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You've selected:
The Way We Were - Baritone Sax
Alto Saxophone
Sheetmusic to print
7 sheet music found
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1
The Way We Were
Alto Saxophone
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.609699 By Barbra Streisand…
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.609699 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376149. Published by Kevin Busse (A0.609699). This is a simple transcription of The Way We Were in the easy key of C for Alto Sax.
$4.99
4.6 €
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Alto Saxophone
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Barbra Streisand
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The Way We Were
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Kevin Busse
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SheetMusicPlus
The Way We Were
Alto Saxophone
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.609666 By Barbra Streisand…
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.609666 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376027. Published by Kevin Busse (A0.609666). This is a simple transcription of The Way We Were in the original key for Alto Sax.
$4.99
4.6 €
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Alto Saxophone
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Barbra Streisand
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The Way We Were
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Kevin Busse
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SheetMusicPlus
The Way We Were
Alto Saxophone
Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.609682 By Barbra Streisand…
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Alto Saxophone Solo - Level 2 - Digital Download SKU: A0.609682 By Barbra Streisand. By Marvin Hamlisch. Arranged by Kevin Busse. Contemporary. Individual part. 1 pages. Kevin Busse #5376087. Published by Kevin Busse (A0.609682). This is a simple transcription of The Way We Were in a good range for Alto Sax.
$4.99
4.6 €
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Alto Saxophone
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Barbra Streisand
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The Way We Were
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Kevin Busse
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
Alto Saxophone
Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.784330 Composed by Joshua …
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Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.784330 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288653. Published by Slide Ride (A0.784330). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.61 €
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Alto Saxophone
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Alto Saxophone Quartet
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Slide Ride
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SheetMusicPlus
Barbra Streisand: The Way We Were - alto saxophone solo
Alto Saxophone
Instantly printable sheet music by Barbra Streisand for alto saxophone solo of MEDIUM skil…
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Instantly printable sheet music by Barbra Streisand for alto saxophone solo of MEDIUM skill level. / love,pop
$3.97
3.66 €
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Alto Saxophone
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Barbra Streisand
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Virtualsheetmusic
Pur(rrr)ifying
Alto Saxophone
Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.933336 Composed by Juan Gu…
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Alto Saxophone Solo - Level 4 - Digital Download SKU: A0.933336 Composed by Juan Guerra González. Contemporary. Individual part. 25 pages. Juan Carlos Guerra Gonzalez #6026515. Published by Juan Carlos Guerra Gonzalez (A0.933336). Inspiration always comes from unexpected situations or places. Every single morning when my wife wakes up, our cat Zeus comes to her and starts his massage routine (yes, we have a cat that does massages.) When he’s in the middle of his routine he always purrs, as many cats do. One day he changed the time of his routine and instead of doing in in the morning, he came to our bed when we were almost sleeping. When he started purring, I was impressed by the sense of relaxation I was getting from that sound and I decided to use it in my next composition.I came across an investigation of Dr. Karen Mccomb, a professor at the University of Sussex, London who also appeared on the documentary The Lion in your Living Room (available at Netflix) According to Dr. Mccomb, cats have two different types of purrs, the first type is for when our feline friends want something from us (solicitation purr) and the other one when they’re just relaxing (non-solicitation purr). I divided the piece into two movements, accompanied by a prerecorded tape. Visit www.juancarlosguerra.com to learn more about the piece.The first movement (Solicitation Purr) is for when cats are demanding for action, the saxophone creates effects while the tape accentuates this idea. Multiple cats joined this movement with their particular meows. The second movement (Non-solicitation Purr) is more relaxing and lyric for the soloist.
$7.99
7.37 €
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Alto Saxophone
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Juan Guerra González
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Pur(rrr)ifying
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
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