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Old Paint
Piano, Voice
Sheetmusic to print
16 sheet music found
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1
Paint It, Black
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1191438 By The Rolling Stone…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1191438 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Golden Skull Editions. Rock,Singer/Songwriter. Score. 8 pages. Golden Skull Editions #790958. Published by Golden Skull Editions (A0.1191438). A nice arrangement for the song Paint It, Black, by The Rolling Stones. For voice and piano, followed with chord symbols. For a singer to have a pianist playing by his or her side or to play along with.
$4.99
4.47 €
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Piano, Voice
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The Rolling Stones
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Paint It, Black
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Golden Skull Editions
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SheetMusicPlus
Paint It, Black
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1191439 By The Rolling Stone…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1191439 By The Rolling Stones. By Keith Richards and Mick Jagger. Arranged by Golden Skull Editions. Rock,Singer/Songwriter. Score. 8 pages. Golden Skull Editions #790959. Published by Golden Skull Editions (A0.1191439). A nice arrangement for the song Paint It, Black, by The Rolling Stones. For voice and piano. For a singer to have a pianist playing by his or her side or to play along with.
$4.99
4.47 €
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Piano, Voice
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The Rolling Stones
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Paint It, Black
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Golden Skull Editions
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SheetMusicPlus
Das Rheingold
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Oper, Theater. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q17853. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)
$47.99
42.99 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Das Rheingold
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Schott Music - Digital
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SheetMusicPlus
Portrait of Autumn
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1264831 By Andrea May Jenkin…
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1264831 By Andrea May Jenkins. By Andrea May Jenkins. Arranged by Andrea May Jenkins. Contemporary,Instructional. Score. 4 pages. JenkinsVMAstudio LLC. #839453. Published by JenkinsVMAstudio LLC. (A0.1264831). Portrait of Autumn is about a master artist setting out to paint a landscape of turning leaves as fall arrives. The poem goes through the process that this artist takes setting up and the joy of painting and completing his work. The melody is upbeat, easy to learn, and moves the poem forward. This beautiful vocal arrangement is one of many pieces written from poems by Fairy Walker Lane. Fairy Walker Lane 1890-1985 and the great aunt of Andrea JenkinsAndrea had always loved her aunt Fairy's poems, from when she was a little girl and her mom showed her the original pieces of work on old manuscript paper typed by a typewriter.  Fairy was more than a poetry writer. She lived in Tucumcari, New Mexico, and her family was responsible for establishing one of the original schoolhouses where Andrea's great-grandmother was a schoolteacher. Fairy was also an entrepreneur and owned a business selling hats in Tucumcari.Andrea lives in Maricopa, AZ, and is a teacher for middle school choir and drama.
$2.50
2.24 €
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Piano, Voice
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Andrea May Jenkins
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Portrait of Autumn
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JenkinsVMAstudio LLC.
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SheetMusicPlus
This Is My Music Sketchbook
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1302564 Composed by Rachel J…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1302564 Composed by Rachel J. Peters. Children,Classical,Opera. Score. 6 pages. Rachel J Peters #892185. Published by Rachel J Peters (A0.1302564). Aria for mezzo-soprano from the children's opera Sketchbook for Ollie DURATION: 3:30WORLD PREMIERE: Lyric Opera of Kansas City, 2022Eight-point-five-year-old Ollie questions the meaning of life after the death of his grandmother. He is frustrated with grownups avoiding his tough but important questions. The only answer that satisfies him comes from his Aunt Leeza, a composer, who shows him that life is like her music sketchbook. Adapted from the story Life Is a Jar of Paint by Bill Folman. For more information about this opera, visit www.racheljpeters.com.
$4.00
3.58 €
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Piano, Voice
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Rachel J
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This Is My Music Sketchbook
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Rachel J Peters
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SheetMusicPlus
We Are a Rainbow (anthem: Canada/UK)
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893832 Composed by David Kai…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.893832 Composed by David Kai. Christian. Score. 9 pages. David Kai #5299895. Published by David Kai (A0.893832). This new hymn is especially appropriate for Affirming Ministries. The hymn draws on rainbow and rainbow-coloured imagery in the Bible, and the imagery of light which is composed of rainbow colours. The hymn suggests that Affirming Ministries have a badly needed light which they can proudly share with the world.This is an SATB arrangement of the hymn, however the author allows the copying of this music for one church choir. Please print of project the words during worship and report use to One License or CCLI.Chorus: We are a rainbow, sign of covenant and peace,For the flood of tears will finally cease to be,Come shine your rainbow, splash your hues across the sky,Paint the world in colours proud and bold and free.For more information about the hymn, go to:www.sites.google.com/site/davidwkaismusic
$15.00
13.44 €
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Piano, Voice
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David Kai
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We Are a Rainbow
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David Kai
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SheetMusicPlus
THOU DIDST LEAVE THY THRONE with Overhead PDF Text
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.931669 Composed by Timothy R…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.931669 Composed by Timothy R. Matthews. Arranged by Wanda Cooley. 20th Century,Christmas,Easter,Sacred. Score. 18 pages. Wanda J. COOLEY #6526685. Published by Wanda J. COOLEY (A0.931669). THOU DIDST LEAVE THY THRONE is a hymn tracing Jesus' birth, life, death, and my coming rejoicing upon His taking me to heaven! Verses are text-painted to picture angels at his birth, his life of humility, his journey to the cross (G minor) and his triumphant second coming. As the story escalates with exciting left-hand arpeggiated sixteenths over quarter-note right-hand chords, it concludes with the joyous highlighting of His Purpose: He came to earth for Me! Pdf Screen Words are white on burgundy baackground, and these are sequenced to the music as the story unfolds, using numerals. The print music hosts Piano Solo/Vocal Solo, as well as the Screen-sequencing of the text. This coming of Jesus into my heart is a personal testimony with a dramatic ending which fits nicely under-the-hands!
$3.99
3.57 €
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Piano, Voice
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Timothy R
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THOU DIDST LEAVE THY THRONE with Overhead PDF Text
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Wanda J. COOLEY
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SheetMusicPlus
I Ride An Old Paint
Piano, Voice
By Cowboy Song, Johnny Cash, and Woodie Guthrie. For piano, voice, and guitar (chords only…
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By Cowboy Song, Johnny Cash, and Woodie Guthrie. For piano, voice, and guitar (chords only). Country; Folk; Standards; Traditional. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.47 €
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Piano, Voice
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Cowboy Song, Johnny Cash, and Woodie Guthrie
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Folk
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I Ride An Old Paint
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.02 €
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Piano, Voice
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Pasquale Cafaro
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Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition
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Nicole Elyse DiPaolo
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SheetMusicPlus
Three Housman Settings Volume 111
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.966314 Composed by David F G…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.966314 Composed by David F Golightly. Contemporary,World. Score. 20 pages. Modrana Music Publishers Ltd #3136765. Published by Modrana Music Publishers Ltd (A0.966314). Three Housman settings volume 111 for Mezzo Soprano and Piano was composed in 2017 They are part of a series of settings of Housman poems by David now numbering Three Volumes with another four volumes in the planning stage. The poems set are When I watch the Living Meet, I Wake from Dreams and Turning, and There Pass the Careless People.Review.It is important to note that David songs, while rooted in the older art song tradition, make use of the sophisticated compositional techniques of the 20th and 21st centuries. David has an ability to make complicated melodic lines that hint but do not venture into atonality, sound simple and beautiful. He can use the accompaniment as a form of tone painting in a way that seems perfectly natural.Emily Cobley (Howard) Mezzo Soprano Hard copy scores can be obtained from the Publishers website Modrana Music Publishers Ltd
$18.00
16.13 €
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Piano, Voice
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David F Golightly
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Three Housman Settings Volume 111
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Modrana Music Publishers Ltd
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SheetMusicPlus
Sweet Little Jesus Boy
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1314332 By Linda Mckechnie. …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1314332 By Linda Mckechnie. By Robert Macgimsey. Arranged by Linda Mckechnie. 21st Century,Christmas,Contemporary. Score. 9 pages. Linda McKechnie #903076. Published by Linda McKechnie (A0.1314332). A sensitive and expressive, yet dramatic arrangement of Sweet Little Jesus boy.The arrangement starts in a reflective, simplistic way as if telling the story to thebaby Jesus and questioning, with honest wonder, why Jesus came to earth…. He“came to save us Lordâ€. The mood changes as the storyteller remembers howJesus was treated…. “The world treats you mean Lordâ€. Feel the agony in thedeliberate chords, the hurt, and struggle. In an African American spiritual style,the arrangement paints a picture without words using chords from the “bluesera†and gives the pianist freedom to push ahead or hold back. The listener will becaptivated with the “story in musicâ€.
$10.00
8.96 €
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Piano, Voice
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Linda Mckechnie
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Sweet Little Jesus Boy
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Linda McKechnie
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SheetMusicPlus
Take Me Home, Country Roads
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Ar…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By John Denver. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here’s how to play “Take Me Home, Country Roads” by John Denver on piano!<br> <br> With this piano sheet music, you can play “Country Roads” on piano.<br> <br> It’s a piano arrangement in the song’s original key of A major. It comes with a seperate system for the singer, the full lyrics and chords.<br> <br> However, the whole melody is included in the piano part as well, so it sounds great when played without any singing, too!<br> <br> Of course, you can use these piano sheets to accompany someone as well, or sing along yourself!<br> <br> In any case, it’s a “Take Me Home, Country Roads” piano version which is not too hard to play, and sounds fantastic.<br> <br> <br> <br> "Take Me Home, Country Roads" (also known as simply "Country Roads") first appeared on John Denver’s 1971 album "Poems, Prayers and Promises" and became one of his signature songs, as well as one of the most famous country songs of all time!<br> <br> <br> <br> Time to play some country music on piano!<br> <br> <br> <br> Here are the full lyrics to "Country Roads":<br> <br> <br> “Almost heaven, West Virginia<br> <br> Blue Ridge Mountains, Shenandoah River<br> <br> Life is old there, older than the trees<br> <br> Younger than the mountains, blowing like a breeze<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> All my memories gather round her<br> <br> Miner's lady, stranger to blue water<br> <br> Dark and dusty, painted on the sky<br> <br> Misty taste of moonshine, teardrop in my eye<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> I hear her voice, in the morning hour she calls me<br> <br> The radio reminds me of my home far away<br> <br> And driving down the road I get a feeling<br> <br> That I should have been home yesterday, yesterday<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> Country roads, take me home<br> <br> To the place I belong<br> <br> West Virginia, mountain mama<br> <br> Take me home, country roads<br> <br> Take me home, down country roads<br> <br> Take me home, down country roads”
$4.99
4.47 €
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Piano, Voice
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John Denver
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Take Me Home, Country Roads
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Mario Stallbaumer
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SheetMusicPlus
Goetterdaemmerung
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Richard Wagner. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q17774. Published by Schott Music - Digital
German.<br> <br> An important addition to the newly produced orchestral materials by Schott Music is the fi rst publication of vocal scores of Richard Wagner’s ten great operas in every important version. For the first time, we are able to offer theatres and interested opera-lovers vocal scores as urtext editions conceived following uniform editorial criteria: * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. * The publisher has secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages (German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. GÖTTERDÄMMERUNG This piano reduction corresponds to the edition of the score of Götterdämmerung contained in the complete critical edition of the musical works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 13, I-III, edited by Hartmut Fladt, Mainz 1980ff. [Richard Wagner, Complete Works]). The first printed edition of the score was published by B. Schott’s Söhne, Mainz (plate number 21953) in the summer of 1876, but was supervised by the conductor Hermann Levi and not by Wagner himself. This edition displays deviations from the autograph which cannot be considered as adhering to Wagner’s intentions. For this reason, the critical edition is largely based on Wagner’s autograph score. Individual changes made during the first performances of the work in Bayreuth in 1876 have been identified in the footnotes.<br> <br> 2013 marks Wagner’s bicentenary, making the year largely focused on his music, particularly the dramatic works. An important addition to the newly produced orchestral materials by Schott Music. The score corresponds to the performance materials from the Complete Edition. Schott Music have secured the services of renowned musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. For the first time, this work is available to theatres and interested opera-lovers as urtext editions. For practical use in rehearsal and study, every vocal score includes rehearsal cues and bar numbers throughout. The forewords are given in three languages (German, English, and French). Other vocal scores available: Der fliegende Holländer (1841) Der fliegende Holländer (1842-80) Tannhäuser Lohengrin Das Rheingold Die Walküre Siegfried Tristan und Isolde Die Meistersinger von Nürnberg Parsifal<br> <br> Picc. · 3 · 3 · Engl. Hr. · 3 · Bassklar. · 3 - 8 (5. u. 7. auch Tenortb., 6. u. 8. auch Basstb.) · 3 · Basstrp. · 4 (4. auch Kb.-Pos.) · Kbtb. - P. S. (Glsp. · Trgl. · Beckenpaar · Tamt. · Rührtr.) (2 Spieler) - 6 Hfn. - Str. (16 · 16 · 12 · 12 · 8)<br> Auf der Bühne: Horn in f - Hörner in C - Stierhörner in C, Des und D - 4 Hfn.
$47.99
42.99 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Goetterdaemmerung
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Schott Music - Digital
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SheetMusicPlus
Die Walkure
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Festspiel, Oper. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q25919. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages(German, English, French).<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> <br> DIE WALKURE<br> <br> In the tetralogy Der Ring des Nibelungen [The Ring of the Nibelung] which was subtitled by Wagner as A stage festival play for three days and a preliminary evening, Die Walkure [The Valkyrie] forms the first day following Das Rheingold as the preliminary evening. The beginning of the history of the origins of the tetralogy is frequently placed in 1848 when Wagner compiled a prose sketch entitled Die Nibelungensage (Erstschrift) [The Nibelung Saga (first draft)] or Die Sage von den Nibelungen (Reinschrift) [The Saga of the Niblelungs (fair copy)] which would suggest that this was already the text for the Ring des Nibelungen, but the actual concept for the tetralogy did not actually evolve until the autumn of 1851. When Wagner first compiled the libretto for the heroic opera Siegfried's Tod [Siegfried's Death] in November 1848 - during his period of employment as Hofkapellmeister[court music director] in Dresden - he was in fact only planning a single opera and continued to adhere to this concept even after his involvement in the failed Dresden uprising in 1849 and subsequent escape to Switzerland. He began with the composition of Siegfried's Tod in the summer of 1850 in Zurich, but soon laid it aside. He returned to the project almost a year later in May 1851 with the idea of a two-part drama: to lend the plot greater conclusiveness, Siegfried's Tod would be preceded by a second opera entitled Der junge Siegfried [The Young Siegfried], subsequently shortened to Siegfried, but this extension was still insufficient to satisfy Wagner's dramatic-dramaturgic aspirations. In November 1851, he began the first text drafts for Das Rheingold and Die Walkure which were followed by the libretti in 1852: Die Walkure was completed in June 1852.<br> <br> The premiere of Die Walkure was held in Munich on 26 June 1870, but without Wagner's specific permission as he did not wish the operas to be performed separately. He held the opinion that Die Walkure was only logical and comprehendible within the context of the complete tetralogy. Wagner had however not only made a present of the autograph score to King Ludwig II of Bavaria who had been his generous benefactor since 1864, but had also sold him the rights to the tetralogy. The king was eager to experience performances of the already finished parts and Wagner was therefore powerless to prevent him from commanding performances of the individual operas. The premiere of Die Walkure within the context of the tetralogy took place in 1876 at the first Bayreuth Festival.<br> <br> (Egon Voss, quoted from the foreword of the new Die Walkure vocal score. translated by Lindsay Chalmers-Gerbracht)
$53.99
48.37 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Die Walkure
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Schott Music - Digital
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voice
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
53.74 €
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Piano, Voice
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
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