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Die Walkure
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
49.4 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
#
SheetMusicPlus
Das Rheingold
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
(+)
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Oper, Theater. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q17853. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)
$47.99
43.91 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Das Rheingold
#
Schott Music - Digital
#
SheetMusicPlus
O come, O come Emmanuel - Voice, Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.722472 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.722472 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christian,Christmas,Praise & Worship,Sacred. Score. 3 pages. Music-Scores.com #6643355. Published by Music-Scores.com (A0.722472). O come, O come Emmanuel: this is from the 13th century or even earlier, and is of french origin. A simple arrangement for Voice and Piano or Organ.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$2.95
2.7 €
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Piano, Voice
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Traditional
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O come, O come Emmanuel - Voice, Piano
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Music-Scores.com
#
SheetMusicPlus
I Saw Three Ships Come Sailing In - Version 2 - Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721172 Composed by Tradition…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721172 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score. 1 pages. Music-Scores.com #3913485. Published by Music-Scores.com (A0.721172). I Saw Three Ships Come Sailing In, Version 2. The three ships could represent the wise men, or the shepherds, or gold, frankincense and myrrh, or even 3 camels. There is no sea near Bethlehem.For Voice and Piano.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$2.95
2.7 €
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Piano, Voice
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Traditional
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I Saw Three Ships Come Sailing In - Version 2 - Voice and Piano
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Music-Scores.com
#
SheetMusicPlus
I Saw Three Ships Come Sailing In - Version 1 - Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721171 Composed by Tradition…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721171 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score. 1 pages. Music-Scores.com #3913481. Published by Music-Scores.com (A0.721171). I Saw Three Ships Come Sailing In, Version 1. The three ships could represent the wise men, or the shepherds, or gold, frankincense and myrrh, or even 3 camels. There is no sea near Bethlehem. This is a great carol to sing around a log fire.For Voice and Piano.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$2.95
2.7 €
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Piano, Voice
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Traditional
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I Saw Three Ships Come Sailing In - Version 1 - Voice and Piano
#
Music-Scores.com
#
SheetMusicPlus
O Holy Night; Cantique de Noel - Bb Major Voice and Piano
Piano, Voice
Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas, Re…
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Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas, Recital. Score, Solo Part. 10 pages. Published by Music-Scores.com
Cantique de Noel, or O Holy Night. Adolph Adam composed this beautiful music to a poem by Placide Cappeau, written to celebrate the renovation of the Church organ in Roquemaure, in Southern France.<br> <br> Medium Voice and Piano.<br> <br> Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
5.44 €
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Piano, Voice
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Adam, Adolph
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O Holy Night; Cantique de Noel - Bb Major Voice and Piano
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SheetMusicPlus
The 12 Days of Christmas - Voice and Piano - G major
Piano, Voice
Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Classroom, Act…
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Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Classroom, Activities and Games, Christmas, Recital. 8 pages. Published by Music- Scores.com
The Twelve Days of Christmas, for Voice and Piano, in the higher key of G major.<br> On the first day of Christmas my true love sent to me <br> A partridge in a pear tree.<br> <br> Duration: about 2 minutes, 20 seconds.<br> Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com
$4.95
4.53 €
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Piano, Voice
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Traditional
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The 12 Days of Christmas - Voice and Piano - G major
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Music- Scores.com
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SheetMusicPlus
Play - Sing (Multi-dimensional Music Reading Studies)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1003152 Composed by Onder Oz…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1003152 Composed by Onder Ozkoc. Contemporary,Instructional. Score. 73 pages. Onder Ozkoc #6694811. Published by Onder Ozkoc (A0.1003152). This book has been prepared for the purpose of doing self-accompanied music reading (solfeggio) practice. For this, 70 pieces were designed; with these pieces, it is aimed to develop multi-layered thinking and hearing elements in music. The four parts in the book, which are sorted according to the level of difficulty, are written on a single string, the notes with the stems downwards are accompanied by the notes, and the ones that upwards belong to the reading party. The accompaniment of the pieces is sometimes considered as a single sound, chord, or rhythmic structure, and sometimes as a combination of these structures. The accompaniment, which comes as a rhythmic structure in the 2nd and 4th chapters, is written with rhythmic notation on a separate staff.The accompaniments of the pieces in the first part can be played with instruments such as the piano or guitar, where two or three voices can be played at the same time and music can be played while performing, while the accompaniments are designed only as a rhythm for the parts in the second part can be played by hitting them with the hand or another instrument.The pieces in the third part were written in a way that the upper part can be read when the lower part is played and the lower part is read when the upper part is played, considering the translatable counterpoint technique, thus 4 working ways are derived from one piece. The monophonic accompaniments of the pieces in this section can also be played with instruments that can be read while playing.The fourth chapter of the book contains pieces that combine the understanding of the first two chapters, which can be called advanced when compared to the other chapters.The pieces in the book were read many times with students from different age groups at different levels, and their interpretations contributed to the shaping of the pieces. It is thought that the book, which includes studies that can help with simultaneous melody/rhythm hearing, reading scores, or rhythmic analysis, will contribute to the development of multi-layered thinking and hearing in music by making accompanying music reading studies on its own, and this is a basic requirement for every musician.
$10.00
9.15 €
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Piano, Voice
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Onder Ozkoc
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Play - Sing
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Onder Ozkoc
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SheetMusicPlus
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$12.00
10.98 €
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Piano, Voice
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Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Nina - Voice and Piano/Organ (G Minor)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.722396 Composed by Giovanni …
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.722396 Composed by Giovanni Battista Pergolesi. Arranged by Anne L Christopherson GRSM ARCM. Baroque,Concert,Contemporary. Score. 3 pages. Music-Scores.com #6458599. Published by Music-Scores.com (A0.722396). Nina, or the Siciliana, is a lament on the 3-day illness of a man's beloved Nina, which was a common theme of the Italian Baroque period. For three long days my Nina... upon her bed has lain. This is a lovely little piece and much can be made of its theatrical theme.This is for Voice and Piano/Organ.Duration: about 2 minutes, 40 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$4.95
4.53 €
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Piano, Voice
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Giovanni Battista Pergolesi
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Nina - Voice and Piano/Organ
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Music-Scores.com
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SheetMusicPlus
I must complain, yet do enjoy my love
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.1039206 Composed by Anonymous. Arrange…
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Piano,Vocal,Voice - Digital Download SKU: A0.1039206 Composed by Anonymous. Arranged by Early Music Scores. Baroque. Score. 3 pages. Early Music Scores #644157. Published by Early Music Scores (A0.1039206). Voice and keyboard instrument: composed by Anonymous. From British Library, Add. MS. 15117,f.19. Edited by Felipe Dias. 3 pages.
$5.99
5.48 €
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Piano, Voice
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Anonymous
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I must complain, yet do enjoy my love
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Early Music Scores
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SheetMusicPlus
Goetterdaemmerung
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
43.91 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Goetterdaemmerung
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Schott Music - Digital
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SheetMusicPlus
The Wassail Song - Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721175 Composed by Tradition…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721175 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score. 7 pages. Music-Scores.com #3913505. Published by Music-Scores.com (A0.721175). Here We Come a Wassailing, or The Wassail Song. A Wassail is the content of a drinking vessel and this is a song of beer and good cheer. It could be sung towards the end of an evening of carolling around the village, perhaps accompanied by a mug of steaming mulled wine.For Voice and Piano.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$2.95
2.7 €
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Piano, Voice
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Traditional
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The Wassail Song - Voice and Piano
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Music-Scores.com
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SheetMusicPlus
Cantique de Noel; O Holy Night - Voice - C Major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721056 Composed by Adam, Ado…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721056 Composed by Adam, Adolph. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score. 10 pages. Music-Scores.com #3877801. Published by Music-Scores.com (A0.721056). Cantique de Noel, or O Holy Night. Adolph Adam composed this beautiful music to a poem by Placide Cappeau, written to celebrate the renovation of the Church organ in Roquemaure, in Southern France.Alto Voice and Piano, C major.10 pages.Arranged by Anne Christopherson at https://www.music-scores.com
$4.95
4.53 €
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Piano, Voice
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Adam, Adolph
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Cantique de Noel; O Holy Night - Voice - C Major
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Music-Scores.com
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voice
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
54.89 €
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Piano, Voice
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
Star Spangled Banner - Piano and Voice
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.722278 Composed by Smith, Jo…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.722278 Composed by Smith, John Stafford. Arranged by Anne L Christopherson GRSM ARCM. Folk,Graduation,Holiday,Patriotic. Score. 2 pages. Music-Scores.com #6246141. Published by Music-Scores.com (A0.722278). The National anthem of the United States of America. The music was originally a popular British song which was used to set Frances Scott Key's poem inspired by the flag, the Star Spangled Banner, to music. For Piano with words attached.Duration: 1 minute per verse.Arranged by Anne Christopherson GRSM ARCM at www.music-scores.com
$2.95
2.7 €
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Piano, Voice
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Smith, John Stafford
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Star Spangled Banner - Piano and Voice
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Music-Scores.com
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SheetMusicPlus
Auld Lang Syne - Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721124 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721124 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Graduation,Holiday,Wedding. Score. 1 pages. Music-Scores.com #3883379. Published by Music-Scores.com (A0.721124). Should Auld Acquaintance be Forgot, a poem by Robert Burns which became the well known New Year's song. It is also sung at graduations, weddings, funerals, Burns suppers, and often at The Proms at the Royal Albert Hall, London. Piano.Duration: 1 minute 30 seconds with repeat.Arranged by Anne Christopherson at https://www.music-scores.com
$1.99
1.82 €
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Piano, Voice
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Traditional
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Auld Lang Syne - Piano
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Music-Scores.com
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SheetMusicPlus
I Cannot Tell - Voice - Eb
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721208 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721208 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Concert,Holiday,Sacred,Wedding. Score. 6 pages. Music-Scores.com #4110733. Published by Music-Scores.com (A0.721208). Londonderry Air, also known as Danny Boy, or I Cannot Tell. The melody existed before any of the words known to us today, and has been recorded by many illustrious singers.For Voice and Piano, in Eb.About 3 minutes.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$4.95
4.53 €
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Piano, Voice
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Traditional
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I Cannot Tell - Voice - Eb
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Music-Scores.com
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SheetMusicPlus
Jingle Bell Sleigh Ride - Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721774 Composed by Pierpont,…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721774 Composed by Pierpont, James. Arranged by Anne L Christopherson GRSM ARCM. Christian,Christmas,Concert. Score. 4 pages. Music-Scores.com #5001933. Published by Music-Scores.com (A0.721774). Jingle Bell Sleigh Ride - a jazzy adaption for Voice and Piano.Duration about 1 minute, 50 seconds, for 2 verses.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.44 €
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Piano, Voice
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Pierpont, James
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Jingle Bell Sleigh Ride - Voice and Piano
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Music-Scores.com
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SheetMusicPlus
I'll Take you Home Again Kathleen - Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721916 Composed by Westendor…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721916 Composed by Westendorf, Thomas. Arranged by Anne Christopherson GRSM ARCM. Concert,Contemporary,Holiday. Score. 4 pages. Music-Scores.com #5301295. Published by Music-Scores.com (A0.721916). I will Take You Home Kathleen, for Alto Sax and Piano. A beautiful song adopted as an Irish ballad, sung by Elvis amongst many other talented people.For Voice and Piano.Arranged by Anne Christopherson GRSM ARCM at https://www.music-scores.com
$5.95
5.44 €
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Piano, Voice
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Westendorf, Thomas
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I'll Take you Home Again Kathleen - Voice and Piano
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Music-Scores.com
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SheetMusicPlus
Largo from Xerxes - Voice and Piano
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721696 Composed by George Fr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.721696 Composed by George Frideric Handel. Arranged by Anne L Christopherson GRSM ARCM. Concert,Contemporary,Wedding. Score. 3 pages. Music-Scores.com #4969795. Published by Music-Scores.com (A0.721696). The very beautiful Largo from the opera Xerxes, for Voice and Piano, with words in Italian.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$6.95
6.36 €
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Piano, Voice
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George Frideric Handel
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Largo from Xerxes - Voice and Piano
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Music-Scores.com
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SheetMusicPlus
Bring a Torch, Jeanette, Isabella - Voice
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721155 Composed by Saboly, N…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.721155 Composed by Saboly, Nicolas. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Sacred. Score. 4 pages. Music-Scores.com #3895607. Published by Music-Scores.com (A0.721155). Bring a Torch, Jeanette, Isabella is an English version of a traditional French Provencal carol: Un Flambeau, Jeanette, Isabella.For Voice with Piano Accompaniment.Playing time about 1 minute, 40 seconds.Arranged by Anne Christopherson at https://www.music-scores.com
$5.95
5.44 €
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Piano, Voice
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Saboly, Nicolas
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Bring a Torch, Jeanette, Isabella - Voice
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Music-Scores.com
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SheetMusicPlus
Il est né, le divin enfant - F major
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.722468 Composed by Tradition…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.722468 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christian,Christmas,Concert,Instructional,Praise & Worship. Score. 3 pages. Music-Scores.com #6637753. Published by Music-Scores.com (A0.722468). Il est né, le divin enfant: Traditional French Carol in a simple setting. A lower version in F major.Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com
$4.95
4.53 €
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Piano, Voice
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Traditional
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Il est né, le divin enfant - F major
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Music-Scores.com
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SheetMusicPlus
The 12 Days of Christmas - Voice and Piano - F major
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.722467 Composed by Tradition…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.722467 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Christmas,Concert,Instructional. Score. 8 pages. Music-Scores.com #6637775. Published by Music-Scores.com (A0.722467). The Twelve Days of Christmas, for Voice and Piano, in the lower key of F major.On the first day of Christmas my true love sent to me A partridge in a pear tree.Duration: about 2 minutes, 20 seconds.Arranged by Anne L Christopherson ARCM GRSM at www.music-scores.com
$4.95
4.53 €
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Piano, Voice
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Traditional
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The 12 Days of Christmas - Voice and Piano - F major
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Music-Scores.com
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SheetMusicPlus
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