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7 sheet music found
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1
What I Did For Love
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Piano, Voice
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INTERMEDIATE
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Edward Kleban and Marvin Hamli
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Dave Gingras and John E
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What I Did For Love
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1494488 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Dave Gingras and John E. Dosher...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1494488 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Dave Gingras and John E. Dosher. Broadway,Film/TV,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #1071073. Published by DAVID LEE GINGRAS (A0.1494488). What I Did for Love is a song from the musical A Chorus Line with music by Marvin Hamlisch and lyrics by Edward Kleban. It was quickly recognized for its show-business potential outside Broadway and was picked up by popular singers to include in their performances in their club and television appearances. This version was developed from a lead sheet and was created so that someone with average ability can play it and sound good doing so. We added root-based chord blocking and a few left-hand fills for rhythm - we hope you like what we've done with this grand old tune!
$5.99
HERE'S TO THE PEOPLE (A New Toastmaster Song)
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Piano, Voice
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INTERMEDIATE
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ROBERT VAN HORNE
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HERE'S TO THE PEOPLE
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White Piano International Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462932 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Contest,Festival,Historic,Multicultural,Patrioti...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462932 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Contest,Festival,Historic,Multicultural,Patriotic,Singer/Songwriter,World. Score. 9 pages. White Piano International Publishing #1041646. Published by White Piano International Publishing (A0.1462932). HERE’S TO THE PEOPLE (Piano/Vocal) by ROBERT VAN HORNE9 pagesDuration: 3:15Inspired by TOASTMASTERS INTERNATIONAL and their vision of helping people achieve their full potential and realize their dreams, I composed this song HERE’S TO THE PEOPLE in 2009.As a dedicated member of Toastmasters for over 17 years, I believe that effective communication is essential for success. Through this music, I have found another powerful way to connect and inspire others.My original intention for composing this song was to give back to all the men and women in Toastmasters who have helped me achieve a new image of myself; an image of self-confidence, leadership and self-expression .This song is dedicated to all the men and women who have been influenced by Toastmasters, as well as those who will be in the future.The Piano/Vocal Sheet Music of HERE’S TO THE PEOPLE features a clearly published piano accompaniment and a vocal part with chord identifications. The score provides singers and pianists with a comprehensive guidance for an expressive and delightful performance that can be presented at Toastmaster meetings, contests and events. The original key is E Flat Major modulating to E Major for the last chorus. The mp3 example is performed and sung by Robert in the key of C Major modulating to D Flat Major. Here is the First Original Video of Robert playing and singing HERE’S TO THE PEOPLE.Robert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$5.99
I've Tried
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Piano, Voice
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EASY
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Jackaleen Justice - Angelical
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Jackaleen Justice - Angelical
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I've Tried
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Angelical Realm
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1039325 By Jackaleen Justice - Angelical Realm. By Jackaleen Justice - Angelical Realm. Arranged b...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1039325 By Jackaleen Justice - Angelical Realm. By Jackaleen Justice - Angelical Realm. Arranged by Jackaleen Justice - Angelical Realm. Country,Traditional. Score. 3 pages. Angelical Realm #644235. Published by Angelical Realm (A0.1039325). I’ve Tried Song Description Song Creation A fundamental idea behind each lyric in this song was developed by the Lyricist and Composer, Jackaleen Justice, who poured her heart and soul into the makings of this musical artwork. The lyrics attempt to depict a time in her life when she felt the same way as the singer in dealing with a challenging situation on her journey through life. In creating this musical artwork, the composer wanted to evoke an idea of a long-term relationship and being hurt often over many years. Throughout the years, many people around the world have been hurt in relationships. The song’s Composer wanted to help those around the world who have been in similar position to be able to relate to those feelings through this piece of musical artwork. Song Composition While creating the rhythm for this song, the composer aimed for a moderately slow tempo. After the lyrics were added, the target of approximately 80 - 90 beats per minute became unattainable, resulting in 78 beats per minute instead. In the end, it proved to be a much better tempo for the song, because it made the final piece sound much more polished and superior. Song Completion This musical piece is perfect for someone looking for a well-written and well-composed song that has rhythm that makes it stand out from all the others. With the right vocalist, this song has great potential in the music industry.
$19.99
Song of the Recovering Perfectionist original song by Stephen R Dalrymple
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Piano, Voice
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Sacred music
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Stephen R Dalrymple
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Stephen R Dalrymple
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Song of the Recovering Perfect
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Stephen R Dalrymple
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SheetMusicPlus
Piano,Vocal,Voice - Digital Download SKU: A0.818208 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. ...
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Piano,Vocal,Voice - Digital Download SKU: A0.818208 By Stephen R Dalrymple. By Stephen R Dalrymple (Dalrymple Designs). Arranged by Stephen R Dalrymple. Praise & Worship,Sacred. Score. 40 pages. Stephen R Dalrymple #3070553. Published by Stephen R Dalrymple (A0.818208). Song of the Recovering Perfectionist original song by Stephen R Dalrymple music © 1999 (© registered in 'Sacred Songs 1978-1999’ collection) recording ℗ 2020 Stephen R Dalrymple presentation © 2022 Stephen R Dalrymple sequenced by the composer ♫ At the age of 37, God used a good friend to reset my course in life and ministry. I learned a perfectionist is someone who is obsessed with doing things right so he or she can be accepted by others and that Jesus is not a perfectionist. I learned that perfectionism is one possible syndrome of rejection syndrome, and that the antidote to rejection syndrome is to learn to feel accepted in Jesus Christ. ♫ This journey has been extremely threatening but powerfully liberating. To be Christlike is to be accepting, not critical; to see potential in others, not continuously looking for flaws to pick; to be secure in my Heavenly Father, not trying to continuously please people and earn acceptance. ♫ I often sing this song to myself when I catch myself feeling rejected and/or acting in perfectionistic ways. ♫ Based on passages such as Romans 15:7 and Ephesians 1:3-6, this song celebrates the unconditional love of God and how learning to accept God's acceptance will help me pass acceptance and forgiveness on to others, allowing me to loosen the obsession to be 'perfect' and in control. ♫ This .pdf file includes 1) letter size lead sheet 2) vocal score with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print).
$4.50
From a Pandemic Garden – Four Songs for Voice and Piano
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Piano, Voice
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ADVANCED
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Nancy Bachmann
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From a Pandemic Garden – Fou
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Nancy Bachmann
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1256956 Composed by Nancy Bachmann. 21st Century,Chamber,Classical,Contemporary. Score. 24 pages. ...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1256956 Composed by Nancy Bachmann. 21st Century,Chamber,Classical,Contemporary. Score. 24 pages. Nancy Bachmann #850333. Published by Nancy Bachmann (A0.1256956). From a Pandemic Garden is a collection of songs I wrote while sheltered in place during the COVID pandemic. My world was my house and walled garden; each spot a potential for inspiration, sparking ideas for songs to while away the months of waiting. California Rose is a playful portrait of one of my favorite flowers. A group of pine trees created a Wooded Dell, a song exploring the timelessness of romance. An Asian lantern inspired Garden Teahouse, a story told through Haiku. February 2021 links the hope of the early California springtime with the poignant optimism inspired by the availability of the first COVID vaccines.
$16.00
Quatre Poemes De Guillaume Apollinaire
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Piano, Voice
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ADVANCED
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Contemporary
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Francis Poulenc and Guillaume
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Nicole Elyse DiPaolo
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Quatre Poemes De Guillaume Apo
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 2...
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95
Belle luci, che accendete from La disfatta di Dario - Modern Clef Performing Edition (Soprano/Piano)
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Piano, Voice
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INTERMEDIATE/ADVANCED
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Pasquale Cafaro
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Nicole Elyse DiPaolo
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Belle luci, che accendete from
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera...
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173633 Composed by Pasquale Cafaro. Arranged by Nicole Elyse DiPaolo. Classical,Early Music,Opera. Score. 7 pages. Nicole Elyse DiPaolo #773780. Published by Nicole Elyse DiPaolo (A0.1173633). Accessible Accompaniments is proud to present the first-ever modern-clef performing edition of Pasquale Cafaro’s once enormously popular aria, “Belle luci, che accendete,†from La disfatta di Dario (1756). As noted in Giorgio Sanguinetti’s The Art of Partimento and other sources, this aria was considered the ideal Galant-era (early Classical) example of aria writing in its day, and its theme was even painted onto pottery to be sold to tourists in Naples.While the aria was written for a castrato role, Alessandro, it is ideal for today’s young lyric coloratura sopranos who want to prepare for Mozart roles but wish to wait until they’ve found their mature vocal technique before tackling those roles. Additionally, because this La disfatta di Dario setting is a rarity and singers are unlikely to be hired for this role, it could be sung in transposition by young mezzos and other fachs without causing logistical issues like the need to produce orchestral parts in new keys.Other aspects of this aria that make it a welcome addition to the voice teacher’s library are its widespread orchestral doubling of the vocal line (something that will help students who are still working on intonation and support), its relatively short, Italian-language text for easy memorization and diction acquisition, and its straightforward textual content—it’s a love song. In audition situations, this aria will be enjoyable for panels to hear, and because they will be very unlikely to know the aria, they won’t be able to critique it as closely as they would critique an aria they know well. It should also be sight-readable by an audition pianist of middling skill, another important consideration in choosing audition repertoire.This new edition was engraved using Bernardo Mengozzi’s piano-vocal reduction from 1804, which preserves the soprano clef voice part and is not widely usable today, and I made some corrections to missing accidentals and articulations by cross-checking with the manuscript full score. Both are available at imslp.org. I also write out the appoggiatura executions and one potentially confusing polyrhythm on ossia staves to assist young singers/collaborative pianists who haven’t done much of this repertoire.Range: Eb4-Bb5 without ornamentationTessitura: around Bb4-F5/G5  Text:Belle luci, che accendeteIn quest' alma un dolce foco,Siete voi, e voi sareteLa mia calma, e il mio piacer.Sì, la calma, e il piacer mioTutto, e sempre in voi s'aggira,Per voi solo il cor respira,Nè più brama il mio pensier.About the Arranger behind Accessible Accompaniments Editions:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
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