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You've selected:
Turn It On Again
Piano, Voice
Sheetmusic to print
7 sheet music found
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1
Turn It On Again
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583445 By Genesis. By Mike R…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.583445 By Genesis. By Mike Rutherford, Phil Collins, and Tony Banks. Arranged by Jeff Tincher. Rock. Score. 17 pages. Jeff Tincher #3893129. Published by Jeff Tincher (A0.583445). If there ever was a rock song that would train you to count beats to a measure, it is this one. And what I like about it is that the song is a danceable tune even with all the time signature changes. In the original key from Genesis' Duke project, this song is as much fun to perform as it is to listen to. This arrangement uses the live ending from their Three Sides Live CD. Duration = 4:04. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$5.99
5.54 €
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Piano, Voice
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Genesis
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Turn It On Again
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Jeff Tincher
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SheetMusicPlus
Turn It On Again
Piano, Voice
Piano,Vocal,Voice - Digital Download SKU: A0.507649 By Genesis. By Mike Rutherford,…
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Piano,Vocal,Voice - Digital Download SKU: A0.507649 By Genesis. By Mike Rutherford, Phil Collins, and Tony Banks. Arranged by Biegler. Rock. Score. 4 pages. Biegler #5360199. Published by Biegler (A0.507649). Scored for piano with the vocal line played in the right hand/treble clef.
$4.99
4.61 €
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Piano, Voice
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Genesis
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Turn It On Again
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Biegler
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SheetMusicPlus
On a Green Bank
Piano, Voice
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462643 Composed by Irish Tr…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1462643 Composed by Irish Traditional. Arranged by Konrad Harley. Celtic,Irish. Score. 5 pages. Konrad Harley #1041402. Published by Konrad Harley (A0.1462643). Based on a traditional Irish melody (Tell me dear Eveleen) and words from The Irish Minstrel (Edinburgh: Robert Purdie, 1825), p. 48. Arranged by Konrad Harley (1986-), 2024.Lyrics: On a green bank gentle Mary was seated,Night's gloomy mantle was curtain'd around,And softly each note list'ning Echo repeated,As she breath'd the melting sound.“Oh! sweetest hope, thou art my treasure,With a tear I look to thee!Heigh ho! a farewell to pleasure,Till my Lover returns to me!Oh! sweetest hope, thou art my treasure,With a tear I look to thee!Heigh ho! a farewell to pleasure,Till my Lover returns to me!”Chill fell the dews, and the night it was dreary,Wildly the wind from the mountain now rov'd;The dews and the wind were unheeded by Mary,She thought but of him she lov'd:Again she sung, “Thou art my treasure,Oh! sweet hope, I look to thee!Heigh ho! a farewell to pleasure,Till my Edmund returns to me!”Again she sung, “Thou art my treasure,Oh! sweet hope, I look to thee!Heigh ho! a farewell to pleasure,Till my Edmund returns to me,Till my Edmund returns to me.”.
$3.00
2.77 €
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Piano, Voice
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Irish Traditional
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On a Green Bank
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Konrad Harley
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SheetMusicPlus
Slave To The Rhythm
Piano, Voice
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.584441 Composed by Bruce Woo…
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.584441 Composed by Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn. Arranged by Jeff Tincher. Contemporary. Score. 14 pages. Jeff Tincher #5754945. Published by Jeff Tincher (A0.584441). This is the song that turned me onto Grace Jones music. I borrowed the Slave To The Rhythm LP from the library, put it on the turntable, and thought this is different. This track was the last track on the A-side. As I further listened to the LP I realized that the album used the same song in different genres, format, and keys. You wouldn't know it unless you really listened to the LP. This arrangement, however, is in the original key from her Island Life LP. This song has funk all over it. Grace is a strange character but has a great voice. What made me pick this song is I was searching through youtube to find a song to arrange and I found Grace doing this song live. Again, Grace surprised me. You think female stars today has energy. She sang the song while hula hooping. She was 64 when she did this. She still does this on her concerts. Here is the link to amaze you...https://www.youtube.com/watch?v=vSa5EvWqB7g. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99
5.54 €
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Piano, Voice
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Bruce Woolley, Simon Darlow, Steve Lipson, and Trevor Horn
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Slave To The Rhythm
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Jeff Tincher
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SheetMusicPlus
Toasting Mother Earth
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fid…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
32.36 €
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Piano, Voice
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
He Will Lead Me Home
Piano, Voice
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1281185 By Kevin Longley. By Kevin Longley. Arranged by Kevin Longley. Christian,Easter,Lent,Praise & Worship,Sacred. Score. 9 pages. Kevin Longley #872527. Published by Kevin Longley (A0.1281185). He Will Lead Me Home (choral church anthem composed in 2023)The InspirationA few Easter seasons ago, during one of our Tuesday Choir rehearsals, we were preparing for “Good Shepherd Sundayâ€. Diane our Choir director commented “there are very few Good Shepherd pieces to choose fromâ€. One of our sopranos replied “Let's write our ownâ€. I made note of it and this past year finally found the time and inspiration to give it a try. I did my usual research on the subject matter and then found a drawing of a Shepherd standing at the top of a hill with his sheep lined up behind him. Leaning on his staff the Shepherd was contemplating the safest route home. Upon his decision he looked back and called to his sheep. The MusicThe music begins with a piano introduction depicting the Shepherd standing at the top of the hill contemplating the safest route home, as noted earlier. Stately in nature it features a simple melodic idea, played by the right hand, which is then answered by a series of majestic chords. This “back and forth†continues until it reaches its climax at a D flat major chord against a slur from a high G to F. At this point we hear what will be a reoccurring chordal theme of C major to F major and later C minor to F major. The accompaniment begins, now in three quarter time signifying the sheep beginning to move in response to the shepherds call. The verse melody is drawn from the opening three notes of the introduction but with a different rhythm and repeats it self with underlying harmonic changes. The melody and chord structure is somewhat impressionistic in nature. Lyrically a contrast is drawn between how the Shepherd (Jesus) provides for his sheep (followers) and how God provides for the “sheep†(animals) through nature. As the verse comes to an end we are lead to the realization that “the shepherd is the Lord our King, the Good Shepherd Kingâ€. The refrain begins with the tenor continuing to solo on the main melody. â€He Will Lead Home†is realized and proclaimed! A soprano descant is added for contrast. Harmonically the music makes use of the various minor key options, “melodic, harmonic and naturalâ€. The refrain concludes proclaiming “The Good Shepherds the Way He's our Life!â€. The second verse shadows the thought pattern of verse one leading to the refrain once more but this time a bridge is introduced to add drama with the piano playing a significant role. A return to the refrain is varied with the tenor singing a portion of it against softly played chords; but then resumes its rhythmic drive to its ultimate conclusion by repeating “the Good Shepherds the Way He's our Life!â€.Program NotesVoicing can be varied based on what types of singers are available. For example this could be sung by 2 tenors with one singing the descant down an octave. Finally as noted in the score, the intro is optional though I prefer it be played; the shepherd contemplating a safe route is important in the music with its contrast to the verse music and important in our life of faith.Â
$1.99
1.84 €
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Piano, Voice
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Kevin Longley
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He Will Lead Me Home
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Kevin Longley
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SheetMusicPlus
The Solitary Reaper (high voice with piano, or violin, or oboe, or treble recorder/flute)
Piano, Voice
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1077772 Composed by Alan Bul…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1077772 Composed by Alan Bullard. 20th Century,Classical. Score. 35 pages. Colne Edition / BullardMusic #681954. Published by Colne Edition / BullardMusic (A0.1077772). Alan Bullard's song 'The Solitary Reaper' is printed here in four separate versions, for high voice and piano, or violin, or oboe, or treble recorder/flute. Originally written for soprano and violin, this setting of Wordsworth’s well-known poem has since been performed in three other versions. The lyrical portrayal of a maiden working in the fields, singing 'as if her song could have no ending' inspired the composer to write a delicately flowing setting of the words supported by a 'never-ending' instrumental ostinato. ‘The revelation, when listening to this admirable CD, was the music of Alan Bullard. The Solitary Reaper is such a fascinating composition I found myself returning to it time and time again' Steve Ford, Avant magazine. (The recording here is of the voice and violin version. A recording of the voice and piano version can be found on Soundcloud.).
$4.99
4.61 €
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Piano, Voice
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Alan Bullard
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The Solitary Reaper
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Colne Edition / BullardMusic
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SheetMusicPlus
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