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341
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43
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3 Guitars (trio)
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1
4 Guitars (Quartet)
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+ 6 instrumentations
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63
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31
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21
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8
Choral 2-part
8
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6
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1
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1
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+ 5 instrumentations
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171
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109
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93
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30
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29
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27
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23
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17
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15
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15
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13
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1
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1
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1
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1
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1
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101
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71
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70
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11
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8
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7
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6
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39
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36
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33
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32
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29
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23
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18
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15
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8
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7
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5
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3
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Swing Time
Bassoon
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3 sheet music found
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1
Swing Abeba
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Bassoon
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ADVANCED
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Marilyn Herman
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Swing Abeba
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Marilyn Herman
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SheetMusicPlus
Bassoon Solo - Level 5 - Digital Download SKU: A0.1034899 Composed by Marilyn Herman. African,Contemporary,World. Individual part. 6 pages. Marilyn Herma...
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Bassoon Solo - Level 5 - Digital Download SKU: A0.1034899 Composed by Marilyn Herman. African,Contemporary,World. Individual part. 6 pages. Marilyn Herman #6857543. Published by Marilyn Herman (A0.1034899). Abeba, in the title Swing Abeba, means flower - part of the name of the Ethiopian capital city where modern Ethiopian music took root. Abeba is also a common refrain in their vocal music. True to its title, this work is influenced by Ethiopian popular music, which in turn was strongly influenced by swing rhythm in American big band jazz transmitted from an army radio station in neighbouring Eritrea in the 1950s. Ethiopian music – essentially song-based – consists of pentatonic melodies which tend to be deeply embedded in copious melismata, progressing in an improvisatory manner, similarly to jazz. Accordingly, Swing Abeba begins with an Ethiopian, pentatonically melismatic treatment of an un-Ethiopian theme. (Whispers of Gondar…. – were words used to characterize this opening section, Gondar being a highland region in the North of Ethiopia.) The music then breaks into a jazz-swing scherzo. The call-response nature of this scherzo recalls this feature of Ethiopian music. The second section begins with a slow, heavily melismatic ad lib passage marked molto espressivo e pensivo, which leads into a second swing scherzo, the opening themes reappearing in a different guise in the closing section. Swing Abeba makes connections across time and space - between modern Ethiopian and Western musics, infused with influences from a different part of Africa, received via America through the jazz of the swing era.
$7.99
SWING LOW, SWEET CHARIOT
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Bassoon
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BEGINNER
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Spiritual
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Alex Nunes Rodrigues
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SWING LOW, SWEET CHARIOT
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Alex Rodrigues
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SheetMusicPlus
Bassoon Solo - Level 1 - Digital Download SKU: A0.1197244 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. Individual part...
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Bassoon Solo - Level 1 - Digital Download SKU: A0.1197244 Composed by Spiritual. Arranged by Alex Nunes Rodrigues. Spiritual,Traditional. Individual part. 2 pages. Alex Rodrigues #796408. Published by Alex Rodrigues (A0.1197244). Swing Low, Sweet Chariot is a traditional African American spiritual hymn that dates back to the 19th century. The song is known for its beautiful and emotional melody, and its touching lyrics that evoke images of hope and liberation.Swing Low, Sweet Chariot has been performed by countless artists over the years, and its timeless message of faith and perseverance continues to resonate with audiences today. Whether you're a musician looking to add a classic spiritual hymn to your repertoire or simply a fan of beautiful music, the sheet music for Swing Low, Sweet Chariot is an essential item.
$1.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Bassoon
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Publis...
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Bassoon Solo - Level 3 - Digital Download SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
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