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Songs We Hear on the Stage. A Descriptive Satire

Songs We Hear on the Stage. A Descriptive Satire Piano, Voice

Piano and voice - Digital Download SKU: LV.5761 Composed by John W. Bratton. Portra…(+)

Piano and voice - Digital Download SKU: LV.5761 Composed by John W. Bratton. Portraits, Rescues, Poor persons, Mothers & children, Accidents, Fathers & children, Philanthropy, Love, Satire, Entertainment. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5761). Songs We Hear on the Stage. A Descriptive Satire. Words by Walter H. Ford. Music by John W. Bratton. Published 1895 by M. Witmark & Sons, 51 West 28th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Rescues, Poor persons, Mothers & children, Accidents, Fathers & children, Philanthropy, Love, Satire, Entertainment. First line reads Men have won a nation's praise, sometimes they deserve it.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 5.43 € #Piano, Voice #John W #Songs We Hear on the Stage. A Descriptive Satire #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

#Songs We Hear on the Stage. A Descriptive Satire

Creatures Of The Night Piano, Voice

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1419229 By Only Murders In T…(+)

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1419229 By Only Murders In The Building Cast. By Benj Pasek and Justin Paul. Arranged by David Richard Corkill. Broadway,Comedy,Film/TV,Musical/Show. Score. 10 pages. David Richard Corkill #1000664. Published by David Richard Corkill (A0.1419229). Creatures of the Night from Only Murders in the Building (2023)Â Arranged for Piano, Male Soloist, Male Ensemble and Female EnsembleArranged by: David Richard CorkillIn Association With: Teradil PublishingFor this and other exciting creations, or to contact the arranger, visit: www.Teradil.comHere it is... the song that is to DIE for!The opening number of Death Rattle Dazzle in Season 3 of Hulu's Only Murders In The BuldingWe present to you: Creatures of the Night!Creatures of the Night is a hauntingly beautiful minor-key ensemble piece that sets the stage for the thrilling murder mystery musical. The song weaves a tapestry of suspicion and unease, with layered vocals creating a chilling atmosphere.As the piano lays down an ominous melody, a charismatic Baritone takes center stage, delivering a powerful solo that speaks of a looming darkness and crime that binds the show together. The song builds to a thrilling climax, leaving the audience desperate to know: Which of the Pickwick Triplets Did It?
$4.99 4.52 € #Piano, Voice #Only Murders In The Building Cast #Creatures Of The Night #David Richard Corkill #SheetMusicPlus

Meet Me at the Stage Door

Meet Me at the Stage Door Piano, Voice

Piano and voice - Digital Download SKU: LV.8432 Composed by A. Baldwin Sloane. Cart…(+)

Piano and voice - Digital Download SKU: LV.8432 Composed by A. Baldwin Sloane. Cartoons, Couples, Courtship, Recreation, Leisure. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8432). Meet Me at the Stage Door. Lyrics by E. Ray Goetz. Music by A. Baldwin Sloane. Published 1912 by Ted Snyder Co., Music Publishers, 112 West 38th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Cartoons, Couples, Courtship, Recreation, Leisure. First line reads Cutey, Cutey, Pardon me, but I saw you in the show last night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 5.43 € #Piano, Voice #A #Meet Me at the Stage Door #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

#Meet Me at the Stage Door

What a Little Smoke Will Do (Consequences). Funniest Song on the Stage Today

What a Little Smoke Will Do (Consequences). Funniest Song on the Stage Today Piano, Voice

Piano and voice - Digital Download SKU: LV.24069 Composed by Aubrey Stauffer & Al G…(+)

Piano and voice - Digital Download SKU: LV.24069 Composed by Aubrey Stauffer & Al G. Coney. Fireplaces, Clocks & watches, Chairs, Smoking, Cigars, Tobacco habits, Contentment, Courtship, Alcoholic beverages, Vice. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.24069). What a Little Smoke Will Do (Consequences). Funniest Song on the Stage Today. By Aubrey Stauffer and Al G. Coney. Published 1907 by Will Rossiter Music Publishing in Chicago. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Fireplaces, Clocks & watches, Chairs, Smoking, Cigars, Tobacco habits, Contentment, Courtship, Alcoholic beverages, Vice. First line reads Give me a pipe and let me smoke, I'll drive away my sorrow.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 5.43 € #Piano, Voice #Aubrey Stauffer and Al G #Aubrey Stauffer & Al G #What a Little Smoke Will Do #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Mornin' - Song to a New Morning; from the musical 'Tom Sawyer' Piano, Voice

Piano,Vocal,Voice - Digital Download SKU: A0.904048 Composed by Joseph Andrew Marce…(+)

Piano,Vocal,Voice - Digital Download SKU: A0.904048 Composed by Joseph Andrew Marcello. 20th Century,Children,Musical/Show,Spiritual. Score. 5 pages. Pavane Music, Inc. #2881325. Published by Pavane Music, Inc. (A0.904048). A simple, bluesy, lovely outpouring of love for life and the magic of childhood, the opening song in the stage musical version of Mark Twain's 'Tom Sawyer'.
$4.99 4.52 € #Piano, Voice #Joseph Andrew Marcello #Mornin' - Song to a New Morning; from the musical 'Tom Sawyer' #Pavane Music, Inc. #SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1025435 Composed by Samuel Warren Hatch. 20th Century,Contemporary,Jazz. Score. 9 pages. Samuel Warren Hatch #4764165. Published by Samuel Warren Hatch (A0.1025435). Piano Sonata No. 1 in E Major is the first series of concert piano works by S. Warren Hatch, written during his undergraduate study at Campbell University. Each movement is distinct, in that each of them is composed in a different form, utilizes different key changes and scales, and takes influence from a different period in classical music. While there is no theme that connects them to one another, they are all in the key of E Major and consist mostly of a waltz-like feeling. III. A Reflection of Passing depicts the shifting aspects about death as a person matures. Itâ€™s a piece that came from a time of great loss and much grieving. It begins with an innocent, hopeful understanding of death, followed by a major tone shift, where there is an odd utilization of the piano: the performer sings into the piano while holding down the sustain pedal, which vibrates certain overtones, producing what sounds like a distant choir. The piece closes with a triumphant, hopeful melody, borrowed from a song written by S. Warren Hatch when he was in high school.Composer Notes- Be sure to ensure that the stage hands lift the piano lid before the sonataâ€™s start, as the strings will need to be exposed in order for you to sing into the pianoâ€™s body during A Reflection of Passing. For that section (page 22) you will need to face and sing directly into the strings while holding down the sustain pedal for the entire page. If you are playing with the sheet music (donâ€™t worry, Iâ€™m not shaming you) simply slide the music holder in order to expose the part of the strings that are closest to you. For this sonata, I encourage you to find your own voice in these pieces. Your own interpretation should align with how you most relate to the message/story theyâ€™re telling. This could be using the una corda (leftmost) pedal during lighter sections to further differentiate them, or having a heavier rubato to strengthen the impact of certain phrases. As long as you bring these pieces to life, then it has my stamp of approval.

Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea (low key) Piano, Voice

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le…(+)

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.779670 Composed by Arthur Le Clerq. Arranged by Kim Kirkman. Broadway,Contemporary,Musical/Show,Traditional. Score. 4 pages. Kim Kirkman #6697499. Published by Kim Kirkman (A0.779670). This is a wonderful old comedy song.I have put it into the key that Tessie O'Shea sings it (Ab major)I have put in the first verse that Tessie sings, plus the spoken part. I have changed some of the words of the spoken part to update them.I have then constructed a third verse from other verses that Le Clerq wrote. To sing it exactly like Tessie please repeat first verse.Words:Verse:For years a fairy queen I've bin', For years I foiled the demon king. But alas, I'm getting on, The years have flown somehow, And I feel that Fairy Snowdrop isn't wanted now. Chorus One:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. She may still have her magic power, But that is not enough, They like their bit of magic from a younger bit of fluff. When once your silver star has lost its glitter, And your tinsel looks like rust instead of gold. Your fairy days are ending when your wand has started bending. Noone loves a fairy when she's old.Spoken:T'was I who found the magic wand, I will not tell you where.T'was I who found young Tinkerbell, her head was full of airIâ€™ve been a fairy of the flowers, and fairy daffodils,Iâ€™ve been a fairy of the wind, and suffer from it still!In certain covered valley hills I go down to the glenBeen loved by all the children and run after by the men. Huh!Noone could touch me at me splits, me splits were all the rage,Until the night woodman left his chopper on the stage, what a mess! Verse 2:Nobody loves a fairy when she's forty. Nobody loves a fairy when she's old. As far as I can see they try to push you off the map, When once your wand has withered and your wings refuse to flap. When you have lost your little fairy dimples, And the mothholes in your dress let in the cold, It seems that they would sooner listen to a blinkin' crooner, Noone loves a fai-y when she's old!
$1.99 1.8 € #Piano, Voice #Arthur Le Clerq #Nobody Loves a Fairy When She's Forty sung by Tessie O'Shea #Kim Kirkman #SheetMusicPlus