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Key of C major.
SheetMusicPlus
Choral SSAA
Sheetmusic to print
8 sheet music found
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1
Can't Take My Eyes Off Of You
Choral SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.726993 By Frankie Valli. B…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.726993 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Kay Bromert. A Cappella,Rock. Octavo. 5 pages. Kay Bromert #4297895. Published by Kay Bromert (A0.726993). Swing tune as done by Frankie Valli, low voice rhythmic counter melody, melody moves to different voices, arranged in C Major with key change to Db major, SSAA, A Cappella, barbershop chorus style arrangement, 5 pages.
$1.99
1.81 €
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Choral SSAA
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Frankie Valli
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Can't Take My Eyes Off Of You
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Kay Bromert
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SheetMusicPlus
The Sound Of Silence
Choral SSAA
Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856221 By Simon And Garfun…
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Choral Choir (SSAA) - Level 5 - Digital Download SKU: A0.856221 By Simon And Garfunkel. By Paul Simon. Arranged by Liz Garnett. A Cappella,Pop,Rock. Octavo. 10 pages. Liz Garnett #4612527. Published by Liz Garnett (A0.856221). The starting-point for this major show-piece was Disturbed's 2015 cover of Simon and Garfunkel's classic. The White Rosettes sought to capture its escalation of of emotional impact as the vocal range shifted and the orchestration developed through the narrative of a dystopic vision.A cappella voices can capture that sense of build through layering of different sizes of ensemble. And, whilst their timbral palette is more limited than the instrumentation Disturbed could draw on, they have the power of harmony to add colour and impact.The arrangement is built around two main harmonic ideas: juxtaposing minor chords and key areas a third apart, and the dissonance of the melodic major 2nd and minor 3rd rubbing up against each other. Between them they create an atmosphere that hangs heavy with portent and mystery, echoing and amplifying the emotional tone of the lyrics.N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.Vocal ranges:QuartetTenor: F#4 - E5Lead: B3 - A4Bari: C#4 - A4Bass: F#3 - A 4OctetTenor: G4 - D5Lead: C4 - A4Bari: B3 - A4Bass: E3 - C4DuetVoice 1: G3 - C5Voice 2: G3 - A4Full chorusTenor 1: E flat 4 - G5Tenor 2: E flat 4 - F#5Lead 1: B3 - E flat 5Lead 2: B3 - E flat 5Bari: A3 - C5Bass: D3 - G4www.HelpingYouHarmonise.com
$3.99
3.63 €
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Choral SSAA
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Simon And Garfunkel
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The Sound Of Silence
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Liz Garnett
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SheetMusicPlus
Only You
Choral SSAA
Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1269265 By Yazoo. By Vince…
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Choral Choir (SSAA) - Level 2 - Digital Download SKU: A0.1269265 By Yazoo. By Vince Clarke. Arranged by Karen Wilson. A Cappella,Contemporary,Pop. Octavo. 5 pages. Karen Wilson #861803. Published by Karen Wilson (A0.1269265). Alison Moyet sang this song in the key of A major. As we all know, she has a beautiful, low voice. I arranged it in A major, but we found all the parts were on the low side, so I therefore transposed it up a minor third (to C major). Obviously, it'll depend on your voices as to which key you decide upon. Good luck!
$1.99
1.81 €
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Choral SSAA
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Yazoo
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Only You
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Karen Wilson
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SheetMusicPlus
After Love
Choral SSAA
SSAA choir and piano - Medium - Digital Download SKU: MQ.8811-E Composed by Stephen…
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SSAA choir and piano - Medium - Digital Download SKU: MQ.8811-E Composed by Stephen Chatman. 9 pages. Duration 1 minute, 45 seconds. E. C. Schirmer Music Company - Digital #8811-E. Published by E. C. Schirmer Music Company - Digital (MQ.8811-E). English.The opening line of Sara Teasdale’s poem, After Love, “There is no magic any more,†establishes the theme of vanishing love. Stephen Chatman’s setting of the poignant text, in the key of E flat major, emphasizes the natural rhythm of the words, mixed meters, and irregular phrase lengths. The climax of the melody embraces sustained, intense vocal lines in contrary motion supported by an undulating piano accompaniment. One of a set of six of Teasdale's love songs. Duration: 1:45.
$2.65
2.41 €
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Choral SSAA
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Stephen Chatman
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After Love
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Demons
Choral SSAA
Choral Choir (SSAA) - Digital Download SKU: A0.762525 By Imagine Dragons. By Alexan…
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Choral Choir (SSAA) - Digital Download SKU: A0.762525 By Imagine Dragons. By Alexander Grant, Benjamin McKee, Daniel Reynolds, Daniel Sermon, and Josh Mosser. Arranged by Carolyn Goates. Rock. Octavo. 5 pages. Carolyn Goates #3627041. Published by Carolyn Goates (A0.762525). This chart-topping song has been covered many times. I hope you like this arrangement for 4 voices. It is in the original key of Eb major, so if you already know the song it is a very familiar sing-along in a familiar place for the voice. The melody starts with Sopranos while Altos provide rhythmic accompaniment. As the song develops the melody splits into 3 and then 4 part harmony, with the tune taken by different parts here and there. Soprano 1s have a soaring descant over the tune towards the end. (Top note G a twelfth above middle C for a short while)SAB and TTBB soon to follow. .
$2.49
2.26 €
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Choral SSAA
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Imagine Dragons
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Demons
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Carolyn Goates
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SheetMusicPlus
Lost Lullabies - SSAA choir with piano, Holocaust children survivors
Choral SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.890640 Composed by …
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.890640 Composed by Stella ter Hart. Concert,Folk,Jewish,Standards. 8 pages. Stella ter Hart #3455425. Published by Stella ter Hart (A0.890640). Inspired by the 1,116 orphaned Polish children who, as Holocaust survivors, were brought to Canada after World War II and became known as The Redeemed Children. These tunes, and others like them, were the only possessions they had and their only direct connection to the past. I received a copy of a book of tunes (unarranged) while speaking at a conference; an elderly gentlemen came up to me, pressed them into my hands and asked me to help keep them alive. The work features two tunes, both on the theme of motherhood. The first tune describes a young mother shushing everything around her so that her little son can sleep. The second tune rejoices when the poor are raised up and a barren woman's house is filled with the laughter of children.To honour the integrity of the tunes, this work features idiomatic writing and harmonies and captures not only the rhythm but also the intended mood and sentiment. Brief solo opportunities feature a soprano and alto in a traditional 'cantor' style section. Shifting from sweet and gentle to driving and energetic, this is an excellent work to build musical expression, story telling and deep empathy.Suitable for all intermediate level treble choirs for any recital, concert or festival occasion.Duration: 4:05 Key Structure: Eflat major and C minor Level: intermediate Language: Yiddish and Hebrew (translations and pronunciation guide provided)composer contact: www.stellaterhart.com
$2.50
2.27 €
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Choral SSAA
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Stella ter Hart
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Lost Lullabies - SSAA choir with piano, Holocaust children survivors
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Stella ter Hart
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SheetMusicPlus
Love Walked In
Choral SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1238940 Composed by…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1238940 Composed by George Gershwin and Ira Gershwin. Arranged by Anastasio Rossi. A Cappella,Barbershop,Broadway,Musical/Show,Standards. 4 pages. Anastasio Rossi #834330. Published by Anastasio Rossi (A0.1238940). One of Gershwin's most popular love ballads. Arranged for Female Barbershop Chorus or Quartet. C Major, One key change - Medium DifficultyLearning tracks are available from the arranger: AAR@prodigy.net.
$2.50
2.27 €
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Choral SSAA
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George Gershwin and Ira Gershwin
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Love Walked In
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Anastasio Rossi
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SheetMusicPlus
All About That Bass
Choral SSAA
Choir, SSAA, female barbershop - Digital Download By Meghan Trainor. Arranged by Liz …
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Choir, SSAA, female barbershop - Digital Download By Meghan Trainor. Arranged by Liz Garnett. 2 pages. Published by Helping You Harmonise
This is a short, two-page arrangement of Meghan Trainor's cheerful and catchy defense of diversity in body-types. It was written to be workshopped, and can be learned and performed in an afternoon, and features vocal ranges accessible to relatively inexperienced singers. It starts off with the tune in unison, then split between upper and lower voices, before blossoming out into harmony, and passing the melody to the lead for the verse. <br> <br> It is written in A major, as that is the key of the original, but leaves headroom to pitch it up should the voices need it.<br> <br> N.B. This arrangement is notated in treble and bass alta (i.e. sung an octave higher than written) clefs.<br> <br> Vocal Ranges:<br> Tenor: E3 - C#5<br> Lead: E3 - A4<br> Baritone: E3 - A 4<br> Bass: E3 - E4
$1.99
1.81 €
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Choral SSAA
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Meghan Trainor
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All About That Bass
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Helping You Harmonise
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SheetMusicPlus
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