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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
La
Not classified
3,846
Piano & keyboards
Piano solo
26,974
Accordion
2,670
Piano, Voice
1,995
Piano, Vocal and Guitar
1,225
Easy Piano
861
C Instruments
272
1 Piano, 4 hands
171
Organ
126
Piano Accompaniment
81
2 Pianos, 4 hands
68
Big Note Piano
52
Piano Trio: piano, violin, cello
45
Piano (band part)
15
Piano Quartet: piano, violin, viola, cello
13
Piano Quintet: piano, 2 violins, viola, cello
12
Keyboard
8
Accordion, Voice
6
Organ, Trumpet (duet)
6
Accordion ensemble
5
Harpsichord
5
Piano Quartet: piano, 2 violins, cello
5
Organ, Piano (duet)
4
Melody line, Piano
4
Solo instrument and Organ
2
1 Piano, 6 hands
2
Accordion and Orchestra
2
Accordion - Piano, Voice, Guitar chords
2
Fake Book
2
2 Pianos, 8 hands
1
Accordion, String(s)
1
Accordion, Piano
1
+ 26 instrumentations
-
Retract
Guitars
Guitar
5,353
Bass guitar
3,644
Guitar notes and tablatures
1,562
Ukulele
464
Melody line, (Lyrics) and Chords
253
Lyrics and Chords
83
2 Guitars (duet)
75
4 Guitars (Quartet)
41
Mandolin
33
Guitar Ensemble
24
Guitar (band part)
19
3 Guitars (trio)
18
Banjo
16
Piano, Guitar (duet)
13
Dulcimer
6
Guitar, Orchestra
4
Baritone Ukulele
3
Ukulele Ensemble
2
Mandolin, Piano (duet)
2
Guitar, Violin, Cello (trio)
2
Electric Bass (band part)
2
Plectrum Orchestra
2
2 Guitars and Orchestra
1
Band Scores
1
Guitar, String Quartet
1
Guitar Tab, Voice, Bass, Drum
1
Mandolin, Guitar (duet)
1
2 Dulcimers (duet)
1
+ 23 instrumentations
-
Retract
Voice
Voice solo
5,871
Choral SATB
667
Choral 3-part
247
Choral 2-part
106
Choral TTBB
83
Choral
69
Choral SSAA
58
Soprano voice, Piano
55
Tenor voice, Piano
46
Choral Unison
43
Low voice, Piano
39
Choral Instrumental Pak
34
High voice
31
Baritone voice, Piano
25
Vocal duet
24
Alto voice, Piano
23
Vocal duet, Piano
22
Mezzo-Soprano voice, Piano
22
Voice, Guitar
8
Medium voice, Piano
7
Children choir
6
Voice, Basso continuo
4
Tenor voice
4
Choral SSAATTBB
2
Choral SSATB
2
Low voice
2
Choral SSAATB
1
High voice, Piano
1
Children choir, Piano
1
Choral SSATTB
1
Soli, Mixted choir and accompaniment
1
Soprano voice
1
Choral SAATB A Cappella
1
Choral SSAB a cappella
1
Choral SATTB
1
+ 30 instrumentations
-
Retract
Woodwind
Saxophone
17,769
Flute
8,097
Clarinet
7,550
Alto Saxophone
1,435
Tenor Saxophone
1,370
Recorder
1,209
Oboe
782
Soprano Saxophone
583
Flute and Piano
324
Clarinet and Piano
223
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
216
Saxophone (band part)
215
Saxophone Quartet: 4 saxophones
189
Oboe, Piano (duet)
188
Alto Saxophone and Piano
151
Clarinet Quartet: 4 clarinets
142
2 Saxophones (duet)
131
2 Flutes (duet)
131
Flute, Oboe, Clarinet, Bassoon
124
Tenor Saxophone and Piano
100
2 Clarinets (duet)
90
Clarinet (band part)
85
Oboe (band part)
78
Soprano Saxophone and Piano
71
Flute and Guitar
67
Flute Quartet: 4 flutes
62
Eb Instruments
58
Saxophone Quintet: 5 Saxophones
56
Recorder Quartet
46
3 Saxophones (trio)
45
3 Clarinets (trio)
39
Saxophone ensemble
34
Flute (band part)
33
Flute Trio: 3 flutes
31
English horn, Piano
29
Baritone Saxophone, Piano
27
Clarinet Ensemble
23
Flute ensemble
22
2 Oboes (duet)
22
Clarinet Quintet: 5 clarinets
22
Ocarina
21
Clarinet, Guitar (duet)
16
Bass Clarinet, Piano
16
Harmonica
15
Recorder, Piano
12
2 Recorders (duet)
11
Baritone Saxophone
11
Descant (Soprano) Recorder
11
Descent (Soprano) Recorder, Piano
10
Treble (Alto) Recorder, Piano
10
Flute, Violin, Piano
10
Flute, Clarinet and Bassoon.
9
Piccolo, Piano
9
English Horn
9
3 Recorders (trio)
9
Flute, Oboe, Clarinet (trio)
8
Tenor Recorder
8
Clarinet, Violin (duet)
8
Treble (Alto) Recorder
8
Saxophone and Guitar
7
2 Saxophones, Piano
7
Recorder Ensemble
7
Flute, Clarinet (duet)
6
Flute, Oboe, Bassoon
6
English horn, Harp (duet)
6
Oboe, Clarinet, Bassoon (trio)
6
Flute, Violin
6
Oboe, Bassoon (duet)
6
3 Oboes
5
Saxophone, Clarinet (duet)
5
Flute, Cello, Piano (trio)
4
2 English horns and Pianoforte
4
Flute, Cello, Guitar
4
2 Flutes, Piano
4
Recorder, Guitar (duet)
4
Harmonica, Piano
4
Flute, Violin and Violoncello
4
Clarinet, Trumpet (duet)
4
Flute Quintet : 5 flutes
3
Oboe, Flute
3
Piccolo
3
English Horn, Guitar (duet)
3
Flute, Oboe, Piano (trio)
3
Flute, Viola (duet)
3
Flute, Clarinet, Piano (trio)
3
2 Clarinets, Piano
3
Saxophone and Piano
3
5 Recorders
2
Clarinet, Cello (duet)
2
Clarinet, Cello, Piano (trio)
2
Clarinet, Orchestra
2
Oboe, Clarinet (duet)
2
Clarinet, Bassoon (duet)
2
Flute, Clarinet, Horn and Bassoon (Quartet)
2
Flute, Viola and Cello
2
Flute, harp and violin
2
Flute, Saxophone (duet)
2
Oboe and viola (duet)
1
Clarinet and Viola
1
2 Clarinets, Bassoon
1
Oboe, Cello
1
Descant (Soprano) Recorder, Basso continuo
1
Flute, Bassoon, and Piano
1
2 Oboes and English horn
1
Flute, Trumpet (duet)
1
Flute, Basso continuo
1
Oboe and Orchestra
1
Wind ensemble
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Saxophone and Organ
1
Flute, Oboe (duet)
1
Bass Clarinet
1
Oboe, Clarinet, Bassoon and Piano
1
Flute, Organ (duet)
1
Flute, Viola and Piano
1
Treble (Alto) Recorder, Basso continuo
1
Clarinet, Bassoon, Piano (trio)
1
Flute, Violoncello
1
Flute, Violin, Guitar
1
Flute, Violin, Violoncello and Piano
1
+ 115 instrumentations
-
Retract
Woodbrass
Trumpet
6,650
Trombone
6,193
French horn
613
Euphonium
418
Tuba
389
Brass Quintet: 2 trumpets, horn, trombone, tuba
241
Trumpet, Piano
161
Trumpet (band part)
139
Trombone (band part)
138
Brass quartet : 2 trumpets, trombone, tuba
138
Trombone and Piano
112
French Horn and Piano
109
Bb Instruments
58
Tuba and Piano
56
2 Trumpets (duet)
52
Brass Quartet: 2 trumpets, horn, trombone
44
2 Trombones (duet)
43
Trumpet ensemble
42
Brass Quartet: 4 trombones
42
French horn (band part)
42
Tuba (band part)
34
English horn, Piano
29
Euphonium, Piano (duet)
27
Brass Quartet
26
2 French horns (duet)
24
Brass Quartet: 4 horns
16
Bass Clef Instruments
12
2 Euphoniums and 2 Tubas
11
Trombone ensemble
11
2 Tubas (duet)
10
English Horn
9
Horn Ensemble
8
Trumpet, Trombone (duet)
8
Bass Trombone and Piano
7
4 Tubas
7
English horn, Harp (duet)
6
Brass Quartet: 4 trumpets
6
Brass Trio
5
3 Trumpets (trio)
5
Trumpet, Saxophone (duet)
4
2 English horns and Pianoforte
4
3 Trombones (trio)
4
Trumpet, Tuba (duet)
3
Trumpet, Orchestra
3
Tuba and Organ
3
F Instruments
3
English Horn, Guitar (duet)
3
Tuba ensemble
3
Trombone, Tuba (duet)
3
Euphonium, Tuba (duet)
3
2 Euphoniums (duet)
3
Bass Trombone
2
Horn, Tuba (duet)
2
Tuba or Euphonium or Saxhorn
2
Trumpet, Horn (duert)
2
Brass Quartet: 2 trumpets, 2 trombones
1
3 French horns (trio)
1
Horn, Cello (duet)
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Trumpet and Guitar
1
Trumpet, Trombone, Piano
1
Trumpet, Cello, Piano
1
French Horn and Harp
1
2 Trumpets, Keyboard (piano or organ)
1
+ 59 instrumentations
-
Retract
Strings
Violin
4,699
Cello
3,073
Viola
2,507
String Quartet: 2 violins, viola, cello
952
Violin and Piano
473
Double Bass
333
Cello, Piano
243
Harp
225
Viola, Piano
204
2 Violins (duet)
104
Violin (band part)
100
Violin, Cello (duet)
94
2 Cellos (duet)
86
String Trio: violin, viola, cello
84
String Quintet: 2 violins, viola, cello, bass
57
Double bass, Piano (duet)
55
Viola (band part)
49
Doublebass (band part)
47
4 Cellos
44
Violin, Viola (duet)
40
String Trio: 2 violins, cello
37
2 Violas (duet)
32
Cello, Guitar (duet)
28
Violin, Guitar (duet)
26
Cello (band part)
24
2 Violins, Piano
23
String Trio: 3 cellos
19
Viola, Cello (duet)
18
Viola, Guitar (duet)
18
String Trio: 3 violins
18
String trio
9
Harp, Flute (duet)
9
Piano Trio: Violin, Viola, Piano
9
String Trio: 3 violas
8
String Trio: 2 violins, viola
5
2 Harps (duet)
4
String quartet: 4 violins
3
Harp, String quartet
3
Harp, Violin (duet)
3
Violoncello, Basso continuo
3
2 Double basses (duet)
3
String Quartet : 4 violas
3
Violin, Basso continuo
2
Cello Ensemble
2
Violin, Double bass (duet)
2
String Quintet: 2 violins, viola, 2 cellos
2
2 Violins and Basso
2
3 double basses
2
Violin, Bassoon (duet)
2
2 Violas, Piano
2
Cello, Orchestra
2
Violin, Clarinet, Piano (trio)
2
Harp, Voice
1
Harp and Piano
1
2 Cellos, Piano
1
Viola ensemble
1
Cello, String Bass (duet)
1
Violin, Organ
1
String Quintet: 2 violins, 2 violas, cello
1
Violin ensemble
1
Harp, Cello (duet)
1
+ 56 instrumentations
-
Retract
Orchestra & Percussion
Drums
6,285
Orchestra
1,581
Concert band
747
String Orchestra
313
Jazz Ensemble
183
Percussion
160
Brass ensemble
129
Marching band
128
Chamber Orchestra
119
Percussion (band part)
51
Percussion Ensemble
33
Flexible Instrumentation
29
Handbells
19
Jazz combo
16
Drum (band part)
15
Timpani (band part)
13
Marimba
10
Woodwind Quintet
7
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Voice and Orchestra
3
Symphonic Band
3
Vibraphone (band part)
3
Big band
3
Xylophone
2
Woodwind Quartet: any 4 woodwinds
2
Vibraphone
2
Xylophone, Piano
2
Marimba, Piano (duet)
2
Brass Quintet: other combinaisons
1
2 Marimbas
1
3 Percussions
1
Timpani
1
2 Xylophones
1
+ 28 instrumentations
-
Retract
Others
Musical course - Solfege
131
Music Theory
53
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You've selected:
La
Piano, Voice
Sheetmusic to print
1,995 sheet music found
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1
26
51
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1976
La Góndola Azul: Fantasía en dos actos
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Piano, Voice
#
EASY
#
Armando Oscar Pacheco
#
La Góndola Azul: Fantasía en
#
Editorial Copistas Acuario
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1496298 By Armando Oscar Pacheco. By Alfredo Máximo Soler. 19th Century,20th Century,Broadway,Cla...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1496298 By Armando Oscar Pacheco. By Alfredo Máximo Soler. 19th Century,20th Century,Broadway,Classical,Comedy,Musical/Show. Score. 133 pages. Editorial Copistas Acuario #1072841. Published by Editorial Copistas Acuario (A0.1496298). Esta obra es claro reflejo de las corrientes artísticas que impactaban a los escritores, músicos e intelectuales de la República Dominicana a principios del siglo pasado. Por un lado, encontraremos la lírica característica del modernismo latinoamericano impregnado en cada letra del libreto. Desde el nombre de la obra nos hace referencia al símbolo más claro de este movimiento, el «azul» coloreado por el gran Darío que dejaría entintado todo el continente. Dentro de la temática y el lenguaje se busca decididamente la refinación aristocrática mediante la creación de imágenes cargadas de flores, adornos, joyas y delicadeza. Por otra parte, en la música, encontraremos a un compositor consumado dominando de manera holgada el estilo de la zarzuela, la cuál desde los primeros años del siglo XX, había realizado su entrada en la palestra cultural dominicana a través de las diferentes compañías que llegaban principalmente de Italia, España y Estados Unidos.1 Si bien esta obra está escrita originalmente para orquesta, las partes de dicho arreglo se encuentran en parte extraviada. Lo que se presenta aquí es el score vocal conservado, el cuál contiene las diferentes voces utilizadas en las canciones, y una reducción para piano de la música. Así mismo, debido a la vinculación de esta obra al municipio de San Pedro de Macorís, hemos decidido, a través de la visión creativa de la ilustradora Ana Gerardino, visualizar el escenario de «La Góndola Azul» dentro de una imaginación simbólica de las costas de esta localidad.
$9.99
La Llorona (Coco)
#
Piano, Voice
#
EASY
#
Mexican Folk Song
#
Christina Magallanes Jones
#
La Llorona
#
Christina Magallanes-Jones
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1184448 Composed by Mexican Folk Song. Arranged by Christina Magallanes Jones. Folk,Historic,Latin...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1184448 Composed by Mexican Folk Song. Arranged by Christina Magallanes Jones. Folk,Historic,Latin,Multicultural,Traditional,World. Score. 5 pages. Christina Magallanes-Jones #784177. Published by Christina Magallanes-Jones (A0.1184448). La Llorona (The weeping woman) is a Mexican folk song derived from the legend of La Llorona. It is also featured in the 2017 Disney animated film, Coco.La Llorona es una cancion popular mexicana derivada de la leyenda de La Llorona. Tambien aparece en la pelicula animada de Disney de 2017, Coco.
$4.99
The Song of Shadows - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Ke
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Piano, Voice
#
INTERMEDIATE
#
New Age
#
Contemporary
#
Dennis McCorkle, Adele Paxton
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The Song of Shadows - An Origi
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DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784928 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 9 ...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784928 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 9 pages. DF McCorkle Music and eBook Publications #6189873. Published by DF McCorkle Music and eBook Publications (A0.784928). Key: F, Range F3 to C5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
Slim Sophia (or "Reverie’) - An Original Song Setting of Walter de la Mare's Poetry for VOICE and
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Piano, Voice
#
INTERMEDIATE
#
Dennis McCorkle, Adele Paxton
#
Slim Sophia
#
DF McCorkle Music and eBook Publications
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784933 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,Traditional. Score...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784933 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,Traditional. Score. 14 pages. DF McCorkle Music and eBook Publications #6189973. Published by DF McCorkle Music and eBook Publications (A0.784933). Key: Db, Range G3 to Ab4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
Dust to Dust - An Original Song Setting of Walter de la Mare's Poetry for VOICE and PIANO: Key B
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Piano, Voice
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INTERMEDIATE
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Dennis McCorkle, Adele Paxton
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Dust to Dust - An Original Son
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784929 Composed by Dennis McCorkle, Adele Paxton. Concert,Contemporary,New Age,Spiritual. Score. 9...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.784929 Composed by Dennis McCorkle, Adele Paxton. Concert,Contemporary,New Age,Spiritual. Score. 9 pages. DF McCorkle Music and eBook Publications #6189923. Published by DF McCorkle Music and eBook Publications (A0.784929). Key: B/D#m, Range F#3 to A#4 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com
$7.95
De La Chica: Arias florentinas, Op. 15
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Piano, Voice
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Julián De La Chica
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De La Chica: Arias florentinas
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Vagabundo Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.1176320 Composed by Julián De La Chica. Classical,Contemporary,Opera. Score. 25 pages. Vagabundo Music Pu...
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Piano,Vocal,Voice - Digital Download SKU: A0.1176320 Composed by Julián De La Chica. Classical,Contemporary,Opera. Score. 25 pages. Vagabundo Music Publishing #776442. Published by Vagabundo Music Publishing (A0.1176320). MUSIC NOTES:The Arias began with a month De La Chica spent in Italy in the summer of 2021. There, walking the streets, he saw a poster announcing a vocal recital in what he describes as “a very old chapel,†and which was the first public concert he saw since the beginning of the pandemic. “Maybe it was the ambience of the chapel, the city, and the Italian arias that gave me inspiration for the cycle,†he says. And the Poemas de bar became a model for the new music. “Because the Poemas were conversations in a bar, â€De La Chica explains, “I decided to capture everyday conversations in Florence. I ‘stole’ some stories—for example, when I was on line to buy tickets for the Campanile, or in a coffee shop,†he would note bits of conversations he overheard. He tells one story about this: “I still remember around 2 a.m., there was one guy sitting on a bridge over the Arno. I think he was drunk.†De La Chica heard him saying to passersby, “look at the light of the river.†The composer thought the man was trying to jump, an experiencehe describes as “a little scary.†— George Grella.
$55.00
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 21, No. 3: Le Matin au bor
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 5: La chanson du printemps from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 5: La chanson du pr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-29E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-29E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-29E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 18: La vie est une fleur from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 18: La vie est une
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-18E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-18E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-18E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 12: La nuit après
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 10: À la gloire, au bonheur! from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 10: À la gloire, a
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-34E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-34E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-34E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 45, No. 9: Si la pitié trouve en vous from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 9: Si la pitié tr
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 11: Comme la fleur discrète from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 11: Comme la fleur
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-35E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-35E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-35E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
Op. 1, No. 6: Le Château dans la forêt from Songs of Gouvy, V2 (Downloadable)
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Piano, Voice
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INTERMEDIATE
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MeeAe Cecilia Nam and Theodore
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Op. 1, No. 6: Le Château dans
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer M...
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Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
And He'd Say "Oo-La-La-Wee-Wee"
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Piano, Voice
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Harry Ruby and George Jessell
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Harry Ruby & George Jessell
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And He'd Say "Oo-La-La-Wee-Wee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.22703 Composed by Harry Ruby & George Jessell. World War I, Couples, Soldiers, Courtship, Love, France, Carica...
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Piano and voice - Digital Download SKU: LV.22703 Composed by Harry Ruby & George Jessell. World War I, Couples, Soldiers, Courtship, Love, France, Caricatures, Ethnic stereotypes. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22703). And He'd Say Oo-La-La-Wee-Wee. By Harry Ruby and George Jessell. Published 1919 by Waterson, Berlin & Snyder Co., Strand Theatre B'ldg. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include World War I, Couples, Soldiers, Courtship, Love, France, Caricatures, Ethnic stereotypes. First line reads Willie Earl met a sweet young girl one day in France.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
You'll Have to Put Him to Sleep With the Marseillaise (And Wake Him Up With a Oo-La-La)
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Piano, Voice
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Harry Von Tilzer
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You'll Have to Put Him to Slee
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - Digital Download SKU: LV.24016 Composed by Harry Von Tilzer. Couples, Soldiers, Kissing, Courtship, War allies, World War I. Lester S. ...
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Piano and voice - Digital Download SKU: LV.24016 Composed by Harry Von Tilzer. Couples, Soldiers, Kissing, Courtship, War allies, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24016). You'll Have to Put Him to Sleep With the Marseillaise (And Wake Him Up With a Oo-La-La). Words by Andrew Sterling. Music by Harry Von Tilzer, 1918. Published 1918 by Harry Von Tilzer Music Publishing Co., 222 W. 46th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Soldiers, Kissing, Courtship, War allies, World War I. First line reads Girls have you heard the very latest news.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
La donna è mobile in D-flat major for Contralto and Piano
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Piano, Voice
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EASY
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Classical
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Giuseppe Verdi
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Langanho
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La donna è mobile in D-flat m
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Avery Lynn Jordan
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236440 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236440 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831955. Published by Avery Lynn Jordan (A0.1236440). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for contralto and piano in the key of Db major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in A-flat major for Baritone and Piano
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Piano, Voice
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EASY
#
Classical
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Giuseppe Verdi
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Langanho
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La donna è mobile in A-flat m
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Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236622 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236622 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #832142. Published by Avery Lynn Jordan (A0.1236622). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for baritone and piano with chords in the key of Ab major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in A major for Contralto and Piano
#
Piano, Voice
#
EASY
#
Classical
#
Giuseppe Verdi
#
Langanho
#
La donna è mobile in A major
#
Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236431 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236431 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831946. Published by Avery Lynn Jordan (A0.1236431). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for contralto and piano with chords in the key of A major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in D major for Soprano and Piano
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Piano, Voice
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EASY
#
Classical
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Giuseppe Verdi
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Langanho
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La donna è mobile in D major
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Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236097 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236097 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831605. Published by Avery Lynn Jordan (A0.1236097). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for soprano and piano with chords in the key of D major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile by Verdi for Bass and Piano
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Piano, Voice
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EASY
#
Classical
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Giuseppe Verdi
#
Langanho
#
La donna è mobile by Verdi fo
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Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236663 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236663 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #832183. Published by Avery Lynn Jordan (A0.1236663). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for bass in its clef and piano with chords in the original key. With simplified piano accompaniment, this sheet music is ideal for teachers who wish to use it as educational material in their classes, as well as for students who want to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the possibility to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in E-flat major for Baritone and Piano
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Piano, Voice
#
EASY
#
Classical
#
Giuseppe Verdi
#
Langanho
#
La donna è mobile in E-flat m
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Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236655 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236655 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #832175. Published by Avery Lynn Jordan (A0.1236655). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for baritone and piano with chords in the key of Eb major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$2.99
La donna è mobile in G major for Contralto and Piano
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Piano, Voice
#
EASY
#
Classical
#
Giuseppe Verdi
#
Langanho
#
La donna è mobile in G major
#
Avery Lynn Jordan
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236449 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1236449 Composed by Giuseppe Verdi. Arranged by Langanho. 19th Century,Classical,Romantic Period. Score. 2 pages. Avery Lynn Jordan #831964. Published by Avery Lynn Jordan (A0.1236449). We present to you the sheet music of a special arrangement of the famous aria La donna è mobile by Verdi, carefully reduced for contralto and piano in the key of G major. With simplified piano accompaniment, this sheet music is ideal for both teachers who wish to use it as educational material in their classes and students looking to enhance their repertoire. La donna è mobile is one of the most well-known arias from Verdi's opera Rigoletto, composed by the renowned Giuseppe Verdi. This sheet music offers the opportunity to explore this masterpiece of romantic music in an accessible way, allowing both beginner and experienced singers to appreciate and interpret this beautiful composition. Take advantage of this opportunity to acquire the best product in the market, which provides high-quality sheet music. Don't miss the chance to enrich your repertoire and improve your musical skills. Purchase this sheet music of La donna è mobile now and enjoy a unique musical experience!
$1.99
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