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Iron
Choral SSAA
Sheetmusic to print
11 sheet music found
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1
Ironic
Choral SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.934939 By Alanis Morissett…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.934939 By Alanis Morissette. By Alanis Morissette and Glen Ballard. Arranged by Matthew Swope. Contemporary. Octavo. 12 pages. Matthew Swope #5731803. Published by Matthew Swope (A0.934939).
$1.99
1.84 €
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Choral SSAA
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Alanis Morissette
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Ironic
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Matthew Swope
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SheetMusicPlus
Compost
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.927001 Composed by Randi G…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.927001 Composed by Randi Grundahl Rexroth. Contemporary,Jazz. Octavo. 8 pages. Randi Rexroth #3487997. Published by Randi Rexroth (A0.927001). This is the perfect piece for any concert with an environmental focus that needs a little giggle. Also available in SATB. Purchasers of this arrangement receive live performance rights, recordings rights (live or remote), and the right to post your recording on social media. **Please note that this is for the choir(s) for whom the purchase is being made. Please do not share the resources with other choirs/choir directors. **
$2.30
2.12 €
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Choral SSAA
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Randi Grundahl Rexroth
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Compost
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Randi Rexroth
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SheetMusicPlus
Julian's Hazelnut for SSAA and B flat clarinet
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrien…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.1178138 Composed by Adrienne Inglis (ASCAP). Christian,Classical,Early Music,Sacred,Spiritual. Octavo. 14 pages. Adrienne Inglis (ASCAP) #778101. Published by Adrienne Inglis (ASCAP) (A0.1178138). Gorgeous sacred piece in Middle English for SSAA and Bb clarinet! Perfect for Holy Week, Easter, Good Friday, Maundy Thursday, environmental, nature, mystical, contemplative concerts! Julian’s Hazelnut (2022) by Adrienne Inglis (ASCAP)SSA treble chorus and B flat clarinetText: The Shewings of Julian of Norwich, Part 1 Lines 148-154 by Julian of Norwich (about 1343 - after 1416)Commissioned by Inversion Ensemble for Da Capo’s Origins concertDuration 3:50 minutesDifficulty 4 (Auditioned Chorus)Language — Middle English (with Original Pronunciation from David Crystal)Original Pronunciationhttp://originalpronunciation.com/GBR/Home The perusal score video will be included on this YouTube playlist soon.https://www.youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:21 Jan 2023 at 7 PM Inversion Ensemble and clarinetist Brendan Fairleigh (world premiere) in Austin, TexasCommissioned by Inversion Ensemble for Da Capo’s January 2023 Origins concert, Julian’s Hazelnut (2022) by Adrienne Inglis sets text by Julian of Norwich for treble voices and B flat clarinet. Born in about 1343 in Norwich, England, Julian survived the Black Plague as a girl of six. She became an anchoress at St. Julian’s Church in Norwich where she lived in prayerful seclusion. In 1373, she became very sick at age 30. Near the point of death, a curate showed her a crucifix for comfort. She then experienced a series of intense visions of Christ and recovered from her illness to write eloquently about her “shewings.†The beautiful Medieval English text for this piece is from The Shewings of Julian of Norwich, Part I lines 148-154 in which Julian reflects on the vision she experienced about a hazelnut in the palm of her hand. She comes to understand that God loves even a small, ordinary thing like a hazelnut, such that it will not disintegrate but last forever because of God’s love for it. In Julian’s vision, the hazelnut symbolizes all that is made — all of Creation that God made and loves forever. The music combines Medieval sounds and counterpoint with lush, modern harmonies, woven together with the smooth color and elegant lines of the clarinet. Singers use Original Pronunciation to capture the lyricism of Julian’s words. May this piece inspire the same awe and amazement at God’s beloved Creation that Julian felt centuries ago.http://adrienneinglis.com.
$1.99
1.84 €
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Choral SSAA
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Adrienne Inglis
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Julian's Hazelnut for SSAA and B flat clarinet
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Adrienne Inglis
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SheetMusicPlus
Unseen Secrets (Downloadable)
Choral SSAA
SSAA choir and piano - Moderately Difficult - Digital Download SKU: MQ.8041-E Compo…
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SSAA choir and piano - Moderately Difficult - Digital Download SKU: MQ.8041-E Composed by Joshua Fishbein. Instrument part. 11 pages. E. C. Schirmer Music Company - Digital #8041-E. Published by E. C. Schirmer Music Company - Digital (MQ.8041-E). English.This piece is dedicated to WomenSing, MartÃn Benvenuto, artistic director, and was commissioned through the Marcia Hodges New Music Fund as part of the Youth Inspiring Youth Project. The poem used in this setting was written by Quinn H. Whitlow of St. Louis Park, Minnesota, at age 7. This poem was the 2009 Grand Prize Winner for the Grades K-2 Poetry category in the 2009 River of Words® Environmental Poetry & Art International Competition. Duration: 3:00.
$2.65
2.45 €
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Choral SSAA
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Joshua Fishbein
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Unseen Secrets
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Welcome Home
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1232274 By Dave Dobbyn. By…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1232274 By Dave Dobbyn. By Dave Dobbyn. Arranged by Kristina Roper. 21st Century,A Cappella,Barbershop. Octavo. 7 pages. Kristina Roper #827960. Published by Kristina Roper (A0.1232274). As arranged for and sung by the Greater Auckland Chorus (originally intended to welcome the first flights back to NZ after covid, but cancelled by *ironically* covid), this arrangement of the NZ classic Welcome Home by Dave Dobbyn is suitable for female barbershop or SSAA/SSAT/SAAT groups.Note that the alto 2/barbershop bass part is on the lower side (down to Db) but may be able to transpose up by 1-2 semitones depending on the range of your singers as upper parts not particularly high either.
$1.99
1.84 €
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Choral SSAA
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Dave Dobbyn
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Welcome Home
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Kristina Roper
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SheetMusicPlus
Omnia Mutantur (for SSAA Choir, a cappella)
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1033410 Composed by Aaron …
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1033410 Composed by Aaron Lee. 20th Century,A Cappella,Classical,Contemporary,Contest,Festival. Octavo. 16 pages. J. Aaron Lee #638600. Published by J. Aaron Lee (A0.1033410). Omnia Mutantur addresses the ever-present reality of life these days. Everything changes. However, this work intends to affirm for the listener that while things may change, we always adapt to keep up, and that nothing is ever truly lost to change. This work approaches the matter of change, perhaps ironically, via minimalistic techniques and an uplifting perspective. This song is an entirely secular work in Latin. It touches on some minimalist techniques and could be integrated into secondary school music lessons as a means of discussing minimalism and also as a means to introduce students to singing in Latin while avoiding religious ties. This work has been arranged for SSAA choir (a cappella) from the original SATB version and is approximately 4.5 minutes in duration. The choral parts are largely diatonic and should be accessible to most audiences/ensembles. For more music from Aaron Lee, you can visit www.MusicOfLee.com.
$2.49
2.3 €
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Choral SSAA
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Aaron Lee
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Omnia Mutantur
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J. Aaron Lee
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SheetMusicPlus
Welcome Home
Choral SSAA
Voice (SSAA) - Level 3 - Digital Download SKU: A0.1232270 By Dave Dobbyn. By Dave D…
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Voice (SSAA) - Level 3 - Digital Download SKU: A0.1232270 By Dave Dobbyn. By Dave Dobbyn. Arranged by Kristina Roper. 21st Century,A Cappella,Barbershop. Barbershop Quartet. 7 pages. Kristina Roper #827956. Published by Kristina Roper (A0.1232270). As arranged for and sung by the Greater Auckland Chorus (originally intended to welcome the first flights back to NZ after covid, but cancelled by *ironically* covid), this arrangement of the NZ classic Welcome Home by Dave Dobbyn is suitable for female barbershop or SSAA/SSAT/SAAT groups.Note that the alto 2/barbershop bass part is on the lower side (down to Db) but may be able to transpose up by 1-2 semitones depending on the range of your singers as upper parts not particularly high either.
$12.99
12 €
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Choral SSAA
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Dave Dobbyn
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Welcome Home
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Kristina Roper
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SheetMusicPlus
Price Tag
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856181 By Jessie J Featuri…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.856181 By Jessie J Featuring B.O.B. By Bobby Ray Simmons, Jr., Claude Kelly, Jessica Cornish, and Lukasz Gottwald. Arranged by Liz Garnett. Contemporary. Octavo. 8 pages. Liz Garnett #3916849. Published by Liz Garnett (A0.856181). Jessie Jay must have, ironically, become a good deal richer on the back of this hit of 2011 that critiques materialism so cheerfully. The arrangement features modest vocal ranges, its challenges being more of managing textural variety and letting the melody come through as it is passed between different parts.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal Ranges:Tenor: F4 - D5Lead: C4 - D5Bari: A3 - A4Bass: F3 - F4www.HelpingYouHarmonise.com
$2.99
2.76 €
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Choral SSAA
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Jessie J Featuring B
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Price Tag
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Liz Garnett
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SheetMusicPlus
Such Great Heights
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.993659 By Iron And Wine. B…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.993659 By Iron And Wine. By Benjamin Gibbard, Jimmy Tamborello, and The Postal Service. Arranged by Patrick Volker. A Cappella. Octavo. 10 pages. Patrick Volker #4639251. Published by Patrick Volker (A0.993659). A high-energy SSAA arrangement that will keep your singers on their toes and your audiences overjoyed. Such Great Heights is given an evocative treatment and a variety of textures in this pop acapella-style arrangement.
$12.99
12 €
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Choral SSAA
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Iron And Wine
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Such Great Heights
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Patrick Volker
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SheetMusicPlus
Je Suis Chez Moi-I'm at Home
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1244587 By Gerda Blok-Wils…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1244587 By Gerda Blok-Wilson. By Gerda Blok-Wilson. 21st Century,Children,Classical,Contest,Festival,Multicultural,World. Octavo. 8 pages. CanSing #839540. Published by CanSing (A0.1244587). Je Suis Chez Moi (I’m at Home) by Gerda Blok-Wilson explores the theme of finding solace and a sense of belonging when immersed in the beauty of the natural world. The French and English text offers a wonderful opportunity for treble singers (SSAA) and audiences to reflect on invironmental stewardship. Great for both Earth Day and general choral programs. Check out more upper, lower and mixed voice repertoire at: gerdablokwilson.ca#ChoralMusic #NatureHeals #earthday.
$2.25
2.08 €
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Choral SSAA
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Gerda Blok-Wilson
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Je Suis Chez Moi-I'm at Home
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CanSing
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SheetMusicPlus
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
Choral SSAA
Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienn…
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Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
3.69 €
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Choral SSAA
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
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