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You've selected:
Rhythm Of The Rain
Piano, Voice
Sheetmusic to print
16 sheet music found
<
1
Stormy Weather (keeps Rainin' All The Time)
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893381 Composed by Harold Ar…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893381 Composed by Harold Arlen. Arranged by Rob Ames. Contemporary. Score. 3 pages. Rob Ames #6355293. Published by Rob Ames (A0.893381). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN. Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.
$4.99
4.61 €
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Piano, Voice
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Harold Arlen
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Stormy Weather
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Rob Ames
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SheetMusicPlus
Singin' In The Rain
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794142 Composed by Nacio Her…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.794142 Composed by Nacio Herb Brown. Arranged by Dave Gingras, John E. Dosher. Film/TV. Score. 2 pages. DAVID LEE GINGRAS #6661013. Published by DAVID LEE GINGRAS (A0.794142). Singin' In The Rain is a popular song from the 1929 Metro-Goldwyn-Mayer musical SINGIN' IN THE RAIN. This version features a root-based chord-blocking that John and I have used in a number of our arrangements. We added some left-hand rhythm and implemented all of the cool chord changes in the original song - we hope you like what we've done!
$4.99
4.61 €
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Piano, Voice
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Nacio Herb Brown
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Singin' In The Rain
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DAVID LEE GINGRAS
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SheetMusicPlus
September In The Rain
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1083807 Composed by Al Dubin…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1083807 Composed by Al Dubin and Harry Warren. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 2 pages. DAVID LEE GINGRAS #688007. Published by DAVID LEE GINGRAS (A0.1083807). September in the Rain is a popular song about nostalgia written by Harry Warren and Al Dubin, and published in 1937. The song was introduced by James Melton in the film Melody for Two. This version features a root-based chord blocking that John and I have used in a number of our arrangements. We also added what we think are some pretty cool left-hand fills to keep that smooth rhythm moving! We hope you like what we've done with this fantastic tune!
$4.99
4.61 €
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Piano, Voice
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Al Dubin and Harry Warren
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September In The Rain
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DAVID LEE GINGRAS
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SheetMusicPlus
The Night Has A Thousand Eyes
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893350 Composed by Jerry Bra…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893350 Composed by Jerry Brainin. Arranged by Rob Ames. Contemporary. Score. 3 pages. Rob Ames #6273895. Published by Rob Ames (A0.893350). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN. Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.
$4.99
4.61 €
#
Piano, Voice
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Jerry Brainin
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The Night Has A Thousand Eyes
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Rob Ames
#
SheetMusicPlus
John Gummoe: Rhythm of the Rain - piano, voice or other instruments
Piano, Voice
Instantly printable sheet music by John Gummoe for piano, voice or other instruments of EA…
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Instantly printable sheet music by John Gummoe for piano, voice or other instruments of EASY/MEDIUM skill level. / pop,rock
$5.97
5.52 €
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Piano, Voice
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John Gummoe
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Virtualsheetmusic
Drops Of Jupiter (Tell Me)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.715273 By Train. By Charles Colin, Jam…
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Piano,Vocal,Voice - Digital Download SKU: A0.715273 By Train. By Charles Colin, James Stafford, Pat Monahan, Robert Hotchkiss, and Scott Underwood. Arranged by Joe Cox. Pop,Rock. Score. 5 pages. Joe Cox #3621013. Published by Joe Cox (A0.715273). Although this edition has been abbreviated from the original recording, it has all the rhythmic groove. The song hit the top 5 of the Billboard Hot 100 chart and also charted in the top 40 for 29 weeks. #Train
$4.99
4.61 €
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Piano, Voice
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Train
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Drops Of Jupiter
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Joe Cox
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SheetMusicPlus
Over The Rainbow
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1466387 By Judy Garland. By …
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1466387 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Kathleen R Feenstra. Broadway,Film/TV,Instructional,Musical/Show,Singer/Songwriter,Standards. Score. 3 pages. Kathleen Feenstra #1044968. Published by Kathleen Feenstra (A0.1466387). This simple, lyrical version of Over the Rainbow contains lyrics with the piano score. Some rhythms have been modified slightly to suit the level of student. Approximate Royal Conservatory/Conservatory Canada Level: Prep B (Beginner/Early Elementary Level).
$5.99
5.53 €
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Piano, Voice
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Judy Garland
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Over The Rainbow
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Kathleen Feenstra
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SheetMusicPlus
I Wished On The Moon
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1145883 By Bill Perkins. By …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1145883 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by Christopher Williams. 20th Century,Jazz,Standards,Wedding. Score. 3 pages. C.G. Williams #746090. Published by C.G. Williams (A0.1145883). My light arrangement of this unique, underappreciated old standard. The harmony is only slightly altered from the original and voiced with small hands in mind. Block chords harmonize the melody in the right hand and a simplified stride pattern pushes the rhythm along with the left.
$5.01
4.63 €
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Piano, Voice
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Bill Perkins
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I Wished On The Moon
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C.G. Williams
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SheetMusicPlus
Somewhere Over The Rainbow
Piano, Voice
Arranged by Scott Dilbeck. Lead Sheet, Score. 7 pages. Published by Scott Dilbeck
Arranged by Scott Dilbeck. Lead Sheet, Score. 7 pages. Published by Scott Dilbeck
An arrangement of Somewhere Over the Rainbow, for piano and medium-high voice. <br> Appropriate for intermediate musicians, including students.<br> Duration: ~3 minutes<br> <br> The goal of this arrangement was to breathe fresh air into Somewhere Over the Rainbow, but without detracting from it's natural beauty and nuance. The piano uses extended harmonies while the singer has some atypical rhythmic syncopation. .
$5.99
5.53 €
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Piano, Voice
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Somewhere Over The Rainbow
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Scott Dilbeck
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SheetMusicPlus
Drops Of Jupiter (tell Me)
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.781921 By Train. By Charles …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.781921 By Train. By Charles Colin, James Stafford, Pat Monahan, Robert Hotchkiss, and Scott Underwood. Arranged by Javin Tham. Pop,Rock. Score. 10 pages. Javin Tham #6565247. Published by Javin Tham (A0.781921). Arranged in the original key of C major at the tempo of 80 bpm (with metric modulation for swing rhythm).
$4.99
4.61 €
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Piano, Voice
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Train
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Drops Of Jupiter
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Javin Tham
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SheetMusicPlus
He Will Lead Me Home
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
1.84 €
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Piano, Voice
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
Quatre Poemes De Guillaume Apollinaire
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1315461 Composed by Francis Poulenc and Guillaume Apollinaire. Arranged by Nicole Elyse DiPaolo. 20th Century,Classical. Score. 11 pages. Nicole Elyse DiPaolo #904195. Published by Nicole Elyse DiPaolo (A0.1315461). The first of its kind, this is a genuinely playable piano/vocal reduction of Non Monsieur mon mari from Poulenc and Apollinaire's Les mamelles de Tiresias. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score devoid of needed key signatures. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play reams of excessive 16ths spread out in ways designed for Poulenc's obviously large hands. A few enharmonic respellings in this edition will also provide greater musical understanding for both singers and pianists. This collectionâ??s reductions boast several unique features: 1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or â??fudgedâ? with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what Iâ??ve provided.2. Iâ??ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a â??sink or swimâ? accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composerâ??s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected, when possible, so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, Iâ??ve included the next downbeatâ??s notes in cue-size stemless noteheads at the end of the preceding measure.5. I have preserved beams in 8th and smaller note values within the vocal parts so that pianists, some of whom might not be accustomed to syllabic beaming conventions, will find it easier to follow the singerâ??s rhythms while reading potentially unfamiliar arias.6. When known, Iâ??ve noted alternate cuts that singers might like to take within certain arias.7. In some cases Iâ??ve modernized spelling conventions for easier readability (for example, by replacing â??Ã?â? with â??ssâ? in German arias) and enharmonically respelled brief passages or added key signatures for greater clarity.
$8.95
8.27 €
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Piano, Voice
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Francis Poulenc and Guillaume Apollinaire
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Quatre Poemes De Guillaume Apollinaire
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Nicole Elyse DiPaolo
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SheetMusicPlus
Arthur Freed: Broadway Rhythm (from Singin' in the Rain) - piano, voice or other instruments
Piano, Voice
Instantly printable sheet music by Arthur Freed for piano, voice or other instruments of E…
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Instantly printable sheet music by Arthur Freed for piano, voice or other instruments of EASY/MEDIUM skill level. / film/tv,movies
$6.97
6.44 €
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Piano, Voice
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Arthur Freed
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Virtualsheetmusic
Orphic Hymn to Hermes Lead Sheet
Piano, Voice
Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.733415 Composed by Kimberly …
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Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.733415 Composed by Kimberly Steele. Sacred. Score. 1 pages. Kimberly Steele #6619661. Published by Kimberly Steele (A0.733415). As the sole copyright owner of this music, I have a strange favor to ask: I beg that you ADAPT and CHANGE this piece's music to suit your needs. Obviously the words are set in place; they are in worship and service of a specific deity. The music, however, needs to be malleable. Change the rhythm. Change the key. Change the mode. Add sections. Improvise. Here's the thing: when music stays the same and is played exactly the same as it supposedly was in the past, it becomes museum music. Personally, though I've had extensive training in the subject, I can't stand museum music. No matter how pretty or perfectly-played museum music is, it will always have an air of deadness about it. So change this tune, beat it up, deconstruct it, pull it apart and put it together again, because that's what I think the gods would want us to do. In my mind, keeping the tunes alive, flexible, and vital helps us connect with the gods who gave us the ability to create music in the first place.
$2.50
2.31 €
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Piano, Voice
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Kimberly Steele
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Orphic Hymn to Hermes Lead Sheet
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Kimberly Steele
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SheetMusicPlus
I've Gotta Be Me
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1081199 By Sammy Davis Jr. B…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1081199 By Sammy Davis Jr. By Walter Marks. Arranged by David Lee Gingras and John E. Dosher. Broadway,Jazz,Musical/Show. Score. 3 pages. DAVID LEE GINGRAS #685336. Published by DAVID LEE GINGRAS (A0.1081199). I've Gotta Be Me is a popular song that appeared in the Broadway musical Golden Rainbow, which starred Steve Lawrence and Eydie Gormé. It opened in New York City at the Shubert Theatre on February 4, 1968, and closed just under a year later, on January 11, 1969. The music and lyrics for the musical were composed and written by Walter Marks in 1967. Sammy Davis Jr. recorded the song in 1968 while the musical was still running on Broadway, altering the title slightly to I've Gotta Be Me, and released it as a single late in the year. This version features a root-based chord blocking that John and I have used in a number of our arrangements and we incorporated a smooth left-hand bass line to keep the rhythm going - we hope you like what we've done with the song!
$4.99
4.61 €
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Piano, Voice
#
Sammy Davis Jr
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I've Gotta Be Me
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DAVID LEE GINGRAS
#
SheetMusicPlus
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