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PIANO & KEYBOARDS

Piano solo 24 Piano, Voice 6 Organ 4 Piano, Vocal and Guitar 3 2 Pianos, 4 hands 2

Easy Piano 1

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GUITARS

Guitar 3 Guitar notes and tablatures 2

VOICE

Choral SATB 51 Choral 3-part 6 Choral 2-part 5 Baritone voice, Piano 4 Choral TTBB 3

Choral SSAA 3 Choral Unison 2 Tenor voice, Piano 2 Vocal duet, Piano 2 Choral SSATB 1 Medium voice, Piano 1 Choral SSAATTBB 1 Low voice, Piano 1 High voice 1

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WOODWIND

Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 4 Clarinet 3 Oboe (band part) 2 Flute (band part) 2 Clarinet Quartet: 4 clarinets 2

Flute ensemble 2 Flute 2 2 Clarinets (duet) 1 Alto Saxophone and Piano 1 2 Flutes (duet) 1 Flute and Piano 1 Saxophone 1

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WOODBRASS

Brass Quartet: 4 trombones 4 Brass quartet : 2 trumpets, trombone, tuba 3 Brass Quintet: 2 trumpets, horn, trombone, tuba 3 Trumpet 2 Brass Quartet 2

French Horn and Piano 1 French horn 1 Trombone ensemble 1

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STRINGS

String Quartet: 2 violins, viola, cello 5 Violin 3 Cello 3 Violin and Piano 2 Cello, Piano 2

Viola 1 4 Cellos 1 Double Bass 1

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PERCUSSION & ORCHESTRA

Concert band 29 Orchestra 8 Chamber Orchestra 6 String Orchestra 3 Brass ensemble 3

Jazz Ensemble 2 Handbells 1

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was inspired by the text

Piano, Voice

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6 sheet music found

Die rote Blume Piano, Voice

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1022048 Composed by Fredrik …(+)

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Published by Fredrik Schwenk (A0.1022048). The nine songs after poems by Gustav Mahler (1860-1911) were commissioned by the Dutch mezzo-soprano Christianne Stotijn. Mahler was already planning a late Romantic cantata entitled Das klagende Lied shortly after beginning his studies at the Vienna Conservatory in 1878, for which he conceived a three-part cycle of poems for his own setting. When Mahler completed the score in October 1880, he was already at the beginning of a great conducting career. The quality of the poem could be debated, especially in view of the successful Lieder eines fahrenden Gesellen from 1883 and 1884; and yet the ballad, inspired by a mixture of fairy tales by the Brothers Grimm and the poet Ludwig Bechstein, reflects almost the complete range of voices of Mahler's first great creative period, from the songs from Des Knaben Wunderhorn to the Fourth Symphony. At the special request of mezzo-soprano Chrisianne Stotijn and pianist Joseph Breinl, the complete text of the plaintive song was newly set to music. A particular challenge of the new setting of Gustav Mahler's poems consisted for me above all in compromising the genial imperfection of the poetry with a compositional aesthetic that emphasizes precisely the unrhymed, edgy and clichÃ©d as its own quality and does not seek to conceal it. In doing so, it seemed wise and prudent to me, not only for reasons of historical distance(ization), not to implement an intersubjective subjectability to the songs. The serious and ballad-like basic tone was to be preserved, the way in which the text was implemented stems from the idea of a thoroughly pluralistic and therefore stylistic tightrope walk, which in a kind of music about music reflects the relationship to one's own tradition and its changing values and thus repeats the phenomenon of Mahler per se in the context of the 21st century.

$7.50 6.91 € #Piano, Voice #Fredrik Schwenk #Die rote Blume #Fredrik Schwenk #SheetMusicPlus

An Orange for Soprano/Tenor and Piano Piano, Voice

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942058 Composed by Apostolos…(+)

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.942058 Composed by Apostolos Paraskevas. 20th Century,Jazz,Opera,World. Score. 10 pages. Silver Sickle Publications #4729017. Published by Silver Sickle Publications (A0.942058). This witty and extremely fun work to perform by composer Apostolos Paraskevas was conceived after real events. There is a version for Soprano/tenor and Piano and one for guitar as well. Easy to perform and the text was inspired of the following narrative. I Slaughtered an Orange over the Sink... ...and it just sat thereâ€¦It didn't say a word, not a sound of anguish, not even when my teeth started to tear apart it's flesh little by little... I knew it was a special orange but I couldn't fathom the magnitude of its characterâ€¦Even when gentle I took it away from its friends there at the top of the kitchen counter, it looked at me almost with a sense of gratitude. Yes, gratitude.! As if it was saying: Thank you! Thank you for helping me to fulfill the purpose of my lifeâ€¦Since I was a little seed I knew I would serve a higher purpose. My sacrifice will help a human to become a healthier mother, doctor, composer, a better scientist. Yes, I think I felt it saidâ€¦a better composer as well. ...and there I was, sinking my teeth deep inside its flesh and taking all of what it had to offer. It's life, it's substance, it's gratitude for serving a higher purpose. I slaughtered it over the sink, to avoid any evidence of what had happen there. The remaining outer sell, I placed it on the stove top and lighted up with fire, as my mother use to do, to release the heavenly smell and there it was. Evaporated everywhere! I inhale it, It became totally a part of me. Today, I slaughtered an orange over the sink and I didnâ€™t say thank you! Apostolos Paraskevas is a classical guitarist and composer as well as an award-winning film director and producer. He has received multiple international awards for his compositions and was nominated for a Grammy Award. He is the only guitarist ever to have a major orchestral piece performed at Carnegie Hall under the direction of Lukas Fossâ€“â€“and the only musician who has performed there in a Grim Reaper outfit. He was the founder and served for 16 years as the artistic director of the International Guitar Congress-Festival of Corfu, Greece. He is a voting member of the Recording Academy (Grammys). After his undergraduate music studies in Volos he pursued advanced studies in classical guitar with Costas Cotsiolis (diploma, 1990) and Leo Brouwer (Havana 1984, 1988), as well as postgraduate studies in composition with Lukas Foss and Theodore Antoniou (DMA in composition, Boston University, 1998). Paraskevas embarked on a successful career as a guitar soloist and contemporary composer, achieving distinctions in both disciplines: Grammy nomination for Chase Dance (Bridge Records, 1999); first prize for Night Wanderings (Lukas Foss Composition Competition, 2000); first prize for Phygein Adynaton (National Composers Conference, 1997); and numerous prestigious commissions, performances, and publications. Following teaching posts at Northeastern and Boston Universities, Paraskevas has taught since 2001 at the Berklee College of Music in Boston (professor of composition and classical guitar). His eclectic compositional style arises as an idiosyncratic integration of seemingly conflicting influences â€“ from avant-garde approaches to harmonic structure, form, and timbre, to pop-folk modal and rhythmical concepts â€“ amalgamated into a personal evocative musical language, characterized by rhythmic verve, melodic grace, dramatic (and sometimes unexpectedly humorous) gestures, and ritualistic or theatrical elements. The latter feature has also led Paraskevas to the creation of films, notably the acclaimed I Finally Did It (Gold award, California Film Awards 2010), dealing wittily with Death, a recurring extra-musical theme in his music. The Groves Dictionary of Music Costas.

$8.99 8.29 € #Piano, Voice #Apostolos Paraskevas #An Orange for Soprano/Tenor and Piano #Silver Sickle Publications #SheetMusicPlus

Ave Maria - Bach/Timofeev (for Mezzo-soprano and Piano) Piano, Voice

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.966150 Composed by Johann Se…(+)

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.966150 Composed by Johann Sebastian Bach, Alexander Timofeev. Baroque,Romantic Period,Sacred,Spiritual. Score. 6 pages. Alexander Timofeev #6670301. Published by Alexander Timofeev (A0.966150). This Ave Maria, for Mezzo-soprano and Piano, was composed in 2013 by Alexander Timofeev. The accompaniment to this new setting of Ave Maria was inspired by Bach/Siloti Prelude BWV 855. Text: Latin. Vocal range: Bb3 - F5. Duration: 4'.This piece is also available in other versions:1. Soprano and Piano2. Soprano and Organ3. Soprano, Piano and String Quartet4. Soprano, Mixed Choir, and Piano5. Soprano, Mixed Choir, and Organ6. Soprano, Piano, Timpani and Strings7. Soprano and Orchestra8. Mezzo-soprano and Organ9. Mezzo-soprano, Mixed Choir and Piano10. Mezzo-soprano, Mixed Choir and Organ.

$4.50 4.15 € #Piano, Voice #Johann Sebastian Bach, Alexander Timofeev #Ave Maria - Bach/Timofeev #Alexander Timofeev #SheetMusicPlus

Ave Maria - For Low Voice Piano, Voice

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1490206 By Cascia Talbert. B…(+)

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1490206 By Cascia Talbert. By Franz Schubert. Arranged by Cascia Talbert. Christian,Classical,Praise & Worship,Religious,Spiritual. Score. 7 pages. Cascia Talbert #1067042. Published by Cascia Talbert (A0.1490206). Ellens dritter Gesang (Ellen's Song III, D. 839, Op. 52, No. 6, 1825), known in English as Ellen's Third Song, was composed by Franz Schubert in 1825. It is part of his Op. 52, a collection of seven songs inspired by Walter Scott's 1810 narrative poem The Lady of the Lake, which was loosely translated into German.This piece is among Schubert's most beloved works. Although it was originally composed as a song, it is frequently performed and recorded under the title Ave Maria. This title references the Latin name of the prayer Hail Mary, which is also the opening phrase and refrain of Ellen's song—a prayer to the Virgin Mary. Performances often feature simplified musical arrangements and various lyrics that deviate from the original poem. Franz Liszt arranged the piece in three versions for piano.Schubert's composition is based on verse XXIX from Canto Three of Scott's poem, translated into German by Adam Storck (1780–1822). It is part of Schubert's Liederzyklus vom Fräulein vom See. In Scott's narrative, Ellen Douglas, the Lady of the Lake (Loch Katrine in the Scottish Highlands), seeks refuge with her exiled father in the Goblin's Cave, avoiding their previous host, Roderick Dhu, who has chosen to rebel against King James. As Roderick Dhu and his warriors ascend the mountain, he hears Ellen, accompanied by the harpist Allan-bane, singing a prayer to the Virgin Mary, pleading for help. Roderick Dhu pauses momentarily before heading into battle.The song is said to have been first performed at the castle of Countess Sophie Weissenwolff in Steyregg, Austria, and was dedicated to her, earning her the nickname the lady of the lake.The repeated use of Ave Maria in Ellen's song likely inspired the adaptation of Schubert's melody to fit the full text of the traditional Roman Catholic prayer Ave Maria. This adaptation has become so widespread that it often leads to the mistaken belief that Schubert originally composed the melody specifically for the Ave Maria prayer.This arrangement is for low voice and piano.

$5.99 5.52 € #Piano, Voice #Cascia Talbert #Ave Maria - For Low Voice #Cascia Talbert #SheetMusicPlus

Love Stories Piano, Voice

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1248246 Composed by Ross Fid…(+)

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1248246 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 31 pages. Ross Fiddes #842808. Published by Ross Fiddes (A0.1248246). It was late 2015. You have written music for our children and for many others, but youâ€™ve never written anything for meâ€ said my bride of (then) 36 years. Â Point taken.Â Whilst she had inspired me and had been a sounding board for many works, I had never dedicated anything to her. In looking for texts which expressed something of the love and admiration I have for my dear lady, I found some beautiful poems by the late Australian poet, John Shaw Neilson. These express emotions which are romantic, whimsical, allegorical, contemplative and more, providing marvellous inspiration.Rejecting the idea of narrative song cycle, I decided each song would tell its own story, naming the grouping Love Stories.So here is is.Throughout, the music is treated in ensemble; the piano does not â€œaccompanyâ€ but supports whilst charting its own course.The work was premiered in the 2018 Newcastle Music Festival by Michael Lampard with the composer at the piano.And the dedicatee gave the performers a huge hug onstage at the conclusion of the work!YouTube: https://www.youtube.com/watch?v=s-E8lJpMVGE&t=2sÂ

$50.00 46.1 € #Piano, Voice #Ross Fiddes #Love Stories #Ross Fiddes #SheetMusicPlus

I Am not I (Yo no soy yo) Piano, Voice

Piano,Vocal,Voice - Digital Download SKU: A0.977492 Composed by Franco Solano. 20th…(+)

Piano,Vocal,Voice - Digital Download SKU: A0.977492 Composed by Franco Solano. 20th Century,Contemporary,World. Score. 6 pages. Franco Solano #5291875. Published by Franco Solano (A0.977492). Composition for voice and piano on a poem by the Spanish poet Juan RamÃ³n JimÃ©nez In the song there are two different planes marked in the parts of the piano, an upper register with tonal/modal harmony and another register low/medium with atonal harmony, while the voice that sings coexists with the different levels. This was inspired by the dual idea proposed by the text, of a spiritual part that accompanies us.

$4.99 4.6 € #Piano, Voice #Franco Solano #I Am not I #Franco Solano #SheetMusicPlus