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Take It From An Old Man
Piano, Voice
Sheetmusic to print
7 sheet music found
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1
Take It From An Old Man
Piano, Voice
By Sara Bareilles. Pop. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.38…
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By Sara Bareilles. Pop. PV. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.384020). - PV - Pop - Hal Leonard - Digital Sheet Music
$4.99
4.58 €
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Piano, Voice
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Sara Bareilles
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Take It From An Old Man
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
The Army's Full of Irish (A Man From Erin Never Runs, He's Irish)
Piano, Voice
Piano and voice - Digital Download SKU: LV.23205 Composed by Walter Donaldson. Worl…
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Piano and voice - Digital Download SKU: LV.23205 Composed by Walter Donaldson. World War I, Cartoons, Soldiers, Portraits, Patriotism, Immigrants. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23205). The Army's Full of Irish (A Man From Erin Never Runs, He's Irish). Words by Bert Hanlon. Music by Walter Donaldson. Published 1917 by M. Witmark & Sons in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include World War I, Cartoons, Soldiers, Portraits, Patriotism, Immigrants. First line reads It's always taken an Irishman to prove that might was right.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.5 €
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Piano, Voice
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Walter Donaldson
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The Army's Full of Irish
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Das Rheingold
Piano, Voice
Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal…
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Der Ring des Nibelungen. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveroffentlichung, Oper, Theater. Wagner Urtext Piano/Vocal Scores. Downloadable. Schott Music - Digital #Q17853. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner's ten great operas, in every important version, based on the Complete Edition.<br> <br> The score corresponds to the performance materials from the Complete Edition.<br> <br> For practical use in rehearsal cues and bar numbers throughout.<br> The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords.<br> The forewords are given in three languages (German, English, French)<br> Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition.<br> DAS RHEINGOLD<br> <br> "This piano score has been compiled on the basis of the edition of Rheingold in the critical complete edition of the musical works of Richard Wagner (Richard Wagner, Samtliche Werke, Vol. 10, I-II, edited by Egon Voss, Mainz 1988f.). The primary source for the edition of Rheingold in the complete edition was the first print of the score (E) which was published by Schott's Sohne, Mainz in 1873. Unfortunately, the source which would have been of greatest significance for revision purposes could not be utilised in the preparation of this edition. Wagner's autograph fair copy of the score which was included in Ludwig II's estate fell into the hands of Adolf Hitler in 1939 and has never been seen again since 1945. For this reason, it was necessary to make frequent reference to both the so-called compositional sketch (KS) and the first draft of the score (PE). For any questionable interpretations of E in the principle text, the variants in KS and PE have been added in small print or footnotes. This also applies to additional markings and alterations undertaken by Wagner during rehearsals for the first performances in 1876 which were recorded by his assistants, principally by Heinrich Porges. These variants are marked with the sign [1876]. Remarks in quotation marks reproduce Wagner's original comments. At certain points, reference has also been made to the records by Felix Mottl who was also present at the rehearsals and performances in 1876. Further relevant information can be found in the volumes of the complete edition." (Egon Voss, quoted from the foreword of the new Rheingold vocal score. translation by Lindsay Chalmers-Gerbracht)
$47.99
44.07 €
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Piano, Voice
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Richard Wagner (1813-1883)
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Das Rheingold
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Schott Music - Digital
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SheetMusicPlus
The Sharpest Smile (F Major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.529570 Composed by Robert J. Sherman. …
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Piano,Vocal,Voice - Digital Download SKU: A0.529570 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #117896. Published by Sherman Theatrical Entertainment Ltd. (A0.529570). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun†from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile†represents a “show within a show†moment. Both “Honey Bun†and “The Sharpest Smile†derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera†(a female parrot) is costumed as a 1920s (male) gangster talking to “his†gangster friends. “The Gangster†character explains that “he†has met a wonderful girl (named “Pearlâ€), so don’t expect to see “him†around as much; or lyrics to that effect. Later in the number, we learn that “Pearl†is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bunâ€). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl†is “Peril†(at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.
$3.49
3.2 €
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Piano, Voice
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Robert J
#
or lyrics to that effect
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The Sharpest Smile
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Sherman Theatrical Entertainment Ltd.
#
SheetMusicPlus
The Sharpest Smile (D Major)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.556054 Composed by Robert J. Sherman. …
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Piano,Vocal,Voice - Digital Download SKU: A0.556054 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Instructional,Musical/Show. Score. 6 pages. Sherman Theatrical Entertainment Ltd. #165526. Published by Sherman Theatrical Entertainment Ltd. (A0.556054). The Sharpest Smile is from the musical Love Birds. This song pays homage to “Honey Bun†from the classic 1949 Rodgers & Hammerstein musical: South Pacific. Like its forerunner, “The Sharpest Smile†represents a “show within a show†moment. Both “Honey Bun†and “The Sharpest Smile†derive their comedy from the age-old, vaudevillian gimmick of a girl pretending to be a boy and vice versa. In the context of the Love Birds script, “Vera†(a female parrot) is costumed as a 1920s (male) gangster talking to “his†gangster friends. “The Gangster†character explains that “he†has met a wonderful girl (named “Pearlâ€), so don’t expect to see “him†around as much; or lyrics to that effect. Later in the number, we learn that “Pearl†is in fact a hungry crocodile dressed in a lady’s bikini costume (i.e. two coconuts strung together for the top – also an homage to “Honey Bunâ€). Pearl constantly tries to take a bite out of the Gangster Parrot who is blissfully unaware of the threat. This is a comedy song about mismatched relationships, but it also serves as meta-commentary on the dangers that pursuing such relationships can pose. In other words, “Pearl†is “Peril†(at least according to the thinking of the time). Despite the implicit risk, this unconventional love story seems to work out in the end. When printing, please scale to fit for standard US Letter and A4 size.
$3.99
3.66 €
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Piano, Voice
#
Robert J
#
or lyrics to that effect
#
The Sharpest Smile
#
Sherman Theatrical Entertainment Ltd.
#
SheetMusicPlus
Billie Eilish - Your Power
Piano, Voice
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. …
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Billie Eilish. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
With this sheet music, you can play "Your Power" by Billie Eilish on piano!<br> <br> It's an accurate, carefully created piano arrangement of the full song.<br> <br> The entire melody is included in the piano part, so it makes for a perfect instrumental / piano solo cover.<br> <br> Of course, you can also use this piano arrangement to accompany a singer, or sing along yourself - this sheet music includes a system for the singer, as well as the song's full lyrics and chords!<br> <br> "Your Power" is a song from Billie Eilish's second studio album "Happier Than Ever", and was released as the third single from the album in April 2021.<br> <br> It is a chilling acoustic ballad about the abuse of power, and the devastating consequences for victims.<br> <br> Billie Eilish stated that the song meant a lot to her:<br> "This is one of my favorite songs I've ever written. I feel very vulnerable putting this one out because I hold it so close to my heart. This is about many different situations that we've all either witnessed or experienced. I hope I can inspire change. Try not to abuse your power."<br> <br> "Your Power" also makes for a beautiful piano ballad!<br> <br> Full Lyrics:<br> <br> [Chorus]<br> Try not to abuse your power<br> I know we didn't choose to change<br> You might not wanna lose your power<br> But havin' it's so strange<br> <br> [Verse 1]<br> She said you were a hero<br> You played the part<br> But you ruined her in a year<br> Don't act like it was hard<br> And you swear you didn't know (Didn't know)<br> No wonder why you didn't ask<br> She was sleepin' in your clothes (In your clothes)<br> But now she's got to get to class<br> <br> [Pre-Chorus]<br> How dare you?<br> And how could you?<br> Will you only feel bad when they find out?<br> If you could take it all back<br> Would you?<br> <br> [Chorus]<br> Try not to abuse your power<br> I know we didn't choose to change<br> You might not wanna lose your power<br> But havin' it's so strange<br> <br> <br> [Verse 2]<br> I thought that I was special<br> You made me feel<br> Like it was my fault, you were the devil<br> Lost your appeal<br> Does it keep you in control? (In control)<br> For you to keep her in a cage?<br> And you swear you didn't know (Didn't know)<br> You said you thought she was your age<br> <br> [Pre-Chorus]<br> How dare you?<br> And how could you?<br> Will you only feel bad if it turns out<br> That they kill your contract?<br> Would you?<br> <br> [Chorus]<br> Try not to abuse your power<br> I know we didn't choose to change<br> You might not wanna lose your power<br> But power isn't pain
$4.99
4.58 €
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Piano, Voice
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Billie Eilish
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Billie Eilish - Your Power
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Mario Stallbaumer
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voice
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
55.09 €
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Piano, Voice
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
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