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No Words
Piano, Voice
Sheetmusic to print
198 sheet music found
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No Words
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1251903 By Daisy Jones & The…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1251903 By Daisy Jones & The Six. By Blake Mills. Arranged by SCMusic. Broadway,Film/TV,Folk,Musical/Show,Pop,Rock. Score. 8 pages. SCMusic #846121. Published by SCMusic (A0.1251903). Piano and vocal sheet music for 'No Words' from the Prime Video Series 'Daisy Jones And The Six'. Vocal parts are 'Daisy' (Mezzo range, B3-C5) and 'Billy' (Tenor range, F#3-G5).
$5.25
4.84 €
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Piano, Voice
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Daisy Jones & The Six
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No Words
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SCMusic
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SheetMusicPlus
Crow with no mouth
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elk…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1324262 Composed by Amos Elkana. 21st Century,Contemporary. Score. 10 pages. Amos Elkana #912460. Published by Amos Elkana (A0.1324262). In this composition, we delve into the enigmatic world of Ikkyu Sojun, a 15th-century Zen Buddhist monk renowned for his poetry that defies conventional boundaries. Ikkyu's work often reflects Zen principles, blending deep philosophical insights with a stark, often provocative simplicity. Among his most striking poems is Crow with No Mouth, a piece that captures the essence of Zen’s emphasis on the ineffable nature of reality and the limits of language.Crow With No Mouth Hearing a crow with no mouthCry in the deepDarkness of the night,I feel a longing forMy father before he was born. In these lines, Ikkyu conjures an image that is as perplexing as it is profound. The crow, a traditional symbol of mystery and the unknown, is rendered even more inscrutable by its lack of a mouth - a paradoxical figure that seems to transcend ordinary existence. This poem encapsulates the Zen concept of mu, or the negation of fixed concepts, challenging the listener to embrace the boundless nature of understanding.In my composition, I have strived to translate this philosophical depth into music. The interplay between the piano and the voice is crafted to reflect the paradoxical imagery of the poem. The music moves through moments of tension and release, mirroring the poem’s journey from perplexity to a serene acceptance of the unknown.This piece is an invitation to explore the spaces between notes, between words, where the essence of understanding might lie.The emotional core of this composition is also deeply personal. It resonates with my own longing for my father, who passed away seven years prior to the creation of this work. Just as Ikkyu's poem reflects a yearning for a connection with the past, this music embodies my own journey of grief, memory, and the search for peace in the echoes of loss. The intertwining of my personal narrative with Ikkyu’s profound words aims to offer a universal contemplation on the themes of absence, longing, and the ephemeral nature of existence.In creating this work, my aim has been to offer not just a musical experience, but a doorway into the profound simplicity of Zen thought. Through the synthesis of voice, piano, and Ikkyu's evocative poetry, we embark on a journey that transcends the mere act of listening, inviting contemplation, and perhaps, a glimpse into the boundless sky of our own perception.
$8.00
7.38 €
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Piano, Voice
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Amos Elkana
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Crow with no mouth
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Amos Elkana
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SheetMusicPlus
No Fear in Love (piano/tenor)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1465260 Composed by Melody M…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1465260 Composed by Melody Mills. Arranged by Jon Burr. Christian,Religious,Sacred. Score. 5 pages. Melody Mills #1043957. Published by Melody Mills (A0.1465260). Sacred Solo for church service. Available in 2 versions for Tenor, organ or piano.Lyrics include these words:Strengthened in the inner man,when you're ready for the plan of God.Perfect Love has perfect peace;therefore set your heart at ease in God.In the place where[chorus]There is no fear in Love,There is no fear to obey;No intimidation, No terror night or day;Expect no limitation,since Love will guide the way.There is no fear in Love, no fear in Love.
$4.27
3.94 €
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Piano, Voice
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Melody Mills
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No Fear in Love
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Melody Mills
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SheetMusicPlus
"Stonewall" Jackson's Last Words. Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.22508 Composed by Jules C. Meininger. Ci…
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Piano and voice - Digital Download SKU: LV.22508 Composed by Jules C. Meininger. Civil war--Confederate, Waterfronts, Military parades & ceremonies, Dwellings, Panoramic views, Military officers, Flags, Memorial works. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22508). Stonewall Jackson's Last Words. Song and Chorus. Music by Jules C. Meininger. Published 1866 by McCarrell & Meininger, No. 81 [?] West Jefferson St. in Louisville, Ky. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil war--Confederate, Waterfronts, Military parades & ceremonies, Dwellings, Panoramic views, Military officers, Flags, Memorial works. First line reads Come, let us cross the river, and rest beneath the trees.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Jules C
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"Stonewall" Jackson's Last Words. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Fly Me To The Moon (in Other Words)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794076 By Tony Bennett. By B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794076 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Dave Gingras, John E. Dosher. Jazz. Score. 2 pages. DAVID LEE GINGRAS #6082345. Published by DAVID LEE GINGRAS (A0.794076). Fly Me To The Moon was originally titled In Other Words with lyrics and music by Bart Howard. It has been recorded by a number of artists including Tony Bennett, Frank Sinatra and Patti Page. This version features a root-based chord blocking technique that John and I have used in a number of our arrangements. We've really simplified the left-hand for the most part, but we did add a couple of fills in the long passages with no chord change to add a little flair and make it fun to play. We hope you like it!
$4.99
4.6 €
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Piano, Voice
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Tony Bennett
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Fly Me To The Moon
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DAVID LEE GINGRAS
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SheetMusicPlus
A CHANGE OF AIR. lead sheet& #CJDennis words AND piano
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019284 Composed by #GeoffRo…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019284 Composed by #GeoffRodThomson. Lyrics: #CJDennis. Children,Contemporary,Film/TV,Musical/Show. Score. 2 pages. Geoff R Thomson #3129909. Published by Geoff R Thomson (A0.1019284). If people of today need advice on how to lose or put on weight this poem #AChangeOfAir by C.J.Dennis could very well have the answer....no guarantees though!;) Geoff Rod Thomson adds his little bit with his melody, chords and piano accompaniment. Just between you and me, great fun words here but shame about the music, in my opinion....I'd be trying one of the other songs preferably for music satisfaction. These C.J.Dennis songs would be great for teachers and their language, music, drama, history or other students. Contact: #Geoffspianosongs or GeoffRodThomson@gmail.com.
$1.99
1.83 €
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Piano, Voice
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#GeoffRodThomson
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A CHANGE OF AIR. lead sheet& #CJDennis words AND piano
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Geoff R Thomson
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SheetMusicPlus
No More Brown Jugs For Me
Piano, Voice
Piano and voice - Digital Download SKU: LV.23503 Arranged by Dexter Smith. Alcoholi…
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Piano and voice - Digital Download SKU: LV.23503 Arranged by Dexter Smith. Alcoholic beverages, Temperance, Intoxication. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23503). No More Brown Jugs For Me. Reply to the Famous Song, The Little Brown Jug. Words written and Music arranged by Dexter Smith. Published 1873 by White & Goullaud, No. 86 Tremont Street in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Alcoholic beverages, Temperance, Intoxication. First line reads I used to think 'twas jolly to go upon a spree.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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No More Brown Jugs For Me
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
No One to Love. Ballad
Piano, Voice
Piano and voice - Digital Download SKU: LV.22818 Arranged by W.B. Harvey. Depressio…
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Piano and voice - Digital Download SKU: LV.22818 Arranged by W.B. Harvey. Depression, Sadness, Homesickness, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22818). No One to Love. Ballad. Words Adapted by A.H. G.R. Music Arranged by W.B. Harvey. Published [n.d.] by Lithographed and Published by Geo. Dunn & Compy. in Richmond, VA. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Depression, Sadness, Homesickness, Death. First line reads No one to love, none to caress, roaming alone through this world's wilderness.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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No One to Love. Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
No Crown Without the Cross
Piano, Voice
Piano and voice - Digital Download SKU: LV.3746 Composed by J.R. Thomas. Flowers, C…
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Piano and voice - Digital Download SKU: LV.3746 Composed by J.R. Thomas. Flowers, Comfort, Religion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3746). No Crown Without the Cross. Words by Geo. Cooper. Music by J.R. Thomas. Published 1869 by John L. Peters in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Flowers, Comfort, Religion. First line reads When wand'ring feet have weary grown, and clouds make dim our way.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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J
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No Crown Without the Cross
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
A Lady's "No" Means "Yes". Ballad
Piano, Voice
Piano and voice - Digital Download SKU: LV.4316 Composed by Alfred G. Robyn. Courts…
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Piano and voice - Digital Download SKU: LV.4316 Composed by Alfred G. Robyn. Courtship, Love, Marriage proposals. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4316). A Lady's No Means Yes. Ballad. Words by George Cooper. Music by Alfred G. Robyn, Pianist, Emma Abbott Concert Troupe. Published 1878 by William A. Pond & Co., 25 Union Square (Between 15th and 16th Strs.) in New York. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Marriage proposals. First line reads Ah! do not frown my little one, and turn your head away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Alfred G
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A Lady's "No" Means "Yes". Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Pirate Isle, No Mor
Piano, Voice
Voice and piano - Digital Download SKU: LV.15793 Composed by H.A. Leberman. Citysca…
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Voice and piano - Digital Download SKU: LV.15793 Composed by H.A. Leberman. Cityscapes, Patriotism, Centennials, History. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15793). The Pirate Isle, No Mor. Words by W.A. Hogan. Music by H.A. Leberman. Published 1889 by Thos. Goggan & Bro. in Galveston, Texas. Composition of strophic with chorus with voice and piano instrumentation. Subject headings for this piece include Cityscapes, Patriotism, Centennials, History. First line reads 'Tis the semi centennial of which we boast, of dear old Galveston the gem of the coast.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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H
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The Pirate Isle, No Mor
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Look With Thy fond Eyes Upon Me (Ballad No. 63)
Piano, Voice
Piano and voice - Digital Download SKU: LV.3942 Composed by Alice Hawthorne. Courts…
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Piano and voice - Digital Download SKU: LV.3942 Composed by Alice Hawthorne. Courtship, Love, Devotion. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3942). Look With Thy fond Eyes Upon Me (Ballad No. 63). Words and Music by Alice Hawthorne. Published 1864 by Sep. Winner & Co., 929 Chestnut Street in Philadelphia. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Devotion. First line reads Look with thy fond eyes upon me.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Alice Hawthorne
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Look With Thy fond Eyes Upon Me
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Just a Baby's Letter Found in No Man's Land
Piano, Voice
Piano and voice - Digital Download SKU: LV.23817 Composed by Ray Lawrence. Battlefi…
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Piano and voice - Digital Download SKU: LV.23817 Composed by Ray Lawrence. Battlefields, Correspondence, Soldiers, Fathers & children, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23817). Just a Baby's Letter Found in No Man's Land. Words by Bernie Grossman. Music by Ray Lawrence. Published 1918 by Joe Morris Music Co., 145 W. 45th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Battlefields, Correspondence, Soldiers, Fathers & children, World War I. First line reads Somebody wrote a letter, to someone far away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Ray Lawrence
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Just a Baby's Letter Found in No Man's Land
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
He Draws No Color Line (When the Good Lord Makes a Record of a Hero's Deed)
Piano, Voice
Piano and voice - Digital Download SKU: LV.23457 Composed by Harry Decosta. Portrai…
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Piano and voice - Digital Download SKU: LV.23457 Composed by Harry Decosta. Portraits, Mothers & children, Afro-Americans, Soldiers, Pride, Patriotism, World War I. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23457). He Draws No Color Line (When the Good Lord Makes a Record of a Hero's Deed). Words by Val Trainor. Music by Harry Decosta. Published 1918 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Mothers & children, Afro-Americans, Soldiers, Pride, Patriotism, World War I. First line reads Dear old colored mammy talking to her boy.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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Piano, Voice
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Harry Decosta
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He Draws No Color Line
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
No One Could Do It Like My Father
Piano, Voice
Piano and voice - Digital Download SKU: LV.21932 Composed by Ted Snyder. Portraits,…
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Piano and voice - Digital Download SKU: LV.21932 Composed by Ted Snyder. Portraits, Fathers & children, Pride, Storytelling, Firearms, Adultery, Educations, Railroads, Political elections. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21932). No One Could Do It Like My Father. Words By Irving Berlin. Music By Ted Snyder. Published 1909 by Ted Snyder Co., 112 West 38th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Fathers & children, Pride, Storytelling, Firearms, Adultery, Educations, Railroads, Political elections. First line reads I hate to brag about my fam'ly, but, I must say, that my father is the greatest man that ever wore a hat.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Piano, Voice
#
Irving Berlin
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Ted Snyder
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No One Could Do It Like My Father
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
No One Loves a Fat Man
Piano, Voice
Piano and voice - Digital Download SKU: LV.7255 Composed by Dave Reed. Boats, Light…
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Piano and voice - Digital Download SKU: LV.7255 Composed by Dave Reed. Boats, Light fixtures, Discrimination, Courtship, Weddings. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7255). No One Loves a Fat Man. Words and Music by Dave Reed. Published 1908 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Boats, Light fixtures, Discrimination, Courtship, Weddings. First line reads Sam Jones was black as a fun'ral hack, and three feet wide across his back.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Piano, Voice
#
Dave Reed
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No One Loves a Fat Man
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Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
No Doubt Yu Have Heard This Before. Topical Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.5587 Composed by Bert C. Norman. Mainten…
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Piano and voice - Digital Download SKU: LV.5587 Composed by Bert C. Norman. Maintenance & repair, Streets, Boxers (Sports), Actresses, Fighting, Ethnic groups. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5587). No Doubt Yu Have Heard This Before. Topical Song and Chorus. Words and Music by Bert C. Norman. Published 1892 by W.F. Shaw in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Maintainance & repair, Streets, Boxers (Sports), Actresses, Fighting, Ethnic groups. First line reads They say they will soon repair ev'ry bad street.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Piano, Voice
#
Bert C
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No Doubt Yu Have Heard This Before. Topical Song and Chorus
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
No Thank You Sir, or, A Sprightly Fairy May. Song with Chorus ad lib
Piano, Voice
Piano and voice - Digital Download SKU: LV.3974 Composed by Henry Tucker. Courtship…
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Piano and voice - Digital Download SKU: LV.3974 Composed by Henry Tucker. Courtship, Love, Marriage proposals, Families, Anger. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.3974). No Thank You Sir, or, A Sprightly Fairy May. Song with Chorus ad lib. Words by C.W. Goodhart. Music by Henry Tucker. Published 1860 by Firth, Pond & Co., 547 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love, Marriage proposals, Families, Anger. First line reads Come hither little Fairy may, my bride if you will be.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Piano, Voice
#
Henry Tucker
#
No Thank You Sir, or, A Sprightly Fairy May. Song with Chorus ad lib
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Did You Ever Hear A Girl Say No. Song & Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.4731 Composed by Joseph P. Skelly. Court…
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Piano and voice - Digital Download SKU: LV.4731 Composed by Joseph P. Skelly. Courtship, Marriage proposals, Jewelry, Kissing, Food. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4731). The Latest Success. Did You Ever Hear A Girl Say No. Song & Chorus. By Joseph P. Skelly. Published 1889 by Harding's Music Office, 229 Bowery in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Marriage proposals, Jewelry, Kissing, Food. First line reads There are many words we hear, some are kind and some are queer.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Piano, Voice
#
Joseph P
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Joseph P
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Did You Ever Hear A Girl Say No. Song & Chorus
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Oh Weep No More For Brave Boys Gone. Song & Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.22285 Composed by R. Z. Salem. Civil War…
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Piano and voice - Digital Download SKU: LV.22285 Composed by R. Z. Salem. Civil War--Union, Patriotism, War casualties, Grief, Death. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22285). Oh Weep No More For Brave Boys Gone. Song & Chorus. Words by Music by R.Z. Salem. Published 1863 by J.E. Gould, 7th & Chesnut St. in Philadelphia. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Civil War--Union, Patriotism, War casualties, Grief, Death. First line reads Friends have gone and left us pining, far away form loved ones dear.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
#
Piano, Voice
#
R
#
Oh Weep No More For Brave Boys Gone. Song & Chorus
#
Johns Hopkins University Sheridan Libraries
#
SheetMusicPlus
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-12E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-12E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-12E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 12: Cherchez, mes tristes yeux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-01E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-01E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-01E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 1: Ô songe heureux et doux from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-05E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-05E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-05E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 5: Si vous m’aimez from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 21, No. 3: Le Matin au bord de la mer from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Ceci…
(+)
Voice and piano - Medium - Digital Download SKU: MQ.8492-04E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-04E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-04E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.77 €
#
Piano, Voice
#
MeeAe Cecilia Nam and Theodore Gouvy
#
Op. 45, No. 4: Prière au sommeil from Songs of Gouvy, V2
#
E. C. Schirmer Music Company - Digital
#
SheetMusicPlus
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