a Tanguillo – a type of flamenco dance from Cadiz.
$9.99
9.21 €
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Piano, Voice
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Martin Jeremy Richardson
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Seven Spanish Songs
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M J Richardson
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SheetMusicPlus
THOU DIDST LEAVE THY THRONE with Overhead PDF Text
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.931669 Composed by Timothy R…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.931669 Composed by Timothy R. Matthews. Arranged by Wanda Cooley. 20th Century,Christmas,Easter,Sacred. Score. 18 pages. Wanda J. COOLEY #6526685. Published by Wanda J. COOLEY (A0.931669). THOU DIDST LEAVE THY THRONE is a hymn tracing Jesus' birth, life, death, and my coming rejoicing upon His taking me to heaven! Verses are text-painted to picture angels at his birth, his life of humility, his journey to the cross (G minor) and his triumphant second coming. As the story escalates with exciting left-hand arpeggiated sixteenths over quarter-note right-hand chords, it concludes with the joyous highlighting of His Purpose: He came to earth for Me! Pdf Screen Words are white on burgundy baackground, and these are sequenced to the music as the story unfolds, using numerals. The print music hosts Piano Solo/Vocal Solo, as well as the Screen-sequencing of the text. This coming of Jesus into my heart is a personal testimony with a dramatic ending which fits nicely under-the-hands!
$3.99
3.68 €
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Piano, Voice
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Timothy R
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THOU DIDST LEAVE THY THRONE with Overhead PDF Text
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Wanda J. COOLEY
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SheetMusicPlus
Die Walkure
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.77 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
Nightsongs II for Soprano and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1349730 Composed by Justus P…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1349730 Composed by Justus Parrotta (b. 1988). 21st Century,Chamber,Classical,Contemporary. Score. 36 pages. Cherrywood Editions #934502. Published by Cherrywood Editions (A0.1349730). Nightsongs II consists of a series of sketches for voice and piano illustrating nighttime scenes. Odd-numbered movements focus on atmospheric textures, while even-numbered movements dwell on stars and galaxies. Movement I, Vocalise I, is inspired by street lights casting a copper hue against a dark cobalt sky. Movement II, Choose Something Like a Star, shifts between subdued and bright registers of the voice and piano to illustrate the contrast of the stars in the night sky. Movement III, Intermezzo, drives the listener to a country road on a cloudy night with pine trees on either side while the high beams illuminate the path. Frequent 16th notes in this movement create a motor-like motion. Compound meter with quick 16th notes in Movement IV, Returning, imparts a buoyant character that floats through different galaxies along with frequent use of Lydian and Myxolydian Modes and the Acoustic Scale. Movement V, Vocalise II, paints a picture of a hilly grass field and a parking lot on a cloudy and rainy night, surrounded by lights with a muffled glow.
$14.99
13.82 €
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Piano, Voice
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Justus Parrotta
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Nightsongs II for Soprano and Piano
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Cherrywood Editions
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SheetMusicPlus
Thank U, Next
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. …
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 9 pages. Published by Mario Stallbaumer
Here’s how to play “thank u, next” by Ariana Grande on piano!<br> <br> With this piano sheet music, you can play “thank u, next” on piano - you can use it as an instrumental arrangement, but also accompany singers, or sing along yourself.<br> <br> It’s a piano arrangement in the song’s original key of Bb minor, and comes with all parts of the song, full lyrics included.<br> <br> It’s not too hard to play and sounds fantastic!<br> <br> <br> Ariana Grande certainly knows what it's like if one's personal life is making headlines. In November 2018, she released "thank u, next", a surprisingly positive song about her past relationships and breakups (including Mac Miller, Pete Davidson and Big Sean), in which she comes to the conclusion that she learned from all of them!<br> <br> “thank u, next” serves as the lead single from Ariana Grande’s fifth studio album.<br> <br> Listen to the full arrangement here: https://youtu.be/yZWNKPCVvD0<br> <br> Here are the song’s full lyrics:<br> <br> <br> “Thought I'd end up with Sean<br> <br> But he wasn't a match<br> <br> Wrote some songs about Ricky<br> <br> Now I listen and laugh<br> <br> Even almost got married<br> <br> And for Pete, I'm so thankful<br> <br> Wish I could say, "Thank you" to Malcolm<br> <br> 'Cause he was an angel<br> <br> One taught me love<br> <br> One taught me patience<br> <br> And one taught me pain<br> <br> Now, I'm so amazing<br> <br> I've loved and I've lost<br> <br> But that's not what I see<br> <br> So, look what I got<br> <br> Look what you taught me<br> <br> And for that, I say<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin'<br> <br> Spend more time with my friends<br> <br> I ain't worried 'bout nothin'<br> <br> Plus, I met someone else<br> <br> We havin' better discussions<br> <br> I know they say I move on too fast<br> <br> But this one gon' last<br> <br> 'Cause her name is Ari<br> <br> And I'm so good with that (so good with that)<br> <br> She taught me love (love)<br> <br> She taught me patience (patience)<br> <br> How she handles pain (pain)<br> <br> That shit's amazing (yeah, she's amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching, and for that, I say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> Thank you, next<br> <br> I'm so fucking<br> <br> One day I'll walk down the aisle<br> <br> Holding hands with my mama<br> <br> I'll be thanking my dad<br> <br> 'Cause she grew from the drama<br> <br> Only wanna do it once, real bad<br> <br> Gon' make that shit last<br> <br> God forbid something happens<br> <br> Least this song is a smash (song is a smash)<br> <br> I've got so much love (love)<br> <br> Got so much patience (patience)<br> <br> I've learned from the pain (pain)<br> <br> I turned out amazing (turned out amazing)<br> <br> I've loved and I've lost (yeah, yeah)<br> <br> But that's not what I see (yeah, yeah)<br> <br> 'Cause look what I've found (yeah, yeah)<br> <br> Ain't no need for searching<br> <br> And for that, I'll say<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next (thank you, next)<br> <br> Thank you, next (said thank you, next)<br> <br> Thank you, next (next)<br> <br> I'm so fuckin' grateful for my ex<br> <br> Thank you, next”
$4.99
4.6 €
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Piano, Voice
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Ariana Grande
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Thank U, Next
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Mario Stallbaumer
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SheetMusicPlus
Das Rheingold
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Oper, Theater. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q17853. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)
$47.99
44.24 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Das Rheingold
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Schott Music - Digital
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SheetMusicPlus
Goetterdaemmerung
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
44.24 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Goetterdaemmerung
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Schott Music - Digital
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SheetMusicPlus
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