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That's The Thing!
Piano, Voice
Sheetmusic to print
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That's The Thing!
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841851 Composed by Andrew Mc…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.841851 Composed by Andrew Mc Donald. Christian,Gospel,Pop. Score. 6 pages. Andrew Mc Donald (Macka Records) #3478327. Published by Andrew Mc Donald (Macka Records) (A0.841851). That's The Thing is a song about not being able to put Jesus in a box. We cannot underestimate Jesus. eg, He came from nothing yet He was the King of Kings, He could not save Himself yet He saved men. These oxo-morons and contradictions make Jesus even more interesting and amazing. .
$4.99
4.56 €
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Piano, Voice
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Andrew Mc Donald
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That's The Thing!
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Andrew Mc Donald
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SheetMusicPlus
Toasting Mother Earth
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
32.02 €
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Piano, Voice
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Baby, It's Cold Outside
Piano, Voice
Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Gle…
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Piano Solo, Piano/Vocal/Chords, Voice Duet - Intermediate - Digital Download By Glee Cast. Arranged by Mario Stallbaumer. 7 pages. Published by Mario Stallbaumer
With this piano sheet music, you can play “Baby, It’s Cold Outside” on piano!<br> <br> The famous duet "Baby, It's Cold Outside" was written in 1944 by Frank Loesser, who regularly performed the song at celebrity parties with his wife, Lynn Garland.<br> <br> In 1949, the song appeared in the film "Neptune's Daughter", and won an Academy Award for Best Original Song!<br> <br> The song is clearly winter-themed (talking about the blizzard outside!), but it doesn’t mention anything holiday-related. Anyway, the song is generally considered a Christmas song.<br> <br> Of course, the song has been covered by countless artists since the 40s.<br> <br> Some of the most memorable recordings include such fantastic duos as Louis Armstrong and Velma Middleton, Ray Charles and Betty Carter, Rod Stewart and Dolly Parton, Idina Menzel and Michael Bublé, Cee Lo Green and Christina Aguilera, Lady Gaga and Joseph Gordon-Levitt, Seth MacFarlane and Sara Bareilles!<br> <br> “Baby, It’s Cold Outside” also appeared in an episode of Glee (“A Very Glee Christmas”, Season 2, Episode 10), where it is performed by members of the Glee Cast (Blaine Anderson/Darren Criss and Kurt Hummel/Chris Colfer).<br> <br> Time for you to play it!<br> <br> These piano sheets come with seperate systems for the two singers, so you’ll always have an easy oversight who’s singing when. Of course, the full lyrics and chords are included as well.<br> <br> You can use these piano sheets to play the song for yourself on piano, accompany singers, or sing along yourself!<br> <br> Listen to the full arrangement here: https://youtu.be/Y5gtxqT_Ewo<br> <br> Here are the full lyrics to “Baby, It’s Cold Outside”:<br> <br> [VERSE 1]<br> <br> I really can't stay (but baby, it's cold outside)<br> <br> I've got to go away (but baby, it's cold outside)<br> <br> This evening has been (been hoping that you'd drop in)<br> <br> So very nice (i'll hold your hands, they're just like ice)<br> <br> My mother will start to worry (beautiful what's your hurry?)<br> <br> My father will be pacing the floor (listen to the fireplace roar)<br> <br> So really I'd better scurry (beautiful please don't hurry)<br> <br> But maybe just a half a drink more (put some records on while I pour)<br> <br> The neighbors might think (baby, it's bad out there)<br> <br> Say what's in this drink? (no cabs to be had out there)<br> <br> I wish I knew how (your eyes are like starlight now)<br> <br> To break this spell (i'll take your hat, your hair looks swell)<br> <br> I ought to say, no, no, no sir (mind if I move in closer?)<br> <br> At least I'm gonna say that I tried (what's the sense in hurtin' my pride?)<br> <br> I really can't stay (oh baby don't hold out)<br> <br> But baby, it's cold outside<br> <br> [VERSE 2]<br> <br> I simply must go (but baby, it's cold outside)<br> <br> The answer is no (but baby, it's cold outside)<br> <br> Your welcome has been(how lucky that you dropped in)<br> <br> So nice and warm (look out the window at this dawn)<br> <br> My sister will be suspicious (gosh your lips look delicious)<br> <br> My brother will be there at the door (waves upon the tropical shore)<br> <br> My maiden aunts mind is vicious (gosh your lips are delicious)<br> <br> But maybe just a cigarette more (never such a blizzard before)<br> <br> I've gotta get home(but baby, you'd freeze out there)<br> <br> Say lend me a coat(it's up to your knees out there)<br> <br> You've really been grand (i thrill when you touch my hand)<br> <br> But don't you see? (how can you do this thing to me?)<br> <br> There's bound to be talk tomorrow (think of my lifelong sorrow)<br> <br> At least there will be plenty implied (if you got pnuemonia and died)<br> <br> I really can't stay (get over that old out)<br> <br> Baby, it's cold outside
$4.99
4.56 €
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Piano, Voice
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Glee Cast
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Baby, It's Cold Outside
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Mario Stallbaumer
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SheetMusicPlus
The Master Singers of Nuremberg
Piano, Voice
Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erst…
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Opera. Composed by Richard Wagner (1813-1883). This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 235\' 0. Schott Music - Digital #Q17852. Published by Schott Music - Digital
German.<br> <br> An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DIE MEISTERSINGER VON NÜRNBERG “Die Meistersinger von Nürnberg is today still considered a German festival and national opera: this evaluation is borne out by the opera’s performance history, the history of its reception and customary performance practice. Critical minds will perhaps recall the quotation from Friedrich Nietzsche’s publication \"Jenseits von Gut und Böse\" [Beyond Good and Evil] in which the Vorspiel [Prelude] to Meistersinger is described as ‘magnificent, ornate and ponderous art’ and Wagner’s music in general as being ‘rough and coarse’. This music according to Nietzsche possesses ‘no trace of the fine southern clarity of the sky and nothing of grace’, but instead ‘a cumbersome garb, with a touch of licentious barbarism and solemnity’ and ‘even a certain degree of ungainliness’. Nietzsche’s evaluation is regarded by many as an insight into the essence of the matter, although it is evident that Nietzsche was exaggerating in order to be provocative. What is more important today is however that this characterisation appears to have been the result of an approach to the performance of Meistersinger which had neglected or even gone as far as to misappropriate elements of this work. This is also the conclusion reached in the Meistersinger Edition of the Critical Complete Edition of the Musical Works of Richard Wagner (Richard Wagner, Sämtliche Werke, Vol. 9, I-III, edited by Egon Voss, Mainz 1979-1987). It has in fact been established that the first print of the score published by B. Schott’s Söhne in Mainz in 1868 contained numerous errors and omissions, particularly with regard to dynamic markings and articulation. The difference between staccato dots and dashes which has an influence on the tone was simply ignored. The substantial omission of these staccato markings unambiguously draws attention to the fact that Wagner intended a lighter-weight sound than was produced in adherence the first edition. The same also holds true for the dynamic markings which were submitted to a general levelling process in the first edition, thereby entirely masking their original broad scope of differentiation. […] When the saying ‘the music sets the tone’ is cited, it is in actual fact tempo, dynamics which are implied. If the new findings incorporated into the Meistersinger edition of the Critical Complete Edition are taken seriously, this will inevitably produce a new Meistersinger sound.” (Egon Voss, quoted from the foreword of the new Meistersinger vocal score; translated by Lindsay Chalmers-Gerbracht).
$59.99
54.88 €
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Piano, Voice
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Richard Wagner
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The Master Singers of Nuremberg
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SheetMusicPlus
Is There Anything Else That I Can Do For You
Piano, Voice
Piano and voice - Digital Download SKU: LV.21612 Composed by Ted Snyder. Portraits,…
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Piano and voice - Digital Download SKU: LV.21612 Composed by Ted Snyder. Portraits, Couples, Roses, Courtship & love, Domestic life, Housework, Woodcutting, Kissing. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21612). Is There Anything Else That I Can Do For You. Words By Irving Berlin. Music By Ted Snyder. Published 1910 by Ted Snyder Co., 112 West 38th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Couples, Roses, Courtship & love, Domestic life, Housework, Woodcutting, Kissing. First line reads Pretty young Mabel was helping her mother.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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Irving Berlin
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Ted Snyder
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Is There Anything Else That I Can Do For You
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
I Sit Here On The Barren Hill
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hic…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
4.56 €
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Piano, Voice
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1435089 Composed by Stanley M Hoffman. 21st Century,Classical,Opera. Score. 48 pages. Stanleymhoffman.com #1015189. Published by stanleymhoffman.com (A0.1435089). Opera Scenes 1. At the Clothing Department (3:00); 2. To Get a Ration (9:00) - vocal soloists & piano or chamber ensemble (cl, bn, tpt, tbn, perc, vln, vc) with live or prerecorded crowd noise - 2021, 2024. The libretto is comprised of the insightful observations of a young Jewish boy—Abraham “Abramek” Koplowicz—who was trapped by the Nazis in the Lodz ghetto and who later died in Auschwitz. The libretto appears before each scene in the scores.This may be a relatively brief piece, but it is a major one for me and posthumously for the author. I am fortunate to be the only person given blanket gratis permission to set the words of Abraham Koplowicz to music. He composed a book of poetry, plays, and artwork while imprisoned in the Lodz Ghetto before perishing later in Auschwitz before he could become a Bar Mitzvah. The contents of that book are quite good, sophisticated for his age. Abraham's late half-brother, Eliezer Grynfeld—who found the book in the 1990s—and I eventually became good friends. The Pope once kissed Eliezer's hand. That is how highly regarded this collection is and, by some stroke of luck or fate, I have got exclusive musical rights to the book until it enters the public domain. In my settings of AT THE CLOTHING DEPARTMENT and TO GET A RATION, I combine the musical language of Schoenberg's A SURVIVOR FROM WARSAW very nearly with the instrumentation of Stravinsky's A SOLDIER'S TALE - only the percussion instruments differ. The musical language of these brief opera scenes is appropriately terse, very much in keeping with the oppressiveness of imprisonment. Please have a look and a listen. Thank you for your consideration. ---Words originally in Polish by Abraham (“Abramek”) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau) Translation by Sarah Lawson and Małgorzata Koraszewska Adapted by Stanley M. Hoffman Translation by Sarah Lawson and Małgorzata Koraszewska. © Copyright 1993 by Eliezer Grynfeld. All rights reserved. Used by permission of Eliezer Grynfeld. Adapted by permission of Sarah Lawson and Małgorzata Koraszewska. Libretto by Stanley M. Hoffman. Music by Stanley M. Hoffman. NotePerfomer 4 Audio and Scrolling Score Video Seeking Live Performances Music: © Copyright 2021, 2024 by Stanley M. Hoffman. www(dot)stanleymhoffman(dot)com All rights reserved.
$12.00
10.98 €
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Piano, Voice
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Stanley M Hoffman
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2
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Two Scenes from the Lodz Ghetto: 1. At the Clothing Department; 2. To Get a Ration
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stanleymhoffman.com
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SheetMusicPlus
Willie's Got Another Girl Now
Piano, Voice
Piano and voice - Digital Download SKU: LV.7687 Composed by W.T. Francis & Jerome D…
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Piano and voice - Digital Download SKU: LV.7687 Composed by W.T. Francis & Jerome D. Kern. Portraits, Clothing & dress, Feathers, Courtship, Families. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7687). Willie's Got Another Girl Now. Music by W.T. Francis and Jerome D. Kern. Published 1907 by T.B. Harms Co., 1431 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Clothing & dress, Feathers, Courtship, Families. First line reads Lots of girls that I know, they've had love affairs.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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W
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Willie's Got Another Girl Now
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Man That Got Away
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.844624 Composed by Harold Ar…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.844624 Composed by Harold Arlen. Arranged by Phil Beaman. Contemporary,Jazz. Score. 8 pages. Phil Beaman #4413011. Published by Phil Beaman (A0.844624). The Man That Got Away is a repertoire standard that was written for Judy Garland and later recorded by Frank Sinatra. I wrote this version for one of my students who was auditioning to get into an Arts School. She was not a singer and not going into a vocal programme, but was required to do a vocal piece anyway as part of the audition process. Thus I have kept the vocal range limited to a comfortable 10th, from A4 to C5; most of it between Middle C and the next C. Further, this student had severe asthma and thus poor breath control. So I wrote this arrangement with short phrases, lots of caesurae, breath marks, rests, rubato, and a piano interlude just past the middle. The interest lies in the constantly shifting moods from swagger, to blues, to smoky jazz, to angry declarations, to wistful melancholy, to chanted recitation, to expressive rubato. This is underscored by a piano part which incorporates all of the above into a contemporary jazz style of rich extended chords. But you won't be thinking of any of these things when you perform this stunning piece because it just all works together to create a fresh, jazzy twist to this old classic.P.S. My student won her spot in the school with this song:)8 pages, 4 minutesRecording is of the male version (The Gal That Got Away).
$5.99
5.48 €
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Piano, Voice
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Harold Arlen
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The Man That Got Away
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Phil Beaman
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SheetMusicPlus
Mary's Child
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1045131 Composed by Ed Law a…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1045131 Composed by Ed Law and Roger Adcock. Christmas,Sacred. Score. 12 pages. Ed Law and Roger Adcock #649697. Published by Ed Law and Roger Adcock (A0.1045131). Luke Chapter 2 (NIV) tells us the story of the birth of Jesus and the commotion caused by a flurry of angels and shepherds. But, Mother Mary, confronted with that commotion in Luke 2:19 “treasured up all these things and pondered them in her heartâ€. The angels and shepherds validated what Mary already knew to be true! Our tribute, “Mary’s Childâ€, brings us to the moment of truth when Baby Jesus first opens his eyes, making eye contact with Mary connecting through the proverbial windows to the soul!
$2.49
2.28 €
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Piano, Voice
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Ed Law and Roger Adcock
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Mary's Child
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Ed Law and Roger Adcock
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SheetMusicPlus
I Walk Beside Thee
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1376743 By Brooke Griffin Ca…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1376743 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. Score. 8 pages. Brooke Griffin Carpenter #961290. Published by Brooke Griffin Carpenter (A0.1376743). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the solo version of this composition.
$2.75
2.52 €
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Piano, Voice
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Brooke Griffin Carpenter
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I Walk Beside Thee
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Brooke Griffin Carpenter
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SheetMusicPlus
Cup of Woe, or, Now and Then. Duett for Tenor and Bass
Piano, Voice
Piano and voice - Digital Download SKU: LV.23484 Composed by C.A. White. Arranged b…
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Piano and voice - Digital Download SKU: LV.23484 Composed by C.A. White. Arranged by William Gooch. Eating & drinking, Alcoholic beverages, Intoxication, Families, Spouses, Death, Temperance. Lester S. Levy Collection. 7 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23484). Cup of Woe, or, Now and Then. Duett for Tenor and Bass. By C.A. White. Arranged by William Gooch. Published 1872 by White-Smith Music Publishing Co. in Boston. Composition of sectional with piano and voice instrumentation. Subject headings for this piece include Eathing & drinking, Alcoholic beverages, Intoxication, Families, Spouses, Death, Temperance. First line reads Oh Mistress Johnson's growing mad, she says I'm drunk, and all that's bad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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C
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C
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Cup of Woe, or, Now and Then. Duett for Tenor and Bass
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
There's Something About That Name
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776813 Composed by Bill Gait…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.776813 Composed by Bill Gaither. Arranged by Leonora Hardy. Christian,Contemporary,Religious,Sacred. Score. 2 pages. Leonora Hardy #4968121. Published by Leonora Hardy (A0.776813). An easily learned arrangement for the church pianist who wants to have a more flowing style of music to accompany congregational singing. To that end, the melody is retained, as well as traditional timing to help singers even if a song leader is not present. It is also suitable for preludes, offertories or communion.. Lyrics are included as well as chords for guitar. Intermediate level. Hymn
$4.99
4.56 €
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Piano, Voice
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Bill Gaither
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There's Something About That Name
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Leonora Hardy
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SheetMusicPlus
That's What's the Matter With Hannah. Comic Ballad. Song and Chorus
Piano, Voice
Piano and voice - Digital Download SKU: LV.15258 Composed by J.H. Ross. Gold, Cloth…
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Piano and voice - Digital Download SKU: LV.15258 Composed by J.H. Ross. Gold, Clothing & dress, James Monroe, Petroleum industry, Inventions, Progress. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.15258). That's What's the Matter With Hannah. Comic Ballad. Song and Chorus. Words by S.S. Steele. Music by J.H. Ross. Published 1865 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Gold, Clothing & dress, James Monroe, Petroleum industry, Inventions, Progress. First line reads Bywords up and down are the life of the town.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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J
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That's What's the Matter With Hannah. Comic Ballad. Song and Chorus
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Ambition for the Kingdom of God
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818300 By Stephen R Dalrympl…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.818300 By Stephen R Dalrymple. By Stephen R Dalrymple. Arranged by Stephen R Dalrymple (Dalrymple Designs). Praise & Worship. Score. 27 pages. Stephen R Dalrymple #5191337. Published by Stephen R Dalrymple (A0.818300). Ambition for the Kingdom of God♫ original song by Stephen R Dalrymple (Worship Team Edition)♫ CCLI Song # 7142123♫ based on Matthew 6:9-13 and 6:31-33♫ Music © 2005♫ Recording © 2020♫ Presentation © 2024♫ Jesus challenged His disciples to seek God’s Kingdom and God’s righteousness instead of seeking wealth, position, or power. In what we call ‘The Lord’s Prayer’ Jesus teaches us to put God’s agenda above our own: we are taught to pray for God’s reputation, the establishment of God’s Kingdom, and for God’s will to be accomplished on earth. Yet we often fall to the temptations to concentrate and build our personal kingdoms, seek our own fame, and demand our own agendas. Trying to look at our world through God’s eyes, and trying to further God’s agenda brings peace, contentment, and joy as we grapple with the difficulties of life. And besides this, Christ promised that by putting God first, our Heavenly Father would provide our food, clothing, and shelter needs.♫ This .pdf file includes 1) labeled copies for up to 7 printed copies of the lead sheet for worship team use, 2) vocal line with piano accompaniment, 3) lead sheet for 10 inch tablet, and vocal line with piano for 10 inch tablet. (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose parts you wish to print)♫ YouTube Channel: @Dalrymple Designs.
$4.50
4.12 €
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Piano, Voice
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Stephen R Dalrymple
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Ambition for the Kingdom of God
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Stephen R Dalrymple
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SheetMusicPlus
There's Something About Those Candles TTB
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.992889 Composed by Sandy Sherman. Cont…
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Piano,Vocal,Voice - Digital Download SKU: A0.992889 Composed by Sandy Sherman. Contemporary. Score. 8 pages. In The Pink Music #3622119. Published by In The Pink Music (A0.992889). There's Something About Those Candles is a Chanukah (Hanukkah) song focusing on more than just the story and celebration of the oil that lasted 8 nights. It reminds us of the universal journey of all who are fighting for freedom, the need to repair this world, and the need to be a blessing to others. Each candle has the power to connect us with God and to make us aware that just one spark is all it takes to eliminate the darkness. When these candles are all aglow, it's not just something that happens outside of us, but it can be a glowing transformation within.It is appropriate for all adult and youth choirs, and in order to facilitate learning each part, recordings of each individual voice and piano accompaniment are available at no additional charge by contacting inthepinkmusic@hotmail.comDuration: 2:45
$2.25
2.06 €
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Piano, Voice
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Sandy Sherman
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There's Something About Those Candles TTB
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In The Pink Music
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SheetMusicPlus
There's Something About Those Candles SATB
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.992888 Composed by Sandy Sherman. Hanu…
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Piano,Vocal,Voice - Digital Download SKU: A0.992888 Composed by Sandy Sherman. Hanukkah. Score. 8 pages. In The Pink Music #3622113. Published by In The Pink Music (A0.992888). There's Something About Those Candles is a Chanukah (Hanukkah) song focusing on more than just the story and celebration of the oil that lasted 8 nights. It reminds us of the universal journey of all who are fighting for freedom, the need to repair this world, and the need to be a blessing to others. Each candle has the power to connect us with God and to make us aware that just one spark is all it takes to eliminate the darkness. When these candles are all aglow, it's not just something that happens outside of us, but it can be a glowing transformation within.It is appropriate for all adult and youth choirs, and in order to facilitate learning each part, recordings of each individual voice and piano accompaniment are available at no additional cost by contacting inthepinkmusic@hotmail.comDuration: 2:45
$2.25
2.06 €
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Piano, Voice
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Sandy Sherman
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There's Something About Those Candles SATB
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In The Pink Music
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SheetMusicPlus
Ulican Dubh, Oh (The Song of Sorrow)
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335207 Composed by Traditio…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1335207 Composed by Traditional Irish. Arranged by Konrad Harley. Celtic,Folk,Irish. Score. 2 pages. Konrad Harley #921055. Published by Konrad Harley (A0.1335207). Based on a traditional Irish song from A General Collection of the Ancient Music of Ireland, ed. Edward Bunting (London: Bunting, 1809), p. 5.Arranged with a new piano accompaniment by Konrad Harley (2023).In Alfred Moffat's The Minstrelsy of Ireland (London: Augener & Co., 1897), p. 22, where there is another version of this song, a footnote explains that “Ullachán dubh O is an expression of lamentation something like the English 'alack and well-a-day'.â€.
$5.00
4.57 €
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Piano, Voice
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Traditional Irish
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Co
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Ulican Dubh, Oh
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Konrad Harley
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SheetMusicPlus
That's How I Need You
Piano, Voice
Piano and voice - Digital Download SKU: LV.8747 Composed by Joe Goodwin, Joe McCart…
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Piano and voice - Digital Download SKU: LV.8747 Composed by Joe Goodwin, Joe McCarthy & Al Piantadosi. Portraits, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8747). That's How I Need You. By Joe Goodwin, Joe McCarthy and Al Piantadosi. Published 1912 by Leo Feist, Inc. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Courtship, Love. First line reads Sometimes when someone needs something, something to make someone glad.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.48 €
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Piano, Voice
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Joe Goodwin, Joe McCarthy and Al Piantadosi
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Joe Goodwin, Joe McCarthy & Al Piantadosi
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That's How I Need You
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The Way You Do The Things You Do
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.765390 By The Temptations. B…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.765390 By The Temptations. By Robert Rogers and Smokey Robinson. Arranged by Jim Farley www.arrangementsone.com. Oldies. Score. 10 pages. Jim Farley arrangementsone.com #6199209. Published by Jim Farley arrangementsone.com (A0.765390). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com
$4.99
4.56 €
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Piano, Voice
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The Temptations
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The Way You Do The Things You Do
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Jim Farley arrangementsone.com
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SheetMusicPlus
Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-36E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-36E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-36E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 12: La nuit après l’orage from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 4: Mon âme est près de toi from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2 (Downloadable)
Piano, Voice
Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Ceci…
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Voice and piano - Medium - Digital Download SKU: MQ.8492-33E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-33E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-33E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00
2.74 €
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Piano, Voice
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MeeAe Cecilia Nam and Theodore Gouvy
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Op. 1, No. 9: Beaux yeux aimés from Songs of Gouvy, V2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
There's Something About That Name
Piano, Voice
Choral Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.612543 Composed by Bi…
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Choral Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.612543 Composed by Bill Gaither. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred. Score. 12 pages. Exultet Music #6473805. Published by Exultet Music (A0.612543). The tender Contemporary Christian / Praise and Worship anthem associated with the Bill Gaither Trio has now been freshly arranged for a Vocal Trio (SAB) with Piano accompaniment. Also includes the recitation that goes with the piece. Accessible and appropriate for any church or concert setting. Can be used at many times throughout the liturgical year.
$12.99
11.88 €
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Piano, Voice
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Bill Gaither
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There's Something About That Name
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Exultet Music
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SheetMusicPlus
That's Something! (B minor)
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.529592 Composed by Robert J. Sherman. …
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Piano,Vocal,Voice - Digital Download SKU: A0.529592 Composed by Robert J. Sherman. Arranged by Original Piano/Vocal Arrangement by Robert J. Sherman. Broadway,Contest,Festival,Instructional,Musical/Show. Score. 5 pages. Sherman Theatrical Entertainment Ltd. #117898. Published by Sherman Theatrical Entertainment Ltd. (A0.529592). That's Something! is front he musical Bumblescratch and is a recitative sung by “Perryâ€, a young plague rat who is dealing with intense, unfamiliar and deeply contradictory emotions. Having recently fallen in love with “Thamesa†(a human girl), Perry becomes enraged when “Melbourne†attempts to stop the relationship. Melbourne explains that a human girl can only mean trouble for a rat but Perry doesn’t want to hear any of it. As the song progresses however, Perry acknowledges that Melbourne is only looking out for his best interest. Finally though, Perry’s feelings for Thamesa win out. Ultimately Perry resolves to continue the relationship. This is an excellent audition song for a young performer as it allows the singer to express three radically different emotional states, all in one (fairly brief) piece. Vocal arrangements are available for both young male and female voices. When printing, please scale to fit for standard US Letter and A4 size.
$3.49
3.19 €
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Piano, Voice
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Robert J
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That's Something!
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Sherman Theatrical Entertainment Ltd.
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SheetMusicPlus
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